Mixed Race Studies

Multiracial Americans could represent America’s future, some say

The Washington Post
2021-10-08

Silvia Foster-Frau, Multiculturalism reporter
Ted Mellnik
Adrián Blanco, Graphics reporter

Steve Majors, in Takoma Park, Md., who is half-Black and half-White, grew up in an all-Black household but is often perceived as White. (Marvin Joseph/The Washington Post)

While still a relatively small part of the population, more Americans than ever identify as multiracial, according to the census

Tony Luna was once again being asked to choose one of his racial identities over the other.

He firmly believed in the anti-racism training his workplace was offering. But the instructor told him he had to pick a group for the program — either the one for White people, or the one for people of color.

Luna is biracial, Filipino and White, a combination that defined his upbringing and sense of self. He has always felt he was either both identities, equally — or in some settings, not fully one or the other.

Multiracial populations increased faster than any single race across the U.S. in the last census. Gains were highest in major metro areas, but the number of people identifying as multiracial also tripled in non-metro areas. Source: 2020 Census

“I felt like it was a false choice, because you’re saying which one are you more comfortable with, your mom or your dad?” Luna, 49, said. “Identity can be based on how people see you, but that can be wrong for mixed people. It’s really based on how you identify, what your experiences are — so many variables go into that.”

More than 33 million Americans — about 1 in 10 — identify as being of two or more races, a number that grew by nearly 25 million people in the past decade, according to the 2020 Census. Multiracial people span all different combinations of races and ethnicities and make up the fastest-growing demographic in the country.

In some cities, the growth is stark. Almost 1.4 million more people each in Los Angeles and New York identified as multiracial in the 2020 Census compared with a decade ago, according to a Washington Post analysis. In Miami, nearly 1.6 million more did so…

Read the entire article here.

The Love Songs of W.E.B. Du Bois, A Novel

HarperCollins
2021-08-24
816 pages
6x9in
Hardcover ISBN: 9780062942937
eBook ISBN: 9780062942968
Audiobook ISBN: 9780062942975

Honorée Fanonne Jeffers, Professor of English
University of Oklahoma, Norman

The 2020 National Book Award–nominated poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.

The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.

Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.

To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.

A Love Letter to Indigenous Blackness

NACLA: Report on the Americas
Volume 53, Issue 3, November 2021 (Published online 2021-09-13)
pages 248-254

Paul Joseph López Oro, Assistant Professor of Africana Studies
Smith College, Northampton, Massachusetts

A Garifuna ritual gathering to honor the ancestors at Orchard Beach in the Bronx, New York, June 2017. (Paul Joseph López Oro)

Garifuna women in New York City working to preserve life, culture, and history across borders and generations are part of a powerful lineage of resistance to anti-Blackness.

Mirtha Colón. Janel Martinez. Aida Lambert. Tania Molina. Carla Garcia. Tola Guerrero. Karen Blanco. Miriam Miranda. Ofelia Bernandez. Olga Nuñez. Luz Solis. Siria Alvarez. Isha Sumner. Sulma Arzu-Brown. Dilma Suazo-Gordon. Isidra Sabio. These are just some names of Garifuna women whose hemispheric political labor highlights a transgenerational and transnational tradition of preserving Garifuna life. Garifuna women are the very foundation of conjuring, mobilizing, and safeguarding Garifuna ancestral memory, rituals, language, and oral histories—all embodied histories of knowledge production—across generations and national boundaries. Some of these Garifuna women live in New York City, and some of them live in Central America’s Caribbean coasts. Some have never been to Central America, but their family’s nostalgia remains with them.

Garifuna life is matrifocal. Garifuna women are not simply the head of the household, but they are also at the center of organizing and governing every family structure, which extends beyond biological kinship. This is not a uniquely Garifuna experience. Throughout the African diaspora in the Americas, Black women are often the head of the household. Especially if we consider non-heteronormative notions of family and kinship, Black women have been at the forefront of preserving and protecting Black life over centuries, as anthropologists Christen A. Smith and Keisha-Khan Y. Perry have documented. However, a matrifocal or matrilineal society does not dismantle misogynoir, patriarchy, racial capitalism, and anti-Blackness. I write this matrilineal love letter to honor, celebrate, and center Garifuna women’s political, intellectual, spiritual, cultural, and knowledge producing labor that often goes unseen, uncited, or undervalued in a world that remains heteropatriarchal and anti-Black…

Read the entire article here.

AMST 3407 – Racial Borders and American Cinema

University of Virginia
Department of American Studies
Fall 2021

This class explores how re-occurring images of racial and ethnic minorities such as African Americans, Jews, Asians, Native Americans and Latino/as are represented in film and shows visual images of racial interactions and boundaries of human relations that tackle topics such as immigration, inter-racial relationships and racial passing.

For more information, click here.

“Our Relations…the Mixed Bloods” Indigenous Transformation and Dispossession in the Western Great Lakes

SUNY Press
April 2021
264 pages
Hardcover ISBN13: 978-1-4384-8285-9

Larry Nesper, Professor of Anthropology and American Indian Studies
University of Wisconsin, Madison

Foreword by:

Michael S. Wiggins Jr., Chief Executive Officer & Tribal Chairman
The Bad River Band of Lake Superior Chippewa, Ashland, Wisconsin

Articulates the relationships between kinship, racial ideology, mixed blood treaty provisions, and landscape transformation in the Great Lakes region.

In the Great Lakes region of the nineteenth century, “mixed bloods” were a class of people living within changing indigenous communities. As such, they were considered in treaties signed between the tribal nations and the federal government. Larry Nesper focuses on the implementation and long-term effects of the mixed-blood provision of the 1854 treaty with the Chippewa of Wisconsin. That treaty not only ceded lands and created the Ojibwe Indian reservations in the region, it also entitled hundreds of “mixed-bloods belonging to the Chippewas of Lake Superior,” as they appear in this treaty, to locate parcels of land in the ceded territories. However, quickly dispossessed of their entitlement, the treaty provision effectively capitalized the first mining companies in Wisconsin, initiating the period of non-renewable resource extraction that changed the demography, ecology, and potential future for the region for both natives and non-natives. With the influx of Euro-Americans onto these lands, conflicts over belonging and difference, as well as community leadership, proliferated on these new reservations well into the twentieth century. This book reveals the tensions between emergent racial ideology and the resilience of kinship that shaped the historical trajectory of regional tribal society to the present.

Table of Contents

• List of Illustrations
• Acknowledgments
• Foreword
• Introduction
• 1. Ojibwe Ethnogenesis and the Fur Trade
• 2. Descent Ideology, Sociality, and the Transformation of Indigenous Society
• 3. Ojibwe Treaties, the Emerging Paradigm of Race, and Allotting Mixed Bloods
• 4. “Mixed Bloods” in the Southwest Sector of Anishinaabewaki
• 5. Implementing the Mixed-Blood Provision of the 1854 Treaty of La Pointe
• 6. Constituting Reservation Society on the Emerging Postdispossession Landscape
• 7. Allotment and the Problems of Belonging
• Conclusion
• Epilogue
• Notes
• Bibliography
• Index

In Our Blood: A People, Divided

a LATTO thought: An immersive audio documentary series that dismantles post-racial myths about mixed race identities.
2021-08-28

CA Davis, Host

Marilyn Vann, Doug Kiel, Ariela Gross, Leetta Osborne-Sampson and Kim TallBear

The conclusion of a LATTO thought’s first miniseries traces how Indigenous kinship has been damaged by centuries of racist and colonial American policies. Marilyn Vann (Cherokee Nation) and LeEtta Osborne-Sampson (Seminole Nation) share the painful fight that the descendants of Indigenous Freedmen have waged for civil rights within their own nations. Genocide in slow motion and the lack of one equal citizenship created a zero sum game that, left a people—a family—divided.

But… that may not be the case for much longer.

Listen to the episode (01:11:00) here.

Acquanetta

Jungle Frolics
2009-10-15

Richard Beland

Acquanetta was born Mildred Davenport on July 17, 1921, and, depending on your source, was of either black or American Indian origin. A few writers have claimed she was Cheyenne Indian; possibly they’re confusing this with reports of her being from Cheyenne, Wyoming, or having been born in Ozone, near Cheyenne. However, by most accounts she was born on an Indian reservation and raised in Norristown, Pennsylvania. These conflicting reports may be due to the possibility that she had both black and Indian blood in her. (Adding to the confusion regarding her ethnic origins, some still report that she was born in Venezuela!)…

...The Arizona Republic for August 22, 2004, reported that Acquanetta’s brother, 85-year old Horace A. Davenport, was present at her funeral. A retired judge, Horace Davenport was, according to the Pennsylvania Bar Association, “the first African-American judge in Montgomery County.” Horace said that he’d never seen any of Acquanetta’s movies.

Bill Feret, in his 1984 book, Lure of the Tropix, said of Acquanetta, “She has never clarified her ambiguous origins, which over the years have varied between being an Arapaho Indian from Wyoming, a Latin from Venezuela, or a black girl from Pennsylvania…” Certainly, her exotic and sultry beauty and the ambiguity of her past added to the mystique.

Perhaps the 1940 United States Census can clear up matters: Mildred Davenport was born in 1921 in Newberry, South Carolina and was residing in Norristown, Norristown Borough, Montgomery, Pennsylvania with her parents, William and Julia, and five siblings, including Horace and Catherine (spelled “Kathryn” in a Jet article). Each member of the family is identified as “Negro” (race) and “African American” (ethnicity)…

Read the entire article here.

Ceremony

Penguin Random House
2006-12-26 (originally published in 1977)
272 Pages
5-5/8 x 8-7/16
Paperback ISBN: 9780143104919
Ebook ISBN: 9781440621826

Leslie Marmon Silko
Introduction by Larry McMurtry

The great Native American Novel of a battered veteran returning home to heal his mind and spirit

More than thirty-five years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power. The Penguin Classics Deluxe Edition contains a new preface by the author and an introduction by Larry McMurtry.

To Fathom His Very Roots: Chief Buffalo Child Long Lance and “Evidence” of His Literary Racial Passing

J19: The Journal of Nineteenth-Century Americanists
Volume 9, Number 1, Spring 2021
page 69-80
DOI: 10.1353/jnc.2021.0008

DeLisa D. Hawkes, Assistant Professor of English
University of Texas, El Paso

During the latter part of the long nineteenth century, actor and author Sylvester Clark “Chief Buffalo Child” Long Lance completely discarded his African American ancestry to assert a composite Native American identity. He did so in hopes of escaping anti-Black violence. His writings suggest that he believed that performing the racialized stereotype of the “noble savage” would better position him to achieve inclusion in US society, which was otherwise denied to him in his legal “colored” (read: Black) racial identity. His complex and problematic approach to his ancestry and racial identity invites scholars to critically consider how some authors simultaneously challenged yet adhered to social expectations regarding racial identification when reflecting on their personal lives and asserting their racial identities in literature. Long Lance’s life and writings invite scholars to question what counts as “evidence” to prove so-called racial passing when authors or their characters reflect on certain aspects of their ancestry and racial identity. In this essay, I examine the complexities of racial passing in nineteenth and twentieth century literatures with attention to Long Lance’s unique perspective of his racial identity and shows how he used literary and legal racial passing to challenge racial binarism.

Read or purchase the article here.

I’m mixed race, and sometimes I feel like I don’t belong anywhere

CBC News
British Columbia
2021-03-07

Jeremy Ratt, Associate Producer
CBC Vancouver

My mother is Indigenous, and my dad is white. That makes me mixed — two pieces of me, split right down the middle, writes Jeremy Ratt. (Maggie MacPherson/CBC)

Indigenous people say I don’t look Indigenous, white people say I’m not white. So who am I, really?

It’s hard to be me.

I’m not fishing for sympathy or downplaying the struggles of other people who I recognize have it much worse. I feel safe and loved.

But I have trouble being me, because I really don’t know who “me” is at this moment.

I was born 19 years ago on a cold day at Royal University Hospital in Saskatoon. My mother is fully Indigenous, from the Woodland Cree First Nation in northern Saskatchewan, while my father is Caucasian with various ties to European ancestry. This makes me a person of mixed race. Two pieces of me, split right down the middle.

Ever since I could walk and talk, it became apparent that this background was going to be a major part of me. It was clear that I was different and there was no hiding that. “Apitoscan” was a word I’d always heard when it came to the definition of Métis people. In Woods Cree, it means “half-breed” as well as “Métis.”…

Read the entire article here.