Mixed Race Studies

The enduring function of caste: colonial and modern Haiti, Jamaica, and Brazil The economy of race, the social organization of caste, and the formulation of racial societies

Comparative American Studies
Volume 2, Issue 1 (01 March 2004)
pages 61-73
DOI: 10.1177/1477570004041288

Tekla Ali Johnson, Professional Public Historian
Southern Preservation Center in Charlotte, North Carolina

Modern day social hierarchies in Jamaica, Brazil and, to a degree, Haiti find their roots in the colonial context, where planters stratified laborers in order to maximize control. During slavery planters found artificial ways of influencing African identity, dividing enslaved Africans by their occupations and by skin color. These distinctions created divisions among workers and color proved a singularly powerful and enduring symbol of social and economic mobility. The American propensity for creating racial classifications for Africans and further divisions for ‘mixed-race’ offspring traditionally served economic interests. Their perpetuation into the present may signal the continued utility of dividing Africans into subgroups as a means of maintaining control of racial politics in the Americas.

Read or purchase the article here.

A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia, by Richard Dunn

The English Historical Review
Volume 130, Issue 547, December 2015
pages 1575-1577
DOI: 10.1093/ehr/cev299

Trevor Burnard, Professor of History
University of Melbourne, Parkville, Victoria, Australia

A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia, by Richard Dunn (Cambridge, MA: Harvard U.P., 2014; pp. 540. £29.95).

When Richard Dunn wrote a preliminary essay, published in a major journal, comparing the lives of enslaved people working on a large sugar plantation called Mesopotamia in western Jamaica between 1762 and 1834 with the lives of slaves on a large tidewater grain-producing estate in Virginia between 1808 and 1865, he concluded that the experience of slaves in Virginia was better than that of slaves in Jamaica. To his chagrin, a local newspaper summarised his article as if the competition somehow validated Virginian slavery as being not that bad, considering how it was in Jamaica.

That was nearly forty years ago. Since then Dunn has moderated those early opinions so that he now has a much more nuanced view of slave life in the English-speaking Americas. As he says, with characteristic dry humour, taking forty years to write a book is ‘not a recommended modus operandi for historians’ (p. 1). The result, however, is a magnificent and deeply humane evocation of two deeply disturbing worlds of slavery, neither of which exceeded the other in dreadfulness, and in both of which man’s inhumanity to man is ever present. One great advantage of the length of time taken..

Read or purchase the review here.

Artist Phoebe Boswell explores what ‘home’ is, migration, family and Kenya’s troubled past

True Africa
2015-11-05

Phoebe Boswell is one of the most exciting young artists working today. Her moving-image installation, The Matter of Memory, was exhibited at Carroll / Fletcher Gallery in London in 2014 alongside John Akomfrah and Rashaad Newsome. She is involved in Paul Goodwin’s African Diaspora Artists of the 21st Century project and is currently collaborating with Binyavanga Wainaina on a digital literary project called Since Everything Suddens in the Hurricane.

Her work mainly focuses on ‘transient middle points and passages of migration’, hardly surprising given her upbringing. She was born in Kenya, she spent most of her childhood in the Middle East before coming to London where she now lives and works. She took some time to tell us about her exhibition at the Gothenburg Biennale where she recreated her grandmother’s living room and what’s next for her.

Could you tell us about the Gothenburg Biennale and your piece?

The theme of GIBCA this year is A Story Within a Story, a title allows us as artists the opportunity to really play with the construction of storytelling. Elvira Dyangani Ose is at the curatorial helm of GIBCA and has offered us this title with the aim of contesting history, of rewriting it from new and perhaps previously silenced vantage points.

Curatorially, she has brought together works that seek to re-examine and possibly debunk predetermined histories, histories constructed in stuffy seats of power in order to control the collective memory of who we are, where we are, why we are, and how we came to be. The question she and the Biennale are asking the audience is: ‘If you could rewrite history, what would you do?’ It’s a very participatory experience. It’s a Biennale full of works which demand the audience to be active.

The Matter of Memory Courtesy of GIBCA ©Hendrik Zeitler

My piece in it is an immersive installation called The Matter of Memory. Within the Hasselblad Centre of the Gothenburg Art Museum, I have recreated my grandmother’s living room and filled the fabric of it – its wallpaper, teacups, milk pots, lamps, mantelpiece etc – with drawings, props, sculptures, sound and animated projections based on stories my Kikuyu mother and fourth generation British Kenyan father told me of their childhood memories of ‘home’…

Read the entire interview here.

Black Indians Formed the First American Rainbow Coalition

The New York Times
1991-03-17

To the Editor:

“Census Finds Many Claiming New Identity: Indian” (front-page, March 5) discusses whites who now assert their Indian blood, but fails to mention African-Americans who can claim longer and more legitimate ties to America’s Indian heritage. Many in the New York area are pursuing their biracial heritage through such organizations as the National Alliance of Native Americans and radio stations such as WLIB.

The African-native American connection came to light in 1503, when Gov. Nicolas de Ovando of Hispaniola complained to King Ferdinand that African slaves “fled among the Indians . . . and never could be captured.” His words announced our first rainbow coalition. Today almost every African-American family — from Frederick Douglass, Langston Hughes and Alex Haley to Alice Walker, Jesse Jackson and L. L. Cool J — has an Indian branch in its family tree. The statistics are much lower for white Americans…

…William L. Katz
New York
March 6, 1991

The writer, a scholar in residence at N.Y.U., is the author of “Black Indians: A Hidden Heritage” (1986).

Read the entire letter here.

Trace: Memory, History, Race, and the American Landscape

Counterpoint Press
2015-11-10
240 pages
5.5 x 8.25
Hardcover ISBN: 9781619025738

Lauret Savoy, Professor of Environmental Studies and Geology
Mount Holyoke College, South Hadley, Massachusetts

An environmental historian traces her mixed ancestry by reading both the land and the blistering record of race in America

Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life-defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost.

In this provocative and powerful mosaic of personal journeys and historical inquiry across a continent and time, Savoy explores how the country’s still unfolding history, and ideas of “race,” have marked her and the land. From twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.-Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past.

In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons.

She Loved Baseball: The Effa Manley Story

Balzer + Bray (an imprint of HarperCollins)
2010-10-19
32 pages
8.5 in (w) x 11 in (h) x 0.25 in (d)
Hardcover ISBN: 9780061349201
eBook ISBN: 9780062184801

Audrey Vernick

Illustrated by Don Tate

Effa always loved baseball. As a young woman, she would go to Yankee Stadium just to see Babe Ruth’s mighty swing. But she never dreamed she would someday own a baseball team. Or be the first—and only—woman ever inducted into the Baseball Hall of Fame.

From her childhood in Philadelphia to her groundbreaking role as business manager and owner of the Newark Eagles, Effa Manley always fought for what was right. And she always swung for the fences.

From author Audrey Vernick and illustrator Don Tate comes the remarkable story of an all-star of a woman.

When Ancestry Search Led To Escaped Slave: ‘All I Could Do Was Weep’

Fresh Air (From WHYY in Philadelphia)
National Public Radio
2016-01-18

Terry Gross, Host

When she was in fifth grade, Regina Mason received a school assignment that would change her life: to connect with her country of origin. That night, she went home and asked her mother where they were from.

“She told me about her grandfather who was a former slave,” Mason tells Fresh Air’s Terry Gross. “And that blew me away, because I’m thinking, ‘Slavery was like biblical times. It wasn’t just a few generations removed.’ ”

But for Mason, slavery was a few generations removed. She would later learn that her great-great-great-grandfather, a man named William Grimes, had been a runaway slave, and that he had authored what is now considered to be the first fugitive slave narrative.

“William Grimes’ narrative is precedent-setting,” Mason says. “[It] was published in 1825, and this was years before the abolitionist movement picked up slave narrative as a propaganda tool to end slavery. It sort of unwittingly paved the way for the American slave narrative to follow.”

Grimes’ original narrative tells the story of his 30 years spent in captivity, followed by his escape in 1814 from Savannah, Ga. He describes how his former owner discovered his whereabouts after the escape and forced him to give up his house in exchange for his freedom. (An updated version, published in 1855, includes a chapter about Grimes’ later life in poverty.)

Life of William Grimes, the Runaway Slave was again republished in 2008 by Oxford University Press. The latest edition was edited by Mason and William Andrews, a scholar of early African-American autobiography…

…Interview Highlights

On learning from her mother that her ancestors had been slaves

She talked about Grandpa Fuller, who was a mulatto slave. And I inquired about his parentage and she told me that his father, from what she knew, was a plantation owner, and his mother was an enslaved black woman. …

And I’m asking, “Well, that’s weird. Did his father own him?” … I mean, how do you explain … to children that slavery existed in freedom-loving America, No. 1; and No. 2, how do you explain to a child about an enslaved heritage shrouded in miscegenation? It’s not an easy thing to do…

Read the story highlights here. Listen to the interview (00:35:55) here. Download the interview here.

Life of William Grimes, the Runaway Slave

Oxford University Press
2008-07-28
192 pages
21 illus.
5 1/2 X 8 1/4 inches
Hardcover ISBN: 9780195343311
Paperback ISBN: 9780195343328

William L. Andrews, E. Maynard Adams Professor of English; Senior Associate Dean for Fine Arts and Humanities
University of North Carolina, Chapel Hill

Regina E. Mason, Grimes’s great-great-great-granddaughter

• The first fugitive slave narrative in American history
• A candid, unfiltered, and fully authenticated account of both slavery and so-called freedom in the antebellum U.S. before the advent of the American antislavery movement
• A unprecedented editorial partnership blending scholarship and family history to yield a unique modern edition of a neglected classic of antislavery literature
• No other slave narrative has been recovered, researched, and annotated by a slave’s descendent until now

Life of William Grimes, the Runaway Slave is the first fugitive slave narrative in American history. Because Grimes wrote and published his narrative on his own, without deference to white editors, publishers, or sponsors, his Life has an immediacy, candor, and no-holds-barred realism unparalleled in the famous antebellum slave narratives of the period. This edition of Grimes’s autobiography represents a historic partnership between noted scholar of the African American slave narrative, William L. Andrews, and Regina Mason, Grimes’s great-great-great-granddaughter. Their extensive historical and genealogical research has produced an authoritative, copiously annotated text that features pages from an original Grimes family Bible, transcriptions of the 1824 correspondence that set the terms for the author’s self-purchase in Connecticut (nine years after his escape from Savannah, Georgia), and many other striking images that invoke the life and times of William Grimes.

Table of Contents

• List of Illustrations
• Preface
• Acknowledgements
• Introduction by William L. Andrews
• Life of William Grimes, the Runaway Slave
• Chronology: the life and times of William Grimes
• Afterword by Regina E. Mason

A Russian-Chinese woman witnesses the ups and downs of the two nations’ ties

Global Times: Discover China, Discover The World
2015-10-30

Zhou Yu

Li Yingnan stands in her home. Her home is filled with Chinese and Russian books and decorations. Photo: Li Hao/GT

It was a sunny August day in Moscow when three shuttle buses stopped at Red Square. A group of women were the first of the dozens of tourists to step off the buses. Though their appearances were barely different from those of ordinary Russians, they were, in fact, Chinese citizens, aged between 50 to 80.

“I was born in Moscow,” said one 80-year-old lady tearfully.

The ladies belonged to a tour group called Russian Mothers Seeking Roots in Russia, and all were the descendants of Russians. It was the first time since the end of World War II that a group of people seeking their roots had been organized by Chinese citizens.

For the next seven days, they would tour major sites in Moscow and St. Petersburg. These old ladies were so excited to see their ancestors’ hometowns, some even dancing on Red Square. Russian WWII veterans told them about the joint military operations between the two countries during the war.

Most of the group members’ mothers were Russians who came to China during the 1930s. In the 1920s, there were around 200,000 Chinese laborers who lived and worked in Russia doing construction work or running shops. Some Chinese workers participated in the Russian Revolution in 1917, and others even joined Russia’s Red Army.

At the end of the 1920s, when the Soviet Union’s strict economic planning system was implemented, the Soviet government closed down all private shops and forced Chinese shop owners to leave the country. Many of these Chinese businessmen had married Russian women, who followed their husbands back to China. Due to Russia’s geographical proximity of Xinjiang, most of these Russian-Chinese couples settled in Xinjiang and the women became Chinese citizens. There are around 15,000 such descendants of Russians still in China…

Read the entire article here.

Color Lines: Racial Passing in America

BackStory with the American History Guys (A program of the Virginia Foundation of the Humanities)
Charlottesville, Virginia
2016-01-15

M. H. Kimball portrait of Isaac White and Rosina Downs, two New Orleans slave children, c. 1863. (Library of Congress).

On this episode of BackStory, the Guys will consider how and why Americans throughout the centuries have crossed the lines of racial identity, and find out what the history of passing has to say about race, identity, and privilege in America. We’ll look at stories of African-Americans who passed as white to escape slavery or Jim Crow and find out how the “one-drop rule” enabled one blonde-haired, blue-eyed American to live a double life without ever arousing suspicion. We’ll also explore the story of an African-American musician who pioneered a genre of exotic music with a bejeweled turban and an invented biography, and examine the hidden costs of crossing over.

Guests Include:

• Carol Wilson, Washington College
• Annette Gordon-Reed, Harvard University
• Martha Sandweiss, Princeton University
• Johanna Lanner-Cusin, high school history teacher
• Eva Garroutte, Boston College
• Allyson Hobbs, Stanford University
• Vasanth Subramanian, business consultant
• R. J. Smith, former senior editor, Los Angeles Magazine
• Adrienne Hernandez, great niece of Korla Pandit
• Maya Hernandez, great niece of Korla Pandit

Segments

• The Spark of Recognition
  • Historian Carol Wilson tells the story of a New Orleans slave named Sally Miller, who sued for her freedom after a German woman became convinced that Sally was really a long-lost German girl named Salomé Müller.
• Double Image
  • Historian Martha Sandweiss explains how the one-drop rule enabled a blue-eyed, blonde-haired geologist named Clarence King to lead a second life as a Black Pullman porter, without ever drawing suspicion.
• “Code-Switching”
  • Listener Johanna Lanner-Cusin, who identifies as black, talks about people’s assumptions about her race, not having experiences similar to darker African Americans, and “qualifying her blackness.”
• Blood Brothers
  • Historian Annette Gordon-Reed illustrates the fluidity of race with the stories of two sons of Thomas Jefferson and his slave Sally Hemings, one of whom passed into white society while the other lived his life as an African-American.
• High Stakes
  • Sociologist Eva Garroutte tells the story of Sylvester Long, a multiracial man who rose to silent film stardom in the 1920s after adopting the persona of an “authentic” Native American—until it all came crashing down.
• Passing In, Passing Out
  • Brian Balogh talks with historian Allyson Hobbs about an enormous but overlooked cost of racial passing: leaving one’s family, community, and heritage behind.
• “Guess Your Ethnicity”
  • Listener Vasanth Subramanian wishes society allowed him to choose his identity. He talks in detail about the prejudices children of immigrants face.
• Drawing the Line
  • The Guys explain how American slavery practices created racial boundaries, and, at the same time, complicated them.
• Playing Indian
  • Producer Nina Earnest explores the boundary between passing and performance with the story of John Roland Redd, an African-American organist who donned a bejeweled turban and rewrote his life story to become “Godfather of Exotica” Korla Pandit.

CORRECTION: This show includes a story about Sylvester Long, a man of mixed descent who styled himself as a pure-blooded Native American named Chief Buffalo Child Long Lance. We refer to him as a movie star who published a famous autobiography. In fact, Long Lance published his autobiography first—the popularity of the book catapulted him into movie stardom.

Listen to the podcast (01:05:14) here. Download the podcast here.