Mixed Race Studies

Frederick Douglass, A Life in American History

Bloomsbury
2025-02-06
320 pages
235 x 156 mm
Hardback ISBN: 9798216170464
Ebook (PDF) ISBN: 9798216170471
Ebook (ePub & Mobi) ISBN: 9798216170488

Mark Christian, Professor, Urban Education, Africana Studies
Lehman College, City University of New York

Meet one of the most influential men in the United States’ history of emancipation and Black rights.

Chronicling Frederick Douglass’s life in an accessible way, this biography engages with history and wrestles with biases, falsehoods, and unknown facts in order to tell Douglass’s story as accurately as possible. Taking a comprehensive look at Douglass’s life from birth to death, the book delves into Douglass’s time as an enslaved African American, his escape, his experiences as a prominent orator and champion of Black rights, his writings and publications, and the influence he had on shaping society of the time. A detailed timeline allows students to quickly reference and recall major points in Douglass’s history, and the book is further augmented by the inclusion of primary documents, which include samples of Douglass’s own copious works, as well as words written about Douglass by his contemporaries. Readers will walk away with not only a better understanding of American history but an appreciation for Frederick Douglass’s impact in his own time and his lasting relevance for all those who continue to fight for a more equal society today.

Table of Contents

• Series Foreword
• Preface
• Acknowledgements
• 1. Historical Context
• 2. Born in Bondage with Dreams of Liberty
• 3. Finding Freedom and the Abolitionist Cause
• 4. No More Master and Mastering Self-Determination Abroad
• 5. A Man of Independence in Public and Private Life
• 6. The Erudite Douglass in Letters, Speech, and Prose
• 7. Why Frederick Douglass Matters
• Timeline
• Primary Documents
• Bibliography
• Index

Contested Bodies: Pregnancy, Childrearing, and Slavery in Jamaica

University of Pennsylvania Press
June 2017
328 Pages
6.00 x 9.00 in, 10 illus.
Hardcover ISBN: 9780812249187
Paperback ISBN: 9780812224603
eBook ISBN:

Sasha Turner, Associate Professor of History
The Johns Hopkins University, Baltimore, Maryland

It is often thought that slaveholders only began to show an interest in female slaves’ reproductive health after the British government banned the importation of Africans into its West Indian colonies in 1807. However, as Sasha Turner shows in this illuminating study, for almost thirty years before the slave trade ended, Jamaican slaveholders and doctors adjusted slave women’s labor, discipline, and health care to increase birth rates and ensure that infants lived to become adult workers. Although slaves’ interests in healthy pregnancies and babies aligned with those of their masters, enslaved mothers, healers, family, and community members distrusted their owners’ medicine and benevolence. Turner contends that the social bonds and cultural practices created around reproductive health care and childbirth challenged the economic purposes slaveholders gave to birthing and raising children.

Through powerful stories that place the reader on the ground in plantation-era Jamaica, Contested Bodies reveals enslaved women’s contrasting ideas about maternity and raising children, which put them at odds not only with their owners but sometimes with abolitionists and enslaved men. Turner argues that, as the source of new labor, these women created rituals, customs, and relationships around pregnancy, childbirth, and childrearing that enabled them at times to dictate the nature and pace of their work as well as their value. Drawing on a wide range of sources—including plantation records, abolitionist treatises, legislative documents, slave narratives, runaway advertisements, proslavery literature, and planter correspondence—Contested Bodies yields a fresh account of how the end of the slave trade changed the bodily experiences of those still enslaved in Jamaica.

Contents

• Introduction. Transforming Bodies
• Chapter 1. Conceiving Moral and Industrious Subjects: Women, Children, and Abolition
• Chapter 2. “The Best Ones Who Are Fit to Breed”: The Quest for Biological Reproduction
• Chapter 3. When Workers Become Mothers, Who Works? Motherhood, Labor, and Punishment
• Chapter 4. “Buckra Doctor No Do You No Good”: Struggles over Maternal Health Care
• Chapter 5. “Dead Before the Ninth Day”: Struggles over Neonatal Care
• Chapter 6. Mothers Know Best? Maternal Authority and Children’s Survival
• Chapter 7. Raising Hardworking Adults: Labor, Punishment, and Slave Childhood
• Conclusion. Transforming Slavery
• Notes
• Sources
• Index
• Acknowledgments

The Trial of Mrs. Rhinelander

Kensington Books
2024-07-23
336 Pages
5.54 x 8.24 x 0.87 in
Paperback ISBN: 9781496737878
eBook ISBN: 9781496737885

Denny S. Bryce

Inspired by a real-life scandal that was shocking even for the tumultuous Roaring Twenties, this captivating novel tells the story of a pioneering Black journalist, a secret interracial marriage among the New York elite, and the sensational divorce case that ignited an explosive battle over race and class—and brought together three very different women fighting for justice, legitimacy, and the futures they risked everything to shape.

For readers of Dolen Perkins-Valdez, Marie Benedict and Victoria Christopher Murray, a transporting work of fact-based historical fiction from Denny S. Bryce, bestselling author of Wild Women and the Blues, In the Face of the Sun, and Can’t We Be Friends: A Novel of Ella Fitzgerald and Marilyn Monroe.

New York, 1924. Born to English immigrants who’ve built a comfortable life, idealistic Alice Jones longs for the kind of true love her mother and father have. She believes she’s found it with Leonard “Kip” Rhinelander, the shy heir to his prominent white family’s real estate fortune. Alice too, is “white”, though she is vaguely aware of rumors that question her ancestry—gossip her parents dismiss. But when the lovers secretly wed, Kip’s parents threaten his inheritance unless he annuls the marriage.

Devastated but determined, Alice faces overwhelming odds both legally and in the merciless court of public opinion. But there is one person who can either help her—or shatter her hopes for good: Reporter Marvel Cunningham. The proud daughter of an accomplished Black family, Marvel lives to chronicle social change and the Harlem Renaissance’s fiery creativity.

At first, Marvel sees Alice’s case as a tabloid sensation generated by a self-hating woman who failed to “pass.” But the deeper she investigates, the more she will recognize just how much she and Alice have in common. For Rhinelander vs. Rhinelander will bring to light stunning truths that will force both women to confront who they are, and who they can be, in a world that is all too quick to judge.

Building a Mixed Race Community: The People, Building, and Sites of the Winton Triangle

Photoworks at Glen Echo Park
2024-02-09 through 2024-03-31
7300 MacArthur Blvd.
Glen Echo, Maryland

Photoworks is delighted to host the work of acclaimed photojournalist and historian, Marvin Tupper Jones, in the exhibition, Building a Mixed Race Community. The show will be on display from February 9th – March 31st.

The history covered in this exhibit spans from 1851 to 1973 and takes the viewer from the antebellum time through the Civil War, Reconstruction, Jim Crow and the modern Civil Rights eras. It tells stories about over 30 people along with photographs and text. Four women are featured, as well as business people, farmers, carpenters, educators, church leaders, soldiers (Civil War and WWII), Civil Rights activists and organizations.

For more information, click here.

New CDG-produced Video tells the history of the Winton Triangle’s Greatest Institution

Chowan Discovery Group
2023-10-15

Marvin Tupper Jones

C.S. Brown School and Auditorium’s story

C.S. Brown Auditorium needs restoration work and a new video production has come to its aid. We hope this effort will help raise the resources needed for the restoration. Please donate.

Titled, “The C.S. Brown Auditorium Story” is a documentary video about C.S. Brown Auditorium in Winton, NC, one of the largest Rosenwald Schools. It can be viewed online and was funded by the National Trust for Historic Preservation and the Chowan Discovery Group…

Read the entire article here.

Topsy-Turvy

New England Review
Volume 44, Number 1 (2023)

Herb Harris

“It’s funny about ‘passing.’ We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.”
—Nella Larsen, Passing

I started with a group of boxes that looked like the oldest ones in the attic. The packing tape easily lifted away, no longer sticking to the cardboard, and wine glasses and dishes emerged from pages of the Washington Post from the 1970s. Several heavy boxes contained papers and photographs belonging to my grandparents, but there was one surprisingly light box. I opened it to find a collection of hand-sewn dolls and animal puppets, just a dozen or so of the thousands I knew my grandmother had made when she was a volunteer at Children’s Hospital over the years.

Among the clowns, frogs, and bunnies was one doll that had clearly been sewn with greater care and detail than the others. I recognized it as Grandma’s work, but it had a design I’d never seen before. It was a girl with light pink skin, blue eyes, and blond hair, wearing a long floral dress with a lace collar and a pink bow. I flipped it over to reveal another girl, this one with very dark brown skin, black hair, and brown eyes. The two figures were joined at the torso, and the exaggerated contrast between their features gave the second doll a blackface quality. I remembered that toys like these were called Topsy-Turvy dolls and vaguely associated them with offensive Jim Crow cartoons and minstrel shows. Why would my grandmother, a Black woman, make such a thing? Grandma had died more than twenty years before, and, holding this strange doll in my hands, I had the sense that this was her last word on race.

A little research reveals that Topsy-Turvy dolls originated during the time of slavery. No one can ascribe a single meaning or purpose to them, but their dual identity suggests a connection to the mixed-race children who were a part of the plantation world. These children were enslaved people who could be bought or sold by law. They were also relatives of their owners: cousins, half-siblings, sons, and daughters. These relationships were usually denied, but they were often open secrets. The children might be symbols of the master’s potency or shameful reminders of his transgressions, or they might be objects of love or victims of abuse, but their existence was always charged with hidden meanings and deep conflicts. They could only be talked about with code words filled with ambiguity, like the language my grandparents used when they talked about race. Topsy-Turvy dolls were part of this language. They embodied many things that could never be said…

Read the entire article here.

Georgia Louise Harris Brown (June 12, 1918 – September 21, 1999)

Pioneering Women of American Architecture
October 2017

Anat Falbel
University of Campinas, Brazil

Roberta Washington, Principal
Roberta Washington Architects, New York, New York

Georgia Louise Harris Brown (1918–1999), a pioneering African American architect practicing in Chicago and Brazil from the 1940s to the 1990s, is recognized as the second African American woman licensed as an architect in the United States.¹ She forged an impressive career in industrial architecture in Brazil, where she may have immigrated in the hope of escaping racial prejudice, though she was rarely credited as the designer in publications about these works. (Generally, it was the engineering firms that received the credit.)

EARLY LIFE AND EDUCATION
Georgia Louise Harris Brown was born in Topeka, Kansas, on June 12, 1918, only six years after the extension of equal voting rights to women in the state.² Her family’s genealogy of strong women of mixed ancestry included former enslaved African Americans who arrived from the South to the Union’s slavery-free state after 1861, Native Americans, and German settlers…

Read the entire article here.

Brutal Nazi Torture of Black German Boy Gert Schramm in Nazi Germany – Buchenwald – World War 2

World History
2023-03-21

Despite the Nuremberg Laws, some Black people and so called German “Aryans” still became romantically involved with one another. These relationships were dangerous for both partners, especially if they chose to try to legally marry. In Nazi Germany, everyone was required to apply for permission to marry. When interracial couples applied, their applications were consistently denied for racial reasons. These applications brought their interracial relationships to the attention of government authorities. This often had dire consequences for the couple. In multiple cases, marriage applications resulted in harassment, sterilization and the breaking up of partnerships.

Legal couples whose marriages pre-dated the Nuremberg Laws were harassed by the Nazi regime. The regime pressured white German women to divorce their Black husbands. Interracial couples and their children were often humiliated and even assaulted when they appeared together in public.

Like their parents, many Black children in Germany experienced the Nazi era as a time of increased loneliness, isolation, and exclusion. Some Black children felt German and wanted to be a part of the excitement. But Nazi racial ideology had no place for Black-German children. For Black children in Nazi Germany, schools became sites of humiliation. Black children were often degraded in racial science classes and ridiculed by teachers who supported the Nazis…

Just as the Nazification of the education system greatly restricted the rights of Jewish children to attend public schools, it also impacted Black children over the course of the 1930s. Some Black students were expelled and unable to complete their education. Few private schools would accept Black students and finding apprenticeships, which in Germany was crucial to find employment, became increasingly difficult.

Such was a case of Gert Schramm…

Watch the video here.

‘Moral electricity’: Melvil-Bloncourt and the trans-Atlantic struggle for abolition and equal rights

Slavery & Abolition: A Journal of Slave and Post-Slave Studies
Volume 40, 2019 – Issue 3
pages 543-562
DOI: 10.1080/0144039X.2018.1539459

Bryan LaPointe, Ph.D. Candidate in History
Princeton University, Princeton, New Jersey

Little known to historians, the Guadeloupean-born antislavery and equal rights activist Sainte-Suzanne Melvil-Bloncourt exemplified the complex trans-Atlantic networks forged for the abolitionist cause across the nineteenth century. As a contributing journalist for a Parisian political and literary publication, Melvil-Bloncourt produced numerous pieces on the history and politics of slavery and emancipation around the Atlantic world. The American Civil War especially galvanized Melvil-Bloncourt into more fervent antislavery action, prompting him not only to connect with activists based in New Orleans and the famous abolitionist Frederick Douglass, but also to raise money in France for former American slaves. This project explores the depth of Melvil-Bloncourt’s emancipationist sensibilities and activism, guided by what he deemed ‘moral electricity,’ highlighting the influence of the otherwise overlooked Francophone world in the age of emancipation.

Read or purchase the article here.

‘She had to hide’: the secret history of the first Asian woman nominated for a best actress Oscar

The Guardian
2023-03-07

Andrew Lawrence
Beaufort, South Carolina

Merle Oberon, a pick for best actress in 1936, was born in Bombay and spent her career passing for white

Magazine writers didn’t know what to make of Merle Oberon when she took Hollywood by storm in the 1930s. One writer described her as “bizarre, bewildering, and different”, while others marveled at her “delicate” oval face, “eloquent” emerald eyes, “bright red lips” and “alabaster” skin.

Though her 1936 best actress Oscar nomination for the coming-of-age drama The Dark Angel affirmed her place in a league with Katharine Hepburn and the eventual winner, Bette Davis, the glamor paragons of the day, it was only later that the world discovered Oberon was a south Asian woman passing for white…

Read the entire article here.