Mixed Race Studies

Henriette Delille is two steps away from becoming a Saint

The Louisiana Weekly
2019-01-02

Henriette Delille

As the Who Dat Nation roots for the New Orleans Saints as they strive to win the NFL Super Bowl in Atlanta, another group of dedicated and faithful folks is eagerly awaiting the day that their Beloved Founder becomes a bonafide Saint in her own right.

Henriette Delille, founder of the Sisters of the Holy Family, is but two steps from being recognized by the Vatican as a Roman Catholic Saint.

Henriette Delille was born in New Orleans, La., on Thursday, March 11, 1813. Her mother, Marie-Josèphe “Pouponne” Díaz, was a free woman of color of New Orleans. Her father Jean-Baptiste Lille Sarpy (var. de Lille) was born about 1758 in Fumel, Lotet-Garonne, France. Their union was a common-law marriage typical of the contemporary plaçage system. She had a brother Jean Delille and other siblings. Their maternal grandparents were Juan José (var. Jean-Joseph) Díaz, a Spanish merchant, and Henriette (Dubreuil) Laveau, a Créole of color. Their paternal grandparents were Charles Sarpy and Susanne Trenty, both natives of Fumel, France. Her maternal great-grandmother is said to be Cécile Marthe Basile Dubreuil, a woman of color considered to be a daughter of Villars Dubreuil, born in 1716, who immigrated to Louisiana from France. Henriette and her family lived in the French Quarter, not far from St. Louis Cathedral…

Read the entire article here.

Largest tribe in East called NC home for centuries. Feds say it’s not Indian enough.

The Charlotte Observer
2019-02-15

Bruce Henderson

The largest American Indian tribe east of the Mississippi, North Carolina’s Lumbee, counts 55,000 members and has called the state’s southern coastal plain home for centuries. But to the federal government the tribe exists largely in name only.

Unlike the Eastern Band of Cherokee Indians in the Smokies, the Lumbee have no reservation and no glitzy casino.

Instead you might notice on a drive to the beach that U.S. 74 in Robeson County, Lumbee territory, is called American Indian Highway. Lumbee tribal offices are housed in a turtle-shaped building in Pembroke, the heart of their community. A school that opened there in 1887 to train American Indian teachers is now UNC Pembroke.

South of the highway, a state historical marker commemorates the Battle of Hayes Pond, in which armed Lumbees routed Ku Klux Klan members intent on intimidating them in 1958.

Reader Elisabeth Wiener of Durham wanted to know about the history of the Lumbees, their native territory and why they aren’t a federally recognized tribe. She queried CuriousNC, a special reporting project by The Charlotte Observer, The News & Observer and The Herald-Sun that invites readers to ask questions for journalists to answer…

Read the entire article here.

Thomas Jefferson’s descendants unite over a troubled past

CBS This Morning
CBS News
2019-02-14

At the expansive Monticello Estate in Virginia, there sits a simple room with white walls, brick floors and a single silhouette that represents the life of Sally Hemings, one of Thomas Jefferson’s more than 600 slaves.

Presidential estates have long struggled with how to present the founding era exceptionalism along with the full history. The latest installation at Monticello, the Sally Hemming’s exhibit, gives the most personal look yet at a shameful chapter in American history. The exhibit takes a definitive stance on her relationship with Thomas Jefferson and the children they had together. A story once hidden now has the spotlight.

Lucian Truscott is Jefferson’s sixth-great-grandson. Shannon Lanier is also Jefferson’s sixth-great-grandson — but from Hemings’ side.

As a Jefferson descendant, Truscott said he was given run of Monticello, even jumping on his ancestor’s bed. Lanier’s story is a little different…

Watch the story here.

What’s DNA Got to Do with It

The Progressive: A voice for peace, social justice, and the common good
2019-01-11

Starita Smith
Denton, Texas

I see similarities between Elizabeth Warren’s situation and that of many black people.

As U. S. Senator Elizabeth Warren, D-Mass., campaigns for a possible 2020 presidential run, she reminds me of some long-standing issues about racial identification.

Warren, whom President Donald Trump has pejoratively labeled “Pocahontas” for claiming she has American Indian heritage, took a DNA test to prove it. When the results showed she has hardly any, she was criticized for falsely claiming native ancestry. Some speculate this may hurt her presidential aspirations.

Warren’s predicament points up the historical, legal and cultural arbitrariness of racial categories. For example, if Warren had proclaimed she had even one African ancestor, she would be defined as black legally and socially in most of the U.S. That’s because our nation uses the one-drop rule, or hypodescent, as the definition of who is black…

…The rule has been used in court repeatedly. One of the most famous cases involved Susie Guillory Phipps, a Louisiana woman, who presumed she and all her ancestors were white, yet when she tried to get a passport, she discovered that she was listed as black on her birth certificate. According to The New York Times, because she had a black ancestor – an enslaved woman, 222 years back in her family history – she was black…

Read the entire article here.

Episode 4

Shade Podcast: UK culture and news podcast focused on the mixed race experience
2019-02-15

Laura Hesketh, Co-Host
Liverpool, England

Lou Mensah, Co-Host
London, England

With special guest, Steven F. Riley, founder of MixedRaceStudies.org!

Neneh Cherry on being mixed race in the music industry, controversial new Netflix Show ‘Always a Witch’, Viola Davis and the Liam Neeson controversy, Queen Ifrica on colourism, Black Enough: Stories of Being Young & Black in America by IbI Zoboi, Grace Wales Bonner, plus more.

Listen to the episode (00:36:55) here. Download the episode here.

Part I: The DNA Trail from Madagascar to Manhattan

Radiant Roots, Boricua Branches: Musings on My Tri-racial Black and Puerto Rican Ancestry.
2015-01-27

Teresa Vega

Map of Indian Ocean Countries

This blog post is dedicated to my M23 Malagasy ancestors who survived the Middle Passage and made it to New York and New Jersey. This is Part I of a two part series and is focused on my family’s Malagasy ancestry. My next blog post will discuss how my ancestors arrived in New York based on the actions of unscrupulous NY merchants and pirates.

About Madagascar and DNA

Over the past decade, there have been numerous studies done that describe the origins of the Malagasy, the people of Madagascar. For example, in 2005, Hurles et al. discussed the dual origins of the Malasy people as being Southeast Asian and East African. His study was followed by one done in 2009 by Sergio Tofanelli et al. In this article, they wrote:

“Our results confirm that admixture of Malagasy was due to the encounter of people surfing the extreme edges of two of the broadest historical waves of language expansion: the Austronesian and Bantu expansions. In fact, all Madagascan living groups show amixture of uni-parental lineages typical present in African and Southeast Asian populations with only a minor contribution of Y lineages with different origins. Two observations suggest that the Y lineages with “another origin” entered the island in recent times: 1) they are particularly frequent in the Tanosy area (Fort Dauphin), and around Antananarivo, where commercial networks and the slave trade had a focus; 2) they matched with haplogroups typical of present Indo-European (Europeans) and Arabic speaking (Somali) people.”.

In addition, a 2012 study by Cox, et al. noted that most Malagasy people can trace their mtDNA back to 30 Indonesian women who made up the founding population of Madagascar. Given the fact that Southeast Asian Y-DNA was also found among the Malagasy, it is assumed that there were also some Indonesian men among this group of women. These women went on to have children with the Indonesian men present as well as men from Africa. Later migrations from Africa also included Southeast African Bantu mtDNA haplogroups from north of the Zambezi River. In 2013, Melanie Capredon et al. also discussed the Arab-Islamic contribution to the Malagasy gene pool as a result of Indian Ocean slave trade…

Read the entire article here.

The interracial love story that stunned Washington — twice! — in 1867

The Washington Post
2019-02-13

Jessica Contrera

Eli S. Parker, a Seneca Indian who worked for Gen. Ulysses S. Grant, was engaged to Minnie Sackett, a young white woman, in 1867. (The History Collection/Alamy) (The History Collection/Alamy Stock Photo/The History Collection/Alamy Stock Photo)

When Ely Parker married Minnie Sackett, “the creme de la creme of Washington society” came to gawk

The wedding was a shock before it even began. In 1867, the nation’s capital learned that Minnie Sackett, the daughter of a prominent Civil War colonel, was engaged. Sackett was considered to be “one of the most beautiful women in the District,” according to the New York Tribune, with her high-neck lace collars and brunette ringlets piled atop her head.

Her soon-to-be husband, 39-year-old Ely S. Parker, had served in the Union Army as the private secretary to then-Gen. Ulysses S. Grant. It was Parker who drafted the terms of surrender that ended the war in 1865. So close was their friendship that Grant himself planned to escort the bride, whose father had died, down the aisle at Washington’s Episcopal Church of the Epiphany.

Why was their betrothal controversial? “It may not be generally known that Col. Parker is a full-blooded Indian,” the Tribune reported. “A near relative to the famous Red Jacket and of the present Chief of the six nations Cherokees.”

One hundred years before the Supreme Court would make interracial marriage legal throughout the country, a white woman was marrying an Indian man…

Read the entire article here.

Finding Edna Ferber’s Showboat

David Cecelski: New writing, collected essays, latest discoveries
2018-03-10

David Cecelski

Souvenir program from the world premier of the first Showboat movie in 1929. Courtesy, Beinecke Library, Yale University

I don’t know how the great American novelist, short story writer and playwright Edna Ferber heard about the little river town of Winton, N.C.

But I know she did. In a collection of her research notes that I found at the Beinecke Rare Book and Manuscript Library at Yale when I was in New Haven, Conn. last summer, she scratched the following:

Winton, N.C.—The Croatans, relic of the lost Roanoke Island

settlement. Tar River. White negroes.

Winton is a no-stoplight town in Hertford County, on the Chowan River (not the Tar River), in a rural part of northeastern N.C., between the Albemarle Sound and the Great Dismal Swamp.

I was a surprised to find a reference to Winton in the notes of a New York writer like Edna Ferber.

I was also a little surprised to discover a reference to Winton in an archive like the Beinecke Library, a sleek, modern, glass-walled vault of literary and historical treasures in the heart of Yale’s campus.

So of course I had to wonder: why was Edna Ferber interested in Winton? And what did the Croatan Indians and the “lost Roanoke settlement”—the Lost Colony—have to do with anything? And last but not least, what did she mean by “white negroes”?

In today’s post, I’d like to explore those questions. By the end of considering them, I hope we will understand northeastern N.C.’s history a little better and understand where Edna Ferber found at least some of the inspiration for her most popular and enduring literary work…

Read the entire article here.

Black Thought and Sexual Politics: An Interview with Guy Emerson Mount

Black Perspectives
2019-01-17

Chris Shell, Ph.D. Candidate
Department of History
Michigan State University

Guy Emerson Mount

In today’s post, Christopher Shell, a Ph.D. student at Michigan State University, interviews historian Guy Emerson Mount about his chapter in New Perspectives on Black Intellectual Tradition, edited by Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer. Guy Emerson Mount is an Assistant Professor of African American History at Auburn University and currently an Associate Editor of Black Perspectives. His work focuses on Black transnationalism, American empire, and the legacies of slavery. Previously he has conducted research on Black sexual politics, masculinity, interracial marriage, mixed race identities, Black religion, and Black radical politics. His current book project seeks to tell a global history of empire and emancipation through the everyday lives of transnational Black workers who jettisoned the Atlantic World for a new life in the Pacific. Follow him on Twitter @GuyEmersonMount.

Christopher M. Shell: Please briefly summarize the main argument in your essay.

Guy Emerson Mount: The main argument is that postemancipation Black thought regarding interracial marriage and sexuality has experienced a case of what I call “historical ventriloquy” over the past century and a half. By historical ventriloquy, I mean that knowledge producers in a given era tend to look back on prior Black thinking and, instead of wrestling with the true complexity of Black thought in a particular moment, put words in the mouths of prior Black people to make those subjects say what they want them to say. This is different from presentism—where events in the past are simply interpreted through the lens of present-day political concerns. Historical ventriloquy changes the facts altogether. It crafts a fiction that does real violence to the ideas of prior Black thinkers.

In this case, Black thought about Frederick Douglas’s interracial marriage to Helen Pitts has been absolutely butchered over time. When it happened in 1884, Black communities were overwhelmingly in support of it. Even Black people who questioned Douglass’ decision to marry a white woman demanded his absolute right to make that decision as part of a commitment to freedom and equality. Yet beginning with Booker T. Washington (and accelerating through a narrowly drawn pop-cultural Black nationalism that has slowly crept into the academy), I trace how historical ventriloquy took hold and began to imagine that seemingly all Black people in 1884 (including somehow Douglass’s children) must have been universally against interracial marriage in general, and Douglass’s marriage specifically. This enormous gap between the primary historical record, and how historians and everyday people imagine that historical record, is what this chapter is all about…

Read the entire interview here.

Theaster Gates on how his new show was inspired by the eviction of 45 people from an island in Maine

The Art Newspaper
2019-02-01

Anna Swansom

Theaster Gates ©Theaster Gates; Photo: Julian Salinas

The Chicago-based artist’s exhibition in Paris examines the forced removal in 1911 of the inhabitants of Malaga Island

The US artist Theaster Gates has taken the eviction of a mixed-race community from a small island in Maine as the starting point for his first solo exhibition in France, opening this month at the Palais de Tokyo. In 1912, 45 people from Malaga Island were evicted by the state authorities and eight of them were committed to the Maine School for the Feeble-Minded following the state’s purchase of the island in 1911. The island, a poor fishing village of black, white and mixed-race people, was ridiculed in a Maine newspaper as a “strange community” of “peculiar people”; its eviction has recently been described by a US documentary as having been motivated by economics, racism, eugenics and political retribution.

Through new works including sculptures, a film and a video, the Chicago-based artist has developed the wide-ranging project and exhibition, Amalgam, which explores the complexity of interraciality and migratory histories. The show has been organised by Katell Jaffrès and has received support from Regen Projects, Richard Gray Gallery and White Cube.

The Art Newspaper: How did you become interested in the history of Malaga Island and how did this lead to Amalgam?

Theaster Gates: I had started a residency in 2017 at Colby College in Maine and was visiting a friend who said there was this important, not well-known history about this island that used to have black and mixed-race people that were evicted. We were in a boat and he suggested having lobsters on the adjacent island before checking it out. So I learned of it quite leisurely and then started to do research.

The idea of interracial mixing led to the creation of a sculptural form, “amalgam”: a by-product of what happens when one artistic form from history meets another one to create a new kind of work. I wanted to create a bridge that would make people more curious about this island and for people who are of mixed race and from backgrounds where their parents are of different religions, I wanted Malaga to be a place where all mixes felt that they had a home. The beauty of mixing is one of the cornerstones of the exhibition…

Read the interview article here.