Mixed Race Studies

Aline Motta and the personal diving into collective memory

ARTE!Brasileiros
2020-03-18

Marcos Grinspum Ferraz

The multimedia artist, one of the winners of the 7th Marcantonio Vilaça Award, departs from a thorough research on his family history to address major topics such as slavery, African heritage and a patriarchal structure that remains in Brazil today

The journey of artist Aline Motta looking for her roots and the vestiges of her ancestors is undoubtedly a personal endeavour. The result, however, concerns the collective memory of thousands of Brazilian families built (or destroyed) in the violent process of the country’s formation, based on slavery and patriarchal structure.

“It took a while for me to acquire some maturity and psychic centering to deal with issues so deep and difficult that concern my own history and family,” she says in an interview with ARTE!Brasileiros. This maturation time included not only some early artwork that dealt with other topics, carried out especially from the beginning of this decade, but also a vast trajectory as a continuist in movies, which commenced in 2001.

It was from 2016, when she had the project Pontes sobre Abismos (Bridges over Abysses) selected by Itaú Cultural’s Rumos program, that Motta, now 45, began to devote herself full-time to authorial work, with a multimedia production that did not leave aside cinema, but also unfolded in installations, photographs, texts, publications and performances…

Read the entire interview here.

A brush with… Ellen Gallagher

The Week in Art
2021-06-30

An in-depth conversation on the artist’s big influences, from Keith Haring to Moby Dick

In this episode of A brush with…, Ben Luke talks to the American artist Ellen Gallagher about her life and work by exploring her greatest cultural influences. Born in Providence, Rhode Island in 1965, Gallagher studied at Oberlin College in Ohio, the School of the Museum of Fine Arts in Boston and the Skowhegan School of Painting and Sculpture in Maine. She now lives in Rotterdam in the Netherlands. Much of Gallagher’s parents’ ancestry—in particular her Black father who is from the Cape Verde archipelago off the west coast of Africa—defines the territory of her practice, which relates to the culture and language of the Black diaspora.

Though primarily working in painting and drawing, Gallagher has also worked in sculpture, film and animation. Her early style appears Minimalist and spare from a distance but, up close, one observes intricate drawings of eyes, lips and wigs, which Gallagher has described as “the disembodied ephemera of minstrelsy”—the racist blackface entertainment common in the US from the C19th onwards. In the early 2000s, she used cut-out advertisements from Black culture magazines and transformed them with plasticine, making sculptural reliefs that were often imprinted with witty or incisive symbols and imagery. Many of her paintings refer to the sea and allude to the Afrofuturist myth of Drexciya: a Black Atlantis at the bottom of the Atlantic Ocean, supposedly populated with the children of the mothers of enslaved African women who were thrown—or threw themselves—overboard during their forced journey across the Middle Passage…

Read and/or listen to the interview here.

So What Exactly Is ‘Blood Quantum’?

Code Switch: Race. In Your Face.
National Public Radio
2018-02-09

Kat Chow

If you’re Native American, there’s a good chance that you’ve thought a lot about blood quantum — a highly controversial measurement of the amount of “Indian blood” you have. It can affect your identity, your relationships and whether or not you — or your children — may become a citizen of your tribe.

Blood quantum was initially a system that the federal government placed onto tribes in an effort to limit their citizenship. Many Native nations, including the Navajo Nation and the Turtle Mountain Band of Chippewa Indians, still use it as part of their citizenship requirements.

And how tribes use blood quantum varies from tribe to tribe. The Navajo Nation requires a minimum of 25 percent “Navajo blood,” and Turtle Mountain requires a minimum of 25 percent of any Indian blood, as long as its in combination with some Turtle Mountain.

Blood quantum minimums really restrict who can be a citizen of a tribe. If you’ve got 25 percent of Navajo blood — according to that tribe’s blood quantum standards — and you have children with someone who has a lower blood quantum, those kids won’t be able to enroll.

So why keep a system that’s decreasing your tribe’s rolls and could lead to its demise?

“I use the term ‘Colonial Catch 22’ to say that there is no clear answer, and that one way or another, people are hurt,” says Elizabeth Rule. She’s a doctoral candidate at Brown University who specializes in Native American studies, and also a citizen of the Chickasaw Nation.

“The systems are so complicated,” she explains, “but it’s all part of tribes deciding on their own terms, in their own ways, utilizing their own sovereignty [to decide] what approach is best for them.”

As we explored blood quantum in this week’s episode, we thought a primer of what, exactly, this system is and how it works — or doesn’t — might be useful. Here’s my interview with Elizabeth Rule, edited and condensed for clarity…

Read the entire story here.

The Journey to Separate but Equal: Madame Decuir’s Quest for Racial Justice in the Reconstruction Era

University Press of Kansas
April 2021
256 pages
Hardback ISBN: ISBN 978-0-7006-3183-4

Jack M. Beermann, Professor of Law and Harry Elwood Warren Scholar
Boston University School of Law

In The Journey to Separate but Equal: Madame Decuir’s Quest for Racial Justice in the Reconstruction Era, Jack Beermann tells the story of how, in Hall v. Decuir, the post–Civil War US Supreme Court took its first step toward perpetuating the subjugation of the non-White population of the United States by actively preventing a Southern state from prohibiting segregation on a riverboat in the coasting trade on the Mississippi River. The Journey to Separate but Equal offers the first complete exploration of Hall v. Decuir, with an in-depth look at the case’s record; the lives of the parties, lawyers, and judges; and the case’s social context in 1870s Louisiana. The book centers around the remarkable story of Madame Josephine Decuir and the lawsuit she pursued because she had been illegally barred from the cabin reserved for White women on the Governor Allen riverboat.

The drama of Madame Decuir’s fight against segregation’s denial of her dignity as a human and particularly as a woman enriches our understanding of the Reconstruction era, especially in Louisiana, including political and legal changes that occurred during that time and the plight of people of color who were freed from slavery but denied their dignity and rights as American citizens. Hall v. Decuir spanned the pivotal period of 1872–1878, during which White segregationist Democrats “redeemed” the South from Republican control. The Supreme Court’s ruling in Hall overturned the application of an 1869 Louisiana statute prohibiting racial segregation in Madame Decuirs case because of the status of the Mississippi River as a mode of interstate commerce. The decision represents a crucial precedent that established the legal groundwork for the entrenchment of Jim Crow in the law of the United States, leading directly to the Courts adoption of separate but equal in Plessy v. Ferguson.

Who’s Black and Why? A Hidden Chapter from the Eighteenth-Century Invention of Race

Harvard University Press
2022-03-22
320 pages
6-1/8 x 9-1/4 inches
21 photos, 1 table
Hardcover ISBN: 9780674244269

Henry Louis Gates Jr., Alfonse Fletcher Jr. University Professor; Director of the Hutchins Center for African and African American Research
Harvard University, Cambridge, Massachusetts

Andrew S. Curran, William Armstrong Professor of the Humanities
Wesleyan University, Middletown, Connecticut

The first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of “black” skin—an indispensable chronicle of the rise of scientifically based, anti-Black racism.

In 1739 Bordeaux’s Royal Academy of Sciences announced a contest for the best essay on the sources of “blackness.” What is the physical cause of blackness and African hair, and what is the cause of Black degeneration, the contest announcement asked. Sixteen essays, written in French and Latin, were ultimately dispatched from all over Europe. The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why.

Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God’s grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More important, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings.

These never previously published documents survived the centuries tucked away in Bordeaux’s municipal library. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West.

Table of Contents

• Preface: Who’s Black and Why?
• Note on the Translations
• I
  • Introduction: The 1741 Contest on the “Degeneration” of Black Skin and Hair
  • 1. Blackness through the Power of God
  • 2. Blackness through the Soul of the Father
  • 3. Blackness through the Maternal Imagination
  • 4. Blackness as a Moral Defect
  • 5. Blackness as a Result of the Torrid Zone
  • 6. Blackness as a Result of Divine Providence
  • 7. Blackness as a Result of Heat and Humidity
  • 8. Blackness as a Reversible Accident
  • 9. Blackness as a Result of Hot Air and Darkened Blood
  • 10. Blackness as a Result of a Darkened Humor
  • 11. Blackness as a Result of Blood Flow
  • 12. Blackness as an Extension of Optical Theory
  • 13. Blackness as a Result of an Original Sickness
  • 14. Blackness Degenerated
  • 15. Blackness Classified
  • 16. Blackness Dissected
• II
  • Introduction: The 1772 Contest on “Preserving” Negroes
  • 1. A Slave Ship Surgeon on the Crossing
  • 2. A Parisian Humanitarian on the Slave Trade
  • 3. Louis Alphonse, Bordeaux Apothecary, on the Crossing
• Select Chronology of the Representation of Africans and Race
• Notes
• Acknowledgments
• Credits
• Index

Blood and Boundaries: The Limits of Religious and Racial Exclusion in Early Modern Latin America

Brandeis University Press
2020-11-01
212 pages
5.5 x 8.5 in.
Cloth ISBN: 9781684580194

Stuart B. Schwartz, George Burton Adams Professor of History
Yale University, New Haven, Connecticut

In Blood and Boundaries, Stuart B. Schwartz takes us to late medieval Latin America to show how Spain and Portugal’s policies of exclusion and discrimination based on religious origins and genealogy were transferred to their colonies in Latin America. Rather than concentrating on the three principal divisions of colonial society—Indians, Europeans, and people of African origins—as is common in studies of these colonial societies, Schwartz examines the three minority groups of moriscos, conversos, and mestizos. Muslim and Jewish converts and their descendants, he shows, posed a special problem for colonial society: they were feared and distrusted as peoples considered ethnically distinct, but at the same time their conversion to Christianity seemed to violate stable social categories and identities. This led to the creation of “cleanliness of blood” regulations that explicitly discriminated against converts. Eventually, Schwartz shows, those regulations were extended to control the subject indigenous and enslaved African populations, and over time, applied to the growing numbers of mestizos, peoples of mixed ethnic origins. Despite the efforts of civil and church and state institutions to regulate, denigrate, and exclude, members of these affected groups often found legal and practical means to ignore, circumvent, or challenge the efforts to categorize and exclude them, creating in the process the dynamic societies of Latin America that emerged in the nineteenth century.

Contents

• Contents
• Foreword
• Acknowledgments
• Introduction
• Moriscos: Real, Occasional, and Imaginary Muslims
• Conversos: The Mestizos of Faith
• Mestizos: “A Monster of . . . Many Species”
• Notes
• Index

Interwoven Lives: Indigenous Mothers of Salish Coast Communities

Washington State University Press
2019
310 pages
Illustrations / maps / notes / bibliography / index
Paperback ISBN: 978-0-87422-364-4
eBook ISBN: 978-0-87422-389-7

Candace Wellman

In this companion work to Peace Weavers, her previous book on Puget Sound’s cross-cultural marriages, award-winning author Candace Wellman depicts the lives of four additional intermarried indigenous women who influenced mid-1800s settlement in the Bellingham Bay area. She describes each wife’s native culture, details ancestral history and traits for both spouses, and traces descendants’ destinies, highlighting the families’ contributions to new communities.

• Finalist, 2020 Willa Literary Award, scholarly nonfiction
• 2020 Washington State Historical Society WOW selection

Being Mestiza

Enchantment Learning & Living Blog
2020-09-22

Dr. Maria DeBlassie, Professor, Writer, Bruja
Albuquerque, New Mexico

I’ve been getting a lot of questions from readers about what I mean when I say I’m mestiza. That fact is always one of the first pieces of information in all my author bio and that’s intentional. Although the term has been around for a long time, I specifically use the definition from Gloria Anzaldua’s Borderlands/La Frontera: The New Mestiza (1987), which focuses on developing a new mestiza consciousness. For those that aren’t familiar with the term, mestiza or mestizaje means a person of mix-raced decent.

Being mestiza is different for everyone—everyone’s mix is a little different and, in many cases, few of us know everything about the mix that is our cultural background. This is because we are, in one way or another, products of colonization. And as a result of colonization, histories of the colonized sometimes get lost, erased, or suppressed. So it is important to remember that, like the wider Hispanic and Latinx communities, the mestizaje community is not a monolith. Our mixed heritage and our relationship to it are as complex and diverse as our backgrounds…

Read the entire article here.

Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865

University of Georgia Press
2021-03-31
Illustrations: 13 b&w images
Trim size: 6.000in x 9.000in
Hardcover ISBN: 9-780-8203-6012-6

Nik Ribianszky, Lecturer in History
Queen’s University, Belfast, United Kingdom

In Generations of Freedom Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.

Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America’s system of chattel, racial slavery. Notwithstanding one’s status at birth as legally free or unfree, though, each individual’s continued freedom was based on compliance with a demanding and often unfair system.

Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together-by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies-these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property-including that most precious, themselves.

The dream of creating a mixed super-race

Spiritual Eugenics: Exploring the overlap between eugenics and New Age spirituality, from 1880 to the present day
2022-03-19

Jules Evans, Honorary Research Fellow
Centre for the History of Emotions
Queen Mary University of London, London, United Kingdom

Eugenics often overlapped (and still overlaps) with scientific racism and white supremacy, leading many people to confuse the two. It’s true that in the United States and Germany, the two countries which most enthusiastically embraced eugenics in the 1920s-1940s, eugenics did very often overlap with an ideology of white supremacy and scientific racism. However, as I’ve explored throughout this project, there were several different varieties of eugenics, including versions which promoted using selective breeding to encourage inter-racial mingling, thereby creating a spiritual master-race.

In this chapter, we’re going to examine four figures who promoted inter-racial forms of spiritual eugenics — ie they explored the idea that inter-racial breeding can help to create spiritually gifted individuals or even a new race of superbeings. They didn’t all necessarily believe in the state saying who can and can’t reproduce — but they did explore ideas of selective inter-racial breeding towards the goal of creating more spiritually advanced humans…

Read the entire article here.