Mixed Race Studies

“We Were Married on the Second Day of June, and the Police Came After Us the 14th of July.”

The Washingtonian
2016-11-02

Hillary Kelly, Design & Style Editor

Richard and Mildred Loving. Photograph by Grey Villet.

An oral history, nearly 50 years later, of the landmark Virginia case that legalized interracial marriage—and is the subject of a talked-about movie out this month.

In June 1958, Mildred Jeter and Richard Loving drove from their home in Central Point, Virginia, to Washington, DC, to be married. Twenty-four states, including Virginia, still outlawed interracial marriage at the time. Mildred was part Native American and part African-American; Richard was white. Their union would eventually result in their banishment from the state and a nine-year legal battle.

On November 4, almost 50 years after the Supreme Court’s 1967 decision that the Lovings’ marriage was valid—and that marriage is a universal right—Hollywood is set to release Loving, already on Oscar lists. As director Jeff Nichols explained when asked why he took on the project, “We have very painful wounds in this country, and they need to be brought out into the light. And it’s gonna be an awkward, uncomfortable, painful conversation that’s going to continue for a while.”

The movie focuses on Mildred and Richard’s romance. We looked behind the scenes of the struggle itself, talking to insiders including the couple’s attorneys—then just out of law school—to revisit the case. One remarkable aspect: Unlike other civil-rights champions of their era, the Lovings never set out to change the course of history. “What happened, we real­ly didn’t intend for it to happen,” Mildred said in 1992. “What we wanted, we wanted to come home.”

This is the story of how a quiet couple from rural Virginia brought about marriage equality for themselves, and for all…

Read the entire article here.

Opinion/Commentary: The facts behind loving, law, and ‘Loving’

The Daily Progress
Charlottesville, Virginia
2016-11-13

Jeff E. Schapiro, Politics columnist
Richmond Times-Dispatch, Richmond, Virginia

Focus Features via AP Joel Edgerton and Ruth Negga protray an interracial couple from Virginia whose romance and marraiage made history. The story or Richard and Mildred Loving is told, Hollywood-style in the movie “Loving.”

In 1963, Bernie Cohen, a lawyer in Alexandria, was representing Richard and Mildred Loving, a mixed-race couple from Virginia facing a predicament considered unthinkable today: They’d been banished from the state for 25 years for violating its prohibition on interracial marriage.

Living in Washington, D.C., where interracial marriage was legal and where they were wed in 1958, the Lovings wanted to return home, to rural Caroline County. To get there would require a long journey through the courts.

Having lost the initial challenge in state court, Cohen consulted with his constitutional law professor at Georgetown University, Chester Antieau. He introduced Cohen to another former student, Phil Hirschkop.

Cohen and Hirschkop were alike: Both were Jewish boys from Brooklyn who had settled in segregationist Harry Byrd’s Virginia. They also were liberals, committed to racial equality and social justice at a time when both could be scarce, especially in the American South.

It was Cohen’s and Hirschkop’s different legal backgrounds — the former was a trial lawyer; the latter, a civil rights lawyer — that would bring them together for the successful battle that concluded with a 1967 ruling by a unanimous U.S. Supreme Court voiding Virginia’s anti-miscegenation statute and those of 15 other states.

The decision allowed the Lovings — he was white; she was black — to openly live out their days in Caroline County.

Ahead of the 50th anniversary of a ruling on marriage equality that would presage the Supreme Court order legalizing same-sex marriage in 2015, a new film by Jeff Nichols, the writer-director, recounts the couple’s ordeal…

Read the entire article here.

‘Loving’ revisits a landmark Supreme Court case with radical restraint

The Washington Post
2016-11-10

Ann Hornaday, Film Critic

‘Loving’ is a quietly radical movie. A portrait of Richard and Mildred Loving, who became unwitting activists for interracial marriage when they wed in 1958, this gentle, deeply affecting story dispenses with the usual conventions of stirring appeals to the audience’s social conscience.

Viewers expecting a climactic showdown at the United States Supreme Court — which in 1967 handed down the landmark decision bearing the Lovings’ name, declaring anti-miscegenation laws unconstitutional — or highly pitched speeches about civil rights, privacy and marriage equality will be surprised by a film that steadfastly avoids the most obvious and tempting theatrical manipulations. Instead, viewers are confronted by something far more revolutionary and transformative, in the form of two people’s devotion to each other, and the deep-seated psychological and state forces driven to derangement by that purest emotional truth.

Based on Nancy Buirski’s wonderful 2012 HBO documentary “The Loving Story” and judiciously dramatized by writer-director Jeff Nichols, “Loving” gets underway just as Richard (Joel Edgerton) and Mildred (Ruth Negga) decide to get married, after Mildred discovers she’s pregnant. A longtime couple in the rural town of Central Point, Va., Richard and Mildred reflect the organic ethnic integration of a community in which white, black and Native American citizens routinely befriended and relied on each other…

Read the entire review here.

Mark Loving on the film ‘Loving’ and a Supreme Court case that changed the nation

Eastern Mennonite University
Harrisonburg, Virginia
2016-11-03

Lauren Jefferson, Editor-in-Chief

Mark Loving, a sophomore at Eastern Mennonite University, shows a photo of his great-grandparents, Mildred and Richard Loving. In 1967, the couple won a Supreme Court case that eventually led to freedom for mixed-race couples to marry and live together in Virginia. Their story is featured in “Loving,” a film opening Nov. 4. (Photos by Londen Wheeler Photography; inset photo, Bettman/Getty)

In his native Caroline County, Virginia, Mark Loving II’s family name is well known. Beyond generations of rootedness, there is both a plaque at the courthouse and a historical marker about his family history. One reason why Mark came to Eastern Mennonite University: some anonymity in a rural landscape not dissimilar to home.

But being one of a crowd is shortly coming to an end for this sophomore kinesiology major who plays basketball and has plans to become a physical therapist. On Friday, Nov. 4, a movie will be released, the title of which is one word: his surname.

“I don’t think too many people know,” he said, “but that’s starting to change. The word has got out there.”…

Read the entire article here.

50 years ago: Tucson couple broke down barriers to interracial marriage

Arizona Capital Times
2009-11-01

Luige del Puerto

Henry Oyama was beaming as he led his new bride from the altar of St. Augustine Cathedral in Tucson 50 years ago. She was wearing a traditional white wedding dress, and her left hand was grasping the right arm of her man.

The photos taken that day might leave the impression nothing was out of place, as if it was any other marriage ceremony. But in 1959 the country was on the brink of a major cultural shift to eliminate racism, and the Oyamas had just fought a landmark court battle to overturn an Arizona law that prohibited interracial marriage.

Because Henry Oyama is of Japanese descent and Mary Ann Jordan was white, together they broke down the race-based law that was intended to keep them apart.

The law itself made it illegal for a Caucasian to marry a non- Caucasian, so Oyama felt the onus was on the white person who wanted to marry someone of another race.

“Naturally, the criticism would come more to her,” Oyama said, adding that Mary Ann’s parents believed at the time that their daughter was making herself a target.

The 83-year-old Oyama knows better than most what it’s like to be a target. He spent two years in an internment camp at the beginning of World War II, and he later served the United States as a spy in Panama…

Read the entire article here.

The White and Black Worlds of Loving v. Virginia

TIME
2016-11-04

Arica L. Coleman

AP Photo Richard and Mildred Loving on this Jan. 26, 1965, prior to filing a suit at Federal Court in Richmond, Va.

Richard and Mildred Loving—the couple who inspired the new film Loving—lived in a world where race was not simply binary

Hollywood interpretations of true events always take some liberties with the truth, but the new film Loving—based on the intriguing story of Richard and Mildred Loving, the plaintiffs of the case Loving v. the Commonwealth of Virginia—adheres relatively closely to the historical account. Writer-director Jeff Nichols’ two-hour film chronicles the nine-year saga of the couple’s courtship, marriage, arrest, banishment and Supreme Court triumph in 1967, which declared state proscriptions against interracial marriage unconstitutional.

The film also, however, sticks close to popular myths that have dogged the case for decades, particularly by contextualizing the story within a black/white racial binary—when in fact Richard and Mildred Loving are prime examples of the way such lines have long been blurred…

Read the entire article here.

Review: In ‘Loving,’ They Loved. A Segregated Virginia Did Not Love Them Back.

The New York Times
2016-11-03

Manohla Dargis, Movie Critic

Ruth Negga and Joel Edgerton as Mildred and Richard Loving in the Jeff Nichols film “Loving.” Credit Ben Rothstein/Focus Features

There are few movies that speak to the American moment as movingly — and with as much idealism — as Jeff Nichols’s “Loving,” which revisits the era when blacks and whites were so profoundly segregated in this country that they couldn’t always wed. It’s a fictionalization of the story of Mildred and Richard Loving, a married couple who were arrested in 1958 because he was white, she was not, and they lived in Virginia, a state that banned interracial unions. Virginia passed its first anti-miscegenation law in 1691, partly to prevent what it called “spurious issue,” or what most people just call children.

The America that the Lovings lived in was as distant as another galaxy, even as it was familiar. The movie opens in the late 1950s, when Mildred (Ruth Negga, a revelation) and Richard (Joel Edgerton, very fine) are young, in love and unmarried. They already have the natural intimacy of long-term couples, the kind that’s expressed less in words and more in how two bodies fit, as if joined by an invisible thread. It’s a closeness that seems to hold their bodies still during a hushed nighttime talk on a porch and that pulls them together at a drag race, under the gaze of silent white men…

Read the entire review here.

The Lovings’ Marriage License Is Now On Display At D.C. Court

DCist
Washington, D.C.
2016-08-31

Rachel Kurzius

Photo courtesy of D.C. Courts.

D.C. Superior Courthttp://dccourts.gov/internet/superior/main.jsf—not usually a stop for tourists looking for the kinds of historic documents found in the Smithsonian museums. Now, though, the court’s marriage bureau is displaying a collection of seven notable marriage applications, according to a D.C. Courts Facebook post.

The most significant is that of Richard Loving and Mildred Jeter, an interracial couple from Virginia who married in D.C. because anti-miscegenation laws made their union illegal in their home state. They were arrested and charged with violating the Racial Integrity Act when they returned to Virginia…

Read the entire article here.

The End of Anti-Miscegenation Laws: Loving v. Virginia and Interracial Relationships

Multiracial Media
2016-11-03

Joanna L. Thompson, Ph.D. Candidate
Department of Criminology, Law, and Justice
University of Illinois, Chicago

Little Rock, Arkansas protest to keep anti-miscegenation laws on the books. Photo courtesy of Wikimedia.Commons

This past weekend, the new movie Loving hit theaters. The film features the story of interracial couple Richard Loving, a White man, and Mildred Jeter, a Black woman, from Virginia who defied anti-miscegenation laws by getting married. The film highlights their historic Supreme Court of the United States (SCOTUS) case in 1967, which overturned anti-miscegenation laws nationwide. (It had previously been legal in a handful of states.)

Seven months shy of the 50th anniversary of the SCOTUS decision, thinking of the film and the story of the Loving family, many may not understand the true importance of Loving v. Virginia and the extent to which the United States viewed interracial relationships at that time. Some may even take for granted how interracial relationships have become a societal norm and view the film as slightly shocking. Therefore, to better understand the historical context of the film, let us reveal the State of the Union at that time when it came to multiracial love…

Read the entire article here.

Collecting: My special focus on Louisiana’s Free People of Color.

Louisiana Historic and Cultural Vistas
2016-10-31

Jeremy K. Simien

It’s been said that collecting is a sickness and that a great collector will never stop collecting. I don’t know why, but I’ve always collected things. It started with fossilized rocks on the gravel playground at school, and it continued with other miscellaneous school yard obsessions, some now too embarrassing to admit. Although I will share that at the age of eleven, I was quite serious about finding rare Beanie Babies. No matter the age, I always enjoyed finding and collecting things…

…My personal desire to find and collect portraits of Free people of African descent/Creoles of color is simple. I feel that these pieces act as a crucial visual cue for a story and a message that must be told. The story of the so-called “Free People of Color” goes well beyond my personal family history and any narcissistic need for ancestral gratification. The desire to share and spread this story comes from my need to present a narrative that offers encouragement to not only people of African descent, but also other marginalized groups and persons. The narrative that I hope to present will hopefully be a message of resistance, persistence, and survival…

Read the entire article here.