Mixed Race Studies

To Lift Up My Race: The Essential Writings of Samuel Robert Cassius

University of Tennessee Press
2008-12-30
215 pages
6.27 x 0.85 x 9.11 inches
Hardcover ISBN-13: 978-1572336186

Samuel Robert Cassius (1853-1931)

Edited by:

Edward J. Robinson, Assistant Professor of History and Biblical Studies
Abilene Christian University, Abilene, Texas

Born into slavery in 1853, taught to read by his half-white, half-black mother, and attending school in Washington, D.C., during Reconstruction, Samuel Robert Cassius is a fascinating and instructive example of the first generation of freed slaves in the United States. To Lift Up My Race, a collection of writings by Cassius, gives us the man–evangelist, educator, farmer, entrepreneur, postmaster, politician, and father of twenty-three–in a significant moment in the emergence of black culture and society between Reconstruction and the Great Depression.

Chronologically and thematically organized, this book contains nearly all of the extant-and all of the crucial-writings of Cassius. Consequently, we see firsthand an ex-slave from Virginia who joins the Stone-Campbell movement (Churches of Christ) in 1883 and emerges as the most influential African American leader and evangelist in that movement. He traveled throughout the United States and Canada, “planting” congregations and propagating what he called the “pure Gospel of Jesus Christ.” Cassius was also a remarkably successful fundraiser, often using humor in the articles he wrote for several publications, including the Christian Leader. In addition, Cassius was the author of such pamphlets as “Negro Evangelization and the Tohee Industrial School” (one of the “workingmen’s schools” he helped to found) and “The Letter and the Spirit of the Race Problem.” In 1920, he published his most important literary work, The Third Birth of a Nation, a response to D. W. Griffith’s film The Birth of a Nation.

The volume offers readers the vision and the voice of a black preacher and writer who endeavored to correct the racism of white America while simultaneously altering the religious beliefs and values of black America, often clashing with and sometimes alienating both.

Joseph Jenkins Roberts: A Love for Liberia

StMU Research Scholars: Featuring Scholarly Research, Writing, and Media at St. Mary’s University
St. Mary’s University, San Antonio, Texas
2020-02-17

Antonio Holverstott

In 1846, the governor of the African colony of Liberia, Joseph Jenkins Roberts, called for a referendum to determine Liberia’s path towards independence. Eager colonists in the settlements of Monrovia, Bassa, Greenville, and Maryland affirmed their desire to have an independent Liberia.¹ However, the legislature was designated as the final judge to determine the fate of the colony’s future. During this historic moment, Roberts was seeing his vision of independence take shape in reality. The story of Joseph Jenkins Roberts and Liberia’s autonomy was unique among stories of national independence, similar to the United States’ exit from the British Empire in the middle of the 1770s and similar to the Haitian Revolution where slaves revolted against the unfair treatment of the French government.

The story of Roberts’ stride towards obtaining independence for Liberia began when he became the colonial sheriff in 1833.² One year after he took office, the colony’s main financial supporter and sponsor, the American Colonization Society (ACS), started to experience financial insolvency due to their failure of not being able to secure sufficient funds from the United States federal government and state legislatures. The questionable origins of the ACS and prejudiced motives of a percentage of its members made the organization look unappealing in the eyes of the government. In 1816, the ACS was founded as a product of a growing post-Revolutionary War movement advocating for the emigration of African Americans back to Africa.³ The end result of this emigration was the formation of a new sovereign state.⁴…

Read the entire article here.

The Afro Latino who redefined how Black history is remembered

NBC News
2022-02-24

Nicole Acevedo, Reporter

Arturo Schomburg’s experiences as an Afro Puerto Rican at the turn of the century influenced his approach to rescuing and preserving Black history.

Arturo Alfonso Schomburg is regarded as one of the foundational figures of Black history in the United States, with one of the nation’s most important research and cultural institutions named after him.

Yet his legacy goes beyond the work he did as a historian, writer and collector of global Black art and historical materials.

By identifying as a Black and Puerto Rican, Schomburg’s acknowledgment of his diverse heritage helped him earn a global understanding of Black identity — a view he implemented in his approach to rescuing and preserving Black history — while he recognized the way Blackness had been erased, including in the Caribbean and Latin America…

Read the entire article here.

Mestizo Modernity: Race, Technology, and the Body in the Postrevolutionary Mexico

University Press of Florida
2018-08-28
250 pages
6×9
Hardcover ISBN 13: 9781683400394
Paper ISBN 13: 9781683403104

David S. Dalton, Assistant Professor of Spanish
University of North Carolina, Charlotte

After the end of the Mexican Revolution in 1917, postrevolutionary leaders hoped to assimilate the country’s racially diverse population into one official mixed-race identity—the mestizo. This book shows that as part of this vision, the Mexican government believed it could modernize “primitive” Indigenous peoples through technology in the form of education, modern medicine, industrial agriculture, and factory work. David Dalton takes a close look at how authors, artists, and thinkers—some state-funded, some independent—engaged with official views of Mexican racial identity from the 1920s to the 1970s.

Dalton surveys essays, plays, novels, murals, and films that portray indigenous bodies being fused, or hybridized, with technology. He examines José Vasconcelos’s essay “The Cosmic Race” and the influence of its ideologies on mural artists such as Diego Rivera and José Clemente Orozco. He discusses the theme of introducing Amerindians to medical hygiene and immunizations in the films of Emilio “El Indio” Fernández. He analyzes the portrayal of indigenous monsters in the films of El Santo, as well as Carlos Olvera’s critique of postrevolutionary worldviews in the novel Mejicanos en el espacio.

Incorporating the perspectives of posthumanism and cyborg studies, Dalton shows that technology played a key role in race formation in Mexico throughout the twentieth century. This cutting-edge study offers fascinating new insights into the culture of mestizaje, illuminating the attitudes that inform Mexican race relations in the present day.

21. Fredi’s Migration: Washington’s Forgotten War on Hollywood

Chapter in the anthology: Women and Migration: Responses in Art and History
Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson (ed.)
(2019-09-12, Open Book Publishers)
Printed ISBN: 9781783745654
eBook ISBN: 9791036538070

Pamela Newkirk, Professor of Journalism
New York University

Nearly eight decades before #OscarsSoWhite focused attention on the dearth of roles for Blacks and other people of color in Hollywood, actress Fredi Washington became one of the most vocal critics of the industry’s racial bias. But despite her trailblazing work on stage and screen beginning in the 1920s, Washington has largely been forgotten as one of the pioneering African-American leading ladies, and for her noteworthy civil rights activism.

The eldest of five children, Washington was born in Savannah, Georgia in 1903 and relocated to Philadelphia aged eleven following the death of her mother, a former dancer. In 1919 Washington launched her own career as a chorus girl in Harlem’s Alabam Club, and, in 1926, landed a coveted role in the landmark Broadway play Shuffle Along. When the show closed she sailed to Europe to tour with her dance partner Al Moiret. Two years later she returned to the United States and starred in a string of successful films and plays including the short film Black and Tan Fantasy with Duke Ellington (1929); Black Boy starring Paul Robeson (1930); Emperor Jones with Robeson again (1933); and Drum in the Night (1933); with an equal number of plays, including Singing the Blues (1930), Sweet Chariot (1930) and Run Lil’ Chillun (1933).

Washington’s stardom was secured with her performance as Peola, the tortured bi-racial daughter who passes for white in Imitation of Life, the 1934 feature film starring Claudette Corbert and Louise Beavers. However, after achieving critical acclaim for her performance Washington was routinely passed over for lead roles. This was in part due to Hollywood’s Hays Codes, which, beginning that year, explicitly prohibited the depiction of miscegenation in film. The Hays Codes made life especially challenging for Washington, whose green eyes and pale complexion rendered her too light to be cast in films with all-Black casts. In 1937 her skin was darkened for her co-starring role in One Mile from Heaven with Bill Robinson…

Read the entire chapter here.

Descendant of Alex Manly talks about modern impact of 1898 Massacre

WECT News 6
Wilmington, North Carolina
2021-11-10

Mara McJilton, Multimedia Journalist

WILMINGTON, N.C. (WECT) –Alex Manly was the owner of The Daily Record newspaper in 1898 when it was burned down by white supremacists.

Now, 123 years later, descendants of Manly are still trying to piece together what happened on November 10, 1898.

“The real, real granular details, the real truth of it — it’s been an ongoing experience and process,” said Alex Manly’s great-great-grandson Kieran Haile.

Haile has had a vague understanding of the 1898 Massacre since he was a teenager, but it wasn’t until about five years ago when he was nearing his 30′s that he really started to take a deep dive into history and learn more about this horrific day…

Read and watch the entire story here.

Inventing Latinos: A New Story of American Racism

The New Press
August 2020
272 pages
5 1/2 x 8 1/2
Hardcover ISBN: 978-1-59558-917-0

Laura E. Gómez, Professor of Law; Professor of Sociology; Professor of Chicana/o Studies
University of California, Los Angeles

An NPR Best Book of the Year, exploring the impact of Latinos’ new collective racial identity on the way Americans understand race, with a new afterword by the author

Latinos will comprise a third of the American population in just a matter of decades, but many Americans still struggle with two basic questions: Who are Latinos and where do they fit in America’s racial order? In this “timely and important examination of Latinx identity” (Ms.), Laura E. Gómez, a leading critical race scholar, argues that it is only recently that Mexican Americans, Puerto Ricans, Cubans, Dominicans, Central Americans, and others are seeing themselves (and being seen by others) under the banner of a cohesive racial identity. And the catalyst for this emergent identity, she argues, has been the ferocity of anti-Latino racism.

In what Booklist calls “an incisive study of history, complex interrogation of racial construction, and sophisticated legal argument,” Gómez “packs a knockout punch” (Publishers Weekly), illuminating for readers the fascinating race-making, unmaking, and re-making processes that Latinos have undergone over time, indelibly changing the way race functions in this country.

The paperback features a new afterword in which the author analyzes results of the 2020 Census, providing “much-needed insight into the true complexity of Latinx identity” (Kirkus Reviews).

Mixed-Race Identity in the American South: Roots, Memory, and Family Secrets

Lexington Books (an imprint of Rowman & Littlefield)
May 2021
236 pages
6½ x 9
Hardback ISBN: 978-1-7936-2706-3
eBook ISBN: 978-1-7936-2707-0

Julia Sattler, Assistant Professor of American Studies
TU Dortmund University, Dortmund, Germany

This interdisciplinary investigation argues that since the 1990s, discourses about mixed-race heritage in the United States have taken the shape of a veritable literary genre, here termed “memoir of the search.”

The study uses four different texts to explore this non-fictional genre, including Edward Ball’s Slaves in the Family and Shirlee Taylor Haizlip’s The Sweeter the Juice. All feature a protagonist using methods from archival investigation to DNA-testing to explore an intergenerational family secret; photographs and family trees; and the trip to the American South, which is identified as the site of the secret’s origin and of the family’s past. As a genre, these texts negotiate the memory of slavery and segregation in the present.

In taking up central narratives of Americanness, such as the American Dream and the Immigrant story, as well as discourses generating the American family, the texts help inscribe themselves and the mixed-race heritage they address into the American mainstream.

In its outlook, this book highlights the importance of the memoirs’ negotiations of the past when finding ways to remember after the last witnesses have passed away. and contributes to the discussion over political justice and reparations for slavery.

Table of Contents

• Introduction: Memoir of the Search: The Emergence of a Mixed-Race Literary Genre
• Chapter 1: Writing Mixed Selves at the Turn of the Millennium
• Chapter 2: Family Secrets: Uncovering Mixed Race Heritage
• Chapter 3: Media of Memory: Generating the Family
• Chapter 4: Narrating the Mixed-Race Nation
• Chapter 5: The Past in the Present: Encounters with the South
• Conclusion: Making History at the Turn of the Millennium

My Heritage Is Mixed Race. Chances Are Decent That Yours Is, Too

The Daily Beast
2019-09-09

Sophia A. Nelson

Many African-Americans like me have some white blood in our veins. And of course it stands to reason that the opposite is true. We must tell these stories.

My great grandfathers were white men. Both of them loved and married black women at great peril to themselves and all they possessed. Miscegenation laws in America forbade interracial marriage until the landmark Loving vs. Virginia case of 1967 (the year I was born). So, if they wanted to marry the women they loved, they could not remain in the deep South. They had to flee to border states or free states in order to marry and survive.

My paternal great grandfather, Joseph Bardsley Nelson, was an Irishman from North Carolina. He met and fell in love with a mixed race (African American and Cherokee) woman named Ida from South Carolina. How they crossed paths is unknown, but “pop,” as we called him, was a soldier in World War I, and likely underwent basic training in South Carolina. Word of their forbidden relationship spread in the community, and family oral history says they had to flee in the night and make their way to Philadelphia and then to New Jersey, where they lived until they died.

Pop worked along with his brother Elliot as a bricklayer for the famous Kelly family in Philadelphia. Yes, that Kelly family (as in Grace Kelly). Great grandmother Ida was a seamstress and homemaker. She had two children, my paternal grandmother Dora and her brother, Bardsley. Nana, as we called her, could “pass” for white; her brother Joe looked more Indian and could not…

Read the entire article here.

Moses Roper: the fugitive from slavery cast aside by British abolitionists

The Guardian
2022-02-16

Mark Brown, North of England correspondent

Historians argue Roper’s story could have helped end US slavery earlier but supporters turned on him

In his day, the 19th-century fugitive from slavery Moses Roper was a well-known public figure who toured Britain and Ireland telling gripped and shocked audiences about his horrific experiences in Florida.

Today he is largely overlooked but, two Newcastle University academics argue, the important story of this fascinating man represents a “lost opportunity” for the British abolition movement to have helped end slavery in the US earlier.

Bruce Baker, a reader in American history, said it was surprising how little attention had been paid to Roper, given he was a pioneer. “Historians haven’t really paid a lot of attention to Roper, even though he was the first fugitive slave to lecture in the cause of abolition in Britain and Ireland.”

Baker and his colleague Fionnghuala Sweeney, a reader in American and Black Atlantic Literatures, have now published a paper in an academic journal and are working on a full biography of Roper. They aim to rescue him from obscurity, painting a picture of a radical, driven man ruined by the British abolition movement that turned against him.

Roper fled enslavement in Florida in 1834 and, fearing for his safety, made his way to Britain, where he was supported by churchmen and abolitionists. They helped fund his education and in 1837 he published the first edition of his Narrative of the Adventures and Escape of Moses Roper from American Slavery…

Read the entire article here.