Mixed Race Studies

A Conflict of Race and Religion

Atlanta Jewish Times
2017-04-13

Patrice Worthy

As a Jew of color, your identity and loyalty are constantly questioned.

I remember it like it was yesterday. I was laid off from my job for poor work performance. Weeks before, I went to HR regarding a co-worker who attacked my Jewish identity by asking another co-worker, “What does she want to be Jewish?” followed by “She thinks she so cute” because I asked for the first day of Pesach off.

Her sister, who worked in the same department, questioned my Judaism in front of the entire office, and when the daily harassment was too much for my body to handle, I was hospitalized and forced to tell my diagnosis to my supervisor, who encouraged the discrimination, and the HR rep…

…Being black and Jewish, at least from my experiences in the South, is a precarious position. Especially in a socially segregated city like Atlanta, where you are forced to choose between being Jewish and being black, whatever that means…

Read the entire article here.

Jewish and Asian: Intermarriages that yield Jewish kids

Religion News Service
2016-07-08

Lauren Markoe, National Reporter

Helen Kim, Noah Leavitt, and their children Ari and Talia Kim-Leavitt, at home. Photo courtesy Kim-Leavitt family

(RNS) Noah Leavitt and Helen Kiyong Kim’s marriage is one of an increasing number of Jewish-Asian pairings in the U.S., a trend evident in many American synagogues. The two Whitman College professors have just released the first book-length study of Jewish-Asian couples and their offspring.

Though “JewAsian” is geared toward social scientists, the chapters in which they excerpt and analyze their interviews with 34 Jewish-Asian couples will interest any readers curious about intermarriage in general, and the evolving American-Jewish community in particular.

RNS asked Leavitt and Kim why Jews and Asians seem increasingly to fall for each other, why they so often opt for Judaism and how they are raising their own Jewish-Korean children…

Read the entire interview here.

Lacey Schwartz

Stone Fox Bride
2017-02-17

Lacey Schwartz on Leaning In, Little White Lies And Imperfect Love

Who: Lacey Schwartz, Truth Teller, Filmmaker, Mama Of Two

Why She’s Foxy: After digging up a wild family secret at the age of eighteen, she discovered her roots, directed a PBS documentary and found her strength in storytelling

On Her Childhood: “I grew up an only child in the deep in the country in Accord, New York. You couldn’t see other houses from where I was, and it felt like a bubble. You would have to ask my parents, but I think I was pretty chill as a kid. I was a very rational child who could entertain myself. My favorite books were Beverly Cleary, Judy Blume, The Babysitters Club by Ann M. Martin and Betsy-Tacy and Tib by Maud Hart Lovelace.”…

…On Little White Lies: “After law school, I had an offer on the table and started waiting tables in New York. I considered going into the mailroom at an agency. I ended up getting a job at a production company and then in the background started thinking about making Little White Lie, a personal documentary about dual identity and family secrets. My story is I grew up in a white Jewish family in upstate New York. I thought I was white, despite my dark features, until I found out at the age of eighteen that my biological father was black…

Read the entire interview here.

Genarao Kỳ Lý Smith’s “Fidèle”and Intrusion

Interminable Rambling
2017-04-13

Matthew Teutsch, Instructor
Department of English
Auburn University, Auburn, Alabama

Recently, I taught Genarao Kỳ Lý Smith’s The Land Baron’s Sun: The Story of LýLoc and His Seven Wives (2014) for the first time, and during this read through, I began to think about the topic of the American Dream even more along with colonization and intrusion. These themes pop up in numerous poems throughout the collection, and I have written about them before. Today, though, I want to focus on “Fidèle,” a poem that appears later in the book and talks about Pham and her family’s new life in North Louisiana.

“Fidèle” begins by outlining the religious landscape of Ruston. The town does not have any synagogues, pagodas, or temples; rather, it has “only churches whose steeples/ are wooden hands formed in prayer” (84). From the very beginning, we are told to question the Boudreaux family in the poem based on the title, ““Fidèle,” French for faithful. The Boudreauxs, with their children and dog, repeatedly ask Pham, as she works in her family’s garden, to come to church with them someday. Pham declines these invitations as her husband instructs her…

Read the entire article here.

Where Black and Jewish Identity Merge

Forward
2013-01-27

Adam Langer, Culture Editor

courtesy emily raboteau

Before they had finished their books, before Sharifa Rhodes-Pitts had published “Harlem Is Nowhere” — a finalist for the 2011 National Book Critics Circle Award — and before Emily Raboteau had published “Searching for Zion,” which was published in January, the two women used to take walks together. They would amble past the George Washington Bridge, the Morris-Jumel Mansion, Jumel Terrace Books and other landmarks in the Upper Manhattan neighborhoods where both authors currently live.

Both Raboteau and Rhodes-Pitts are young mothers in their 30s whose nonfiction books share a common theme: a yearning for some sort of promised land. For Rhodes-Pitts, whose book is the first in a planned trilogy about black utopias, that place is Harlem; for Raboteau, it is not just one place, but a series of locations where displaced blacks have endeavored to find a homeland.

Raboteau’s journey began in Israel, where her best friend from childhood had moved to make aliyah, but it also led her through such locations as Jamaica, Ethiopia and Ghana, where she came to challenge some of her long-held assumptions about race and religion. The Forward’s Adam Langer invited the authors to have another conversation, this time at Emily Raboteau’s office at City College where she teaches. The writers discussed parenthood, promised lands, and their thoughts on the relationship between blacks and Jews…

Read the entire interview here.

México’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women

State University of New York Press
February 2017
350 pages
Hardcover ISBN13: 978-1-4384-6357-5

B. Christine Arce, Assistant Professor of Latin American Literature and Culture
University of Miami, Miami, Florida

2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture

Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness.

México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: The Paradox of Invisibility
• Part I: Entre Adelitas y Cucarachas: The Soldadera as Trope in the Mexican Revolution
  • 1. Soldaderas and the Making of Revolutionary Spaces
  • 2. The Many Faces of the Soldadera and the Adelita Complex
  • 3. Beyond the “Custom of Her Sex and Country”
• Part II: The Blacks in the Closet
  • 4. Black Magic and the Inquisition: The Legend of La Mulata de Córdoba and the Case of Antonia de Soto
  • 5. “Dios pinta como quiere”: Blackness and Redress in Mexican Golden Age Film
  • 6. The Music of the Afro-Mexican Universe and the Dialectics of Son
• Conclusion: To Be Expressed Otherwise
• Notes
• Bibliography
• Index

Identity Crisis

Washington Independent Review of Books
2017-03-10

Helene Meyers, Professor of English
Southwestern University, Georgetown, Texas

The “white Jewish” question posed in The Human Stain.

Emma Green of the Atlantic started a firestorm recently with the article “Are Jews White?” Taking for granted that Ashkenazi Jews have assimilated to whiteness, Green used the white Jewish question to wonder whether the rise of the so-called “alt-right” (read racist, misogynist white supremacists) is upending Jewish security in the U.S.

Green’s provocative title question caused quite a bit of tumult on Twitter. Predictably and understandably, Jews of color replied, with much amusement and some angst, “No.” Some white Jews responded, “No,” as well, citing anti-Semitism and/or Jewish distinctiveness. For once, this group agreed with the likes of David Duke, who tweeted in all caps “NO — JEWS ARE NOT WHITE.” Some white Jews and blacks unequivocally replied, “Yes,” citing white privilege as decisive.

While the answers to Green’s question from Jewish-American literature are all over the map, Philip Roth’s The Human Stain brilliantly depicts the continuing effects of “so arbitrary a designation as race” on those who choose or are assigned the off-whiteness of Jewishness…

Read the entire essay here.

Biracial and Jewish

The New York Times
2017-03-20

Helen Kiyong Kim, Associate Professor of Sociology
Whitman College, Walla Walla, Washington

Noah Samuel Leavitt, Associate Dean of Students
Whitman College, Walla Walla, Washington

To the Editor:

Re “What Biracial People Know” (Sunday Review, March 5):

Moises Velasquez-Manoff makes a number of vital points about the creative ways that biracial people navigate the world.

During 2011-14, we interviewed 39 young men and women who were the offspring of Jewish and Asian parents. Supporting Mr. Velasquez-

Manoff’s point that biracialism breaks down tribalism — and perhaps extending his assertions — our research found that these young people strongly identified both as multiracial as well as Jewish in a surprisingly traditional religious sense…

Read the entire letter here.

After Trump

Boston Review: A Political and Literary Forum
2016-11-22

Christopher Petrella, Lecturer in the Humanities and the Associate Director of Equity and Diversity
Bates College, Lewiston, Maine

In November 2015 Donald Trump was asked on the campaign trail if he would require Muslim U.S. citizens to register with the Department of Homeland Security. “Absolutely,” Trump said, “they have to be.” Trump and his team had been mum on the issue until last week when a number of prominent surrogates and advisers—including incoming White House Chief of Staff Reince Priebus and Trump’s immigration adviser Kris Kobach—mused, seemingly as a test balloon, that the administration is “not going to rule out anything” and that a registry of Muslims entering the country would pass constitutional muster. One member of Trump’s team went as far as citing the 1942–45 internment of 120,000 Japanese-Americans during World War II as a “precedent.” (Both statements were hedged with qualifications that made them no less worrisome.)

Since then, many commentators have roundly condemned the idea of a Muslim registry—not to mention citing the internment of Japanese-Americans as a precedent for anything except that which we must avoid repeating. Few have offered deeper historical examinations , though, that would suggest that the registration of Japanese-Americans and their subsequent movement to concentration camps were not really aberrations in American history. On the contrary, racial and ethnic registries and immigration quota systems have long been integral to America’s approach to regulating the freedom, movement, and rights of non-whites. Two pieces of legislation passed in the same year nearly a century ago—one federal, one in the state of Virginia—reflect the recurrent appeal in the United States of laws aimed at protecting the racial purity of whatever is indexed in a given moment as best representing American nationalism…

…In the same year as the passage of the Immigration Act of 1924, the Commonwealth of Virginia passed its Racial Integrity Act, originally drafted as “A Bill for the Preservation of the White Race.” The Racial Integrity Act of 1924 explicitly forbade miscegenation—that is, “race mixing through marriage and fornication”—on the basis that such practices would “pollute [the nation] with mixed-blood offspring.”…

Read the entire article here.

The Signifyin(g) Saint: Encoding Homoerotic Intimacy in Black Harlem

Black Perspectives
2017-03-14

James Padilioni Jr, Ph.D Candidate and Teaching Fellow in American Studies (Africana-affiliated)
College of William and Mary, Williamsburg, Virginia

On June 25, 1942, Edward Atkinson arrived at 101 Central Park West to sit for a photo shoot in the home studio of Carl Van Vechten. Van Vechten, author of the infamous 1926 novel Nigger Heaven, was a white patron of the Harlem Renaissance and amateur photographer who took hundreds of photographs of Black Harlem’s who’s who such as Paul Robeson, Billie Holiday, and James Weldon Johnson. Atkinson, an off-Broadway actor no stranger to playing a role, transformed himself into Martin de Porres (1579-1639), a Peruvian friar who became the first Afro-American saint when the Vatican canonized him in 1962 as the patron of social justice. I trace Martin’s iconography and ritual performances across Black communities in Latin and Anglo America to reveal the historical relations of power that structure and materialize the networks harnessed by Black peoples to mobilize resources in their varied yet persistent efforts to create meaningful lives out of the fragments of the Middle Passage…

Read the entire article here.