Mixed Race Studies

Racial Categorization in the 2010 Census

U.S. Commision on Civil Rights
Briefing Report
March 2009
59 pages

A Briefing Before The United States Commission on Civil Rights Held in Washington, DC on 2006-04-07.

On April 7, 2006, a panel of experts briefed members of the U.S. Commission on Civil Rights on racial categorization in the 2010 Census. Charles Louis Kincannon, Director, U.S. Census Bureau; Sharon M. Lee, Professor and Director of Graduate Studies, Department of Sociology, Portland State University; Kenneth Prewitt, Carnegie Professor of Public Affairs, Columbia University; and Ward Connerly, Chairman, American Civil Rights Institute, made presentations and offered their expertise on 1) the current racial categories in the 2010 Census; 2) proposed alternative racial categories in the 2010 Census; 3) the proposed elimination of racial categories in the 2010 Census; and 4) the legal and policy implications of Office of Management and Budget guidance to federal agencies on allocation of multiple responses. The briefing was held in Room 226 of the Dirksen Senate Office Building.

A transcript of this briefing is available on the Commission’s Web site (www.usccr.gov), and by request from the Publications Office, U.S. Commission on Civil Rights, 624 Ninth Street, NW, Room 600, Washington, DC, 20425; (202) 376-8128; publications@usccr.gov.

Read the entire report here.

Race Card: Corinne Bailey Rae and Zadie Smith Navigate Race and Art

Bitch Magazine
2010-01-21

Nadra Kareem

Works by two mixed-race Brits—musician Corinne Bailey Rae and writer Zadie Smith—have recently been profiled in the New York Times. Both women navigate their collective white and Caribbean ancestry by embracing hybridity instead of relegating themselves to one group. Their doing so challenges entrenched American notions of race that say that multiracial people must choose one ethnicity or another, not all.

The English-Jamaican Smith, who rose to fame upon the publication of her 2000 bestselling book White Teeth, regards Zora Neale Hurston and Barack Obama as her sister and brother in arms. In her new book of essays, Changing My Mind, Smith praises Hurston for making “‘black woman-ness’ appear a real, tangible quality, an essence I can almost believe I share, however improbably, with millions of complex individuals.”…

…For singer Corinne Bailey Rae, whose mother is white and father is from the West Indian island of St. Kitts, being mixed-race had a direct impact on her music. Now, 30, Bailey Rae gravitated towards grunge in her teens…

Read the entire article here.

Phillip Handy – Race and gender in the family

Rutgers University Undergraduate Research Spotlight
2009-07-26

Phillip Handy
Rutgers University

Phillip Handy discusses his research, which looks into the question of how mother-daughter and father-son relationships impact a mixed-race child’s racial identity.

Phillip is advised by Dr. Diana Sanchez, Assistant Professor in the Department of Psychology at Rutgers University.

‘A Yellow-Ass Nigga’?: Hip Hop and the ‘Mixed-Race’ Experience

Intermix
Academic Papers
February 2010

Dr. Kevin Searle

Hip Hop has always engaged with the politics of ‘race’ and racism. From the Black Panther Party-inspired Marxism of acts such as The Coup and Immortal Technique, to the Nation of Islam-influenced stance of Public Enemy and Ice Cube, to the black feminism of Ursula Rucker and MeShell Ndgeocello, socially conscious emcees have approached the issues from a number of angles. In the context of this engagement with the politics of ‘race’ and racism, the topics of ‘mixed race’ and interracial relationships have often featured.

This article explores some of the lyrics about the ‘mixed-race’ experience in Hip Hop. It does not aim to provide an exhaustive list of songs which have engaged with issues of ‘mixed-race,’ but to serve as an introduction. The article is borne out of my longstanding interest in Hip Hop, and much of the research involved me consulting my ever-growing record collection, and songs which have come to my attention over the years.

Hip Hop provides the soundtrack to the lives of many ‘mixed-race’ youth and adults. The genre is perhaps more relevant to the ‘mixed-race’ experience than any other form of music. Charlie Owen (2001: 138) has noted how ‘mixed-race’ people constitute a relatively young population. This population has been at its largest, at a time when Hip Hop has taken its greatest share of record sales. However, as many emcees have pointed out, in rhymes which engage with such themes as the division of labour on slave-plantations in the American South, this does not in anyway mean that ‘mixed race’ people somehow constitute a ‘new racial group.’

The present article is structured into four main sections. The first engages with songs about the ‘mixed-race’ experience, the second looks at lyrics about interracial relationships, the third about colour/shade and the final part focuses on tracks about women and colour. It is perhaps worth noting that a number of artists, from different musical genres, have commented on all of these themes, prior to the dawn of Hip Hop in the 1970s.3 In his book On Racial Frontiers…, Gregory Stephens (1999: 170) argues that Bob Marley was, ‘a master of employing double-voiced lyrics,’ and Marley’s line: ‘I’m a rainbow too,’ on the track Sun is Shining constitutes a comment on the artists’ ‘biraciality.’ Nina Simone described a woman who was the product of interracial rape in her song Four Women. The blues artist, Big Bill Broonzy drew upon the African-American expression: If you’re white, you’re all right, If you’re brown stick around, if you’re black, get back’, in the song Black, Brown and White. And, socially conscious soul singer, Curtis Mayfield, admonished ‘high yellow girls’ in We the People who are Darker than Blue, additionally, as Mike Rugel (2007) shows, the theme of women and colour has also been present in a number of blues songs…

Read the entire article here.

Telling a Tall Tale, Family-Style—Author and Cultural Historian Scott Sandage Delivers 17th Annual Levine Lecture

Rider University News
Rider University, New Jersey
2008-10-16

For all his traditional academic rearing, Scott Sandage readily concedes that the revival of narrative has brought a new vitality to the discipline of history. “It was long considered unintellectual to tell stories,” explained Sandage, an associate professor of History at Carnegie Mellon University in Pittsburgh. “But today, with the rise in history writers like David McCullough, it’s become a way to compete with them for people’s attention.”

Sandage, who presented the 17th Annual Levine Lecture at Rider University on October 16, arrived with a new twist on a story that had been often told on the old American frontier, but was unfamiliar to the capacity audience in the Sweigart Auditorium. In doing so, Sandage not only shone a new light on the social conceptions of race, but framed it in a surprisingly personal context.

A noted author and cultural historian, Sandage specializes in the 19th century United States and in the changing aspects of American identity. He spoke in support of his current book project, Half-Breed Creek: A Tall Tale of Race on the Frontier, which focuses on a little-known, mixed-race Native American reservation in southeast Nebraska and investigates how family folklore has shaped racial identity in the United States.

“This is a story of what race is and how Americans have determined what race a person belongs to based on what stories can be told about them,” Sandage began. He set the scene of the so-called Half-Breed Creek, a reservation established by the United States government in 1856 as a place for those who claimed partial, but not full, Native American lineage. “The thinking was that the smart, educated half of the half-breed would organize the Indians into making trouble” in the already tenuous location, situated in the only spot in the United States where slave, free and Indian territories met at the same time, he explained…

Read the entire article here.

Mixed: Portraits of Multiracial Kids

Chronicle Books
2010-03-17
264 pages
7 x 7 in; 127 color photographs
ISBN 9780811874083
ISBN10 0811874087

Kip Fulbeck, Professor of Performative Studies, Video
University of California, Santa Barbara

Foreword by Dr. Maya Soetoro-Ng

Afterword by Cher (Cherilyn Sarkisian)

Mixed — From beloved writer and artist Kip Fulbeck, author of Part Asian, 100% Hapa, this timely collection of portraits celebrates the faces and voices of mixed-race children. At a time when 7 million people in the U.S. alone identify as belonging to more than one race, interest in issues of multiracial identity is rapidly growing. Overflowing with uplifting elements—including charming images, handwritten statements from the children, first-person text from their parents, a foreword by Dr. Maya Soetoro-Ng (President Obama‘s sister), and an afterword by international star Cher (who is part Cherokee)—this volume is an inspiring vision of the future.

Visit the official website at www.MixedKids.com.