Archibald Motley: Jazz Age Modernist

Posted in Arts, Media Archive, United States on 2014-03-12 15:22Z by Steven

Archibald Motley: Jazz Age Modernist

Nasher Museum of Art at Duke University
2001 Campus Drive
Durham, North Carolina 27705
On view 2014-01-30 through 2014-05-11

ABOUT

Archibald Motley: Jazz Age Modernist, the first retrospective of the American artist’s paintings in two decades, will originate at the Nasher Museum of Art at Duke University on January 30, 2014, starting a national tour.

SO MODERN, HE’s CONTEMPORARY

Motley is one of the most significant yet least visible 20th-century artists, despite the broad appeal of his paintings. Many of his most important portraits and cultural scenes remain in private collections; few museums have had the opportunity to acquire his work. With a survey that spans 40 years, Archibald Motley introduces the artist’s canvases of riotous color to wider audiences and reveals his continued impact on art history.

FOR THE FIRST TIME AT THE NASHER MUSEUM

Archibald Motley includes 42 works from each period of Motley’s lifelong career, from 1919 to 1960. Motley’s scenes of life in the African-American community, often in his native Chicago, depict a parallel universe of labor and leisure. His portraits are voyeuristic but also genealogical examinations of race, gender and sexuality. Motley does not shy away from folklore fantasies; he addresses slavery and racism head on. The exhibition also features his noteworthy canvases of Jazz Age Paris and 1950s Mexico. Significant works will be presented together for the first time.

“We are extremely proud to present this dazzling selection of paintings by Archibald Motley, a master colorist and radical interpreter of urban culture,” said Sarah Schroth, Mary D.B.T. and James H. Semans Director of the Nasher Museum. “His work is as vibrant today as it was 70 years ago; with this groundbreaking exhibition, we are honored to introduce this important American artist to the general public and help Motley’s name enter the annals of art history.”

THE MAN, THE ARTIST

Archibald John Motley, Jr. (1891-1981), was born in New Orleans and lived and worked in the first half of the 20th century in a predominately white neighborhood on Chicago’s Southwest side, a few miles from the city’s growing black community known as “Bronzeville.” In his work, Motley intensely examines this community, carefully constructing scenes that depict Chicago’s African American elites, but also the worlds of the recently disembarked migrants from the South and other characters commonly overlooked.

In 1929, Motley won a Guggenheim Fellowship that funded a year of study in France. His 1929 work Blues, a colorful, rhythm-inflected painting of Jazz Age Paris, has long provided a canonical picture of African American cultural expression during this period. Several other memorable canvases vividly capture the pulse and tempo of “la vie bohème.” Similar in spirit to his Chicago paintings, these Parisian canvases extended the geographical boundaries of the Harlem Renaissance, depicting an African diaspora in Montparnasse’s meandering streets and congested cabarets.

In the 1950s, Motley made several lengthy visits to Mexico, where he created vivid depictions of life and landscapes. He died in Chicago in 1981.

ON THE ROAD

Archibald Motley: Jazz Age Modernist opens at the Nasher Museum of Art at Duke University and will travel to the Amon Carter Museum of American Art in Fort Worth, Texas (June 14–September 7, 2014); the Los Angeles Museum of Contemporary Art (October 19, 2014–February 1, 2015); the Chicago Cultural Center (March 6–August 31, 2015) and the Whitney Museum of American Art, New York (Fall 2015).

For more information, click here.

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Diversity reaches new levels in Honey Maid ads

Posted in Articles, Communications/Media Studies, Gay & Lesbian, Media Archive, United States on 2014-03-11 22:48Z by Steven

Diversity reaches new levels in Honey Maid ads

USA Today
2014-03-10

Bruce Horovitz, Marketing Reporter

Honey Maid is the latest brand to launch an ad campaign featuring interracial, gay families.  USA TODAY

America’s biggest brands are at an advertising crossroads, and the new diversity that their ads project has suddenly emerged as one of society’s most visual — if not incendiary — flash points.

And it’s about to explode.

It began with several recent, high-profile diverse TV spots from two multibillion-dollar brands: a Cheerios spot staring a biracial girl with white mom and black dad; and a Coca-Cola spot featuring minorities singing America the Beautiful in their native languages. Both went viral and left trails of social media venom in their wake.

On Monday, Honey Maid will jump on the diversity bandwagon with a far-reaching campaign by the 90-year-old graham cracker brand that raises the use of diversity in mainstream ads to a whole new level.

In one 30-second Honey Maid ad, viewers will see everything from a same-sex couple bottle-feeding their son to an interracial couple and their three kids holding hands. The ad also features a Hispanic mother and an African-American father with their three mixed-race children. And there’s even a father covered in body tattoos. This is not some shockvertisement for Benetton. It’s an ad for one of America’s oldest and most familiar brands. The people in it are not actors, but real families. The message of the ad: These are wholesome families enjoying wholesome snacks…

Read the entire article here.

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The Journal of Critical Mixed Race Studies inaugural issue is now available

Posted in Articles, Asian Diaspora, Book/Video Reviews, Caribbean/Latin America, Communications/Media Studies, History, Latino Studies, Literary/Artistic Criticism, Media Archive, Mexico, My Articles/Point of View/Activities, Philosophy, Social Science, United States on 2014-03-11 22:18Z by Steven

The Journal of Critical Mixed Race Studies inaugural issue is now available

Journal of Critical Mixed Race Studies
Volume 1, Number 1 (2014-01-30)
ISSN: 2325-4521

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University, Chicago, Illinois

G. Reginald Daniel, Professor of Sociology
University of California at Santa Barbaral


Saya Woolfalk, video still from “The Emphathics,” 2012.

The Journal of Critical Mixed Race Studies inaugural issue is now available. Volume 1, No. 1, 2014 “Emerging Paradigms in Critical Mixed Race Studies” It has been a long journey from the publication of Maria Root’s groundbreaking and award-winning anthology Mixed People in America (1992) to the inauguration of the Journal of Critical Mixed Race Studies. We would like to thank all of our contributors, volunteers, and editorial review board for their hard work and patience. We hope you enjoy this issue of the journal and find it an informative resource on the topic of mixed race identities and experiences.

G. Reginald Daniel, Editor in Chief

Laura Kina, Managing Editor

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to Critical Mixed Race Studies (CMRS). Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies. Sponsored by UC Santa Barbara’s Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library.

Table of Contents

  • Front Matter
  • Cover Art
  • Table of Contents
  • Editor’s Note / Daniel, G. Reginald
  • Emerging Paradigms in Critical Mixed Race Studies / Daniel, G. Reginald; Kina, Laura; Dariotis, Wei Ming; Fojas, Camilla
  • Appendix A: Publications from 1989 to 2004 / Riley, Steven F.
  • Appendix B: Publications from 2005 to 2013 / Riley, Steven F.

Articles

  • “Historical Origins of the One-Drop Racial Rule in the United States” / Jordan, Winthrop D. (Edited by Spickard, Paul)
  • “Reconsidering the Relationship Between New Mestizaje and New Multiraciality as Mixed-Race Identity Models / Turner, Jessie D.
  • “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation / Jolivétte, Andrew J.
  • “‘Only the News They Want to Print’: Mainstream Media and Critical Mixed-Race Studies” / Spencer, Rainier
  • “The Current State of Multiracial Discourse” / McKibbin, Molly Littlewood
  • “Slimy Subjects and Neoliberal Goods: Obama and the Children of Fanon” / McNeil, Daniel

Book Reviews

  • Stephen Murphy-Shigematsu, When Half Is Whole: Multiethnic Asian Americans Identities / Crawford, Miki Ward
  • Ralina Joseph, Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial / Elam, Michele
  • Greg Carter, The United States of the United Races: A Utopian History of Racial Mixing / Mount, Guy Emerson
  • Rudy P. Guevarra, Jr., Becoming Mexipino: Multiethnic Identities and Communities in San Diego / Schlund-Vials, Cathy J.

About the Contributors

  • About the Contributors
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Interview with upcoming CultureFest Performer Laura Kina

Posted in Articles, Arts, Asian Diaspora, Interviews, Media Archive, United States on 2014-03-11 22:09Z by Steven

Interview with upcoming CultureFest Performer Laura Kina

Multiracial Network Blog
2014-03-07

To start us off, we have an interview from our CultureFest performer Laura Kina! As can also be found on her website (http://www.laurakina.com/) Laura is an artist and scholar who focuses “on the fluidity of cultural difference and the slipperiness of identity”. With subjects ranging from Asian American history to mixed race representation, her work blends autobiography with artwork, breaking down stories and putting them back together. Come see her perform “Hapa Yonsei Uchinanchu” her “talk story” about her Okinawan family history in Hawaii and her multiracial identity while showing images of her recent oil paintings and much more! Check her out at CultureFest on Sunday March 30 from 6-9pm in the Convention Center, as part of CelebrACPA immediately after the opening ceremony.

  1. Where and how do you get your inspiration for your art?
  2. Do you have a favorite piece of art you’ve created? Why?

[I’m going to answer both questions at once below]

My artwork usually starts out with an autobiographical impulse and series of questions and then develops as I gather source materials and do field research. For example, in my current exhibition Blue Hawaiʻi, which is on view through March 27, 2014 at the University of Memphis Fogelman Galleries of Contemporary Art, I initially traveled to Hawaiʻi in 2009 to look at community and family photos and interview elders in my dad’s Pi’ihonua sugarcane plantation community on the Big Island of Hawaiʻi as well as other Nisei (2nd generation) and Sansei (3rd generation) from nearby plantations. I grew up in a small Norwegian town called Poulsbo, WA and aside from my dad and my grandma Kina, I was pretty cut off from this part of my heritage. We’d go back as tourists and grew up eating Spam Musubi but I wanted to learn about the real Hawaiʻi and what it means to be Uchinanchu (Okinawan)…

…4. What was the process of creating, organizing, and implementing the Critical Mixed Race Studies Conference?

I went to this 2008 leadership retreat with my DePaul colleague Camilla Fojas. She had just published her co-edited book Mixed Race Hollywood (NYU Press, 2008) with Mary Beltrán and I was beginning to teach a class called “Mixed Race Art and Identity.” We were doing a workshop activity where you put post-it notes up on a wall with where you see yourself in five years in the multiracial movement and what you want to work on. After everyone had their dreams on the wall, we moved out post-it notes around to align with each other. It was out of this activity and other theater and drawing activities that Camilla Fojas, and Wei Ming Dariotis from San Francisco State University, and I had the very practical idea to work towards legitimizing multiracial studies in an academic context. Our hope was to found an association for critical mixed race studies. We used the word “critical” from “critical race” theory to point towards systems of racialization and used the “mixed race” (with no hyphen) from what was being used at the time (as opposed to “multiracial”) to define the movement. The no hyphen comes from us ditching hyphenated identities in Asian America. I know this is confusing when “mixed-race” is used as a compound modifier! We sat down and hammered out a definition, which we are still using today for Critical Mixed Race Studies:

Critical Mixed Race Studies is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.

But before we could found an association we figured we should start small by organizing a conference. We sent out a call for papers in 2009 and by the time the inaugural conference “Emerging Paradigms in Critical Mixed Race Studies” took shape in November 2010 we had over 200 paper submissions and 430 people attended. What was unique about this first conference is that it wasn’t a student conference, as most large-scale meetings on multiraciality had been up to this point. It was an academic conference but it also recognized the movements community roots and included arts and community programming and it drew national and international participation. For our subsequent 2012 conference “What is Critical Mixed Race Studies?”, which over 450 people attended, we sought to keep this core spirit but wished to professionalize the process to ensure peer review but to also create a sustainable process for the conference can keep going. Camilla Fojas worked with an external panel of reviewers to select the papers and I partnered with Mixed Roots Stories to organize arts programming. We are doing this again for the Nov 13-15, 2014 conference “Global Mixed Race.”

To read in detail about the history of multiracial studies in the U.S. and the founding of Critical Mixed Race Studies, please read the inaugural issue of the Journal of Critical Mixed Race Studies article “Emerging Paradigms in Critical Mixed Race Studies” by G. Reginald Daniel, Laura Kina, Wei Ming Dariotis, and Camilla Fojas…

Read the entire interview here.

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‘Mixed race’, ‘mixed origins’ or what? Generic terminology for the multiple racial/ethnic group population

Posted in Anthropology, Articles, Identity Development/Psychology, Media Archive, Social Science, United Kingdom on 2014-03-11 21:46Z by Steven

‘Mixed race’, ‘mixed origins’ or what? Generic terminology for the multiple racial/ethnic group population

Anthropology Today
Volume 25, Issue 2 (April 2009)
pages 3-8
DOI: 10.1111/j.1467-8322.2009.00653.x

Peter J. Aspinall, Emeritus Reader in Population Health
University of Kent, UK

A broad range of terms have been proposed and debated for the ‘mixed race’ population. Dissatisfaction with ‘mixed race’, the term most widely used but contested on the grounds that it references the now discredited concept of ‘race’, has led to the search for an alternative. In 1994 the Royal Anthropological Institute advocated ‘mixed origins’; despite subsequent further efforts, this alternative has gained little momentum. ‘Mixed race’ now competes with terms such as ‘mixed heritage’, ‘dual heritage’, and ‘mixed parentage’ amongst data users.  However, research indicates that the term of choice of most respondents in general population and student samples of this population group is ‘mixed race’, other terms – including ‘mixed origins’ – attracting little support.  Given its dominance, it is premature to argue that the term ‘mixed race’ should be replaced by candidates that are not self-descriptors.

Read the entire article here.

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Concepts, terminology, and classifications for the ‘mixed’ ethnic or racial group

Posted in Articles, Census/Demographics, Identity Development/Psychology, Media Archive, Social Science, United Kingdom on 2014-03-11 21:39Z by Steven

Concepts, terminology, and classifications for the ‘mixed’ ethnic or racial group

Journal of Epidemiolgy and Community Health
Volume 64, Issue 6 (2010)
Pages 557-560
DOI: 10.1136/jech.2009.088294

Peter J. Aspinall, Reader in Population Health
Centre for Health Services Studies
University of Kent, United Kingdom

Background: The way to categorise people born of inter-ethnic and racial unions – the ‘mixed’ group – remains unclear and requires new insights, given the increasing size and complexity of the group and its emerging health profile.

Methods: A mixed methods research study focussing on ethnic options of young ‘mixed race’ people (n=326) recruited in colleges and universities investigated respondents’ preferences with respect to concepts, terminology, and classifications.

Results: The overwhelming generic term of choice was ‘mixed race’, widely interpreted by respondents to include mixed minority groups. Respondents were able to assign themselves in a valid way to a 12-category extended 2001 England and Wales Census classification for ‘mixed’, which collapses into five main groupings and also maps back to the census categories. Amongst options tested for census purposes, multi-ticking performed poorly and is not recommended.

Conclusions: A more finely granulated classification for ‘mixed’ is feasible where needed but this requires more extensive testing before it can be judged preferable to a ‘tick one or more’ option that has been shown to have poor reproducibility in validation surveys.

Read or purchase the entire article here.

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On Mixed Privilege

Posted in Articles, Media Archive, Social Justice, Social Science, United States on 2014-03-11 19:22Z by Steven

On Mixed Privilege

Mixed Roots Stories
2014-02-13

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

I’ve been thinking a lot lately about whether there is such a thing as ‘mixed privilege’. Today in my ESL class one of my students said he would let his daughter marry anyone… except for a Black person. I’ve shared with my students many times and in a number of ways that I am proud of being Black (& other things too). I also often use the exploration of ‘race as a social construct’ in order to teach English at the more advanced levels (as this class was). So what made this student feel comfortable enough to say this to me? Is it that I have a privilege that makes him feel like this kind of blatantly discriminatory statement is OK to say to me?…

Read the entire essay here.

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GalleryDAAS: Photographs by Ed West

Posted in Africa, Arts, Caribbean/Latin America, Live Events, Media Archive, South Africa, United States on 2014-03-11 19:08Z by Steven

GalleryDAAS: Photographs by Ed West

University of Michigan
G648 Haven Hall
505 S State Street
Ann Arbor, Michigan 48109
2014-03-13 through 2014-05-02
Opening Reception: 2014-03-14, 17:30-20:00 CDT (Local Time)

Hosted by the Department of Afroamerican and African Studies (DAAS)

GalleryDAAS presents So Called, a photography series by award-winning artist and U-M professor Edward West. Curated by Franc Nunoo-Quarcoo, So Called is a transnational project about multi-ethnic identities in three locations: Honolulu, Hawaii, Havana, Cuba and Cape Town, South Africa. The series includes photographic portraits of individuals drawn from these communities and focuses on the issue of race, specifically the mixing of races and its social complexities. While the mixing of races has long been a consequence of diasporic/nomadic history, we have only recently found a place in our cultural imaginary for a fuller representation of these collective and individual identities and destinies. The introduction of a mixed race category on the U.S. census, literary and filmic treatments of racialized lives, the emergence of postcolonial studies, all suggest an expanded space for the reception of ideas and issues concerning creolization. See GalleryDAAS here.

A practicing artist for more than 30 years, Edward West’s creative work includes photography, collage, and installation. His exhibitions include installations at the Smithsonian Institution, the Detroit Institute of Arts, the Brooklyn Museum of Art, the Museum of Contemporary Photography in Chicago, the Art Institute of Chicago, the Rose Art Museum in Boston, the Honolulu Academy of Arts, the Corcoran Gallery of American Art, and the University of Michigan Museum of Art.

For more information, click here.

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Mixed Madness Month 2014

Posted in Campus Life, Live Events, Media Archive, United States on 2014-03-11 18:48Z by Steven

Mixed Madness Month 2014

University of Maryland
Adele H. Stamp Student Union
March 2014

________ Looks Like Me

Mixed Madness Month takes place every March. It is the annual heritage and advocacy month for those that consider themselves multicultural, multiracial, multiethnic, and/or a supporter of the mixing of cultures. This year’s theme is:

The “__________ Looks Like Me” theme is part of a larger campaign visual project designed to shatter stereotypes about what individuals of certain categories or groups (race, ethnicity, religion, nationality, occupation, ability, gender, etc.) look like and/or are capable of.

For more information, click here.

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Why isn’t College for Learning About Mixed-Race Identities?

Posted in Articles, Campus Life, Media Archive, United States on 2014-03-10 18:51Z by Steven

Why isn’t College for Learning About Mixed-Race Identities?

Racism Review: scholarship and activism toward racial justice
2014-03-08

Sharon Chang

There are some incredible opportunities out there right now to get certificates, higher ed and even advanced degrees specializing in the experience of Americans of color. Want a degree in Asian American Studies? Sure. How about African American, Native or American Indian, Latin American, Mexican American or Chicano studies? Absolutely. Google [Search] all of these and you’ll find brilliant choices to be credentialed in these heritage experiences at very fine colleges and universities.

But what if you ID as mixed-race multicultural across any of these racial lines? Is there a degree for that?

Not that I’m aware of,” writes Steven F. Riley of MixedRaceStudies.org (46), “The vast majority of courses on mixed-race studies are within the disciplines of Sociology, Psychology, History and Literature, etc.” Despite the fact that the crop of students moving through college today is the largest group of self-identified mixed-race people ever to come of age in the U.S., “In traditional Ethnic Studies,” writes University of California, Berkeley: Center for Race and Gender, “Mixed race scholarship has often been marginalized, misappropriated, tokenized or simply left out.”

Indeed it has only been in recent history that an arena for multi-race discourse has even forcibly begun construction mostly due to multiracials themselves. In the US this is because we have (a) not only a history of denying mixed race which persists but (b) a habit of continuing to operate under the assumption that race can be easily identified and filed away. Anyone who can’t be instantly categorized by visual scanning either gets shoved into something that kinda sorta fits, shows up as a mere blip on the cognitive-radar screen or flies under it completely. Case in point, whether by choice or lack of choice, some of the more visible mixed-race Asian scholars/authors right now are embedded in other departments at their campuses: Laura Kina (Art, Media, & Design, DePaul University), Leilani Nishime (Dept of Communication, University of Washington), Stephen Shigematsu-Murphy (Asian American Studies, Stanford University), Rebecca Chiyoko King-O’Riain (Sociology, University of Ireland)…

Read the entire article here.

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