Mixed Race Studies

Black, White, or Mixed: Identity Formation and Choice Among Black-White Biracial Individuals

Auburn University, Auburn, Alabama
2014-08-02
82 pages

Madison Alayne Hinton

A thesis submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Master of Arts

Identity is a term that is difficult to define, yet every human being has one. It is a strong indicator of how people will act and defines them in an important way and is a reflection of one’s self and self-understanding. Identity is an important aspect for all humans, but it is an especially interesting trait when describing biracial individuals due to their multiracial background. The biracial demographic is growing quickly from that of the past, so it is important that their unique situation be researched. This study explores the family influence on biracial identity choice by gathering data using both a questionnaire and a focus group. The findings concluded family does have a significant, yet indirect, impact on the racial identity choice of their biracial children by encouraging individuality and allowing the person to choose their racial category themselves.

Read the entire thesis here.

With time I learned that there is no one way to be black and a woman, and that being black and German is in no way a contradiction in terms. In fact, I have acquired the power to create a combination of the traits that is unique to me. I can be black, a woman and German and all three characteristics can define me equally.

Ella Achola, ““No, I meant where are you really from?” on being black and German,” Media Diversified, August 15, 2014. http://mediadiversified.org/2014/08/15/no-i-meant-where-are-you-really-from-on-being-black-and-german/.

Intervening in the racial imaginary: ‘mixed race’ and resistance in contemporary Australian Literature

University of Sydney
2014
243 pages

Lyn Sue Dickens

A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences

This thesis examines the extent to which three contemporary Australian novels can be regarded as interventions in “the modern racial imaginary” (Mignolo 2011a, p. 277). In order to analyse the novels as interventions, this thesis looks in particular at depictions and conceptualisations of mixed race subjectivity and experience in the texts. The novels, The World Waiting to be Made by Simone Lazaroo (1994), Shanghai Dancing by Brian Castro (2003) and The Lost Dog by Michelle de Kretser (2007) all explore mixed subjectivities and experiences in the Asia-Pacific region. Throughout this thesis I examine the complexity and disruptive potential of the concept of ‘mixed race’. I argue that through the depiction of people of mixed race and their traumatic experiences of racialisation, the novels critique, resist and disrupt concepts of race and colonial worldviews.

I further explore the ways in which the novels both promote and exemplify alternative ways of perceiving and interacting with other human beings that do not rely on racial categories or the humanitas/anthropos divide (Mignolo 2011b, p. 90). In order to do this I draw on Walter Mignolo’s concepts of border thinking/sensing and delinking, and Édouard Glissant’s work in The Poetics of Relation. I argue that critical examination of mixed race subjectivity and representation, in conjunction with transcultural concepts such as Relation and border thinking, provide a means of both challenging traditional concepts of race and essentialised cultures, and thinking beyond their boundaries. Furthermore, the novels themselves open up a transcultural space with transformative potential, which encourages the imagination of alternative, more equal worlds of Relation.

Read the entire thesis here.

Who cares about mixed race? Care experiences of young people in an inner city borough

Goldsmiths, University of London
April 2010
280 pages

Fiona Virginia Peters

A thesis in partial fulfilment of the requirements for the degree of PhD Sociology Goldsmiths, University of London

This thesis is an engagement with the care experiences of mixed young people, to produce knowledge of how care processes, mediated though the private foster family, impact on their lives. It begins with an examination of the relationship between the mixed classification and care, and continues through a discussion of race, race mixing and the family. The study then examines methodologically how the mixed classification operates in social work through a discussion of racialisation and its impact on the care trajectory of young people. Further, it engages with long-standing debates over why young people with a mixed classification are more likely to be significantly represented in care. The empirical chapters are comprised of the narrative accounts and visual representations of the young people and their experiences in care.

A highly participatory research methodology paid critical attention to the narratives of mixed young people in care between the ages of 12-20 years, as research participants, in order to engage and elicit rich detail about their care experiences. An innovative mixedmethod approach emerged in part from their specific circumstances and led to new ways to research with and understand young people who live in circumstances of instability often characterised by crisis.

This thesis engages with the care experiences of the participants to reveal how the discursive repertoires of mixedness and their application through care processes impacts on lives. Each empirical chapter is presented as an individual case study that examines the experiences of a single participant in order to interrogate care practices in relation to mixedness. The themes to emerge centre around family, relationality, professional intervention, classification and identification, race and mixedness, sex, gender, class, culture and ethnicity, all within the crisis of the care system. This thesis argues that placing the care experiences of mixed young people in the centre of debates about how to conceptualise mixedness could influence care planning.

Read the entire thesis here.

Steve Byrne: Irish-Korean American Writes About His Life for TV

CAAM (Center for Asian American Media)
2014-08-15

Dino-Ray Ramos

For three seasons on network TV, an Irish-Korean American comedian has been writing and starring in his own show, to little fanfare. Now, Steve Byrne of TBS’ Sullivan & Son shares how he nabbed a sitcom deal, what it’s like being mixed race in Hollywood, and writing his reality.

Byrne got his start in the comedy club scene in the Big Apple. If there is one date that Byrne remembers, it’s the date of his first stand-up gig. After finishing school in Ohio, he moved to New York City and crashed on his parents’ couch. While looking for a job, he stumbled upon the popular comedy club, Carolines. He would watch stand-up comedians on stage and thought it looked like fun. Four months later, on September 30, 1997, he tried it out and said he just knew right away that that’s what he wanted to do for the rest of his life.

The season finale of Sullivan & Son airs Tuesday, August 19th on TBS with special guest star Margaret Cho. I had a chance to sit down with Byrne for an extensive chat about his show and about race in Hollywood.

Where did the idea of Sullivan & Son come from?
Vince (Vaughn) and I used to hike all the time. He said, “You should write some for yourself because your opportunities are limited given your background.” In Hollywood, I went for Asian roles but I wasn’t Asian enough and I’d go for white roles and wasn’t white enough.

I bought a bunch of books, I studied. About eight months later, I turned the script to Vince. He took a look at it and said it’s pretty good. We went to meet with some showrunners. I met with Rob Long and Peter Billingsley who work with Vince Vaughn. All of us have been pals for a long time. We finessed the script. Turned it from a diner into a bar, made it a thousand times funnier, and I think within a few months, we were making it…

Read the entire interview here.

Re:Membering (our memories our stories)

Hapa Happy Hour: A lively discussion and celebration of the mixed heritage experience.
2014-08-04

Hosts:

Rena Heinrich
Hiwa Bourne
Lisa Liang

The ladies talk about Lisa’s succesful one woman show: Alien CItizen: An Earth Odyssey! Recorded last year (July 2013).

Download the episode here.

Global Mixed Race

New York University Press
March 2014
357 pages
Cloth ISBN: 9780814770733
Paper ISBN: 9780814789155

Edited by:

Rebecca Chiyoko King-O’Riain, Senior Lecturer
National University of Ireland, Maynooth

Stephen Small, Associate Professor of African American Studies
University of California, Berkeley

Minelle Mahtani, Associate Professor in the Department of Human Geography and the Program in Journalism
University of Toronto, Scarborough

Miri Song, Professor of Sociology
University of Kent

Paul Spickard, Professor of History and Affiliate Professor of Black Studies, Asian American Studies, East Asian Studies, Religious Studies, and the Center for Middle Eastern Studies
University of California, Santa Barbara

Patterns of migration and the forces of globalization have brought the issues of mixed race to the public in far more visible, far more dramatic ways than ever before. Global Mixed Race examines the contemporary experiences of people of mixed descent in nations around the world, moving beyond US borders to explore the dynamics of racial mixing and multiple descent in Zambia, Trinidad and Tobago, Mexico, Brazil, Kazakhstan, Germany, the United Kingdom, Canada, Okinawa, Australia, and New Zealand.  In particular, the volume’s editors ask: how have new global flows of ideas, goods, and people affected the lives and social placements of people of mixed descent?  Thirteen original chapters address the ways mixed-race individuals defy, bolster, speak, and live racial categorization, paying attention to the ways that these experiences help us think through how we see and engage with social differences. The contributors also highlight how mixed-race people can sometimes be used as emblems of multiculturalism, and how these identities are commodified within global capitalism while still considered by some as not pure or inauthentic. A strikingly original study, Global Mixed Race carefully and comprehensively considers the many different meanings of racial mixedness.

Contents

• Global Mixed Race: An Introduction / Stephen Small and Rebecca C. King-O’Riain
• Part I: Societies with Established Populations of Mixed Descent
  • 1. Multiraciality and Census Classification in Global Perspective / Ann Morning
  • 2. “Rider of Two Horses”: Eurafricans in Zambia / Juliette Bridgette Milner-Thornton
  • 3. “Split Me in Two”: Gender, Identity, and “Race Mixing” in the Trinidad and Tobago Nation / Rhoda Reddock
  • 4. In the Laboratory of Peoples’ Friendship: Mixed People in Kazakhstan from the Soviet Era to the Present / Saule K. Ualiyeva and Adrienne L. Edgar
  • 5. Competing Narratives: Race and Multiraciality in the Brazilian Racial Order / G. Reginald Daniel and Andrew Michael Lee
  • 6. Antipodean Mixed Race: Australia and New Zealand / Farida Fozdar and Maureen Perkins
  • 7. Negotiating Identity Narratives among Mexico’s Cosmic Race / Christina A. Sue
• Part II: Places with Newer Populations of Mixed Descent
  • 8. Multiraciality and Migration: Mixed-Race American Okinawans, 1945–1972 / Lily Anne Yumi Welty
  • 9. The Curious Career of the One-Drop Rule: Multiraciality and Membership in Germany Today / Miriam Nandi and Paul Spickard
  • 10. Capturing “Mixed Race” in the Decennial UK Censuses: Are Current Approaches Sustainable in the Age of Globalization and Superdiversity? / Peter J. Aspinall and Miri Song
  • 11. Exporting the Mixed-Race Nation: Mixed-Race Identities in the Canadian Context / Minelle Mahtani, Dani Kwan-Lafond, and Leanne Taylor
• Global Mixed Race: A Conclusion / Rebecca C. King-O’Riain
• Bibliography
• About the Contributors
• Index

Passing Interest: Racial Passing in US Novels, Memoirs, Television, and Film, 1990–2010

State University of New York Press
July 2014
352 pages
Hardcover ISBN13: 978-1-4384-5227-2
Electronic ISBN13: 978-1-4384-5229-6

Edited by:

Julie Cary Nerad, Associate Professor of American Literature
Morgan State University, Baltimore, Maryland

Explores how the trope of racial passing continues to serve as a touchstone for gauging public beliefs and anxieties about race in this multiracial era.

The first volume to focus on the trope of racial passing in novels, memoirs, television, and films published or produced between 1990 and 2010, Passing Interest takes the scholarly conversation on passing into the twenty-first century. With contributors working in the fields of African American studies, American studies, cultural studies, film studies, literature, and media studies, this book offers a rich, interdisciplinary survey of critical approaches to a broad range of contemporary passing texts. Contributors frame recent passing texts with a wide array of cultural discourses, including immigration law, the Post-Soul Aesthetic, contemporary political satire, affirmative action, the paradoxes of “colorblindness,” and the rhetoric of “post-racialism.” Many explore whether “one drop” of blood still governs our sense of racial identity, or to what extent contemporary American culture allows for the racially indeterminate individual. Some essays open the scholarly conversation to focus on “ethnic” passers—individuals who complicate the traditional black-white binary—while others explore the slippage between traditional racial passing and related forms of racial performance, including blackface minstrelsy and racial masquerade.

Table of Contents

• Preface: The “Posts” of Passing / Gayle Wald
• Acknowledgments
• 1. Introduction: The (Not So) New Face of America / Julie Cary Nerad
• 2. On the Margins of Movement: Passing in Three Contemporary Memoirs / Irina Negrea
• 3. “A Cousin to Blackness”: Race and Identity in Bliss Broyard’s One Drop: My Father’s Hidden Life / Lynn Washington and Julie Cary Nerad
• 4. Can One Really Choose? Passing and Self-Identification at the Turn of the Twenty-First Century / Jené Schoenfeld
• 5. Passing in Blackface: The Intimate Drama of Post-Racialism on Black. White / Eden Osucha
• 6. Broke Right in Half: Passing of/in Alice Randall’s The Wind Done Gone / Julie Cary Nerad
• 7. Passing for Chicano, Passing for White: Negotiating Filipino American Identity in Brian Ascalon Roley’s American Son / Amanda Page
• 8. Race in the Marketplace: Postmodern Passing and Ali G / Ana Cristina Mendes
• 9. Passing for Black, White, and Jewish: Mixed-Race Identity in Rebecca Walker and Danzy Senna / Lori Harrison-Kahan
• 10. Smiling Faces: Chameleon Street, Racial Passing/Performativity, and Film Blackness / Michael B. Gillespie
• 11. Consuming Performances: Race, Media, and the Failure of the Cultural Mulatto in Bamboozled and Erasure / Meredith McCarroll
• Bibliography
• Contributor Biographies
• Index

Marrying Out: Jewish Men, Intermarriage, and Fatherhood

Indiana University Press
2014-08-01
286 pages
31 b&w illus.
6 x 9
Paper ISBN: 978-0-253-01319-4

Keren R. McGinity, Author-Educator
Love & Tradition: intermarriage insights for a Jewish future

When American Jewish men intermarry, goes the common assumption, they and their families are “lost” to the Jewish religion. In this provocative book, Keren R. McGinity shows that it is not necessarily so. She looks at intermarriage and parenthood through the eyes of a post-World War II cohort of Jewish men and discovers what intermarriage has meant to them and their families. She finds that these husbands strive to bring up their children as Jewish without losing their heritage. Marrying Out argues that the “gendered ethnicity” of intermarried Jewish men, growing out of their religious and cultural background, enables them to raise Jewish children. McGinity’s book is a major breakthrough in understanding Jewish men’s experiences as husbands and fathers, how Christian women navigate their roles and identities while married to them, and what needs to change for American Jewry to flourish. Marrying Out is a must read for Jewish men and all the women who love them.

Mixed Mondays Film Series at the Brooklyn Historical Society

Crossing Borders, Bridging Generatons
Brooklyn Historical Society
128 Pierrepont Street
Brooklyn, New York 11201
Mondays, 2014-08-04 through  2014-08-18, 18:30 EDT (Local Time)

Hosted by and post-screening discussion with:

Erica Chito Childs, Professor of Sociology (author of Navigating Interracial Borders and Fade to Black and White: Interracial Images in Popular Culture)
City University of New York

This series is co-sponsored by MixedRaceStudies.org.

August 18: Toasted Marshmallows (2014): 

Come watch the first public screening of the documentary Toasted Marshmallows in the U.S.! Follow filmmakers Marcelitte Failla and Anoushka Ratnarajah on a journey across Canada and the U.S. as they document the experiences of other mixed-race identified women, delve into their own cultural and ethnic histories, and tell stories about color, passing, privilege, ancestry, and belonging. An extended preview of the film will be followed by a dialogue with the filmmakers and Erica Chito-Childs.

August 11: My Beautiful Laundrette (1985):

British-born, half-Pakistani playwright and novelist Hanif Kureishi won an Oscar nomination for his 1985 screenplay for My Beautiful Laundrette, a richly layered film about Pakistani immigrant life in Thatcherite London.

Come watch the protagonist, Omar, navigate mixed-income and mixed-race arrangements in his family and develop an unlikely, yet beautiful, queer relationship with Johnny (Daniel Day Lewis). Set against the backdrop of anti-immigrant racism and fascism, the story of Omar’s laundrette presents an electrifying set of possibilities around class, race, sexuality, belonging, and love.

August 4: Imitation of Life (1959):

The Mixed Monday film series launches with a 1959 Lana Turner classic—Imitation of Life—which explores the story of an African-American woman and her light-skinned, mixed-race daughter who passes for white. Come munch on popcorn, watch the film and discuss the history and cultural context around mixed families, race relations and popular culture.