Debate is growing over use of ‘Latinx’ for ethnic identity

Posted in Articles, Census/Demographics, Latino Studies, Media Archive, Social Science, United States on 2022-02-08 01:48Z by Steven

Debate is growing over use of ‘Latinx’ for ethnic identity

The Houston Chronicle
2021-01-24

Olivia P. Tallet, Staff Writer

James Durbin
Many Latinos and Hispanics who are familiar with the word “Latinx” respect it in the context of LGBTQ+ inclusiveness. But it’s overwhelmingly unsupported as a pan-ethnic identity word.

Latinx is a buzzword for individuals of Latin American origin in the United States, yet the use of “Latinx” as a noun to identify people of Latino and Hispanic heritage is not universally welcomed.

“Ooooo, you’ve entered the dangerous territory of ‘identity politics,’” said Rice University professor Luis Duno-Gottberg on a social media post where a journalist asked for opinions about the use of Latinx.

The word “Latinx” and its plural “Latinxs” spark passionate discussions, with supporters asserting it is more inclusive than the predominant “Latinos” or “Hispanic” to group the multifaceted identities of people who trace their origins to Latin America and Spanish-speaking countries.

Some analysts trace the original use of Latinx to the mid-2000s when it began to appear in web searches. The word started a slow trend upward in June 2016, according to Google Trends data. Some observers associated it with the mass shooting that month at the Pulse nightclub in Orlando where 49 people were killed and 53 injured…

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The Nazi Holocaust in Europe and slavery and Jim Crow in the United States are outgrowths of the same ideology—the belief that human beings can be delineated into categories that share immutable biological traits distinguishing them from one another and determining their potential and behavior.

Posted in Excerpts/Quotes on 2022-02-08 01:20Z by Steven

The Nazi Holocaust in Europe and slavery and Jim Crow in the United States are outgrowths of the same ideology—the belief that human beings can be delineated into categories that share immutable biological traits distinguishing them from one another and determining their potential and behavior. In Europe, with its history of anti-Jewish persecution and violent religious divisions, the conception of Jews as a biological “race” with particular characteristics was used by the Nazis to justify the Holocaust. In the United States, the invention of race was used to justify the institution of chattel slavery, on the basis that Black people were biologically suited to permanent servitude and unfit for the rights the nation’s Founders had proclaimed as universal. The American color line was therefore much more forgiving to European Jews than the divisions of the old country were. But they are branches of the same tree, the biological fiction of race.

Adam Serwer, “Whoopi Goldberg’s American Idea of Race,” The Atlantic, February 3, 2022. https://www.theatlantic.com/ideas/archive/2022/02/whoopi-goldbergs-american-idea-race/621470/.

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How a Vietnamese Ethiopian Designer Built Her Fashion ‘Dynasty’

Posted in Articles, Arts, Asian Diaspora, Media Archive on 2022-02-08 01:06Z by Steven

How a Vietnamese Ethiopian Designer Built Her Fashion ‘Dynasty’

Saigoneer
2020-10-23

Written by Diệu Linh. Photos by Lê Việt Dũng.

Kim Berhanu, CEO and creative director of the fashion brand Dynasty the Label.
Lê Việt Dũng

“I’m young so I still have big dreams,” Kim Berhanu begins our chat on an early September day. At the tender age of 23, Berhanu is already the CEO and creative director of the fashion brand Dynasty the Label. And that’s just the beginning for the half-Vietnamese designer.

Born in Australia into a family of a Vietnamese mother and an Ethiopian father, she understands more than anyone what it means to feel different. That sense of not fitting in nurtured Berhanu’s aspiration to travel the world to experience cultural diversity. “After saving enough money from part-time gigs in high school, I decided on France because I love the arts and culture scene there,” she reminisces. “When I returned, I resolved to explore more destinations because Australia has become my ‘comfort zone.’”

Filled with hope and determination, she moved to Vietnam in 2018. To her, Vietnam is a promised land where many of her personal plans could become a reality. Berhanu said of the opportunities she’s gotten since her return: “As long as you have a big idea, you’ll quickly be able to find kindred minds to actualize it.”…

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Taffy Abel medaled in the 1924 Olympics. Few knew of his Indigenous heritage

Posted in Articles, Audio, Biography, Europe, History, Native Americans/First Nation, Passing, United States on 2022-02-08 00:22Z by Steven

Taffy Abel medaled in the 1924 Olympics. Few knew of his Indigenous heritage

National Public Radio
2022-02-07

Troy Oppie, Host/Reporter
Boise State Public Radio, Boise, Idaho

Taffy Abel was the 1924 Olympic USA Flag Bearer in Chamonix, France.
Jones Family Collection

At the 1924 Winter Olympics in Chamonix, France, about two dozen American dignitaries and athletes trudged through snowy streets in the opening parade. The American flag – then with just 48 stars – was carried by hockey player Clarence “Taffy” Abel.

What few outside his family and close friends knew at that time: Taffy Abel was Native American – the first Indigenous athlete to carry the flag at the Olympics. Within days he’d become the first Native American to win a medal in winter games history.

“A Native American, carrying our stars and stripes, nearly 100 years ago,” reflects George Jones, Abel’s 73-year-old nephew by marriage. His voice quivered with pride as he spoke of that moment.

Family stories passed down tell how Abel, his sister Gertrude, and his mother Charlotte – a Canadian Chippewa (now called Ojibwe) – all passed themselves off as white, mostly by not talking about it.

“The main thing that they were fearful of,” says Jones, “[was] that Taffy and his sister would be taken away to an Indian residential school.”…

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A New Orleans Company Shines A Light On Opera’s Diverse History

Posted in Articles, Arts, Audio, History, Interviews, Louisiana, Media Archive, United States on 2022-02-08 00:07Z by Steven

A New Orleans Company Shines A Light On Opera’s Diverse History

Weekend Edition Sunday
National Public Radio
2017-05-28

Malika Gumpangkum and Lulu Garcia-Navarro

From left to right: Aria Mason (Rosalia), Ebonee Davis (Piquita) and Kenya Lawrence Jackson (La Flamenca) star in OperaCréole’s production of La Flamenca.
Cedric A. Ellsworth/Courtesy of OperaCréole

For many people, New Orleans is practically synonymous with jazz; it’s the birthplace of both the music and many of its leading lights, from Louis Armstrong to Christian Scott aTunde Adjuah. But now, one organization is working to draw attention to the city’s history of opera music.

OperaCréole, an opera company founded in New Orleans, is resurrecting music written by local composers of color and others who’ve been left out of the overwhelmingly white, male canon. The company’s latest production, La Flamenca, is by the Creole composer Lucien-Léon Guillaume Lambert, whose father was born in New Orleans.

OperaCréole founder and mezzo-soprano Givonna Joseph joined NPR’s Lulu Garcia-Navarro to discuss La Flamenca and her company’s work in general. Hear their full conversation at the audio link…

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