Mixed Race Studies

Though Many Have White Skin, their Veins Flow of Black Blood: Afro-Argentine Culture and History during the Twentieth Century in Buenos Aires, Argentina

McNair Scholars Journal
Volume 7, Issue 1 (2003)
Article 8
11 pages

Erika D. Edwards, Grand Valley State University

Although the Afro-Argentine population continued to decline during the twentieth century, the people played an integral role in shaping Argentina’s culture through their contributions in the field of dance, literature, and religion. Unfortunately, their vibrant culture and history are often ignored and overlooked because of Argentina’s subtle efforts to whiten its population. The purpose of this project is three-fold. First, it aims to recognize the survival of the Afro-Argentine community during the twentieth century. Second, it recaptures the means used to preserve African traditions. Finally, it reveals efforts of Afro-Argentine groups such as La Fundación Africa Vive that have dedicated themselves to reconstructing the Afro- Argentine role in Argentina’s culture and history.

Introduction

One of the first things I noticed while studying in Buenos Aires, Argentina, was that there were few, if any, blacks among the city’s inhabitants. I lived there for six months and people always assumed that I was Brazilian because of their popular belief that Afro-Argentines no longer exist. However, this is a lie: Afro-Argentines do indeed exist. Africans began arriving in Argentina as slaves in 1534, two years after the foundation of Buenos Aires, and since then they have shaped and transformed Argentina. This paper seeks to draw attention to the contributions of Afro-Argentines to the country’s culture and history. To this end, I will recognize their existence despite the country’s denial of its black population. Then, I will address the ways in which Afro-Argentines recapture their African past through dance, music, religion, and literature. Finally, I will discuss what Afro-Argentines are doing to reconstruct their history and, in the process, correct lies, misconceptions, and myths about them. In denying Afro-Argentine culture and history, many Argentines may not learn about their families’ and country’s past. Though many have white skin, their veins flow of black blood.

Recognizing the Existence of Afro-Argentines

Statisticians often claim, “the numbers never lie.” Yet in the case of census information for Argentina over the course of the twentieth century, the existence of the country’s black population is often denied or its size is underestimated. The noted Argentine writer Jorge Luis Borges remembered that in 1910 or 1912 there was a tenement of blacks on the corner of Uriburu and Vicente López streets and another on Sarmiento Street in Buenos Aires, Argentina. In 1946, Nicolás Besio Moreno calculated that there were “one and a half million people with black blood [in Argentina]” and further stated that they could be classified as blacks based upon the United States guidelines, which suggest that people who have a lighter complexion and often might pass for whites would still be classified as blacks. The following year, in 1947, a national census identified the presence of 15,000 blacks, (5,000 blacks and 10,000 mulattos).  By 1963, Afro-Argentines were estimated to number 17,000. Their population declined over the next four years to 3,000 in 1967 but increased to 4,500 in 1968 for reasons which remain unclear. However, some people have estimated that there were as many as 10,000 blacks “not counting those mixed with dark skinned people in the provinces.” The journalist Narciso Binayan Carmona stated in 1973 that “if all Argentines with black blood were accounted there would be 2-3 million.” Based upon this information, one can see there are discrepancies involving the size of Argentina’s black population; their true number probably lies somewhere between what the census counted and people’s perceptions.

Present-day statistics tend to agree with what people saw during the twentieth century. This could be due to El Instituto Nacional de Estadísticas y Censos (INDEC) which forgot to include a box for citizens to identify their descent (descendencia) during the last national census in 2001. INDEC later denied that it had forgotten to include the box. It is interesting to note that when the last national census was undertaken, INDEC included a category for the first time to check if one was of indigenous descent, a change from the last national census conducted in 1991. Their failure to inquire about people of African descent further perpetuates the myth that Afro-Argentines no longer exist. In stark contrast, La Fundación Africa Vive, an Afro-Argentine group dedicated to promoting black culture and history, believes that there are currently two million Afro-Argentines (descended from slaves) in the country. Thus, regardless of how a person may appear (dark- or light-skinned) and whether or not they are aware, many Argentines have black blood.

At the end of the nineteenth and the beginning of the twentieth centuries, miscegenation served to lighten the complexion of the country’s black population. Argentina’s black male population was already in decline as a result of wars for independence and territorial expansion as well as diseases. Then, from 1880 to 1930, a mass of European immigrants arrived in the country. Most European immigrants were male, thus their arrival led to a surplus of white males and a shortage of white females. Given the pre-existing scarcity of black males, prospective black brides often married white grooms, many of whom were European immigrants. Interracial marriages became common. The children of such unions often had lighter skin giving them access to better education and employment opportunities thereby facilitating their ability to pass themselves off as white.

However, not all blacks who wished to marry selected white spouses. There were black couples, such as the Monteros. The couple had three daughters but due to miscegenation in their family’s past, each of the girls was a different shade of brown: the eldest looked black, the middle child resembled a mulatto, and the youngest appeared to be entirely white. “So great were the physical differences… people refused to believe they were family.” However, the Monteros considered themselves black and “had a shelf of books on race and a stack of Aretha Franklin, Roberta Flack, and Ike and Tina records to prove it.” At the time they were interviewed in 1973, the girls were dating white boys. Were they to have married and had children, they too would have contributed to the whitening of the country’s black population. As the black population becomes lighter through miscegenation, it will become harder to identify its existence…

Read the entire article here.

The Idea of Race in Latin America, 1870-1940

University of Texas Press
1990
143 pages
10 b&w illus.
6 x 9 in.
ISBN: 978-0-292-73857-7

Edited by

Richard Graham, Emeritus Frances Higginbotham Nalle Centennial Professor of History
University of Texas, Austin

With chapters by Thomas E. Skidmore, Aline Helg, and Alan Knight

From the mid-nineteenth century until the 1930s, many Latin American leaders faced a difficult dilemma regarding the idea of race. On the one hand, they aspired to an ever-closer connection to Europe and North America, where, during much of this period, “scientific” thought condemned nonwhite races to an inferior category. Yet, with the heterogeneous racial makeup of their societies clearly before them and a growing sense of national identity impelling consideration of national futures, Latin American leaders hesitated. What to do? Whom to believe?

Latin American political and intellectual leaders’ sometimes anguished responses to these dilemmas form the subject of The Idea of Race in Latin America. Thomas Skidmore, Aline Helg, and Alan Knight have each contributed chapters that succinctly explore various aspects of the story in Brazil, Argentina, Cuba, and Mexico. While keenly alert to the social and economic differences that distinguish one Latin American society from another, each author has also addressed common issues that Richard Graham ably draws together in a brief introduction. Written in a style that will make it accessible to the undergraduate, this book will appeal as well to the sophisticated scholar.

Table of Contents

• Preface
• 1. Introduction (Richard Graham)
• 2. Racial Ideas and Social Policy in Brazil, 1870-1940 (Thomas E. Skidmore)
• 3. Race in Argentina and Cuba, 1880-1930: Theory, Policies, and Popular Reaction (Aline Helg)
• 4. Racism, Revolution, and Indigenismo: Mexico, 1910-1940 (Alan Knight)
• Bibliography
• Index

Read the intrduction here.

Rise and Fall of the Cosmic Race: The Cult of Mestizaje in Latin America

University of Texas Press
2004
6 x 9 in.
216 pp., 3 b&w illus.
ISBN: 978-0-292-70596-8

Marilyn Grace Miller, Assistant Professor of Spanish and Portuguese
Tulane University, New Orleans

Latin America is characterized by a uniquely rich history of cultural and racial mixtures known collectively as mestizaje. These mixtures reflect the influences of indigenous peoples from Latin America, Europeans, and Africans, and spawn a fascinating and often volatile blend of cultural practices and products. Yet no scholarly study to date has provided an articulate context for fully appreciating and exploring the profound effects of distinct local invocations of syncretism and hybridity. Rise and Fall of the Cosmic Race fills this void by charting the history of Latin America’s experience of mestizaje through the prisms of literature, the visual and performing arts, social commentary, and music.

In accessible, jargon-free prose, Marilyn Grace Miller brings to life the varied perspectives of a vast region in a tour that stretches from Mexico and the Caribbean to Brazil, Ecuador and Argentina. She explores the repercussions of mestizo identity in the United States and reveals the key moments in the story of Latin America’s cult of synthesis. Rise and Fall of the Cosmic Race examines the inextricable links between aesthetics and politics, and unravels the threads of colonialism woven throughout national narratives in which mestizos serve as primary protagonists.

Illuminating the ways in which regional engagements with mestizaje represent contentious sites of nation building and racial politics, Miller uncovers a rich and multivalent self-portrait of Latin America’s diverse populations.

Mixing Race, Mixing Culture: Inter-American Literary Dialogues

University of Texas Press
2002
6 x 9 in.
324 pp., 4 photos, 1 chart
ISBN: 978-0-292-74348-9
Print-on-demand title

Edited by

Monika Kaup, Assistant Professor of English
University of Washington, Seattle

Debra Rosenthal, Assistant Professor of English
John Carroll University

Over the last five centuries, the story of the Americas has been a story of the mixing of races and cultures. Not surprisingly, the issue of miscegenation, with its attendant fears and hopes, has been a pervasive theme in New World literature, as writers from Canada to Argentina confront the legacy of cultural hybridization and fusion.

This book takes up the challenge of transforming American literary and cultural studies into a comparative discipline by examining the dynamics of racial and cultural mixture and its opposite tendency, racial and cultural disjunction, in the literatures of the Americas. Editors Kaup and Rosenthal have brought together a distinguished set of scholars who compare the treatment of racial and cultural mixtures in literature from North America, the Caribbean, and Latin America. From various angles, they remap the Americas as a multicultural and multiracial hemisphere, with a common history of colonialism, slavery, racism, and racial and cultural hybridity.

Table of Contents

• Acknowledgments
• Introduction
• I. Mixed-Blood Epistemologies
  1. Werner Sollors, Can Rabbits Have Interracial Sex?
  2. Doris Sommer, Who Can Tell? The Blanks in Villaverde
  3. Zita Nunes, Phantasmatic Brazil: Nella Larsen‘s Passing, American Literary Imagination, and Racial Utopianism
• II. Métissage and Counterdiscourse
  1. Françoise Lionnet, Narrating the Americas: Transcolonial Métissage and Maryse Condé‘s La Migration des coeurs
  2. Michèle Praeger, Créolité or Ambiguity?
• III. Indigenization, Miscegenation, and Nationalism
  1. Priscilla Archibald, Gender and Mestizaje in the Andes
  2. Debra J. Rosenthal, Race Mixture and the Representation of Indians in the U.S. and the Andes: Cumandá, Aves sin nido, The Last of the Mohicans, and Ramona
  3. Susan Gillman, The Squatter, the Don, and the Grandissimes in Our America
• IV. Hybrid Hybridity
  1. Rafael Pérez-Torres, Chicano Ethnicity, Cultural Hybridity, and the Mestizo Voice
  2. Monika Kaup, Constituting Hybridity as Hybrid: Métis Canadian and Mexican American Formations
• V. Sites of Memory in Mixed-Race Autobiography
  1. Rolando Hinojosa-Smith, Living on the River
  2. Louis Owens, The Syllogistic Mixedblood: How Roland Barthes Saved Me from the indians
• Coda: From Exoticism to Mixed-Blood Humanism
  1. Earl E. Fitz, From Blood to Culture: Miscegenation as Metaphor for the Americas
• Contributors
• Works Cited
• Index

Read the entire introduction here.