Mixed Race Studies

Book Review: Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana by Carina Ray

Africa at LSE
London School of Economics
2016-03-18

Yovanka Perdigao

Yovanka Perdigao praises Crossing the Color Line:Race, Sex and the Contested Politics of Colonialism in Ghana for dismantling preconceptions of interracial couples in colonial Ghana.

Carina E Ray’s first book Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana both surprises and delights its readers as it navigates through the lives and politics of interracial couples in Britain and Ghana. It explores how such interracial relationships from precolonial to post-independent Ghana had an enormous impact in the making of modern Britain and Ghana.

The book highlights the evolving attitudes of both British and Ghanaian societies, and how each sought to negotiate these relationships. Despite one being familiar with the topics at hand, one is left surprised as the author explores the micro politics of disciplinary cases against colonial officers who challenged the British Crown by keeping local women; to the making of transatlantic networks in the eve of Ghanaian independence…

Read the entire reveiw here.

“For me growing up as a mixed-race person, you’re forced to see both sides,” he explains. “I grew up in a house where my mother was Xhosa, my dad was Swiss, my stepdad was Shangaan, my friends were Zulu. I lived in such a melting pot that I never grew up with a preconceived notion of ‘people’. Because of that it helped my comedy because I could play within the nuance of that world.” —Trevor Noah

Lanre Bakare, “Trevor Noah: ‘It’s easier to be an angry white man than an angry black man’,” The Guardian, April 2, 2016. http://www.theguardian.com/tv-and-radio/2016/apr/02/trevor-noah-on-replacing-jon-stewart-and-changing-the-daily-show.

Blackass: A Novel

Graywolf Press
2016-03-01
272 pages
5.5 x 8.25
Paperback ISBN: 978-1-55597-733-7

A. Igoni Barrett

Furo Wariboko, a young Nigerian, awakes the morning before a job interview to find that he’s been transformed into a white man. In this condition he plunges into the bustle of Lagos to make his fortune. With his red hair, green eyes, and pale skin, it seems he’s been completely changed. Well, almost. There is the matter of his family, his accent, his name. Oh, and his black ass. Furo must quickly learn to navigate a world made unfamiliar, and deal with those who would use him for their own purposes. Taken in by a young woman called Syreeta and pursued by a writer named Igoni, Furo lands his first-ever job, adopts a new name, and soon finds himself evolving in unanticipated ways.

A. Igoni Barrett’s Blackass is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us, simply by virtue of the way we look. As he did in Love Is Power, or Something Like That, Barrett brilliantly depicts life in contemporary Nigeria, and details the double-dealing and code-switching that is implicit in everyday business. But it’s Furo’s search for an identity—one deeper than skin—that leads to the final unraveling of his own carefully constructed story.

‘The Firebrand and the First Lady,’ by Patricia Bell-Scott

Sunday Book Review
The New York Times
2016-02-19

Irin Carmon

Pauli Murray, in 1946, and Eleanor Roosevelt, circa 1943. Credit Left, Bettmann/Corbis; right, Stock Montage/Getty Images

Patricia Bell-Scott, The Firebrand and the First Lady: Portrait of a Friendship: Pauli Murray, Eleanor Roosevelt, and the Struggle for Social Justice (New York: Alfred A. Knopf, 2016)

The February 1953 issue of Ebony included an article entitled “Some of My Best Friends Are Negroes.” The byline was Eleanor Roosevelt’s, though the headline, apparently, was not. “One of my finest young friends is a charming woman lawyer — Pauli Murray, who has been quite a firebrand at times but of whom I am very fond,” Roosevelt wrote. “She is a lovely person who has struggled and come through very well.” Indeed, nothing was ever easy for Murray, a black woman born in 1910, a woman attracted to women and also a poet, memoirist, lawyer, activist and Episcopal priest. But her tender friendship with Roosevelt, sustained over nearly a quarter-century and more than 300 cards and letters, helped. It is the rich earth Patricia Bell-Scott tills for “The Firebrand and the First Lady,” a tremendous book that has been 20 years in the making.

You could say Pauli Murray was born too soon, and saying so captures the essential injustice of her life, but it would also rob her of credit for making her own time the best she could. “I’m really a submerged writer,” Murray once told her friends, “but the exigencies of the period have driven me into social action.” The granddaughter of a woman born into slavery and a mixed-race Union soldier, Murray was arrested for refusing to sit in the colored section of a bus 15 years before the Montgomery bus boycott and for participating in restaurant sit-ins in the early 1940s, long before the 1960 sit-ins at Woolworth’s lunch counter. She led a national campaign on behalf of a black sharecropper on death row…

Read the entire review here.

‘The Black Calhouns,’ by Gail Lumet Buckley

Book Review
The New York Times
2016-03-16

Patricia J. Williams, James L. Dohr Professor of Law
Columbia University, New York, New York

THE BLACK CALHOUNS
From Civil War to Civil Rights With One African American Family
By Gail Lumet Buckley
Illustrated. 353 pp. Atlantic Monthly Press. $26.

In “The Black Calhouns,” Gail Lumet Buckley displays a particularly panoramic view of American society. Daughter of the legendary entertainer Lena Horne, she was raised among show-business royalty. But as the descendant of a privileged and lucky line of well-educated African-American professionals, she also grew up related to or knowing nearly every major figure in the movements for racial, gender and economic equality, from Reconstruction onward.

The name “Calhoun” is mostly remembered today in association with our ardently secessionist seventh vice president, John C. Calhoun, a fiery orator who fashioned his conviction that slavery was a “positive good” into the ideology of states’ rights. His nephew was Andrew Bonaparte Calhoun, a wealthy doctor who owned the slaves whose descendants include Buckley’s and Horne’s maternal line. This link between history’s white founding fathers and the slave families who carried their names into freedom is a story with which most African-Americans are all too familiar, but one that has remained remarkably suppressed as a matter of general public knowledge. Only in recent years have some stories come to light, such as Annette Gordon-Reed’s excavation of Sally Hemings’s genealogy and Essie Mae Washington-Williams’s revelation that Strom Thurmond fathered her by a black family maid…

Read the entire review here.

The Black Calhouns: From Civil War to Civil Rights with One African American Family

Atlantic Monthly Press
February 2016
336 pages
Cloth ISBN: 978-0-8021-2454-8

Gail Lumet Buckley

Gail Lumet Buckley tells the story of her dynamic family during the most crucial century in African American history

In The Black Calhouns, Gail Lumet Buckley—daughter of actress Lena Horne—delves deep into her family history, detailing the experiences of an extraordinary African American family from Civil War to Civil Rights. Beginning with her great-great grandfather Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in postwar Atlanta, Buckley follows her family’s two branches: one that stayed in the South, and the other that settled in Brooklyn. Through the lens of her relatives’ momentous lives, Buckley examines major events throughout American history. From Atlanta during Reconstruction and the rise of Jim Crow, from the two World Wars to New York City during the Harlem Renaissance and then the Civil Rights Movement, this ambitious, brilliant family witnessed and participated in the most crucial events of the nineteenth and twentieth centuries. Combining personal and national history, The Black Calhouns is a vibrant portrait of six generations during dynamic times of struggle and triumph.

Pao by Kerry Young – review

The Guardian
2011-07-03

Ian Thomson

Young, Kerry, Pao: A Novel (London, Oxford, New York, New Delhi, Sydney: Bloomsbury Publishing, 2011)

Kerry Young’s mesmerising first novel celebrates Jamaica’s ethnic melting pot, and the lost world of Kingston’s Chinatown

Jamaica, where Kerry Young was born in 1955, is an island of bewildering mixed bloods and ethnicities. Lebanese, British, Asian, Jewish and aboriginal Taíno Indian have all intermarried to form an indecipherable blend of Caribbean peoples. In some ways, this multi-shaded community of nations was a more “modern” society than postwar Britain, where Jamaicans migrated in numbers during the 1950s and 60s. British calls for racial purity often puzzled these newcomers from the anglophone West Indies, as racial mixing was not new to them. Jamaica remains a nation both parochial and international in its collision of African, Asian and European cultures.

Young, the daughter of a Chinese father and a mother of mixed Chinese-African heritage, came to Britain in 1965 at the age of 10. Pao, her zingy first novel, lovingly recreates the Jamaican-Chinese world of her childhood, with its betting parlours, laundries, fortune-telling shops, supermarkets and (business being a hard game in Jamaica) gang warfare. The Chinese first arrived in Jamaica in the 1840s, we learn, as indentured labourers. Having escaped this indignity, they set up business in the Jamaican capital of Kingston selling lychee ice cream, oysters and booby (sea bird) eggs. Racial tensions developed between them and their black neighbours; mixed marriages were generally frowned on. Ian Fleming, in his Jamaican extravaganza Dr No, wrote disapprovingly of the island’s yellow-black “Chigroes“…

Read the entire review here.

Britain’s first black female High Court judge opens up about racism at the bar

Legal Cheek
London, United Kingdom
2016-03-30

Katie King, Reporter

Clerks would Tippex out her name on briefs and write in the name of male pupil they wanted to be the tenant

Dame Linda Dobbs has exposed shameful incidents of racism and sexism at the bar, particularly from her own clerks, in a revealing interview for the First 100 Years project — an ambitious video history which aims to highlight and celebrate the achievements of female lawyers in a profession long dominated by men. The extent of that domination is starkly revealed by the project’s timeline:…

…In the video the Sierra Leone born judge, and University of Surrey grad, recalls that attitudes to women in the profession were very different when she was called to the bar in 1981. One major hurdle for the now 65 year-old was the attitude of the many solicitors who did not want to instruct a woman, either because they, or, more likely, their client, considered them to be inferior…

Read the entire article here.

Tribeca 2016 Preview: Nelsan Ellis, Armani Jackson, Melanie Lynskey in ‘Little Boxes’

Shadow and Act: On Cinema Of The African Diaspora
2016-03-31

Tambay A. Obenson

Nelsan Ellis, Armani Jackson, Melanie Lynskey in “Little Boxes“

The 2016 Tribeca Film Festival kicks off in a couple of weeks, running from April 13-24 in New York City.

Leading up to the event, I’ll highlight a few films or note, given this blog’s specific interests, starting with this one…

Directed by Rob Meyer, written by Annie J Howell, and executive produced by Cary Fukunaga, the drama feature “Little Boxes” stars Nelsan Ellis, Armani Jackson, Melanie Lynskey, Oona Laurence, Janeane Garofalo, and Christine Taylor.

Synopsis: It’s the summer before 6th grade, and Clark (Armani Jackson) is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act “more black,” he fumbles to meet expectations, while his urban intellectual parents Mack and Gina (Nelsan Ellis and Melanie Lynskey) also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context…

Read the entire article here.

6 Afro-Latinos Open Up About What It Means To Be Black And Latino

Latino Voices
The Huffington Post
2016-03-23

Carolina Moreno, Editor

Watch them explain why they’re both and they’re proud!

Too black to be Latino and too Latino to be black is a feeling many Afro-Latinos know too well — but the reality is that these two identities are far from mutually exclusive.

Not only is it possible to be both black and Latino, it’s also fairly common within the Latino community. In the United States 24 percent of Latinos self-identify as Afro-Latino, according to survey results the Pew Research Center released in March.

HuffPost Latino Voices asked six Afro-Latinos to share what it really means to grow-up black and Latino. Because as writer Janel Martinez explains, it can be quite complicated at first…

Read the entire article and watch the video here.