Mixed Race Studies

The Punjabi Mexican American community, the majority of which is localized to Yuba City, California is a distinctive cultural phenomenon holding its roots in a migration pattern that occurred almost a century prior. The first meeting of these cultures occurred in the Imperial Valley in 1907, near the largest irrigation system in the Western hemisphere…

Wikipedia

Africa’s Legacy in Mexico: The Photographs of Tony Gleaton

Loyola Marymount University, Los Angeles
Laband Art Gallery
2007-09-09 through 2007-11-18

Africa’s Legacy in Mexico features forty-five black and white photographs from a series of portraits of African Mexicans by Tony Gleaton. Taken in the late 1980s and early 1990s, primarily in three villages along the southwestern coast of Mexico, Gleaton’s photographs offer insight into a little-known aspect of Mexican culture. These poignant images focus on the present-day descendants of African slaves who were brought to Mexico by the Spanish colonialists beginning in the 1500s. Though Africans have been part of the cultural fabric of Mexico for five centuries, the official policy of the Mexican government has been to only highlight the country’s mestizo [mixed race] heritage that has resulted from the mixing of indigenous and European peoples. Miriam Jimenez Roman writes that Gleaton’s photographs “force us to rethink many of our preconceptions not only about our southern neighbor but more generally about issues such as race, ethnicity, culture, and national identity.”

View some of the photographs here.

La China Poblana and Other Constructions of Asian Latinos/as

Clave: Counterdisciplinary Notes on Race, Power & the State
A Project of LatCrit Inc. and Universidad Interamericana de Puerto Rico
Summer 2006
22 pages

Evelyn Hu-DeHart, Professor of History, and Director of the Center for the Study of Race and Ethnicity in America
Brown University

She is the same image that moves and captivates us in all the national celebrations, the same one who in foreign lands has inspired waves of enthusiasm, the same one who has made tears of intense emotion stream from our eyes, seeing her in North America or in Europe in festivals or in theaters marvelously execute the steps to the jarabe tapatío [Mexican Hat Dance] in her silk slippers conclude by finishing her typical dance with the ingenious steps of “El Palomo,” under the proud wing of the braid-trimmed sombrero of her charro [her male counterpart].

She is la china poblana (the Chinese woman of Puebla), “the national archtype for Mexican women,” a legend whose creation began in the twilight years of the nineteenth entury, accelerated during the 1920s in the immediate aftermath of the Mexican Revolution, quickly became institutionalized and even memorialized by a national monument in 1941. She is now widely recognized throughout Mexico and wherever Mexican people and commerce have ventured in the diaspora. How the national emblem of Mexican womanhood was linked to a china (read Chinese woman for now) is a question that begs to be asked. And when asked, most Mexicans can summon something about an Oriental princess who embroidered and wore the colorful blouses worn by their iconic symbol. Few seem aware, however, that the legend can be traced back to a seventeenth century immigrant/exile/expatriate (she could fit any of these categories of “outsider”) from Asia, a unique flesh-and-bone historical personality known as Catarina de San Juan. Although this figure from Asia had lived in New Spain during the early colonial period, and centuries later informed the construction of Mexico’s post-Revolutionary female national symbol, her place in the Mexican imagination has not led to general recognition of the Asian Latina as a cultural or social formation in Mexico. We shall return to this story and explain this strange paradox…

Read the entire article here.

Distributed intensities: Whiteness, mestizaje and the logics of Mexican racism

Ethnicities
Volume 10, Number 3, September 2010
pages 387-401
DOI: 10.1177/1468796810372305

Mónica G. Moreno Figueroa, Lecturer in Sociology
Newcastle University

By analysing racist moments, this article engages with debates about the existence of racism in Mexico and how whiteness, as an expression of such racism, operates. It draws on empirical research that explores Mexican women’s understandings of mestizaje (mixed-race discourses) and experiences of racism. It assesses how racism is lived, its distributed intensity, within the specific racist logics that organize everyday social life. I build upon arguments that Latin American racist logics emerge from the lived experience of mestizaje and its historical development as a political ideology and a complex configuration of national identity. Mestizaje enables whiteness to be experienced as both normalized and ambiguous, not consistently attached to the (potentially) whiter body, but as a site of legitimacy and privilege.

Read or purchase the article here.

The Myth of Latin American Multiracialism

Daedalus
Volume 134, Number 1 (Winter 2005)
Pages 82-87
DOI: 10.1162/0011526053124398

Melissa Nobles, Arthur and Ruth Sloan Professor of Political Science
Massachusetts Institute of Technology

Many Latin American nations have long proudly proclaimed a multiracial ideal: unlike the United States, countries like Brazil and Mexico have celebrated the mixing of races, and claimed to extend equal rights and opportunities to all citizens, regardless of race. As a result of the region’s regnant faith in racial democracy, it has long been widely assumed that Latin American societies are nondiscriminatory and that their deep economic and social disparities have no racial or ethnic component.

Yet new statistical evidence (a byproduct of democratization) suggests that most of the region’s societies have yet to surmount racial discrimination. At the very time that some in the United States have timidly embraced multiracialism as a fitting ideal for North Americans, Latin American critics have begun to argue that multiracialism, like racial democracy, functions as an ideology that masks enduring racial injustice and thus blocks substantial political, social, and economic reform.

Latin American elites have always been deeply concerned about the racial stocks ol their populations and have always prized the European antecedents of their peoples and cultures—just like their Counterparts in the United States. But at the same time, and unlike their U.S. counterparts, Latin American political and cultural leaders in the first half of the twentieth century viewed their societies as unique products of racial intermingling. Sensing that such racial mingling might help define an emergent nationalism, intellectuals and statesmen argued that extensive racial mixture had resulted in the formation of new, characteristically ‘national’ races.

For example, the Mexican philosopher José Vasconcelos (1882- 1959) famously celebrated the idea of racial mixture by arguing that all Latin Americans, and not just Mexicans, were a raza cósmica (cosmic race) comprised of both Spanish and indigenous peoples. But his conception of mixture left no doubt as to the…

Read or purchase the article here.

The Complexities of the Visible: Mexican Women’s Experiences of Racism, Mestizaje and National Identity

Goldsmiths College, University of London
2006

Monica Moreno Figueroa, Lecturer in Sociology
Newcastle University, United Kingdom

The thesis analyses the contemporary practices of racism in relation to discourses of mestizaje in Mexico. It focuses on the qualities of women’s experiences of racism and explores the significance of mestizaje in relation to Mexican discourses of race and nation. It provides a historical revision of the ways in which such discourses have developed in Mexico, emphasising the cultural conditions that make it possible to ‘think’ the nation, and relating them to the ways in which systems of differentiation amongst the population have operated. The thesis assesses the politics of difference in Mexico in relation to the ways in which notions of race and practices of racism have been detached from each other. For this, I analyse the historical development of the notion of mestizaje and the mestiza identity, and consider its impact and relevance in contemporary Mexico, calling into question official policies and public discourses that support the idea of the mestiza as the subject of national identity.

Through focus group discussions and life-story interviews based on family photographic albums, I explore how the women who participated in this study understand and experience their racialised, gendered and classed bodies and national identity, in a context where racism has been rendered invisible. The thesis then looks at the specificity of the participants’ social location and analyses how these women today in Mexico think through the notions of racism, mestizaje, and national identity. The focus on the qualities of their everyday experience of racism led me to explore the significance of the role of emotions in revealing the lived experience of racism. In this way, my analysis associates racial and class displacement with inadequacy; beauty, ugliness and ordinariness with shame; and the anxiety about family belonging with slightedness; and exposes the contradictory and ambivalent ways in which the experiences of racism are lived and understood. The experience of racism is explored from the particular perspective of the visible, specifically looking at the relationship between visual representations of identities and racist practices, and in this context the ways in which women see themselves and perceive how they are seen by others: the meanings and metaphors of their own image.

Read this thesis at the Integrated Catalogue of the British Library here.

“Assimilating the Primitive”: Parallel Dialogues on Racial Miscegenation in Revolutionary Mexico

Peter Lang Publishing Group
2004
179 pages, 4 tables
Hardback ISBN: 978-0-8204-6322-3

Kelley R. Swarthout, Visiting Assistant Professor of Spanish
Colgate University, New York

This book examines the Mexican nationalist rhetoric that promoted race mixing as a cultural ideal, placing it within its broader contemporary polemic between vitalist and scientific thought. Part of its analysis compares the attitudes of anthropologist Manuel Gamio and educator José Vasconcelos with those of the European primitivist D. H. Lawrence, and concludes that although Gamio and Vasconcelos made lasting contributions to the construction of popular notions of mexicanidad, their paradigms were fatally flawed because they followed European prescriptions for the development of national identity. This ultimately reinforced the belief that indigenous cultural expression must be assimilated into the dominant mestizo culture in order for Mexico to progress. Consequently, these thinkers were unsuccessful in resolving the cultural dilemma Mexico suffered in the years immediately following the Revolution.

Table of Contents

• List of Tables
• Acknowledgments
• Chapter 1: Theory
  • Primitive as a Western Construct
  • Science, Race, and the Nation
  • The Vitalist Opposition to Science
• Chapter 2: The History
  • Mestizaje: Mexico’s National Myth
  • The Emergence of Racial Hybridity
  • Envisioning a Mestizo Middle Class
  • The Birth of Mexican Cultural Nationalism
• Chapter 3: The Dialogue
  • Scientificism vs. Vitalism in Revolutionary Mexico
  • Manuel Gamio and Scientific Indigenism
  • Jose Vasconcelos and the Spiritual Renovation of Mexican Culture
  • D.H. Lawrence’s American Journey: A Pilgrimage to the “Indian Source”
• Epilogue: Toward a Postmodern Mexican Identity
• Bibliography
• Index

The Idea of Race in Latin America, 1870-1940

University of Texas Press
1990
143 pages
10 b&w illus.
6 x 9 in.
ISBN: 978-0-292-73857-7

Edited by

Richard Graham, Emeritus Frances Higginbotham Nalle Centennial Professor of History
University of Texas, Austin

With chapters by Thomas E. Skidmore, Aline Helg, and Alan Knight

From the mid-nineteenth century until the 1930s, many Latin American leaders faced a difficult dilemma regarding the idea of race. On the one hand, they aspired to an ever-closer connection to Europe and North America, where, during much of this period, “scientific” thought condemned nonwhite races to an inferior category. Yet, with the heterogeneous racial makeup of their societies clearly before them and a growing sense of national identity impelling consideration of national futures, Latin American leaders hesitated. What to do? Whom to believe?

Latin American political and intellectual leaders’ sometimes anguished responses to these dilemmas form the subject of The Idea of Race in Latin America. Thomas Skidmore, Aline Helg, and Alan Knight have each contributed chapters that succinctly explore various aspects of the story in Brazil, Argentina, Cuba, and Mexico. While keenly alert to the social and economic differences that distinguish one Latin American society from another, each author has also addressed common issues that Richard Graham ably draws together in a brief introduction. Written in a style that will make it accessible to the undergraduate, this book will appeal as well to the sophisticated scholar.

Table of Contents

• Preface
• 1. Introduction (Richard Graham)
• 2. Racial Ideas and Social Policy in Brazil, 1870-1940 (Thomas E. Skidmore)
• 3. Race in Argentina and Cuba, 1880-1930: Theory, Policies, and Popular Reaction (Aline Helg)
• 4. Racism, Revolution, and Indigenismo: Mexico, 1910-1940 (Alan Knight)
• Bibliography
• Index

Read the intrduction here.

Mestizaje and the Mexican Mestizo Self: No hay Sangre Negra, so there is no Blackness

Southern California Interdisciplinary Law Journal
Volume 15, Number 2 (Spring 2006)
Pages 199-234

Taunya Lovell Banks, Jacob A. France Professor of Equality Jurisprudence and Francis & Harriet Iglehart Research Professor of Law
University of Maryland School of Law

Many legal scholars who write about Mexican mestizaje omit references to Afromexicans, Mexico’s African roots, and contemporary anti-black sentiments in the Mexican and Mexican American communities. The reasons for the erasure or invisibility of Mexico’s African roots are complex. It argues that post-colonial officials and theorists in shaping Mexico’s national image were influenced two factors: the Spanish colonial legacy and the complex set of rules creating a race-like caste system with a distinct anti-black bias reinforced through art; and the negative images of Mexico and Mexicans articulated in the United States during the early nineteenth century. The post-colonial Mexican becomes mestiza/o, defined as European and Indian, with an emphasis on the European roots. Thus contemporary anti-black bias in Mexico is a vestige of Spanish colonialism and nationalism that must be acknowledged, but is often lost in the uncritical celebration of Latina/o mestizaje when advanced as a unifying principle that moves beyond the conventional binary (black-white) discussions of race. This uncritical and ahistorical invocation of mestizaje has serious implications for race relations in the United States given the growing presence and political power of Mexican Americans because substituting mestizaje for racial binarism when discussing race in the United States reinforces rather than diminishes notions of white racial superiority and dominance. Therefore legal scholars who write about Latina/o issues should replace their uncritical celebration of mestizaje with a focus on colonialism and capitalism, the twin isms that influenced ideological theories and racial formation from the late fifteenth through the twentieth century in the Americas.

Read the entire article here.

The African Presence in Mexico

A Symposium Presented by
Callaloo – A Journal of African Diapora Arts and Letters and
The Center for Africana Studies, Johns Hopkins University
2008-10-22 through 2008-10-23
Texas A&M University, College Station, Texas

Sessions

• The Road to Blackness: A Search for Identity Within the Afro-Mexican Community (audio, photographs)
• Slavery and Freedom in Colonial Mexico (audio, photographs)
• “Where did the Blacks Go?” Post-Slavery Mexico (audio, photographs)
• Contemporary Afro-Mexicans (audio, photographs)
• “Blacks in the State of Veracrus, Mexico” (A Photographic Exhibition by Marcus D. Jones) (photographs)

For more details, click here.