Mixed Race Studies

A Real Negro Girl: Fredi Washington and the New Negro Renaissance

Oxford University Press
2023-10-02
320 Pages
25 black and white illustrations
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780197626214

Laurie A. Woodard, Assistant Professor of History
City College of New York, New York, New York

• First biography of dancer, actor, and activist Fredi Washington
• Highlights the role of the performing arts in the history of the New Negro Renaissance, which has tended to be focused on literary arts
• Focuses on an African American who could have but chose not to “pass“

The first biography of performing artist, writer, and civil and human rights activist Fredi Washington.

Following Fredi Washington’s debut in her first dramatic role in 1926, Alfred Spengler of the New York North Side News reported that she was “astonishingly pretty for a real Negro girl.” Throughout her career, Washington was vulnerable to discrimination because her near-white skin and hazel eyes, coupled with her self-identification as Negro, cast her as too physically white to play black and too culturally black to play white. The multifaceted Washington was of course a great deal more than her looks; she was a performing artist, a writer, and a civil and human rights activist. Embracing the genres of dance, theater, and film, she used her talent, creativity, and determination to sustain a thirty-year career in the arts and in labor and political activism during the New Negro Renaissance and beyond.

Although Fredi Washington has been largely forgotten, A Real Negro Girl shows that, at the zenith of her career, she was a household name in the black community, well known in mainstream America, and a darling of the European press. Most famous for her role in the film “Imitation of Life,” she was a part of a cohort that included Paul Robeson, Josephine Baker, and Bill “Bojangles” Robinson. Delving into her professional and personal experiences in Harlem, nationally, and internationally, this book illuminates Washington’s significance to the New Negro Renaissance and reveals the vital influence of black performing artists and of black women on the movement. Over the years, Washington expanded her social and political consciousness and anti-racism activism, encompassing journalism, labor organizing, protests, and support of progressive politics. As a founder and executive director of the Negro Actors Guild of America, she sought to protect black artists from professional exploitation and physical abuse.

Incorporating close readings of images and films, interviews, and fan mail, as well as writings by and about Washington, A Real Negro Girl highlights Fredi Washington as an influential actor in the African American quest for civil and human rights.

Table of Contents

• Acknowledgments
• Introduction
• Chapter 1: Setting the Stage: The Roots of the New Negro Renaissance
• Chapter 2: Dancing All Day: Reading Blackface and Black Bodies
• Chapter 3: Boxers, Blacks, and a Real Negro Girl: White Expectations and Imagined Conceptions of Authentic Blackness
• Chapter 4: Race, Place, and Miscegenation: Fredi Washington in Imitation of Life
• Chapter 5: Beyond the Footlights: New Negro Performing Artists and More Tangible Forms of Activism
• Conclusion
• Notes
• Select Bibliography
• Index

Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation

Rutgers University Press
2022-12-09
218 pages
7 b-w illustrations
6 x 9
Paperback ISBN: 9781978830875
Cloth ISBN: 9781978830882
EPUB ISBN: 9781978830899
PDF ISBN: 9781978830905

Daniel McNeil, Department of Gender Studies
Queen’s University in Kingston, Ontario

Thinking While Black brings together the work and ideas of the most notorious film critic in America, one of the most influential intellectuals in the United Kingdom, and a political and cultural generation that consumed images of rebellion and revolution around the world as young Black teenagers in the late 1960s. Drawing on hidden and little known archives of resistance and resilience, it sheds new light on the politics and poetics of young people who came together, often outside of conventional politics, to rock against racism in the 1970s and early ‘80s. It re-examines debates in the 1980s and ‘90s about artists who “spread out” to mount aggressive challenges to a straight, white, middle-class world, and entertainers who “sold out” to build their global brands with performances that attacked the Black poor, rejected public displays of introspection, and expressed unambiguous misogyny and homophobia. Finally, it thinks with and through the work of writers who have been celebrated and condemned as eminent intellectuals and curmudgeonly contrarians in the twenty-first century. In doing so, it delivers the smartest and most nuanced investigation into thinkers such as Paul Gilroy and Armond White as they have evolved from “young soul rebels” to “middle-aged mavericks” and “grumpy old men,” lamented the debasement and deskilling of Black film and music in a digital age, railed against the discourteous discourse and groupthink of screenies and Internet Hordes, and sought to stimulate some deeper and fresher thinking about racism, nationalism, multiculturalism, political correctness and social media.

Table of Contents

• Preface
• Chapter 1: Theories in Motion
• Chapter 2: Black and British
• Chapter 3: A Movie-Struck Kid from Detroit
• Chapter 4: Slave-Descendants, Diaspora Subjects, and World Citizens
• Chapter 5: Enlarging the American Cinema
• Chapter 6: Middle-Aged, Gifted, and Black
• Coda
• Notes
• Acknowledgments
• Index

Announcing The First Be Your Mixed-Ass Self^® Anthology

2023-02-20
Militantly Mixed

Mixed-race writers invited to share contribute to groundbreaking celebration of Mixed identity.

Militantly Mixed and Mixed Auntie Confidential announce an exciting new anthology celebrating a fresh dimension of Mixed-race identity journeys for writers at all experience levels.

The premiere issue of the Be Your Mixed Ass Self^® Anthology Volume 1 welcomes original, unpublished essays and poetry by Mixed-race adults of all genders, and mixes.

“Be Your Mixed Ass Self^®” is the motto of the Militantly Mixed podcast, created and hosted by Sharmane “Sir Auntie Mane” Fury. “This anthology takes that affirmation to the next level to uplift public unapologetic mixedness in ways that empower us all.”

This groundbreaking anthology will be a fundraiser for the award-winning Militantly Mixed podcast which is celebrating its fifth anniversary in 2023. The anthology submission deadline is March 15, 2023.

“We’re looking for writing that shares the experience of becoming your Mixed ass self,” says TaRessa Stovall, author and blogger at Mixed Auntie Confidential, who is co-editing the anthology with Sharmane. “Contributors don’t have to be professional or published writers. We welcome new and experienced writers to add their voices to the mix.”

“It’s the authenticity of the writing for us,” said Sharmane…

For more information, click here.

As N.F.L.’s Quarterback Guard Changes, Patrick Mahomes Wins Second M.V.P. Award

The New York Times
2023-02-09

Kris Rhim, Sports Reporter

Mahomes, Kansas City’s quarterback, won football’s top honor for the second time, establishing his place atop a new generation of passing talent.

PHOENIX — Patrick Mahomes, the Kansas City Chiefs quarterback, won his second Most Valuable Player Award on Thursday night, for his work in perhaps the most challenging season of his career, cementing himself as the leader of a new wave of talented young quarterbacks.

Mahomes is the first Black quarterback to win the league’s highest individual honor twice, having previously won the award after the 2018 season, his first as a starter.

In the past 20 seasons, the award has been won by the generation-defining quarterbacks Peyton Manning, Tom Brady and Aaron Rodgers 12 times, with no other player repeating as M.V.P. With the retirements of Manning, in 2016, and Brady this season, Mahomes leads an emerging class of young passers defining the N.F.L...

Read the entire article here.

The Weight of Blood

Katherine Tegen Books an (imprint of HarperCollins)
2022-09-06
416 pages
Hardcover ISBN: 9780063029149
E-book ISBN: 9780063029163
Paperback ISBN: 9780063029156

Tiffany D. Jackson

New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America’s history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.

When Springville residents—at least the ones still alive—are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.

An outcast at her small-town Georgia high school, Madison Washington has always been a teasing target for bullies. And she’s dealt with it because she has more pressing problems to manage. Until the morning a surprise rainstorm reveals her most closely kept secret: Maddy is biracial. She has been passing for white her entire life at the behest of her fanatical white father, Thomas Washington.

After a viral bullying video pulls back the curtain on Springville High’s racist roots, student leaders come up with a plan to change their image: host the school’s first integrated prom as a show of unity. The popular white class president convinces her Black superstar quarterback boyfriend to ask Maddy to be his date, leaving Maddy wondering if it’s possible to have a normal life.

But some of her classmates aren’t done with her just yet. And what they don’t know is that Maddy still has another secret . . . one that will cost them all their lives.

The Reinvented Life of Belle da Costa Greene

Vanderbilt University
Nashville, Tennessee
2023-02-14 through 2023-05-14

2023-02-01

Spring 2023 Exhibition and Programming related to Belle da Costa Greene, famed librarian for J.P. Morgan and expert on incunabula.

One of the most well-known American librarians and experts in illuminated manuscripts (incunabula) in the early-mid twentieth century, Belle da Costa Greene helped build the renowned Morgan Library and Museum in New York City. Indeed, she was known as “the soul of the Morgan Library.” Greene also summered annually with the Vanderbilts in their “cottages” in Newport, Rhode Island. She began her career as the personal librarian of financier John Pierpont Morgan, one of the richest men in Gilded Age America. She ended it as the library’s first director from 1924-48.

Born Belle Marion Greener in 1879, the green-eyed Greene was the daughter of the first African American graduate of Harvard College. She also belonged to the colored elite in Washington, DC. She accessed the rarefied worlds of the Morgans and Vanderbilts by “passing” as a white woman. In exploring her reinvented life, this month-long series of events will engage questions of race, color, class, gender, and passing.

For more information, click here.

Racial Fraud and the American Binary

Eidos. A Journal for Philosophy of Culture
Volume 6, Issue 3 (2022)
pages 44-61
DOI: 10.14394/eidos.jpc.2022.0024

Kevin J. Harrelson, Professor of Philosophy
Ball State University, Muncie, Indiana

In response to recent controversies about racial transitioning, I provide an argument that deceptions about ancestry may sometimes constitute fraud. In order to arrive at this conclusion, I criticize the arguments from analogy made famous by Rebecca Tuvel and Christine Overall. My claim is that we should not think of racial transitioning as similar to gender transitioning, because different identity groups possess different kinds of obstacles to entry. I then provide historical surveys of American racial categories and the various types of passing common in American history, in order to distinguish the potentially fraudulent from the relatively innocent styles of passing.

Read the entire article here.

Imitation of Life: On Passing Between

The Criterion Collection
2023-01-10

Miriam J. Petty, Associate Professor in the department of Radio/Television/Film
Northwestern University, Evanston, Illinois

In 2005, the National Film Preservation Board of the Library of Congress added the 1934 version of Imitation of Life to the National Film Registry, its roster of “culturally, historically, or aesthetically significant” films. Archivist Ariel Schudson’s essay marking the occasion touts the film as “a defining moment in the history of women in film and a watershed moment for African American casting in Hollywood.” Directed by John M. Stahl for Universal Pictures, and based on Fannie Hurst’s best-selling 1933 prefeminist rags-to-riches novel of the same name, the film raises issues of gender roles, labor, race, identity, and the American dream in a melodramatic framework that might have otherwise been regarded as that of a mere “ladies’ picture.” Indeed, much of the film’s action focuses on the domestic sphere and the intimate, homey matters regularly dismissed as women’s work. But Stahl, like Hurst, uses domestic spaces to give audiences a closer perspective on such intimacies, employing the themes of interracial friendship and racial passing as metaphor and provocation…

Read the entire article here.

Invitation to Contribute to The Routledge International Handbook of Interracial Relationships and Mental Health

2023-01-10

We, Shivon Raghunandan, Roy Moodley and Kelley Kenney are writing to you as editors of The Routledge International Handbook of Interracial Relationships and Mental Health, to be published by Routledge as part of their International Handbook series. We are inviting colleagues globally who have an academic, teaching, research, and publication interest in this topic to contribute to this text. More specifically, we are seeking authors for the following chapters.

Chapter 2: Interracial Mixing: A Threat to White Supremacy and Colonial Structures
Chapter 5: Historical Retrospectives of Interracial Relationships: Mixed-Race Movement and Impact
Chapter 11: Interracial Relationships in Latin Communities
Chapter 16: Intercultural/Mixed Race Relationships (and marriages) in the Caribbean
Chapter 30: Gender in Intercultural Relationships
Chapter 32: Interracial Relationships and Religion
Chapter 33: Interracial Relationships and Socio-Economic Status
Chapter 34: Interracial Relationships and Disability
Chapter 35: Interracial Relationships Across the Lifespan

Please allow us to offer a brief synopsis of the book. The Routledge International Handbook of Interracial Relationships and Mental Health will present critical theoretical, empirical, and psychological accounts of interracial and intercultural intimacies. This book is in response to the iniquitous underrepresentation of intercultural couples in psychology theory, research and practice and will challenge the pervasive Eurocentric discourse that currently guides the field of mental health. The book will offer current, scholarly, practical, equitable, global and intercultural responsive philosophies, theories, clinical frameworks and practices to clinicians, educators and students in the field of mental health and well-being, sociology and other related disciplines. Moreover, this handbook will explore how the social, cultural and geo-political histories and philosophies of intercultural relationships evolved.

The book will examine the evolution of these partnerships within the context of coloniality, heteropatriarchy, white supremacy and endogamy and explore how these discourses shaped the lived experiences and psychological well-being of intercultural couples globally. It will also provide a comprehensive analysis of intercultural relationships inclusive of diverse cross-racial pairings, global and international perspectives, intersectional identities, and transnational unions; and, indeed, offer critical perspectives on the mental health and well-being of intercultural couples, inclusive of multi-cultural, multi-ethnic, multi-faith, multi-sexual, multi-racial, multi-gendered, multi-abled couples, and their intersections.

To meet the deadline of a June 2024 submission to Routledge, first draft chapters will be submitted to the editors by August 2023. Editors will provide feedback by the end of October 2023 and final chapters will be submitted to the editors by the end of March 2024.

We are happy to provide further details if you are interested in contributing to this text.
If you are interested, please contact Shivon Raghunandan at shivon.raghunandan@humber.ca

With Best Wishes,

Shivon Raghunandan, Ed.D., Humber College, Canada
Roy Moodley, Ph.D., University of Toronto, Canada
Kelley Kenney, Ed.D., DeSales University, United States

New ‘Latino’ and ‘Middle Eastern or North African’ checkboxes proposed for U.S. forms

All Things Considered
National Public Radio
2023-01-26

Hansi Lo Wang, Correspondent, Washington Desk

The Biden administration is proposing major changes to forms for the 2030 census and federal government surveys that would transform how Latinos and people of Middle Eastern or North African descent are counted in statistics across the United States.

A new checkbox for “Middle Eastern or North African” and a “Hispanic or Latino” box that appears under a reformatted question asking for a person’s race or ethnicity are among the early recommendations announced in a Federal Register notice, which was made available Thursday for public inspection ahead of its official publication.

If approved, the changes would address longstanding difficulties many Latinos have had in answering a question about race that does not include a response option for Hispanic or Latino, which the federal government recognizes only as an ethnicity that can be of any race.

The reforms would also mark a major achievement for advocates for Arab Americans and other MENA groups who have long campaigned for their own checkbox. While the U.S. government currently categorizes people with origins in Lebanon, Iran, Egypt and other countries in the MENA region as white, many people of MENA descent do not identify as white people. In addition to a new box on forms, the proposal would change the government’s definition of “White” to no longer include people with MENA origins…

Read the entire article here.