• The Disappearing Mestizo: Configuring Difference in the Colonial New Kingdom of Granada by Joanne Rappaport (review) [von Germeten]

    The Americas
    Volume 72, Number 1, January 2015
    pages 159-160

    Nicole von Germeten, Associate Professor of History
    Oregon State University

    Rappaport, Joanne, The Disappearing Mestizo: Configuring Difference in the Colonial New Kingdom of Granada (Durham: Duke University Press, 2014).

    Joanne Rappaport argues that even in the seventeenth-century classic satire known as El Carnero, set in what is now Colombia, the main character avoids identification as a mestiza, demonstrating the disappearing elusiveness of this term. The fact that readers cannot be sure if Inés de Hinojosa’s mother was or was not an indigenous woman brings directly to life the point Rappaport explores throughout her book. Subjects of the Spanish crown living in the sixteenth-, seventeenth-, and even eighteenth-century New Kingdom of Granada avoided categorization as mestizo when it suited them, although they sometimes took on the label if it seemed expedient at a particular moment. Rappaport effectively proves that identification as mestizo, mulatto, or even the more basic categories of Spanish, Indian, and black, does not equate to a stable, genetic, or genealogical “race” in the modern sense of the word. These categories are beyond fluid or malleable, the common explanation for why one individual might receive several different “racial” identifications during their lifespan.

    Rappaport suggests instead that, at least in the New Kingdom of Granada, terms such as mestizo and mulatto do not necessarily represent an easily definable or cohesive group of individuals. In other words, regardless of what a person might call him or herself, or “pass” as within the Spanish world, we cannot hope to ascertain their “real race” from such a limited term, within this particular historical context. The designation of mestizo especially represents nothing other than an allusion, because this category did not carry a specific legal status or set of privileges within Spanish law. Therefore, students and scholars who wish to understand personal identity and society in the Spanish American viceroyalties must set aside our modern obsession with race as a simple unchanging way to categorize human beings. In fact, calidad, a broad range of attributes including stage of life, gender, occupation, personal wealth, spousal choice, place of residence, domestic setting, literacy, speech patterns, and style of dress, may have held more weight than what we call “race.”

    Rappoport supports these arguments with ethnographic explorations of several suggestive case studies, in a far more effective and readable style than would be provided by the tiresome citation of innumerable confusing examples, or even worse statistical analysis. At the end of the book, the reader actually remembers the individuals under discussion and feels a sense of knowing them as well as possible and understanding how their life experiences elucidate why mestizos represent a “disappearing” category. Rappaport’s analytical narratives include individuals sometimes classed as mestizos, but otherwise known as a duped doncella, a politically engaged cacique, an adulterous widow, a frustrated, blustering upwardly mobile Bogotá alderman, a man who just wants to stay with his family and friends in an indigenous village, and even the stereotypical abusive, rabble-rousing mulatto. Rappaport also takes a look at the physical descriptions contained in casa de la contratación travel documents, the early modern version of passport photos, expressed in standardized verbiage describing hair texture, skin tone, and most importantly, beards. In the sixteenth and seventeenth centuries, the most common color used to describe Spanish skin was brown [moreno].

    This book corrects simplistic ideas about the timelessness of racial categorization, even including previous efforts to historicize the alleged “hardening” of race designations in the eighteenth century. Rappaport makes an excellent point that historians of other parts of Spanish America should not assume the sistema de castas applied beyond New Spain, although it is even doubtful that it works as an analytical framework there. Even if Bourbon reformers attempted to “harden” racial lines or put a “caste system” into effect, scholars who spend their time in archives already know the need to question the effectiveness of these efforts. This book offers an important contribution to the historiography of Spanish rule in the Americas, and might even challenge and complicate undergraduate thinking on race. Understanding the history of the Spanish viceroyalties demands mental flexibility, and this book does an essential job of exposing where, through lazy thinking, we still hold onto rigid, anachronistic interpretations…

  • Independent Lens | Little White Lie | I Identify: What Forces Determine Your Identity?

    Independent Lens
    Public Broadcasting Service
    2015-03-23

    In conjunction with Lacey Schwartz’s “Little White Lie,” in which the filmmaker discovers an identity-altering family secret, Independent Lens presents “I Identify” — a digital short featuring nine San Francisco Bay Area residents exploring the forces that shape identity. Who controls your identity? Do you? Do the people around you? Is your identity dictated by society at large?

  • Growing Up White Until a Family Secret Revealed She Was Not

    The Root
    2015-03-22

    Genetta M. Adams, Senior Editor

    In the documentary Little White Lie, filmmaker Lacey Schwartz spins a compelling story about embracing her racial identity.

    Lacey Schwartz grew up as a white, Jewish girl in the predominantly white community of Woodstock, N.Y., raised by Peggy and Robert Schwartz. But what she didn’t know at the time was that her biological father was black.

    The idea of “passing” for white has long been a part of African-American culture. But Schwartz’s story isn’t one about passing. She truly believed that she was white.

    How she came to embrace her biracial identity and confront her parents about the family secret is the subject of her documentary, Little White Lie, which airs Monday on PBS as part of its Independent Lens series.

    Judging someone’s racial identity by appearance alone can be tricky—the recent story about Nancy Giles’ reaction to Jay Smooth makes that point fairly obvious. But when Schwartz was a child, her light-brown skin and curly hair elicited comments from people outside her immediate family circle: At her bat mitzvah, a woman from the synagogue mistook Lacey for an Ethiopian Jew.

    When Schwartz questioned her parents, her father showed her a portrait of her Sicilian great-grandfather, whose darker skin seemingly provided an explanation for her own. Schwartz, like everyone around her, bought this story…

    Read the entire article here.

  • Do you identify as Black, mixed — how do you see yourself?

    I’m both. Everything and nothing.

    Clay Cane, “Brittany Howard of the Alabama Shakes: “I Don’t Think About Color”,” Black Entertainment Television, (June 25, 2013). http://www.bet.com/news/music/2013/06/25/brittany-howard-of-the-alabama-shakes-i-don-t-think-about-color.html.

  • Meet Elizabeth Liang from Alien Citizen: An Earth Odyssey

    Culture Shock Toolbox
    2015-03-23

    H. E. Rybol

    Elizabeth acts on stage, film, and television. A graduate of Wesleyan (after transferring from Wellesley), she is a published essayist (“Checked Baggage: Writing Unpacked,” “Transforming Three Sisters”) and has a column about creative adult TCKs at TheDisplacedNation.com. She is also the co-host of the intercultural podcast Hapa Happy Hour.

    Her solo show, ALIEN CITIZEN: An Earth Odyssey, had its world premiere at the Asylum Lab in Hollywood in May 2013. It had its Off Off Broadway debut at Stage Left Studio in September 2013. Since then it has been performed at Princeton, M.I.T., Wesleyan, Williams, Augustana (SD), Carleton, and Santa Clara University in the USA. It was the closing keynote at the Families in Global Transition (FIGT) 2014 conference. It also began its tour of international schools and US Embassies in Panama; was sponsored by the API Cultural Center at the United States of Asian America Festival in San Francisco; and had its international theatrical debut at Tjarnarbíó in Reykjavík, Iceland.

    How did you get into traveling?

    My dad worked for Xerox (they made photocopiers) back when they were as big as Apple and Google are now, and they moved us from Guatemala to Costa Rica to the USA to Panama to the USA again to Morocco to Egypt. Some of my happiest memories from my youth are of the family vacations we were so fortunate to take in different countries.

    I came back to the USA for college on the east coast, graduated and moved to the west coast for a career in the entertainment industry, and have been here ever since. I love to travel for pleasure, and I love to travel with my solo show, ALIEN CITIZEN: An Earth Odyssey, because I get to combine my three favorite activities: acting, traveling to new places, and indirectly: writing (I wrote the script)…

    Read the entire interview here.

  • Navigating Through my Tamil-Filipino World: An Account of a Mixed First Generation Kid

    Tamil Culture
    2014-01-30

    Shanelle Kandiah

    Throughout my life, every time I have come to meet someone for the first time, I seem to always be asked about my ethnicity. Over the course of a conversation with someone, I can even anticipate the exact point that this question will be asked. The curious yet reluctant segway of “so…what’s your background?” or “where are your parents from?” gives it all away.

    While these questions may be perceived as bothersome to other mixed kids, I cannot say that it ever really bothered me. I have always taken a strange sort of pride in describing my family. Having been raised by a Sri Lankan Tamil father and a Filipino mother, I have never seen my life as anything short of amazing. Growing up exposed to two rich cultures from two loving parents is something that is pretty difficult to fault.

    Reflecting back on my childhood, there are certain memories that stand out as reflective of how unique my family may be perceived to the outside world. For instance, there were times growing up where my parents would host birthday parties for my brother and me, and would invite what seemed like everyone they had ever met in their lives. People of all shapes and sizes – not only Tamils and Filipinos, but Anglos, East Asians, and other mixed families – would always manage to seep into my house where they would be welcomed with open arms.

    Our food at these events was often a mix of Sri Lankan catering with overwhelming amounts of pittu, hoppers and varying curries, alongside Filipino takeout trays of lumpia, chicken adobo and pansit. When coupled with the Tamil movie scores and Western music playing in the background, I would agree with outsiders who have deemed my family as not quite run of the mill. Even now, it seems overwhelming that so much cultural transactions occurred at these gatherings. Looking back, these times actually gave me some of my best childhood memories…

    Read the entire article here.

  • Little White Lie

    Independent Lens
    Public Broadcasting Service
    Monday, 2015-03-23, 22:00 EDT (21:00 CDT) (check schedule here)

    Little White Lie tells Lacey Schwartz’s story of growing up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — despite the open questions from those around her about how a white girl could have such dark skin. She believes her family’s explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different.

    At age 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but an African American man named Rodney with whom her mother had had an affair. Afraid of losing her relationship with her parents, Lacey doesn’t openly acknowledge her newly discovered black identity with her white family. When her biological father dies shortly before Lacey’s 30th birthday, the family secret can stay hidden no longer. Following the funeral, Lacey begins a quest to reconcile the hidden pieces of her life and heal her relationship with the only father she ever knew.

    Schwartz pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

  • As a Mixed-Race Woman, in the Game of Racial Top Trumps My Blackness Always Wins

    Media Diversified
    2015-03-23

    Varaidzo (Leo Jay Shire)

    Shifting race: how language fails the ‘mixed-race’ experience

    The idea of ‘race’ has no fixed definition considering the term has no biological basis. Yet all of us from minority backgrounds know what it is to be racialised, to be lumped together into a group with others who share our physical attributes, for this to be conflated with our ethnicity – our shared culture, history and experience. What does this mean for those of us who are mixed-race? Could it be argued that the shared experience of being racialised as ‘mixed’ creates a ‘mixed-race’ ethnicity of sorts? Can this ‘mixed’ tag be sufficient when we have experiences specific to one part of our heritage?

    Right now, mixed-race people are considered to be of the largest growing groups in the UK with over one million of us in England alone. From Formula One World Champion Lewis Hamilton to One Direction’s Zayn Malik, mixed-race people are some of the most visible minorities in the media. We are everywhere. Which is impressive considering that as a definable ethnic or racial group, mixed-race people don’t really exist. Of course, on the tick boxes of the census we do, but in the real world these categories fail to tally with our highly diverse experiences of racialisation…

    …But the ‘mixed’ category doesn’t, of course, encapsulate many of our experiences that see us racialised as the same as one of our parents. In my case, my mother is a white Englishwoman, my father a black Zimbabwean. Yet my ‘whiteness’ and my ‘blackness’ are not traits I possess equally. Whenever I enter the world and go about my daily business I am nearly always read as a black woman first, a mixed-race woman occasionally, and a white woman never. The racism and micro-aggressions I face daily are all due to me being recognisably black. In the game of racial Top Trumps, my blackness always wins…

    Read the entire article here.

  • Family Secret And Cultural Identity Revealed In ‘Little White Lie’

    Morning Edition
    National Public Radio
    2015-03-23

    Michele Norris, Host and Special Correspondent

    Filmmaker Lacey Schwartz grew up in a white Jewish family in Woodstock, New York, believing she was white. Schwartz learns she’s bi-racial as she prepares to attend college.

    Listen to the story here. Download the audio here. Read the transcript here.