Is the Defendant White or Not?

Posted in Articles, Law, Media Archive, United States on 2015-01-26 21:26Z by Steven

Is the Defendant White or Not?

The New York Times
2015-01-23

Nour Kteily, Assistant Professor of Management and Organizations
Kellogg School of Management
Northwestern University

Sarah Cotterill, Doctoral Student
Department of Psychology
Harvard University

AS jury selection continues in the trial of Dzhokhar Tsarnaev, the defendant in the Boston Marathon bombings, so does debate about what would constitute a fair and impartial jury. Questions have been raised about the race, gender, age and religiosity of prospective jurors; about the effect of holding the trial in Boston; and about the legal requirement that the jurors be open to the possibility of sentencing the defendant to death.

But recent research of ours suggests that another, largely overlooked factor may also play an important role in the trial: whether the jurors perceive Mr. Tsarnaev as white.

No sooner did the F.B.I. release photographs of Mr. Tsarnaev and his older brother, Tamerlan, three days after the bombings, than questions arose about the racial identity of the suspects. (“Are the Tsarnaev Brothers White?” ran a headline in Salon.) Although neither brother matched the visual prototype of a white American, both hailed from the Caucasus, the region that gave rise to the term “Caucasian,” and both had lived in America for many years…

Read the entire article here.

Tags: , , , ,

Moving beyond monoracial categories

Posted in Articles, Asian Diaspora, Media Archive, Philosophy, Social Science, United States on 2015-01-26 20:42Z by Steven

Moving beyond monoracial categories

The Daily: of the University of Washington
2015-01-25

Emily Muirhead

I once had a professor claim that in 50 years, everyone will be so racially “mixed” and therefore ambiguous, no one will be able to distinguish “what someone is,” so race won’t matter much anymore.

As a biracial individual who has been asked “What are you?” more times than not, race does matter. It matters more than many people choose to believe. Despite the fact that racial categories are arbitrary social constructs, race still has very real personal and public implications aside from blatant racism — which seems to be the only times race is actually is talked about.

Categorizing someone into a racial category upon meeting them happens instantaneously. For most people this isn’t problematic because it’s merely a harmless form of observation, but sometimes, regardless of intent, a person’s race negatively or positively changes how someone is perceived and interacted with.

Ralina Joseph, associate professor in the communication, ethnic studies, and women’s studies departments, and a woman of color, has experienced racially rooted assumptions when it comes to teaching. She explained how on a number of occasions on the first day of class while standing alongside a white male TA, students will wrongly address the TA as “professor,” likely due to the image that comes to mind when one thinks of a person in this profession — i.e., a white man.

Being half-Japanese and half-Caucasian (predominantly Scottish), I straddle two sides of a racial spectrum, one foot in an American minority and the other in the majority. I’ve even been called “exotic,” a Eurocentric term that labels me as a sort of racial commodity against which monoracial individuals may be measured. To some, my whiteness blended with Asian features automatically places me into the irritatingly vague racial category of “half-white, half-something,” but there is much more to my identity than that…

Read the entire article here.

Tags: , ,

About Hatsumi… with Toronto Director Chris Hope: Part 1 of 3

Posted in Articles, Arts, Asian Diaspora, Biography, Canada, History, Media Archive on 2015-01-26 02:43Z by Steven

About Hatsumi… with Toronto Director Chris Hope: Part 1 of 3

Discover Nikkei
2012-06-27

Norm Masaji Ibuki

An extraordinary and beautiful film…exhaustively and passionately researched, both at the level of the filmmaker’s personal history and as an investigation into our national consciousness”

—Academy Award® Nominated Director, Atom Egoyan

Thus far in 2012, the 70th anniversary of internment, there has been no greater artistic tribute to the generation of Nikkei that survived Canadian internment than Chris Hope’s moving tribute to his grandmother, Nancy Hatsumi Okura.

It has been a very long time since we’ve had the occasion to celebrate a new feature-length film that addresses the issue of how internment continues to affect our community. The Toronto-based filmmaker’s new film, Hatsumi, is a moving testament to how his grandmother as a girl survived and triumphed over the systemic racism and discrimination that was aimed at destroying British Columbia’s Japanese Canadian community.

As such, this film is as much for the generations born after internment as it is a tribute to those who survived it. It is also a timely reminder for younger generations of all ethnic backgrounds that the fight to be recognized as “Canadian” has been and continues to be an ongoing one for many immigrant groups.

For those of Japanese descent in particular, there is something deeply personal about this film as there has been at least one “Hatsumi” in every one of our families be that a sister, mother, grandmother, or great grandmother. By telling her story, Chris helps to give voice to all of the Nikkei women who endured the betrayal of their country, rising above it all with a grace and, above all, a sense of forgiveness that this yonsei’s film honours.

Born to Marion (nee Okura) and Michael Hope (deceased 1998), his dual ethnic heritage is representative of the Nikkei community as it is evolving today. He studied Radio and Television Arts at Ryerson University, during and following of which he worked as a producer at CBC for about four years. Afterwards, it was on to Osgoode Hall Law School – York University, he spent summers working on the film and one summer at the CRTC in Ottawa. Following law school, he articled with Heenan Blaikie LLP, then worked as director of business and legal affairs at Cookie Jar Entertainment for two years, then joined Alliance Films Inc., which is where he’s been ever since. He completed an Executive Masters of Business Administration at the University of Windsor while at Cookie Jar Entertainment “for the purpose of rounding out my skill set.”

“Father’s mom was born in County Cork, Ireland and father in Bristol, England. They both came to Toronto in the 1910s. I grew up referring to my parents as ‘John and Yoko’ as a result of my dad’s lineage. The generations in my family are so far spread out on my father’s side that my grandfather (as above) served as a medic during WWI. I have his medals as well as their wedding invitation and photos from, I believe, 1922. Thanks to an apparent family penchant for history, I also have original naval records on my father’s side dating back to the early 1800s, and the wooden “cubby box” my father’s great-great grandfather carried with him on sea voyages which was them full of his personal effects (many of which are still in the box!).”

“My mother’s grandfather also came in the early part of the 20th century, and her grandmother (both from Gobo City, Wakayama ken) was a picture bride. They settled in Steveston, where my great-grandfather worked as a fisherman. I have both of their citizenship photo cards from 1977, which, according to my grandmother, they prized. Kichijiro Hashimoto was my great grandfather’s name and Tami Mori, my great-grandmother’s.”…

Read part one of the entire interview here.

Tags: , , , ,

Race in Contemporary Brazil: From Indifference to Inequality

Posted in Anthologies, Anthropology, Books, Brazil, Caribbean/Latin America, Census/Demographics, Law, Media Archive, Politics/Public Policy, Social Science, Women on 2015-01-26 02:08Z by Steven

Race in Contemporary Brazil: From Indifference to Inequality

Pennsylvania State University Press
1999
304 pages
Dimensions: 6 x 9
1 illustration
Hardcover ISBN: 978-0-271-01905-5
Paperback ISBN: 978-0-271-01906-2

Edited by: Rebecca Reichmann

Brazil’s traditionally agrarian economy, based initially on slave labor and later on rural labor and tenancy arrangements, established inequalities that have not diminished even with industrial development and urban growth. While fertility and infant mortality rates have dropped significantly and life expectancy has increased during the past thirty years, the gaps in mortality between rich and poor have remained constant. And among the poor of different races, including the 45 percent of Brazil’s population identified as preto (“black”) or pardo (“brown”) in the official census, persistent inequalities cannot be explained by the shortcomings of national economic development or failure of the “modernization” process.

Reichmann assembles the most important work of Brazilians writing today on contemporary racial dynamics in policy-relevant areas: the construction of race and color classification systems, access to education, employment and health, racial inequalities in the judiciary and politics, and black women’s status and roles. Despite these glaring social inequalities, racial discrimination in Brazil is poorly understood, both within and outside Brazil.

The still-widespread notion of harmonious “racial democracy” in Brazil was first articulated by anthropologist Gilberto Freyre in the 1930s and was subsequently reinforced by the popular media, social observers, and scholars. By giving voice to Brazilians’ own interpretations of race, this volume represents an essential contribution to the increasingly international debates about the African diaspora and comparative constructions of race.

Tags: , , ,

The Superiority of the Mulatto

Posted in Articles, Media Archive, Social Science, United States on 2015-01-26 00:29Z by Steven

The Superiority of the Mulatto

American Journal of Sociology
Volume 23, Number 1 (July, 1917)
pages 83-106

E. B. Reuter (1880-1946)

Perhaps the most significant fact regarding the Negro people in America is the degree to which the race has undergone differen- tiation during the period of contact with European civilization. From the low and relatively uniform state of West African culture there has come to be a degree of cultural heterogeneity not else- where observable among a primitive people. While the bulk of the race in America is as yet not many steps removed from the African standards, there has nevertheless arisen a considerable middle class, which conforms in most essential respects to the conventional middle-class standards of American people, as well as a small intellectual group, some members of which have succeeded in coming within measurable distance of the best models of European culture. Within the racial group in America at the present time there are represented the antipodal degrees of human culture: at the one extreme are the standards of West Africa; at the other, those of Western Europe.

A study of the more advanced groups shows a great preponderance of individuals of mixed blood and a dearth, almost an entire absence, of Negroes of pure blood. In the numerous lists of exceptional Negroes, published from time to time by Negroes as well as by white students of race matters, there is a regular recurrence of a few names; the various lists are virtually repetitions. The dozen or score of men everywhere mentioned as having attained some degree of eminence are, in all but one or two cases, men of more Caucasian than Negro blood. In a recently published compilation of one hundred and thirty-nine of the supposedly best-known American Negroes there are not more than four men of pure Negro blood, and one of these, at least, owes his prominence to the fact of his black skin and African features rather than to any demonstrated native superiority. Of the twelve Negroes on whom the degree of doctor of philosophy has been conferred by reputable American universities, eleven at least were men of mixed blood. Among the professional classes of the race the mulattoes outclass the black Negroes perhaps ten to one, and the ratio is yet higher if only men of real attainments be considered. In medicine the ratio is probably fifteen to one, in literature3 the ratio is somewhat higher, on the stage it is probably thirteen to one, in music the ratio is at least twelve to one. In art no American Negro of full blood has so far found a place among the successful. In politics, the ministry, and other occupations in which success is in no way conditioned by education or ability the proportion of mulattoes to black Negroes is somewhat less, though still high. In politics the ratio is at least seven to one, and even in the ministry it is not less than five to one. The successful business men of the race are in nearly all cases men of a bi-racial ancestry. Among the successful men in every field of human effort which Negroes have entered there is the same disproportion between the numbers of pure- and mixed-blood individuals…

Read the entire article here.

Tags: , , , ,

Tracee Ellis Ross: ‘That Hurt Like the Bejesus’

Posted in Articles, Arts, Media Archive, United States, Women on 2015-01-25 20:23Z by Steven

Tracee Ellis Ross: ‘That Hurt Like the Bejesus’

The New York Times
2015-01-22


Tracee Ellis Ross Credit Pej Behdarvand for The New York Times

The actress talks with Jenna Wortham about defining her own sense of beauty and humor.

It’s awards-show season. Do you like going to the shows? I didn’t actually go to the Golden Globes, but I do love awards-show season. It means lots of pretty dresses — and it’s even more fun when you are nominated.

The show you’re on, “black-ish,” has gotten a fair amount of critical praise. Do you know if the show has been picked up for a second season? No. Having been in the business for a while, I never like to look forward. You kind of enjoy what’s happening while it’s happening and leave the rest up to God, the angels, the trees, the stars — whatever you want to call it.

I love how women have responded to you in particular, especially the way you wear your hair out in this gorgeous storm cloud. A storm cloud? Is that what you said?

I may have said that, yes. That’s lovely. Women are asked to put forward, to a certain extent, a mask. And for black women, that has taken on greater significance, because the standard of beauty has not necessarily had the space for different definitions of beauty. I’m trying to find my own version of what makes me feel beautiful. On “black-ish,” there’s a lot that has to be done working around my hair, in terms of scheduling…

Read the entire interview here.

Tags: , , , ,

Bound Lives: Africans, Indians, and the Making of Race in Colonial Peru by Rachel Sarah O’Toole (review)

Posted in Articles, Book/Video Reviews, Caribbean/Latin America, History, Media Archive, Slavery on 2015-01-25 17:53Z by Steven

Bound Lives: Africans, Indians, and the Making of Race in Colonial Peru by Rachel Sarah O’Toole (review)

Journal of Social History
Volume 48, Number 2, Winter 2014
pages 465-466

Erick D. Langer, Professor of Latin American History
Georgetown University, Washington, D.C.

O’Toole, Rachel Sarah, Bound Lives: Africans, Indians, and the Making of Race in Colonial Peru (Pittsburgh: University of Pittsburgh Press, 2012).

The presence of Africans and their descendants is much more important than often realized in Peru. During the colonial period, tens of thousands of Africans were forced to cross the isthmus at Panama City and be sold as slaves in Peru. Even today, the rhythms of chicha, a combination of African and indigenous sounds, resonate in popular Peruvian music. The famous Peruvian cuisine was forged with important ingredients of European, Andean and African food heritages (as well as the nineteenth-century Chinese influences). More than anywhere else in the Andean region, African culture has melded with that of the Andes.

Rachel O’Toole documents Andean and African contributions to colonial society in the northern Peruvian coast during the seventeenth century. She breaks new ground by reexamining the interactions between Andeans and Africans and also explores how Andean peoples became “Indians” and Africans became “blacks.” The supposition, based on Spanish sources, had been that Africans were the enemies of the Indians, since they had more in common with their masters and abused the Andeans when they entered indigenous villages. However, O’Toole shows that that was not necessarily the case; Andeans and Africans interacted in many ways, including helping each other, intermarrying, being godparents to each other, and maintaining intense commercial relations.

Most of all, O’Toole emphasizes the new legal environment in Peru, where Africans became a legal category, a type of casta, that made human beings from Africa into merchandise and flattened out as much as possible the slaves’ diverse origins on the African continent. The Indians in turn came into a different category, of people who, according to the Spanish, were vulnerable to black castas and who enjoyed greater protections and higher legal status than people of African descent. She uses the metaphor of location to position each group into its respective legal category and how that changed over time.

After dealing with African-Andean interactions and the creation of the legal positions of each group, the author takes the last three chapters to delineate not so much the interactions between the two, but rather the making of the “Indian” category (Chapter 3) and the slave category (Chapter 2) within the casta system, which reified racial categories and created the divisions between the races. In the case of the Indians, she focuses on land and water, while for slaves she zeroes in on labor conditions. As O’Toole notes, “casta did the work of race” (164). Within the colonial system, this permitted Spaniards to divide and rule based on the differing regulations each category of human being, whether Spaniard, Indian, or black casta, had to follow. O’Toole takes to task in the conclusion of her book the towering seventeenth-century work of Felipe Guaman Poma de Ayala and his negative perception of Africans. Guaman Poma, an indigenous nobleman, wrote a 1,189 page missive to the Spanish king, in which he complained about abuses against the indigenous population, especially that of the Africans. O’Toole asserts that this opinion is much too negative an assessment and that “Africans and their descendants were central to the making of the colonial Andes” (161).

This book is an important addition to the field because for the first time it focuses on the complex relationships between indigenous peoples and Africans in a central region of the Spanish empire. O’Toole also fruitfully used legal documents to “read along the grain” (66) to understand the construction of the Indian categories, centering on the judicial performances of Andeans, who consciously chose laws that favored their positions. This follows work done by many other scholars of the colonial Andes to further refine how the diverse indigenous peoples ended up in a flattened category of “Indian.” The creation of the Indian category paralleled what happened to the Africans through their experience of slavery, as the author makes clear.

Using the northern Peruvian coast as the case study for understanding the interaction between Andeans and Africans has its advantages and disadvantages. On the one hand, this was the Andean region where the majority of Africans were imported and so there is enough evidence to document the relations between the two groups. On the other hand, the…

Tags: , , , , , ,

‘Where the Dead Pause, and the Japanese Say Goodbye,’ by Marie Mutsuki Mockett

Posted in Asian Diaspora, Book/Video Reviews on 2015-01-25 02:56Z by Steven

‘Where the Dead Pause, and the Japanese Say Goodbye,’ by Marie Mutsuki Mockett

Sunday Book Review
The New York Times
2015-01-23

Richard Lloyd Parry

Mockett, Marie Mutsuki, Where the Dead Pause, and the Japanese Say Goodbye: A Journey (New York: W. W. Norton & Company, 2015), 316 pp.

Among the many shocking things about tsunamis — along with their suddenness, violence and indiscriminate destruction of life and community — is how little there is to say about them. Man-made catastrophes, like wars or nuclear accidents, provide infinite opportunities for blame, recrimination and lessons learned. But natural disasters have no politics. One can quibble about the height of sea walls, the promptness of warnings and the quality of aid given to survivors. But such events have always occurred in countries like Japan, and always will. When the wave has receded, the dead have been counted and the slow work of recovery has begun, the pundits sheepishly quit the field and abandon it to the theologians, the spiritualists and the priests.

These are the people at the core of Marie Mutsuki Mockett’s book, which opens with the tsunami that struck northeastern Japan in 2011 and closes with a ghost. The act of God and the haunting frame an intriguing, but often awkward, travelogue through a landscape of Japanese spiritual belief, with forays into history, folklore and memoir. But the book’s central subject, deferred and evaded for much of its length, is the stubborn anguish of personal grief — the experience, as Mockett puts it, of being “kidnapped against one’s will and forced to go to some foreign country, all the while just longing to go back home.”

Mockett’s country is the United States, but she is a complicated, troubled American, and like many such journeys, hers is also a quest for identity. As the child of an American father, raised in California, she regards herself as fully of the West. From her Japanese mother she has acquired fluency in the language, although no sense of belonging in her maternal country. But she has the ability, fully available only to those on the margins, “to see through more than one set of eyes, if one learns to pay attention to one’s environment.” It is this gift of double-sightedness, of bringing to bear both the “dry” rationality of the West and the “sticky” sensibilities professed by the Japanese, that makes this the most interesting book so far to have come out of the disaster…

Read the entire review here.

Tags: , , , , ,

U.Va. Poetry Professor Rita Dove’s ‘Sonata Mulattica’ to be Adapted for Film

Posted in Articles, Arts, Biography, Europe, Media Archive on 2015-01-25 02:44Z by Steven

U.Va. Poetry Professor Rita Dove’s ‘Sonata Mulattica’ to be Adapted for Film

UVA Today
Charlottesville, Virginia
2013-05-07

Anne E. Bromley, Associate

Little did poet Rita Dove know when she published her book, “Sonata Mulattica,” that it would go beyond rescuing from obscurity a 19th-century, Afro-European violin virtuoso named George Augustus Polgreen Bridgetower.

Now that book of poems and a play-in-verse penned by Dove, Commonwealth Professor of English in the University of Virginia’s College of Arts & Sciences, is becoming the subject of a documentary not only about Dove writing about Bridgetower, but also featuring the contemporary story of African-American violin virtuoso and composer Joshua Coyne.

The National Endowment for the Arts recently awarded nonprofit Stone Soup Productions an Art Works grant to help the film company, Spark Media, produce the feature-length documentary, also to be named “Sonata Mulattica.”…

Read the entire article here.

Tags: , , , , , , ,

Where the Dead Pause, and the Japanese Say Goodbye: A Journey

Posted in Asian Diaspora, Books, Media Archive, Monographs, Religion on 2015-01-25 02:11Z by Steven

Where the Dead Pause, and the Japanese Say Goodbye: A Journey

W. W. Norton & Company, Inc.
January 2015
336 pages
Hardcover ISBN: 978-0-393-06301-1
6.6 × 9.6 in

Marie Mutsuki Mockett

How does one cope with overwhelming grief?

Marie Mutsuki Mockett’s family owns a Buddhist temple 25 miles from the Fukushima Daiichi nuclear power plant. In March 2011, after the earthquake and tsunami, radiation levels prohibited the burial of her Japanese grandfather’s bones. As Japan mourned thousands of people lost in the disaster, Mockett also grieved for her American father, who had died unexpectedly.

Seeking consolation, Mockett is guided by a colorful cast of Zen priests and ordinary Japanese who perform rituals that disturb, haunt, and finally uplift her. Her journey leads her into the radiation zone in an intricate white hazmat suit; to Eiheiji, a school for Zen Buddhist monks; on a visit to a Crab Lady and Fuzzy-Headed Priest’s temple on Mount Doom; and into the “thick dark” of the subterranean labyrinth under Kiyomizu temple, among other twists and turns. From the ecstasy of a cherry blossom festival in the radiation zone to the ghosts inhabiting chopsticks, Mockett writes of both the earthly and the sublime with extraordinary sensitivity. Her unpretentious and engaging voice makes her the kind of companion a reader wants to stay with wherever she goes, even into the heart of grief itself.

Tags: , , , ,