• The Value of Whiteness

    The Diary of a Mad Law Professor
    The Nation
    2014-11-12

    Patricia J. Williams, James L. Dohr Professor of Law
    Columbia Law School, New York, New York

    A lawsuit is being waged against the “wrongful birth” of a black child.

    In a recent encounter between Fox’s Bill O’Reilly and Comedy Central’s Jon Stewart, the two men discussed “white privilege.” O’Reilly maintained that his accomplishments had nothing to do with race and everything to do with hard work. Stewart pointed out that O’Reilly had grown up in Levittown, New York, a planned community to which the federal and local governments transferred tremendous mortgage subsidies and other public benefits—while barring black people from living there—in the post–World War II period. O’Reilly thereby reaped the benefits of a massive, racially exclusive government wealth transfer. As legal scholar Cheryl Harris observed in a 1993 Harvard Law Review article, “the law has established and protected an actual property interest in whiteness”—its value dependent on the full faith and credit placed in it, ephemeral but with material consequences.

    A recent lawsuit brought by Jennifer Cramblett pursues the stolen property of whiteness in unusually literal terms. Cramblett is suing an Ohio sperm bank for mistakenly inseminating her with the sperm of an African-American donor, “a fact that she said has made it difficult for her and her same-sex partner to raise their now 2-year-old daughter [Payton] in an all-white community,” according to the Chicago Tribune. Cramblett is suing for breach of warranty and negligence in mishandling the vials of sperm with which she was inseminated, as well as emotional and economic loss as a result of “wrongful birth,” which deprived her of the whiteness she thought she was purchasing…

    Read the entire article here.

  • Q&A with Dorothy Roberts

    Penn Current: News, ideas and conversations from the University of Pennsylvania
    2014-10-16

    Greg Johnson, Managing Editor

    When Dorothy Roberts was 3 months old, she moved with her parents from Chicago to Liberia, where her mother, Iris, had worked as a young woman after leaving Jamaica.

    It was the first of Dorothy’s many trips abroad, and one during which her father, Robert, took a bunch of photographs and filmed home movies with his 16-millimeter camera. The Roberts family moved back to Chicago when Dorothy was 2, and she can recall weekly screenings of the 16-milimeter reels from Liberia in he living room.

    “I had a very strong interest in learning about other parts of the world from when I was very little,” says Roberts, the 14th Penn Integrates Knowledge Professor. “My whole childhood revolved around learning about other parts of the world and engaging with people from around the world.”

    Robert was an anthropologist and Iris was working on her Ph.D. in anthropology when Dorothy was born. They raised their daughters as citizens of the world in a home filled with a wealth of books and ethnographies about different cultures, places, and people. The Roberts home stayed connected with the international community, hosting foreign-exchange students and living overseas.

    Five-year-old Dorothy had already decided she was going to be an anthropologist—as her parents expected—and would sneak into her father’s office and spend hours reading his books. The family spent two years in Egypt when she was a teenager, reinforcing her status as a global citizen.

    Twenty-one-year-old Dorothy, after finishing her undergraduate studies at Yale, including a year in South America, decided she wanted to be a lawyer, and enrolled at Harvard Law School.

    “I got a law degree and went into legal practice because I thought that was the best tool for doing social justice work,” says Roberts, who has joint appointments in the Departments of Africana Studies and Sociology in the School of Arts & Sciences and Penn Law School. Her work focuses on gender, bioethics, health, and social justice issues, specifically those that affect the lives of children, women, and African Americans.

    Roberts began her legal career with one of the icons of the Civil Rights Movement, Judge Constance Baker Motley, for whom she clerked in the early 1980s. After practicing law in the private sector, she started her teaching career in 1988 at Rutgers University School of Law-Newark, an institution known for its history of social justice advocacy. She was a professor at Northwestern School of Law before joining Penn in 2012.

    The Current sat down with Roberts in Penn Law’s Golkin Hall for a conversation about her globetrotting, her influential parents, racism in the child welfare system, the degradation of black bodies, the resurgence of race in science, and controversial decisions by the United States Supreme Court

    …Q.Your most recent book, ‘Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-first Century,’ examines the resurgence of biological concepts of race in genomic science and biotechnologies. What is it about?

    A. Biological explanations have historically been a powerful way of convincing people that social inequality is natural and, therefore, does not require social change. To me, that is what the eugenics movement, which was prominent in the United States from the 1920s until World War II, was all about. Mainstream science in the United States promoted biological explanations for social inequality, claiming it resulted from differences in people’s inherited genetic traits. That basic ideology continues to this day in what is seen as cutting-edge and sophisticated scientific research. You can tie together all of my work from ‘Killing the Black Body’ to ‘Fatal Invention’ as uncovering the ways in which that basic philosophy—disguising social inequalities as biological ones—continues to fuel unjust social policies and legitimize very brutal practices against the most marginalized people in this country, blaming them for their own disadvantaged status. How can you blame the least powerful people for creating powerful systems of inequality in the United States? But the biological explanation for inequality deludes people into thinking that is possible—that it’s natural for black infants to die at two or three times the rate of white infants; it’s natural for black people to be incarcerated at many times the rate of white people; it’s natural for black children to have lower graduation rates than white children; it’s natural for black people to have a fraction of the wealth white people have. Americans who don’t want to explain these glaring inequities as stemming from institutionalized racism find comfort in explaining them as stemming from a natural order of human beings…

    …What are you currently working on? I understand you are continuing a research project that was originally started by your father.

    A. I’m working on a book using about 500 interviews of black/white couples that my father conducted in Chicago from 1937 to 1980. He was working on a book on interracial marriage my whole childhood but he never wrote it. My father was white and my mother was black. I want to take advantage of this extraordinary archive to study the relationship between the experiences and views of these couples and the intensifying challenge to the racial order that occurred during that period. How did they understand their own marriages in terms of changing race relations and politics in Chicago? I’m very interested in the role interracial marriage has played in perpetuating and contesting racial inequality.

    While my father believed that interracial marriage could be a key strategy for overcoming racism, I neither glorify nor ignore its political significance. I am investigating interracial marriage from the perspective of black-white couples without assuming an inherently problematic or progressive role in the advancement of racial equality. And I’m very excited to explore what the interviews reveal.

    Read the entire interview here.

  • To Tell the Truth: Alumna’s new film about family secrets to show at Boston film festival (video)

    Harvard Law Today
    Alumni Focus
    2014-11-12

    Lewis Rice

    Lacey Schwartz ’03 will return to Cambridge this weekend to speak about her new documentary “Little White Lie,” showing Saturday Nov. 15 and 17 as part of the Boston Jewish Film Festival. The film traces her personal story of being raised as a white Jewish girl in Woodstock, N.Y., only to find out as a young adult that her biological father was an African-American man with whom her mother had an affair (a family friend who died nearly ten years ago). In an interview with Harvard Law Today, she spoke about family secrets, the universal appeal of her story, and the power of film to reveal truths—including at Harvard Law School…

    Read the entire interview here.

  • Little White Lie at DOC NYC

    DOC NYC
    2014-11-13 through 2014-11-20
    New York, New York

    Showtimes

    IFC Center
    323 Avenue of the Americas
    New York, New York 10014
    (212) 924-7771

    Sunday, 2014-11-16, 19:00 EST (Local Time)
    Wednesday, 2014-11-19, 10:45 EST (Local Time)

    Official Site: http://www.littlewhiteliethefilm.com
    Producer: Lacey Schwartz, Mehret Mandefro
    Cinematographer: James Adolphus
    Editor: Toby Shimin, Erik Dugger
    Music: Kathryn Bostic
    Running Time: 66
    Language: Englsih
    Country: USA

    Growing up in an upper-middle-class Jewish household, Lacey Schwartz knew she looked different from the rest of her family, but her darker complexion and curly hair were brushed off as traits inherited from her Sicilian grandfather. When she finally begins to dig deeper, Lacey uncovers unspoken family secrets and willful denial that cuts to the core of her very sense of self, inspiring an intriguing re-evaluation and redefinition of identity.

    Filmmaker is expected to be in person for both screenings.

    For more information, click here.

  • “Western Zombies and Their Killers: Exceptionalism, the Empty West, and Mixed Race Families” a lecture by Dr. Anne Hyde

    Colorado State University
    Cherokee Park Ballroom, Lory Student Center
    Fort Collins, Colorado
    2014-12-04, 16:30-18:30 MST (Local Time)

    Please join us for a public lecture and book signing/reception by Dr. Anne Hyde, William R. Hochman Professor of History at Colorado College. The title of her talk is drawn from her prize-winning book, Empires, Nations, and Families: The North American West, 1800-1860, which won the 2012 Bancroft Prize and was a finalist for a Pulitzer…

    For more information, click here.

  • ‘Fourteen Frames’ aims to create discussions on race, identity

    The Daily Northwestern
    Evanston, Illinois
    2014-11-11

    Shane McKeon, Reporter

    A group within Global Engagement Summit launched a Tumblr page and physical gallery profiling 14 Northwestern students and their experiences with race and identity.

    “Fourteen Frames” opened at Norris University Center on Nov. 5, the same day the Tumblr page went live with supplemental videos of some of the gallery’s subjects. The OpenShutter Project, a group within GES that focuses on discussing social change through art and visual media, organized the exhibit.

    The page contains links to short videos of some of the students, who discuss what race and identity mean to them. In addition, other students can submit their own views on race through a text field linked on the page.

    Medill junior Kalina Silverman, co-founder and co-president of the Mixed Race Student Coalition, was featured in the gallery and said it is important to discuss race on college campuses.

    “Race is a tricky phenomenon to navigate on campus, especially when you grow up defining yourself a certain way,” Silverman said. “Then you come to campus and your philosophies and political views are also swayed as you learn more and more. It’s up to you to choose how to define yourself, and that can be very tricky.”…

    Read the entire article here.

  • Ibeyi: “I feel like our father is looking over us”

    DIY Magazine
    London, United Kingdom
    2014-11-11

    Jamie Milton


    Photo: Emma Swann

    From ancient teachings to modern electronics, these French-Cuban twins bring a modern hybrid of pop.

    Lisa-Kainde and Naomi Díaz make up Ibeyi, two French-Cuban twins producing music with XL Recordings head honcho Richard Russell at the helm. Earlier this year Russell helped out on Damon Albarn’s solo debut ‘Everyday Robots’, a project that’s been a long time coming but was practically forced into existence. Ibeyi, on the flipside, comes off like something eager to career into view, the first step of an act that’s only just beginning to evolve.

    The pair’s basics build on the teachings of the Yoruba culture, which in their own words believes in “energy”, not necessarily spirits, “love and life and death”, but not strictly life after death. Musically, Yoruba teaches the importance of dance and percussion, the latter of which their late Father, Anga Díaz, became celebrated for. It’s not something that strictly runs in the family, mind you.

    “Oh no, I’m bad at percussion!” proclaims the afro-sporting Lisa-Kainde. “But I appreciate it so much. When you’re a child you must have to learn how to dance with rhythm. It’s one of the most amazing things.”…

    Read the entire interview here.

  • ‘What are you, anyway?’: Why I loved growing up in a mixed-race family

    The Digital Universe
    Brigham Young University
    Provo, Utah
    2014-11-01

    Angela Marler

    When I was a kid it was completely normal for me to spend one weekend with my mom’s side of the family, roasting a goat in a pit in the driveway, surrounded by fruit trees and watching Telemundo. It was also normal for me to spend a Sunday with my dad’s relatives, lounging in a million-dollar home, playing video games and feasting on all-American roast and potatoes.

    I felt equally comfortable in either situation, and I loved both sides and their quirks. My heritage was something I was proud of, and even if some people didn’t believe that my brother (dark-skinned with thick, curly hair) was the offspring of my father (extremely white and balding), I liked the fact that my family was a little different from my friends’ families…

    Read the entire article here.

  • ‘Global Mixed Race’ conference welcomes scholars, filmmakers to Chicago

    DePaul University
    News Release
    2014-10-29

    DePaul University faculty Laura Kina and Camilla Fojas cofounded the Critical Mixed Race Studies conference and will deliver opening remarks at this year’s event. (Photo by Jamie Moncrief

    Rebecca King-O’Riain, senior lecturer at the National University Ireland Maynooth, will give a keynote speech at the “Global Mixed Race” conference at DePaul University. (Photo courtesy of Rebecca King-O’Riain)

    Zélie Asava of the Dundalk Institute of Technology in Ireland will discuss mixed race representations in Irish cinema at the “Global Mixed Race” conference at DePaul University. (Photo courtesy of Zélie Asava)

    DePaul University to host free gathering Nov. 13-15

    CHICAGO — Critical mixed race studies, a growing academic field that crosses national, disciplinary and racial boundaries, will be the focus of discussion by scholars, filmmakers and performers at an international conference Nov. 13-15 in Chicago. “Global Mixed Race” will be held at DePaul University’s Lincoln Park Campus, 2250 N. Sheffield Ave. In addition to presentations of scholarly research, there will be live performances and film screenings, including the Chicago premiere of “Finding Samuel Lowe: From Harlem to China” by director Paula Williams Madison.

    Nearly 200 presenters from the United States, Canada, United Kingdom, Ireland, Japan and Australia will participate in 45 panels during this third biennial conference, which was founded at DePaul in 2010.

    “We wanted to create a dynamic space for ongoing scholarly antiracist conversations, debates, and creative processes around multiraciality that also is open and inclusive for the general public, community organizations, and those involved in the arts,” said Laura Kina, cofounder of the conference and professor of art, media and design at DePaul University. Kina is coauthor of “War Baby/Love Child: Mixed Race Asian American Art” and an artist whose solo exhibitions include “Blue Hawai’I” and “Sugar.”

    Camilla Fojas, conference cofounder and professor of Latin American and Latino Studies at DePaul, will deliver the welcoming address with Kina.

    Critical mixed race studies is comparative and interdisciplinary. It engages colonial and imperial histories, giving it a transnational and global focus,” Fojas said. Her research focuses on transnational American media and cultural studies in a comparative imperial context. Her newest work, “Islands of Empire: Pop Culture and U.S. Power,” examines how the United States has narrated its relationship with island territories, including Cuba, the Philippines and Puerto Rico.

    The conference will feature two keynote speakers from Ireland: Rebecca King-O’Riain and Zélie Asava

    Read the entire press release here.

  • Fanshen Cox DiGiovanni on Growing Up with Matt Damon and Ben Affleck, Race, and What It Takes to Do a One-Woman Show

    Phoenix New Times
    2014-10-30

    Zaida Dedolph

    Fanshen Cox DiGiovanni stars in a one-woman show written by her and produced by Matt Damon and Ben Affleck.

    Fanshen Cox DiGiovanni wants to talk about race in America — and she’s got an idea of where she wants to start. The writer-actor-director-producer extraordinaire will bring her one-woman show, One Drop of Love, to Mesa Arts Center on Saturday, November 1.

    Inspired by her own experiences with race, family, and reconciliation, One Drop of Love endeavors to explore these concepts in a funny, relatable way. In addition to giving two performances, Cox DiGiovanni will be hosting a panel discussion and community dialogue on Thursday, October 31, at the Arizona Opera Center. We spoke with the creative about her performance, her history, and her first-ever visit to Arizona.

    Zaida Dedolph: Fanshen, you seem to wear a lot of hats. Where did you learn to do all of these things?

    Fanshen Cox DiGiovanni: I mostly see myself as an actor — that’s why I moved to Los Angeles and what I’ve been pursuing for the longest time in a creative capacity. I’ve known I wanted to be an actor since I was very young, but at the mean time I had all these other interests. So I joined the Peace Corps in West Africa and that got me into teaching, so I balanced teaching and acting.

    As an actor, especially in LA, I started to notice that I wasn’t booking but I also was auditioning for things that I didn’t feel good about or proud of, so it was hard to bring my all to an audition when I felt like the roles were demeaning or just not me. As much as I think it’s good to stretch as an actor, it’s also good to know that you’ve got at least a base that you can work from. So I started to learn about writing.

    It helps that I grew up with Matt Damon and Ben Affleck and was incredibly fortunate to watch them take a story that they believed in, then write that story, and write themselves into lead roles in that story, and then turn it into Good Will Hunting. So I had some people close to me to model the fact that I could write characters that I could feel good about and be proud of.

    I started learning about writing, did some stand-up, wrote a couple feature-length screenplays, so now I had this writing and some characters I was proud of, but then I asked “what’s next, how do I get these characters out there?” and realized I needed to learn how to produce as well. I joined a program in Los Angeles called Project Involve [a faction of Film Independent that works to support filmmakers from backgrounds that are not frequently represented in the film industry] and learned a little more about producing.

    My husband was researching MFA schools and found the most affordable one in the country was at California State University [at] Los Angeles, so I followed him into the program. That’s where I really learned hands on producing. One Drop of Love was my thesis for the MFA program, so I got to put all the things that I learned together. That’s how I ended up producing and performing and writing…

    ..ZD: When it comes to the American discussion of race, what issues do you think we are focusing too much attention on? Which ones do you think we should be paying more mind to?

    FCD: I hope people walk away from the show [understanding] that we tend to focus too much on our differences when it comes to race. In the show I try to make it clear that race doesn’t exist genetically, and yes, we’ve all kind of come to a place where we believe in it culturally and politically, but genetically there is zero difference, as was proven by Human Genome Project.

    In the show, I take the racial categories from the first U.S. Census in the 1790s. It had three racial categories and has been changed 24 times since then, now there are so many racial categories on the census. Anything that can change that easily can’t have any real, strong bearing on anything! Unfortunately, we’ve let it become so important.

    I hope people will focus less on what our differences in race are and focus on what we all have in common, which is that none of us want racism. We created race to oppress people, so let’s not focus on these differences and instead focus on where we can unify…

    Read the entire interview here.