Mixed Race Studies

The Privilege of White Hispanic: Leaving Out the Rest

Latino Voices
The Huffington Post
2014-09-09

César Vargas, Writer, director, activist

People talk so much about Latinos denying their Blackness, but bring up the term “white Latino” and you will see an extreme reaction, visceral attack from white Latinos themselves. Tactics such as (and I’m pretty sure you’ve read this a lot from racist Americans): Stop talking about race, Latinos aren’t racist, white and Black Latinos are still treated the same, your language is divisive. They love to pretend they don’t enjoy privileges afforded to them when they identify as Latino or Hispanic.

Embracing Latino or Hispanic has not benefitted Indigenous folks, Chicanos or Afro-Latinos because it has been robbed from the rest of us by white Latinos for their own agenda: money and political powers with brands, sponsors, the government, publications, grants, you name it.

We are here to demand to be included in Latinoness and not just with a label so we can be targeted for political and monetary gain: with positions in the government, with positions as brand ambassadors, with positions in both the film industry and TV networks. With jobs…

Read the entire article here.

Hapa-palooza 2014 is coming: Mark Your Calendars!

Vancouver, Canada
2014-09-24 through 2014-09-28

Hapa-palooza is Canada’s biggest festival celebrating mixed-roots identity, scheduled for every September in Vancouver, Canada.

This year, Hapa-palooza takes place September 24-28, 2014, marking our four year anniversary.

Hapa-palooza Festival is organized by the Hybrid Ancestry Public Arts Society, a non-profit society dedicated to bringing public programming that explores and celebrates mixed ancestry.

For details on 2014 programming, click here!

GUEST COLUMN: Brazil’s solution on race relations differs from U.S.

The Tuscaloosa News
Tuscaloosa, Alabama
2014-09-13

Larry Clayton, Professor of History Emeritus
University of Alabama

I had a friend from the Dominican Republic who came to the University of Alabama and Stillman College on a joint Fulbright appointment years ago. He was a well-known and respected poet and writer in his own land and, after a few months, he remarked to me, “Larry, I didn’t realize I was a black until I came to this country!”

The question of race, such a painful and rancorous illness in American society, has not played out the same in other countries with similar historical backgrounds.

A few years ago, Carl Degler wrote a Pulitzer Prize-winning study titled “Neither Black nor White: Slavery and Race Relations in Brazil and the United States.” His theme was summarized in the phrase the “mulatto escape hatch.” Degler compared the role of race in the histories of Brazil and the U.S.

Degler was curious: Why was Brazil thought to be a “racial democracy” of sorts, while the United States was fighting its way out of segregation? Both countries had had large African slave populations — Brazil’s much larger than America’s — both had emancipated the slaves in the 19th century, both were functioning republics and both were colonized by European settlers. So, why such different racial trajectories?

The difference was the “mulatto escape hatch,” or the ability of people of mixed races in Brazil to rise up and integrate across Brazilian society without their color or background being held against them…

Read the entire article here.

The Octoroon: A Tragic Mulatto Enslaved by 1 Drop

The Root
2014-09-09

Image of the Week: A sculpture addresses the ramifications for those who were mixed-race.

John Bell, The Octoroon, 1868. Marble, 159.6 cm high. Town Hall, Blackburn, U.K.

This image is part of a weekly series that The Root is presenting in conjunction with the Image of the Black Archive & Library at Harvard University’s Hutchins Center for African and African American Research.

Though it would hardly seem likely at first glance, this pallid image of slavery directly addresses the condition of black bondage. To all appearances, the young woman seen here represents a white captive. Except for her chains, she could pass for a conventional likeness of Venus, the classical goddess of love. As indicated by the inscription on the base of the statue, she is instead an octoroon—that is, an exceptionally light-skinned person of mixed race, technically defined as one-eighth black and the rest white.

The condition was reached by gradual degrees of miscegenation, or racial mixing, until the complexion of an individual often became indistinguishable from a person of “pure” white ancestry. In race-conscious societies, the prospect of racial mixture could threaten the precarious stability of the dominant order. The position of the octoroon along the edge of this fragile divide afforded some degree of maneuverability, often termed “passing.” Before the abolition of slavery, however, such light-skinned mulattoes faced the even more likely prospect of a life in bondage…

This demure, pensive vision of miscegenation and its dire consequences was made by the popular British sculptor John Bell. Through artfully constructed layers of sentimentality and aesthetic contrivance emerges one of the primary justifications for the enslavement of a whole group of human beings: the notion of one drop of black blood, the “drop sinister,” by which a light-skinned person could be consigned to a life of bondage…

Read the entire article here.

Color Lines Are Blurred in ABC Comedy ‘Black-Ish’

The Associated Press
2014-09-19

Frazier Moore, Television Writer

BEVERLY HILLS, Calif. (AP) — Tracee Ellis Ross delivers perhaps the funniest line you’ll hear on a sitcom this fall.

The character she plays on ABC’s comedy “black-ish” is, like Ross, an appealing mix of beauty, smarts and zaniness. She is totally plausible as a savvy mother of four and the loving wife of an up-and-coming ad exec (co-star Anthony Anderson), not to mention a busy anesthesiologist.

In this upscale African-American family, Dr. Rainbow Johnson also happens to be biracial. This occasionally spurs Andre, her hubby, who’s forever fretting about the family’s black cred, to question whether she is certifiably “black.”

He does this in the series’ premiere, to which, unfazed, Rainbow fires back, “If I’m not really black, then could someone please tell my hair and my ass!”

Reminded of that line during a recent interview, Ross cracks up.

“That’s what I love about our show,” she says. “With that line, my character sums it all up: ‘Are you STILL coming from the world that believes all black people are the same and all black people should think the same? C’mon, Dre!'”

With remarkable humor and finesse, “black-ish” (which debuts Sept. 24 at 9:30 p.m. EDT) addresses race, culture, socio-economics and other weighty matters…

Read the entire article here.

Light-Skinned Latinos Tend To Vote More Republican. Be Careful How You Interpret That.

Latino Voices
The Huffington Post
2014-09-18

Roque Planas, Editor

Lighter-skinned Latinos are more likely to vote Republican, according to polling data analyzed by the Washington Post.

The data highlights rarely recognized racial divisions within the Latino community that have perplexed the U.S. Census Bureau and tripped up mass media. But don’t expect it to change too much about the way you understand the Latino vote.

Writing for The Washington Post’s Monkey Cage blog on Wednesday, professor Spencer Piston analyzed a sample of Latino citizens interviewed for the 2012 American National Election Studies. Interviewers measured the respondents’ skin color.

…The predictions Piston makes based on the data, however, are questionable. He writes that the analysis should make us rethink projections suggesting that the growth of the Latino electorate will dilute the Republican vote, which are based on the premise that Latinos tend to vote Democrat. …

…As a multiracial ethnicity, Latinos view race differently than non-Latinos because so many Hispanics come from a mixed-race background. While racial division and discrimination are undoubtedly part of the Latino experience, Latinos have less fixed ideas about race than non-Latino Americans. Our communities, our social groups and our families are racially mixed in a way that doesn’t exist to the same degree among non-Hispanic white and black Americans. …

Read the entire article here.

Monica Pearson Show with Fanshen Cox

Monica Pearson Show
KISS 104FM, Atlanta
Atlanta, Georgia
2014-09-14

Monica Pearson, Host

Fanshen Cox DiGiovanni, Award-Winning Actress, Producer and Educator
“One Drop of Love”

Listen Fanshen Cox DiGiovanni’s radio interview with Emmy Winner Monica Pearson on KISS 104 FM in Atlanta here (00:34:47). Download the interview here.

One-Woman Multimedia Show ONE DROP OF LOVE Comes to The Fox Theatre, 9/21

BroadwayWorld.com Atlanta
2014-07-10

The Fox Theatre is presenting One Drop of Love on Sunday, September 21 at 3 PM and 7 PM in the Fox Theatre’s Egyptian Ballroom. The show is a multimedia solo performance exploring family, race, love, pain and a path towards reconciliation. Monica Pearson, an active community leader and influencer, will moderate the discussion following both shows. Tickets are $25 and are available for purchase now at www.FoxTheatre.org, by calling 855-285-8499 or at The Fox Theatre Ticket Office.

LIMITED OFFER: ½ price tickets available on Goldstar!

One Drop of Love is a multimedia one woman show written and performed by the show’s writer/performer Fanshen Cox DiGiovanni and is produced by Ben Affleck and Matt Damon. It incorporates film, photographs and animation to examine how “race” has been constructed in the United States and how it can influence our most intimate relationships. The show will take you on a journey from the 1700s to the present spanning locations through the world as 16 characters facilitate reconciliation between a daughter and her father. Immediately following each performance, Fanshen facilitates a Q&A segment.

“Amazing performance, staging, autobiography, artistry and an amazing meditation on race and examination of America,” stated Ben Affleck, show producer and 2013 Academy Award winning actor. “I am in awe.” For more information on One Drop of Love, visit www.onedropoflove.org.

About Fanshen Cox DiGiovanni: Fanshen Cox DiGiovanni has been featured in the New York Times and on NPR as a spokesperson on using the arts to explore racial identity. She served as a Peace Corps Volunteer in Cape Verde, West Africa, and has designed curricula for and taught English as a Second Language to students from all over the world. She has been honored with the Peace Corps’ Franklin H. Williams Award, and with Peace Corps Fellows and Hollywood Foreign Press Association scholarships. She holds a BA in Spanish and Education, an MA in TESOL, and an MFA in Acting and Performance in Film, TV and Theater. Fanshen is also a proud member of Ensemble Studio Theater/LA Playwrights Unit, and a co-curator of www.MixedRootsStories.org…

For more information, click here. Purchase tickets here ($5.00 discount with promotional access code “LOVE”).

What Audiences Are Saying:

Fanshen Cox’s “One Drop of Love” interweaves the intimacy of personal experience with the larger social and political changes redefining race, gender and the kinship in America. As  important as the performance itself is Fanshen’s sincere interest in, and ability to, connect with her audiences, to link her extremely personal story to other people’s experiences, to be open to their voices even as she is telling her own story. Fanshen offers an insightful, smart, informed, clear-eyed investigation into the complexity of being “mixed” that makes her private journey of keen interest to anyone who crosses cultural or racial boundaries.

– Michele Elam, professor of English, Stanford University

Fanshen’s story is quite incredible, but it is her retelling of it that captures an audience.  I have rarely seen a group of teenagers so rapt with attention to hear the next word.  Her ability to use the personal to build a story about race, family and bridging painful rifts among loved ones and strangers was so potent for these young men and women who grapple with these issues daily.  She is the kind of performer who will inspire people to embrace what makes them different and see it as a strength.

– Randall Arney, Artistic Director, Geffen Playhouse

Wow. “One Drop of Love” is fantastic. Thank you so much for sharing your story and opening up so much thoughtful reflection and discussion about mixed heritage and race — my mind is still buzzing and the audience was so energized.

– Sady Sullivan, Director of Oral History, Brooklyn Historical Society

“One Drop of Love” is beautiful and brave. Cox DiGiovanni’s honesty, insight, dedication, and love are an inspiration. She takes us into the intimate places where family, race, love, and pain intertwine. In this sometimes searing, sometimes funny, and always smart play she shows us both the terrible things we do to those we love and a way forward to a better future.

– Paul Spickard, professor of history at University of California, Santa Barbara

The performance was hands-down the best Choate performance I have ever seen. I’ve seen a lot of white struggle stories, and a lot of black struggle stories, but I don’t think I’ve ever seen a mixed struggle story.

– Zemia Edmondson, student at Choate Rosemary Hall

“One Drop of Love” is an hour of pure magic. Cox DiGiovanni is able to shift through time and space and different characters to explain the racial paradigm in America, and the relationship between her and her father in ways that anyone can understand. I highly recommend this show.

– Steven F. Riley, Owner/Curator www.MixedRaceStudies.org

Wow. Hollywood spends millions on movies and they couldn’t bring me from folded over laughter to tears as easily as Fanshen did. She’s engaging with the audience and honest. One Drop conquers racial issues with honesty and an open heart. Anyone who has ever felt out of place…or had a really crazy (but loving) family will really enjoy this.

– Angela Nissel, co-producer Scrubs; author: Broke Diaries, Mixed; writer on The Boondocks

In “One Drop of Love,” Fanshen Cox DiGiovanni offers a thought-provoking, informative, and moving exploration of race, racism, and what it means to identify as “culturally mixed.”  Her authenticity and humor, as she recounts her complex relationships with her parents and the evolution of her thinking, are deeply engaging. This piece not only educates and prompts discussion about important issues, but also inspires audience members to examine and honor their own struggles with identity.

– Jennifer Zakkai, Education Projects Leader, Geffen Playhouse

One Drop of Love is funny, entertaining and moving.

– Kim Wayans, Actress: Pariah, In Living Color; Writer/Performer: A Handsome Woman Retreats

Study reveals the mysterious ancestors of modern Europeans

The Washington Post
2014-09-18

Gail Sullivan, Reporter

Some had dark skin and blue eyes.

Some had light skin and brown eyes.

And no one is sure what some others looked like.

But, according to a new study of ancient human genomes, three very different populations got together seven millennia ago and made modern Europeans.

“The surprising finding was that present-day Europeans trace their ancestry back to three and not just two ancestral groups as previously thought,” said study co-author Alan Cooper, the director of the Australian Centre for Ancient DNA, in a press release.

Until now, scientists couldn’t fully explain the gene pool of modern Europe. Clues from archaeological research and previous genetic comparisons suggested most Europeans descended from Middle Eastern farmers who migrated to Europe about 7,500 years ago and interbred with local hunter-gatherers.

“Ancient human genomes suggest three ancestral populations for present-day Europeans,” said the article, published Thursday in the journal Nature…

Read the entire article here.

Proving Race

Ms. Food Queen: Cooking Across Difference
August 2014

Christine Gregory

I am standing in the lobby of a Korean restaurant. In the split second before I’m seated, I make a conscious decision of whether or not to speak Korean. I know that if I do, it will lead to many benefits, tangible and intangible. I will receive better service. The wait staff will smile at me. I will be given special side dishes that are not on the menu, (for which I will not be expected to pay). I will feel welcome.

I know that if I do not speak Korean, I will be given a cordial and obligatory “Hello.” I will be seated and served what I ordered. I will dine and go, like a stranger. They will look at my brown face, and maybe even smile, but they will fail to recognize me as one of their own.

I almost always elect to speak Korean. Given the benefits, the reasons might seem obvious.   But it isn’t for the discounted pedicures, free sodas at the sushi carry out, and – believe it or not –occasional yellow croaker given gratis by the fish monger at the local Korean mart. It’s because I want them to see me. I want them to know that I am Korean. Speaking the language is the way that I prove my identity.

I am black and Korean, but could easily “pass” for Latina, Ethiopian, South Asian, Polynesian, or Indian. Despite my racially ambiguous appearance, I’ve grown quite deft at subtly revealing my identity to other black folks. I effortlessly code switch and drop hints that would lead whomever I am addressing to surmise that, “Yeah, she must be black.” For example, I mention that I attended a historically black college; share a photo of my African American husband; or drop the name of the church that I attend, all excellent sources of proof…

Read the entire article here.