Mixed Race Studies

Scholarly perspectives on the mixed race experience.

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  • Black Legacies: Race and the European Middle Ages

    Black Legacies: Race and the European Middle Ages

    University Press of Florida
    2014-09-02
    192 pages
    6×9
    Cloth ISBN 13: 978-0-8130-6007-1

    Lynn T. Ramey, Associate Professor of French
    Vanderbilt University, Nashville, Tennessee

    Black Legacies looks at color-based prejudice in the medieval and modern texts in order to reveal key similarities. Bringing far-removed time periods into startling conversation, this book argues that certain attitudes and practices present in Europe’s Middle Ages were foundational in the western concept of race.

    Using historical, literary, and artistic sources, Lynn Ramey show that twelfth- and thirteenth-century discourse was preoccupied with skin color and the coding of black as “evil” and white as “good.” Ramey demonstrates that fears of miscegenation show up in all medieval European societies.  She pinpoints these same ideas in the rhetoric of later centuries. Mapmakers and travel writers of the colonial era used medieval lore of “monstrous peoples” to question the humanity of indigenous New World populations, and how medieval arguments about humanness were employed to justify the slave trade. Ramey even analyzes how race is portrayed in films set in medieval Europe, revealing an enduring fascination with the Middle Ages as a touchstone for processing and coping with racial conflict in the West today.

  • Advanced Topics in Asian American Studies; The Multiracial Experience in the US (AAST498Y)

    Advanced Topics in Asian American Studies; The Multiracial Experience in the US (AAST498Y)

    University of Maryland
    Fall 2014

    Lawrence Davis

    Course will focus on multiracial (“mixed race”) identity and how the experiences of multiracial people contribute to our broader understanding of racial identity and formation. Course draws on literature and research produced by and about multiracial people. In addition, students will access the topic through comment boards, live chat sessions, podcasts, and multimedia. Readings and other course materials have been selected to challenge and grow students’ understandings of race and mixed race. Also offered as AMST418W.

  • “Am I White” by Adrienne Dawes

    “Am I White” by Adrienne Dawes

    Salvage Vanguard Theater Presents the Word Premiere of Am I White by Adrienne Dawes

    Performances run October 1- 18, 2014
    VIP Opening Night Performance: October 4, 2014

    Salvage Vanguard Theater
    2803 Manor Road
    Austin, Texas 78722
    Telephone: (512) 474-SVT-6 (474-7886)

    Salvage Vanguard Theater announces the third and final MADE IN THE SVT production of its 20th anniversary season: the world premiere of Am I White by local playwright Adrienne Dawes, directed by Jenny Larson.

    When Neo-Nazi terrorist Wesley Connor returns to prison after a failed bomb plot, he is confronted with the two identities that threaten his position within the White Order of Thule most: fatherhood and his own mixed race heritage.

    Wesley Connor first entered the prison system at age 19. He became a member of the White Order of Thule, quickly rising the ranks of the “esoteric brotherhood working toward the revitalization of the Culture-Soul of the European people.” Within months of his release from prison, Wesley and teenage girlfriend Polly were arrested exchanging counterfeit bills at an ice cream shop. The subsequent search of their apartment found bomb-making materials, illegal weapons and plans that targeted the Holocaust Memorial Museum in Washington, DC.

    Inspired by the true story of Leo Felton and Erica Chase, Am I White travels between recurring dream and minstrel show nightmare to discover if a singular self exists in an alleged “post-racial” America…

    For more information, click here.

  • A Chosen Exile: History of Racial Passing in American Life

    A Chosen Exile: History of Racial Passing in American Life

    Harvard University Press
    October 2014
    350 pages
    5-1/2 x 8-1/4 inches
    26 halftones
    Hardcover ISBN: 9780674368101
    Paperback ISBN: 9780674659926

    Allyson Hobbs, Associate Professor of History
    Stanford University

    Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss.

    As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own.

    Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.

  • Pudd’nhead Wilson

    Pudd’nhead Wilson

    Harvard University Press
    February 2015 (Originally Published in 1894)
    190 pages
    5-1/2 x 8-1/4 inches
    7 line illustrations
    Paperback ISBN: 9780674059832

    Mark Twain (1835-1910)

    Introduction by:

    Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies
    Harvard University

    When a murder takes place in Dawson’s Landing, Missouri, the lives of twin Italian noblemen, the courageous slave Roxy, her 1/32nd “black” son who has been raised “white,” and a failing lawyer with an intense interest in the science of fingerprinting become tangled. The unsolved riddle at the heart of Pudd’nhead Wilson is less the identity of the murderer than it is the question of whether nature or nurture makes the man. In his introduction, Werner Sollors illuminates the complex web of uncertainty that is the switched-and-doubled-identity world of Mark Twain’s novel. This edition follows the text of the 1899 De Luxe edition and for the first time reprints all the E. W. Kemble illustrations that accompanied it.

  • Contours of a People: Metis Family, Mobility, and History ed. by Nicole St-Onge, Carolyn Podruchny, and Brenda MacDougall (review) [Haggarty]

    Contours of a People: Metis Family, Mobility, and History ed. by Nicole St-Onge, Carolyn Podruchny, and Brenda MacDougall (review) [Haggarty]

    The Canadian Historical Review
    Volume 95, Number 3, September 2014
    pages 463-465
    DOI: 10.1353/can.2014.0057

    Liam Haggarty
    Mount Royal University, Calgary, Alberta, Canada

    St-Onge, Nicole, Carolyn Podruchny, and Brenda Macdougall (eds.), Maria Campbell (fore.), Contours of a People: Metis Family, Mobility, and History (Norman: University of Oklahoma Press, 2012).

    Reflecting on the state of Metis scholarship in Canada, Maria Campbell writes, “It is crucial for us to research and document our own stories and to share and discuss them at a community level. To celebrate them is a part of our decolonizing” (xxv ). That lofty goal is shared by the editors of and contributors to this collection, which both celebrates the work of pioneers in the field, specifically Jacqueline Peterson and Jennifer S.H. Brown, and charts new paths of study. Although firmly rooted in the Western scholarly tradition, it seeks to focus greater attention on family, mobility, and connectedness – themes that will resonate in Metis communities beyond the walls of academia.

    In addition to Campbell’s thoughtful foreword, the collection consists of an introduction and fourteen chapters that encompass a wide range of geographies (from the Great Lakes to British Columbia, from Wisconsin to Creole communities in Alaska), timeframes (from the eighteenth century through to the present day), and topics and methodologies (including women’s history, legal history, biography, discourse analysis, and historical geography). By and large, these chapters address ongoing areas of research and familiar questions in the field pertaining to ethnogenesis, cultural distinctiveness, homelands, key events, regional diversity, politicization, and identity. In so doing, they add significantly to the breadth, depth, and texture of Metis historiography and fulfill the editors’ mandate: to trace the contours of Metis peoples and communities, what binds them together, what separates them from others, and what it means to be Metis in specific places, times, and contexts.

    Some contributors simultaneously push the boundaries of conventional Metis historiography by adopting innovative approaches that challenge basic assumptions about Metis histories and the lenses through which Metis cultures are often viewed. Historians Nicole St-Onge and Carolyn Podruchny, for example, problematize simplistic interpretations of Metis ethnogenesis by investigating the significance and meaning of “material and emotional ties of kinship and loyalty” (63) to Metis culture and lifeways. Similarly, historical geographer Philip D. Wolfart challenges us to view Metis ethnogenesis and identity aspatially, as concepts bounded not by places visited or land used but by “a system of social obligation and fealty” (121) based on one’s social networks and relationships, while historical and cultural geographer Etienne Rivard asks us to consider the influence that “oral geographies” (144) have had on Metis constructions of identity and senses of place. In the book’s penultimate chapter, Native studies scholar Chris Anderson surveys the challenges associated with translating nuanced interpretations of Metis mobility, communities, and identity into the juridical arena of the Canadian legal system, arguing that although the courts acknowledge the importance of mobility to Metis culture, “older settlement-based understandings” continue to carry greater weight (412–13). Lastly, Native studies scholar Brenda Macdougall explores the concept of ambivalence not only in the formation of Metis identities but also as a trend in Metis historiography that potentially obscures complicated and multifaceted expressions of biculturality, thereby perpetuating simplistic binary understandings of individual and collective identities. By thus situating family, mobility, and connectedness at the centre of Metis culture, these chapters de-centre Euro-centric frameworks of analysis and ways of knowing, and privilege Metis perspectives on the past and present.

    These nuanced and innovative analyses also raise important questions that remain underrepresented in Metis historiography. The collective identities informed by ideas of mobility, family, and historical consciousness, for example, are about exclusion as well as inclusion. Who, then, is being left out of Metis communities through ethnogenesis and identity making? To what extent do gender and class relations, as well as other markers of difference, intersect Metisness? How have Metis identities been instrumentalized to exclude as well as include certain individuals and groups? These questions may lie largely beyond the scope of the text but they are nonetheless important to the type of decolonized scholarship Campbell calls for. Understanding the contours of a people requires us to engage both external and internal relations of power.

    As a whole, this collection represents a valuable addition to Metis and Aboriginal historiography, and it is a fitting tribute to Peterson, Brown, and other pioneers in the field. By surveying a broad geographic area and covering a wide range of topics…

  • Meditation on President Obama’s Portrait

    Meditation on President Obama’s Portrait

    Lens Blog: Photography, Video and Visual Journalism
    The New York Times
    2014-07-25

    Maurice Berger, Research Professor and Chief Curator
    Center for Art, Design and Visual Culture
    University of Maryland, Baltimore County

    Dawoud Bey’s photograph of the man who would soon be president was taken on a Sunday afternoon in early 2007, at Barack and Michelle Obama’s Hyde Park home in Chicago. The portrait is at once stately and informal. Mr. Obama’s hands are folded gracefully in his lap. He wears an elegant suit and white shirt, but no tie. He stares intensely into the camera.

    The Museum of Contemporary Photography had commissioned Mr. Bey the year before to take a portrait of a notable Chicagoan. He had known the Obamas for several years and saw them periodically at social gatherings. Impressed with Mr. Obama’s keynote speech at the 2004 Democratic convention, Mr. Bey sensed a “growing air of expectancy” about him.

    “When I was asked who I wanted to photograph,” Mr. Bey said, “it took me but a second to decide that I wanted to photograph him.”

    Mr. Bey posed Mr. Obama at the head of the dining room table, light reflecting off its polished surface, and photographed him from an angle. “I wanted an interesting animation of the body, and finally through camera positioning and having him turn himself slightly I figured it out,” Mr. Bey said…

    …Mr. Obama’s race has rendered him particularly vulnerable to this kind of mythmaking. Right-wing extremists see him as an exemplar of what is wrong with America. He has become a symbol of a dark and foreign otherness, a threat to white supremacy and racial purity. To some, he is a Muslim conspirator, bent on dismantling American mores and traditions. To others, he is an angry black man covertly intent on avenging slavery and other historic injustices.

    This mythmaking has not been limited to conservatives. A year after Mr. Bey photographed Mr. Obama, the candidate was rousing messianic fantasies on the left, stoked by the election’s most memorable image: Shepard Fairey’s “Hope” poster.

    Distributed independently by the artist and later adopted by the Obama campaign, the poster was visually dynamic and politically effective. It radiated an aura of confidence and optimism. But Mr. Fairey’s schematic rendering of Mr. Obama — branded by a single, amorphous word — reduced the candidate to a cartoonlike, racially ambiguous cipher.

    Raking across Mr. Obama’s face, in a picture devoid of the color brown, was a broad swath of off-white paint, a metaphoric blank screen onto which voters were invited to project their dreams and aspirations. The “Hope” poster visually transformed a man who unambiguously defined himself as black into an icon of the unthreatening “postracial” politician…

    Read the entire article here.

  • The Mixed-Race Marriage of Bill de Blasio and Chirlane McCray

    The Mixed-Race Marriage of Bill de Blasio and Chirlane McCray

    Georgetown Law Journal of Modern Critical Race Perspectives
    Georgetown University, Washington, D.C.
    2013-12-08

    Harris Davidson

    On November 5, Bill de Blasio, New York City’s public advocate, was elected Mayor of New York City. De Blasio’s victory had been all but assured since he prevailed in the highly contested Democratic August primary. New York City voters, dissatisfied with the perceived shortcomings of the Bloomberg administration, voted into office the city’s first Democratic mayor in over 20 years.

    From the time de Blasio won the hotly contested primary race up until his win on November 5, he held a commanding lead over his Republican opponent, Joseph Lhota. He defeated Lhota by an astounding margin of 49 percentage points. Though de Blasio cruised to an easy and expected victory, his rise to prominence has been unexpected and far from conventional…

    …De Blasio and McCray, who has kept her maiden name, style themselves as a newer, more liberal, version of Bill and Hillary Clinton. Their mixed-race marriage and their two mixed race children add to their image as an urban, new-age, “this-is-what-the future-of-America-looks-like” family. Surprisingly, the campaign coverage of their relationship and family was almost entirely positive, and rather than being forced to defend themselves, de Blasio and McCray used their mixed-race marriage to their political advantage.

    The most prominent example of how de Blasio’s mixed race marriage helped his campaign was with the television ad that is credited with helping secure his primary win: “Dante.” In the ad, a light skinned Black teenager with a large afro discusses de Blasio’s agenda and extols the candidate. The ad seems at first to be a normal campaign ad. The kicker comes at the end when the teenager tells the viewers he would be supporting de Blasio even if the candidate wasn’t his father. The viewer, realizing the teenager isn’t a paid actor, then sees the de Blasio walking down the road with the teenager, who turns out to be de Blasio’s son, Dante.

    What does the effectiveness of the ad and lack of criticism about de Blasio’s marriage and family say about Americans’ changing attitudes towards mixed race families? For one, it shows that the doors to higher office are now fully open to politicians in mixed race marriages. More importantly, it signifies how much Americans’ racial tolerance has progressed since 1967 when, in Loving v. Virginia, 338 U.S. 1 (U.S. 1967), Virginia fought to uphold as constitutional its anti-miscegenation laws…

    Read the entire article here.

  • A Family Rooted in Two Realms

    A Family Rooted in Two Realms

    The New York Times
    2014-09-23

    Neil Genzlinger, Television Critic


    In “black-ish,” Anthony Anderson and Tracee Ellis Ross lead a family wrestling with racial issues. From left, Marsai Martin, Marcus Scribner, Yara Shahidi and Miles Brown as their children.
    ADAM TAYLOR / ABC

    ‘black-ish,’ a New ABC Comedy, Taps Racial Issues

    A lot of people in the television business are said to be curious to see how “black-ish,” ABC’s new comedy, is received when it has its premiere on Wednesday night. What they should really be curious about, though, is where the series goes after its funny but talking-point-heavy first episode.

    The sitcom centers on a black family in Los Angeles, the Johnsons, struggling with prosperity. Andre (Anthony Anderson) works at an advertising agency; in the premiere, he’s on the verge of a major promotion. Rainbow (Tracee Ellis Ross) is an anesthesiologist. Their four children are smart and adorable.

    If this puts you in mind of the Huxtables of “The Cosby Show,” that’s no accident. But more than the Huxtables ever were, the Johnsons are wrestling with whether their comfortable lives are causing them to forget that they’re black…

    …At home, he tells his lighter-skinned wife — a “pigment-challenged mixed-race woman,” he calls her — that she’s not black enough. He is dismayed that his older son is trying out for field hockey instead of basketball. The dinner table discussion (yes, we’ve found the last family in America that still eats together around a dinner table) focuses on whether the children know that Barack Obama is the first black president. Even fried chicken comes in for scrutiny, although not from Andre, but from his father, winningly played by Laurence Fishburne.

    It’s all gentle as can be. “Black-ish” may be full of racial themes, but it’s working a gimmick that transcends race: Dad as buffoon…

    Read the entire review here.

  • At Least We Talk About Race in the USA: Zadie Smith on Writing, Race and Color

    At Least We Talk About Race in the USA: Zadie Smith on Writing, Race and Color

    My American Meltingpot: A Multi-Culti Mix of Identity Politics, Parenting & Pop Culture
    2014-09-22

    Lori L. Tharps, Associate Professor of Journalism
    Temple University, Philadelphia, Pennsylvania

    …Last week Wednesday I skipped out of work as early as possible so I could get a front row seat at the University of Pennsylvania’s Speaker’s Series on Color featuring one of my all-time favorite authors, Zadie Smith. I’ve read (and own) almost all of Smith’s fiction, but I am also a big fan of her critical essays, especially those dealing with race and culture. I like her writing and I love her mind.

    So, my biggest takeaway from the almost sold-out event, is that not only is Zadie Smith absolutely brilliant (and gorgeous, and taller than I expected), she’s also got a terrific sense of humor. Rather than present a formal reading of her work, Smith sat “in conversation,” (which is clearly a thing now.) with Penn English professor, Jed Esty who peppered her with questions about her books, her upbringing as a Mixed child in London and her process as a writer. She answered every query with honesty and held none of her opinions back, even when they may have insulted the vast majority of the mostly White audience.

    I found myself nodding in agreement with so much of what Smith said regarding the difference between being Black in the USA vs, the UK…

    Read the entire article here.