The Young White Faces of Slavery
The New York Times
2014-01-30
Mary Niall Mitchell, Joseph Tregle Professor of Early American History
University of New Orleans
For Northern readers scanning the Jan. 30, 1864, issue of Harper’s Weekly for news from the South, a large engraving on page 69 brought the war home in an unexpected way. Drawn from a photograph, it featured eight recently freed slaves from Union-occupied New Orleans. At the back of the portrait stood three adults, Wilson Chinn, Mary Johnson and Robert Whitehead. In the foreground were five children — Charles Taylor, Rebecca Huger, Rosa Downs, Augusta Broujey and Isaac White — ranging in age from 7 to 11. Their gaze was trained on the camera, but in the context of the magazine, the effect was that they all seemed to be looking at the reader.
Instead of the coarse garments worn by most enslaved people in the South, they were well dressed, the men and boys in suits and Mary Johnson and the girls in dresses and petticoats. But it was not their attire that confounded readers. Rather, the pale skin and smooth hair of four of the children — Charles, Augusta, Rebecca and Rosa — overturned a different set of Northern expectations about the appearance of people enslaved in the South: that a person’s African-American heritage would always, somehow, be visible and that only “negroes” could be slaves. The caption beneath the group, like the portrait itself, was meant to provoke the armchair viewer’s unease: “Emancipated Slaves” it proclaimed, “White and Colored.”
It was no accident that the young “white” slaves resembled the children of the magazine’s white middle-class readership, which is to say Northern children who were far removed from the threat of enslavement, or so their parents liked to think. The sponsors of the group from New Orleans anticipated precisely the kind of effect such children might have on Northern middle-class readers. As “the offspring of white fathers through two or three generations,” the Harper’s Weekly editors explained, “they are as white, as intelligent, as docile, as most of our own children.”…
…Not surprisingly, the lightest-skinned children caused the most stir among Northern editors and audiences. The two lightest-skinned girls, Rebecca and Rosa, seemed to have the greatest appeal, judging from the large number of cartes de visite that survive of them. About Rebecca, Harper’s Weekly wrote: “to all appearance, she is perfectly white. Her complexion, hair, and features show not the slightest trace of negro blood.” With their fair skin and elegant dress, Rebecca and Rosa evoked for most viewers the “fancy girls” sold in the New Orleans slave market. The fate that awaited these girls as concubines to white men was clear to most viewers at the time. Their tender youth compelled Northerners to renew their commitment to the war and rescue girls like these…
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