• Pocahontas: The Evolution of an American Narrative

    Cambridge University Press
    November 1994
    276 pages
    31 b/w illus
    229 x 152 x 16 mm
    Paperback ISBN: 9780521469593

    Robert S. Tilton, Professor of English
    University of Connecticut, Torrington

    From the time of its first appearance, the story of Pocahontas has provided the terms of a flexible discourse that has been put to multiple, and at times contradictory, uses. Centering around her legendary rescue of John Smith from the brink of execution and her subsequent marriage to a white Jamestown colonist, the Pocahontas convention became a source of national debate over such broad issues as miscegenation, racial conflict, and colonial expansion. At the same time, Pocahontas became the most frequently and variously portrayed female figure in antebellum literature. Robert S. Tilton draws upon the rich tradition of Pocahontas material to examine why her half-historic, half-legendary narrative so engaged the imaginations of Americans from the earliest days of the colonies through the conclusion of the Civil War. Drawing upon a wide variety of primary materials, Tilton reflects on the ways in which the Pocahontas myth was exploded, exploited, and ultimately made to rationalise dangerous preconceptions about the native American tradition.

    • The only study to focus exclusively on the Pocahontas narrative during this period
    • Deals with crucial aspects of Indian/white relations, such as interracial marriages, and the place of the Indian in ‘Manifest Destiny’ ideology
    • Brings together a number of visual images not elsewhere presented together

    Table of Contents

    • 1. Miscegenation and the Pocahontas narrative in colonial and federalist America
    • 2. The Pocahontas narrative in post-Revolution America
    • 3. The Pocahontas narrative in the era of the romantic Indian
    • 4. John Gadsby Chapman’s Baptism of Pocahontas
    • 5. The figure of Pocahontas in sectionalist propaganda
    • Index
  • White mayor, black wife: Bill de Blasio and Chirlane McCray shatter an image in New York City

    Minneapolis Star-Tribune
    2013-11-16

    Jesse Washington, National Writer/Race and Ethnicity
    The Associated Press

    Another milestone is passing in America’s racial journey: The next mayor of New York City is a white man with a black wife.

    Even in a nation with a biracial president, where interracial marriage is more accepted and common than ever, Bill de Blasio’s marriage to Chirlane McCray is remarkable: He is apparently the first white politician in U.S. history elected to a major office with a black spouse by his side.

    This simple fact is striking a deep chord in many people as de Blasio prepares to take office on Jan. 1, with McCray playing a major role in his administration…

    Read the entire article here.

  • Victoria to fly flag in memory of executed Métis leader Louis Riel

    Times Colonist
    Victoria, British Columbia
    2013-11-15

    Richard Watts

    The infinity-embossed flag of the Métis Nation will fly at municipalities around B.C. as they proclaim Saturday as Louis Riel Day.

    Victoria, Langford and Sidney have agreed to the proclamation. Victoria has even agreed to fly the flag of the Métis Nation, a white infinity symbol (a sideways “8”) on a solid blue, black or red background.

    Today, at Royal Roads University in the Blue Heron House, Métis culture will be showcased with a short film, bannock and tea, from 10 a.m. to noon.

    Bill Bresser, president of Métis Nation Greater Victoria, said the celebration is part of a growing recognition across Canada that now sees Riel, not as an executed villain but as a defender of the Métis.

    “He is now recognized not as a traitor but somebody fighting for his people and the rights and property of people that were being taken advantage of,” said Bresser.

    Also, Bresser said, Métis people are now being recognized as legitimate builders of the modern country…

    Read the entire article here.

  • Why Do You Call Yourself Black And African?

    New African
    2009-04-30

    Carina Ray, Associate Professor of African and Afro- American Studies
    Brandeis University, Waltham, Massachusetts

    A little over a year ago I received an email with the subject line “Ok I wonder why you call yourself ‘black’ and ‘African’” from a self-described longtime New African reader.  Even if subsequent emails have been less direct in their articulation of the same underlying sentiment, they all point in a similar direction: some people are confused about my racial background and about the way I racially identify myself.  Their need to seek clarification suggests that being able to label me is important to the way in which they understand the content of my columns.

    I was perplexed at first by this seemingly sudden preoccupation with my race.  After all I’d been writing for New African for several years and never had anyone raise the subject before. It then occurred to me that these racial enquiries started happening almost immediately after my picture began running with my column.  Obviously there was a disconnect in the minds of some readers between my appearance and my writing, especially when I refer to myself as both Black and African, and use the collective “we” to talk about the past, present, and future of Black people worldwide.

    Indeed, the fact that I claim my place in the global African world annoyed one reader so much that he asked, “Why do you keep on writing ‘we’?” Just in case he hadn’t already made his point clear he added, “You are not black in my eyes. You look much more Italian or Spanish. I can assure you, if you go to Africa you will be called ‘white’.” I always find it amusing that people seem to forget the proximity of southern Spain and Italy to Africa.  There is a reason after all that Spaniards and Italians from the south look a lot like North Africans—centuries of exchange between the two regions certainly wasn’t limited to material goods.

    Ironically, however, the reader was partially right.  I am ¼ Italian, but I don’t look anything like my blond hair and blue eyed Italian paternal grandmother who came from Turin in the far north of the country.  Nor do I look anything like my paternal Irish grandfather.  The reader wasn’t off the mark either when he guessed I might be Spanish.  My mom is part Spanish. She is also Taíno Indian and African, most likely of Yoruba ancestry, as were many of the enslaved Africans who worked the sugar plantations on the island of Puerto Rico where my mom was born.  So there you have it: Taíno, Spanish, Northern Italian, Irish, and yes, African too.  Why, you might ask, if I am so thoroughly mixed race do I identify as Black and African?

    Let me begin by providing the context necessary to understand the particularly unique way in which Black is defined in the United States, where I was born and raised. Black, as a legal-cum-racial category, was historically constructed in the broadest possible way in order to expand the number of people who could be enslaved and to limit the legal right of racially mixed people to claim their freedom.  Known as the “one-drop rule“, the idea that a person with even the slightest trace of African ancestry is Black has long outlived slavery in America.  What was once a legal construction became a socially constructed category that has and continues to encompass a broad range of very phenotypically diverse Black people.  While the racial landscape of the U.S. is home to Black people of all hues, hair textures, body shapes and sizes, and facial features, we do not all experience our blackness in the same way—far from it. Phenotype, class, gender, and geography all play major roles in shaping our individual experiences as Black people in America. Hierarchies based on skin tone, alone, have been at the root of painful divisions within the black community, and are often the basis for preferential treatment within the dominant white society. It has not been lost on African-Americans that if Barack Obama was the complexion of his father he would likely not be our president today…

    Read the entire article here.

  • Seeking Female Participants for a Qualitative Study on Hybrid Identity

    University of San Diego
    2013-11-15

    Roxanne J. Kymaani, M.S.
    Life and Leadership Coach

    I am a doctoral candidate in Leadership Studies at University of San Diego. I am trying to recruit female participants for a qualitative study that will explore whether a dialogic approach can help create the conditions for the construction of a new language for the hybrid identity that is currently labeled black and white, mixed race, and/or biracial.This study will explore in depth the lived experiences of women who have one black and one white parent, and compose a collective narrative about they describe themselves and their processes for constructing identity, as well as how their individual histories intersect within this new discourse.

    Participants will be asked to complete a reflection questionnaire, participate in two group dialogues (each two hours long), and participate in one personal interview with the researcher. The dialogues will be held in San Diego, so participants should live within San Diego County or neighboring counties.

    To participate in my study, you must meet the following criteria:

    • Be female and 30 years of age or over.
    • Have one black and one white parent that the participant identifies as such.
    • Self-identify as black and white, biracial, mixed, mulatto, or other.
    • Be born and raised in the United States.
    • Be willing and cooperative to share and discuss your lived experiences with others during two live onsite scheduled group dialogues in December and January.

    If you (or someone you know) qualify for this study, please email me to set up a time to interview. My email address is roxannekymaani@gmail.com.

    Thank you in advance for any assistance you provide.

  • Black, White, Other: Biracial Americans Talk About Race and Identity [20th Anniversary Edition]

    Smashwords Edition
    October 2013
    146,200 words (approximate)
    eBook ISBN: 9781301877591

    Lise Funderburg

    In this 20th anniversary edition of the landmark “Black, White, Other,” journalist Lise Funderburg explores the lives of adult children of black/white unions. Her subjects’ unflinching honesty, whipsmart humor, and deep feeling result in a stunning — and enduring — portrait of race in America. New foreword by novelist Mat Johnson and links to updated commentary from the original participants.

  • Dr. Yaba Blay to Appear Tonight on “Totally Biased with W. Kamau Bell”

    Totally Biased with W. Kamau Bell
    FXX
    Wednesday, 2013-11-13, 23:00 EST (2013-11-14, 04:00Z)

    W. Kamau Bell, Executive Producer and Host

    Tonight on Totally Biased, we proudly welcome Dr. Yaba Blay

    Dr. Yaba Blay is a professor, producer, and publisher. As a researcher and ethnographer, she uses personal and social narratives to disrupt fundamental assumptions about cultures and identities. As a cultural worker and producer, she uses images to inform consciousness, incite dialogue, and inspire others into action and transformation. While her broader research interests are related to Africana cultural aesthetics and aesthetic practices, and global Black popular culture, Dr. Blay’s specific research interests lie within global Black identities and the politics of embodiment, with particular attention given to hair and skin color politics. Her 2007 dissertation, Yellow Fever: Skin Bleaching and the Politics of Skin Color in Ghana, relies upon African-centered and African feminist methodologies to investigate the social practice of skin bleaching in Ghana; and her ethnographic case study of skin color and identity in New Orleans entitled “Pretty Color and Good Hair” is featured as a chapter in the anthology Blackberries and Redbones: Critical Articulations of Black Hair/Body Politics in Africana Communities.

    One of today’s leading voices on colorism and global skin color politics, Dr. Yaba Blay is the author of (1)ne Drop: Shifting the Lens on Race and artistic director of the (1)ne Drop project. In 2012, she served as a Consulting Producer for CNN Black in America – “Who is Black in America?” – a television documentary inspired by the scope of her (1)ne Drop project. In addition to her production work for CNN, Dr. Blay is producing a transmedia film project focused on the global practice of skin bleaching (with director Terence Nance).

  • There’s a long story behind ‘anti-Haitianismo’ in the Dominican Republic

    PRI’s The World
    Public Radio International
    2013-11-14

    Christopher Woolf, Producer

    Tens of thousands of people in the Dominican Republic are being stripped of their citizenship, on the grounds that they or their ancestors were illegal immigrants.  Thousands have already been deported across the border to Haiti, because it is assumed all illegal migrants come from there.

    The court ruling applies to anyone whose family arrived in the country after 1929 and can’t document their status. Being born in the Dominican Republic doesn’t make a difference.

    Some are calling it the latest manifestation of “anti-Haitianismo” in the Dominican Republic. Both countries are on the same island of Hispaniola.

    Their relations are a story of race, identity, and money. The Dominican Republic is not a rich country, but it’s a lot better off than its neighbor, Haiti.

    In terms of per capita GDP, it’s about six times richer. So thousands of Haitians go to the Dominican Republic to find work. Haitians and their descendants may make up as many as one in ten of the Dominican Republic’s population. Some Dominicans are unhappy about that, as they see Haitians as different, and some fear for the identity of their nation.

    Haitians are different from their Dominican neighbors in several ways. Firstly, language: most Dominicans speak Spanish, while most Haitians speak Creole, based on French. Then, there’s the issue of race.

    Haiti is overwhelmingly black; whereas Dominicans identify more with the European part of their heritage, rather than the African part. Most Americans would describe most Dominicans as black. And DNA tests taken over the last decade confirm that most Dominicans have black ancestry in their family history to varying degrees.

    But race in the Dominican Republic and in other parts of the Caribbean does not mean the same thing as it does in the United States. Dominicans use a variety of words to self-identify, such as moreno, trigueno, and blanco-oscuro, indicating different colors or different types of mixed racial origins. But not many will choose the term “black.”…

    Read the entire article and listen to the story here.

  • Know Louisiana: Storyville (1897-1917)

    NolaVie: Life and Culture in New Orleans
    2013-11-14

    with Louisiana Endowment for the Humanities

    Emily Epstein Landau
    Department of History
    University of Maryland, College Park

    As part of a new collaboration with the Louisiana Endowment for the Humanities, NolaVie will spotlight entries from KnowLA.org—the Digital Encyclopedia of Louisiana, including unique events and people in our state’s history.

    This month, we commemorate the end of Storyville. On November 12th, 1917, Mayor Martin Behrman acquiesced to pressure from the US Navy and ordered the red light district closed at midnight. Here’s the story, written by Emily Landau.

    Created by municipal ordinance in 1897, Storyville was New Orleans’s infamous red-light district. It remained open until 1917, when the federal government shut it down as part of a nationwide crackdown on vice districts. While Storyville was only one of many red-light districts during these years—every major and most minor American cities hosted at least one such district—it stood out for several reasons.

    First, New Orleans had long maintained an international reputation for sexual license and a flamboyant disregard of traditional morality. Storyville’s notoriety perpetuated that image of the city and raised it to a new level. Second, New Orleans’s history as a French, and then Spanish, colonial city lent it a foreign feel, even after nearly a century of American rule. This foreign-ness, along with its subtropical climate and large mixed-race population, made New Orleans an exotic enclave within the Deep South.

    Storyville took advantage of the city’s colorful history by promoting the availability of both “French” and “octoroon” women in its guidebooks and through tabloid press. “French,” in the context of a sex district, signaled special sexual services; women purported to be one-eighth black were available for the exclusive use of white gentlemen, recalling the antebellum quadroon balls. In addition to so-called octoroons, Storyville further violated the segregation laws by advertising “colored” and later “black” women for the use of white men. Sex across the color line was, according to a prominent citizen in the 1910s, Storyville’s “notorious attraction.”…

    Read the entire article here.

  • ‘Hafu’ tells story of Japan’s mixed-race minority and changing attitudes in society

    Japan Today
    2013-11-15

    Philip Kendall

    TOKYO—For such a small word, “half” carries an awful lot of weight here in Japan. Adapted to fit the syllabary, the word is pronounced “hafu” in Japanese, and describes a person who has one Japanese – and of course one non-Japanese – parent. More often than not, the word carries certain connotations, and many Japanese have preconceived, often erroneous, notions that hafu have natural English ability, have spent time abroad, and possess many of the physical characteristics Japanese associate with Westerners. At the same time, the word is immediately indicative of something very un-Japanese, and many hafu – even those who have never set foot outside of Japan and speak no other language – are never truly accepted by society as a result.

    The Hafu Project was begun in 2009 as an initiative aiming to promote awareness of racial diversity in Japan and the issues facing those of mixed heritage. It was after becoming involved with the project that two filmmakers, Megumi Nishikura and Lara Perez Takagi, began a collaborative work that would eventually become a full-length feature film titled, simply, “Hafu.”

    Three years in the making, “Hafu” was completed in April this year, and has been screened at independent cinemas everywhere from Madrid to Tokyo. After checking out the film for ourselves when it came to Shibuya recently, RocketNews24 talked with Megumi and Lara to learn a little more about the making of the film and how in their opinion attitudes in Japan are evolving.

    “Hafu” documents the daily lives and experiences of five hafu who have either lived most of their lives in Japan or are visiting for the first time in an effort to learn more about their Japanese heritage. Shot in the documentary style with the featured hafu providing the voiceover throughout, the film has a quiet poignancy to it that at times brought us close to tears, yet ultimately left us feeling both upbeat and confident that attitudes toward hafu in Japan are changing for the better.

    Hugely impressed by this profoundly moving and inspiring film, RocketNews24 got in touch with Megumi and Lara, who kindly answered our questions about themselves, the making of the film, and how they see life for hafu in Japan changing as the number of children born to mixed-race parents increases each year…

    Read the entire interview here.