Mixed Race Studies

Emilio Fernández: Pictures in the Margins

Manchester University Press
October 2007
192 pages
216 x 138 mm
Hardback ISBN: 978-0-7190-7432-5
Paperback ISBN: 978-0-7190-8844-5

Dolores Tierney, Senior Lecturer in Film Studies
University of Sussex, Brighton, United Kingdom

Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work.

The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era.

Contents

• Introduction
• 1. ‘Poor reception’ and the popular in classical Mexican cinema
• 2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur
• 3. Calendar María – hybridity, indigenismo and the discourse of whitening
• 4. Gender, sexuality and the Revolution in Enamorada
• 5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado
• 6. Progress, modernity and Fernández’ ‘anti-modernist utopia’: Río Escondido
• Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’
• Filmography

Diana Mafe Publishes Book

What’s Happening
Denison University, Department of English
2013-11-18

Diana Mafe, assistant professor of English, publishes her first book.

Diana Mafe, Assistant Professor of English, has published her first book, Mixed Race Stereotypes in South African and American Literature: Coloring Outside the (Black and White) Lines (Palgrave Macmillan 2013). In this work, she argues that the recent celebration of the mixed race figure as an avatar of positive change for multiracial nations like South Africa and the United States overlooks the complex global trajectories that resulted in this watershed moment. She examines the popular literary stereotype of the tragic mulatto from a comparative perspective and considers the ways in which specific South African and American writers have used this controversial literary character to challenge the logic of racial categorization. The result is a transnational dialogue between these respective national literatures, both of which use tragic mulatto fiction as a locus for broader questions about race and belonging.

English prof. Diana Mafe pens literary analysis of biracial blacks

The Denisonian: Denison University’s student publication since 1857
Granville, Ohio
2013-11-19

Curtis Edmonds, Forum Editor

The United States is undoubtedly one of the most–if not the most–racially diverse country in the world, and seven percent of American children born in the last decade were bi- or multiracial. Denison English professor Diana Mafe, a Canada native, has a new book out that explores literary representations of biracial blacks in the United States and South Africa titled, “Mixed Race Stereotypes in South African and American Literature: Coloring outside the (Black and White) Lines.”

Mafe’s book, which was published earlier this month, is a 150-page examination of feminist and queer theory as it applies to the American “mulattos” and the South African “coloureds,” different terms for the same subject: biracial children who are the offspring of black and white parents.

The first 40 pages or so act as both a history lesson and introduction to the topic. She describes how mulattos and coloureds came to be – through consensual and nonconsensual sexual relationships between white men and black or African women as a result of colonialism and slavery…

…Today, the mulatto literary trope continues to be popular. Mafe asserts that this is because the “mulatto embodies infinite binaries.” And, she’s right. What better character type to navigate right and wrong, good and bad, black and white, than a character who literally falls in the middle?…

Read the entire article here.

Mixed Race Stereotypes in South African and American Literature: Coloring Outside the (Black and White) Lines

Palgrave Macmillan
November 2013
208 pages
3 illustrations
5.500 x 8.500 inches
Hardback ISBN: 978-1-137-36492-0, ISBN10: 1-137-36492-0

Diana Adesola Mafe, Assistant Professor of English
Denison University, Granville, Ohio

America’s new millennial interest in multiraciality coincides with South Africa’s post-apartheid push towards greater visibility as the Rainbow Nation. Here, Diana Adesola Mafe argues that the recent celebration of the mulatto as an avatar of positive change for multiracial nations like South Africa and the United States overlooks the complex global trajectories that resulted in this watershed moment. Mixed Race Stereotypes in South African and American Literature examines the popular literary stereotype, the tragic mulatto, from a comparative perspective. Mafe considers the ways in which specific South African and American writers have used this controversial literary character to challenge the logic of racial categorization. The result is a transnational dialogue between these respective national literatures, both of which use tragic mulatto fiction as a locus for broader questions about race and belonging.

Table of Contents

• Introduction: Tainted Blood: The ‘Tragic Mulatto’ Tradition
• 1. God’s Stepchildren: The ‘Tragedy of Being a Halfbreed’ in South African Literature
• 2. ‘An Unlovely Woman’: Bessie Head’s Mulatta (re)Vision
• 3. ‘A Little Yellow Bastard Boy’: Arthur Nortje’s Mulatto Manhood
• 4. Tragic to Magic?: Achmat Dangor’s Bitter Fruit
• Conclusion: Playing in the Light

Play Could Begin Renaissance For Seminole Nation Culture

The Seminole Producer
Seminole, Oklahoma
2013-11-13
pages 1-2

Karen Anson, Senior Editor

IndianVoices.net contributed to this report

A play on the history of the Seminole Nation’s Freedmen is wrapping up in Los Angeles, but those involved hope it’s only the beginning of a movement.

The play, “the road weeps, the well runs dry,” will end Sunday in Los Angeles Theater Center.

It’s part of a “rolling premier,” being debuted in LA, as well as at the Pillsbury House Theater in Minneapolis, Minn; Perseverance Theater in Anchorage, Ala., and University of South Florida’s School of Theater and Dance.

“Surviving centuries of slavery, revolts and the Trail of Tears, a community of self-proclaimed Freedmen creates the first all-black U.S. town in Wewoka, Okla.,” states the press release about the play.

“The Freedmen (Black Seminoles and people of mixed origins) are rocked when the new religion and the old way come head to head and their former enslavers arrive to return them to the chains of bondage.

“Written in gorgeously cadenced language, utilizing elements of African American folk-lore and daring humor, ‘the road weeps, the well runs dry’ merges the myth, legends and history of the Seminole people.”

Playwright Marcus Gardley was awarded the 2011 PENN/Laura Pels award for mid-career playwright.

He holds masters of fine arts in playwriting from the Yale Drama School.

“Originally I set out to write a play about the first all-black town in the U.S., Wewoka, Okla.,” Gardley said.

“I had a special interest in the town because my grandmother was born there.

“In my research, I learned that Black Seminoles (people of African and Native American ancestry) actually incorporated the town…

…A third person involved in the program claims very close ties to Seminole County, Okla.

Phil “Pompey” Fixico spoke in a post program panel entitled “Exploring African American and Native American Spirituality.”

Fixico is featured in the Smithsonian Institute’s book and exhibit entitled “indiVisible: African-Native American Lives in the Americas,” which will open its next show on Jan. 25 at the Malcolm X and Dr. Betty Shabazz Memorial and Education Center in New York City.

For the exhibit, Fixico had to carefully document his heritage.

“I was a 52-year-old African-American, when I discovered that I was really an African-Native American,” Fixico said.

“This epiphany took place 14 years ago.”

Fixico’s found that he was the great-grandson of Caesar Bruner, an early leader of the Seminole Nation’s Freedman band…

Read the entire article here.

The genes that build America

The Guardian
2007-07-14

Paul Harris, US Correspondent

From the discovery that presidential hopeful Barack Obama is descended from white slave owners to the realisation that the majority of black Americans have European ancestors, a boom in ‘recreational genetics’ is forcing America to redefine its roots. Paul Harris pieces together the DNA jigsaw of what it really means to be born in the USA

Al Sharpton walked into a South Carolina pine forest just outside the sleepy southern town of Edgefield and stopped at a cluster of toothlike unmarked gravestones. This was the former plantation on which a few generations ago his ancestors had worked, lived, loved and died, owned as property by white masters. ‘You must assume that it’s family here,’ Sharpton said, referring to the abandoned slave graveyard.

A few weeks previously Reverend Sharpton, one of America’s most outspoken black civil rights leaders, had not known of the cemetery’s existence. But researchers had explored his genealogy and broken the news to him. Sharpton’s story had an astonishing twist: the genealogists discovered that his ancestors had once been owned by the ancestors of Strom Thurmond, the Senator and former segregationist who once ran for president on a racist platform. The phrase ‘ironic coincidence’ did not begin to cover it…

Read the entire article here.

Seeking Participants in a Research Study Examining Multiracial Individuals’ Attitudes Toward Seeking Counseling in the U.S.

Wright Institute, Berkeley, California
2013-10-25

Emmanuel Zamora
Department of Clinical Psychology

My name is Emmanuel Zamora, M.A. and I am a Psy.D. student in the Clinical Psychology program at the Wright Institute in Berkeley, CA. I am currently working towards completing my dissertation, and I am seeking participants for my research study examining multiracial individuals’ attitudes toward seeking counseling in the U.S.

Please consider participating in my survey if you meet the following criteria:

1. You are an adult (18+) living in the United States.
2. You have parents that are racially different from each other or you identify as multiracial (mixed race, mixed/multiple heritage, biracial, hapa, etc…)

As a participant you must be willing to complete an anonymous one-time online survey. Completing the survey takes approximately 25 minutes.

Participation is anonymous, strictly voluntary, and you can choose to withdraw at any time without penalty. If you successfully complete the questions in the survey, you will have the option to enter your e-mail address into a raffle with a chance to win one of six $30 Amazon gift-cards. E-mail addresses will be kept confidential.

The risks associated with this project are minimal, however it is possible that participation may elicit mild psychological distress related to the disclosure of information. There are no direct benefits to participating in this study; however you may find the questions interesting and reflecting on self can be enjoyable. Your responses may be used to educate mental health professionals in providing more helpful services for multiracial individuals.

If you have any questions about the study, please feel free to contact Emmanuel Zamora, M.A. at ezamora@wi.edu. You may also contact my dissertation chair, Alicia del Prado, Ph.D. at 510-841-9230 ext. 141. This survey received IRB approval on 10/25/2013. If you have any questions regarding your rights as a research subject, please contact The Wright Institute’s Institutional Review Board at (510) 841-9230.

For more information, click here.

African Slavery: The New Hollywood Renaissance

Our Weekly: Los Angeles
2013-11-14

William Covington, Contributor

With the recent release of “12 Years A Slave” and “Django Unchained” and numerous slave genre movies awaiting release, it appears the slavery motif is possibly generating a new African American Renaissance in Hollywood.

According to Pasadena screenwriter Herman James, “Hollywood doesn’t care about educating the nation on the institution that built this country. They are taking the pulse and following the money.

Movies about slavery have become a niche genre that has a strong possibility of making money, and James says this has nothing to do with a Black president in the White House or the fact that the Civil War took place 150 years ago. Instead, he thinks the proliferation may be attributed to the fact that recently Hollywood discovered that movies about slavery and plantations are profitable. “They are the new race movies. However, if they flop they will vanish as easy as they have become big-screen entertainment.”…

The race movies that James refers to are early movies produced between 1915 and 1950 for Black audiences…

…In “The North Star,” the character Big Ben escapes a southern plantation and makes his way north to freedom by following the North Star. He ends up in Bucks County, Pennsylvania, where he is helped by local Quakers who are part of the Underground Railroad, a system of hiding places and trails for those escaping the horrors of slavery. This movie is currently in post production.

“Belle” is inspired by the true story of Dido Elizabeth Belle (Gugu Mabatha-Raw), the illegitimate mixed-race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Expected to be released in 2014.

In “The Keeping Room,” three Southern women—two sisters and one African American slave—left without men in the dying days of the Civil War, are forced to defend their home from the onslaught of a band of soldiers who have broken off from the fast-approaching Union Army. It is scheduled for release in 2014…

Read the entire article here.

Now, to answer your first query—whether by our breach of treaties we have not justly exasperated the bordering nations of Indians against us, and drawn upon ourselves the barbarous usage we meet with from them and the French? … I shall only hint at some things which we ought to have done, and which we did not do at our first settlement amongst them, and which we might have learnt long since from the practice of our enemies the French. I am persuaded we were not deficient in the observation of treaties, but as we got the land by concession, and not by conquest, we ought to have intermarried with them, which would have incorporated us with them effectually, and made of them staunch friends, and, which is of still more consequence, made many of them good Christians; but this our wise politicians at home [in England] put an effectual stop to at the beginning of our settlement here, for when they heard that Rolfe married Pocahontas, it was deliberated in Council, whether he had not committed high treason by doing so, that is, marrying an Indian Princess; and had some troubles not intervened which put a stop to the inquiry, the poor man might have been hanged up for doing the most just, the most natural, the most generous and politic action that ever was done this side of the water. This put an effectual stop to all intermarriages afterwards.

But here methinks I can hear you observe, What! Englishmen intermarry with Indians? But I can convince you that they are guilty of much more heinous practices, more unjustifiable in the sight of God and man … for many base wretches amongst us take up with negro women, by which means the country swarms with mulatto bastards, and these mulattoes, if but three generations removed from the black father or mother, may, by the indulgence of the laws of the country, intermarry with the white people, and actually do every day so marry. Now, if instead of this abominable practice which hath polluted the blood of many amongst us, we had taken Indian wives in the first place, it would have made them some compensation for their lands. They are a free people, and the offspring would not be born in a state of slavery. We should become rightful heirs to their lands, and should not have smutted our blood, for the Indian children when born are as white as Spanish or Portuguese, and were it not for the practice of going naked, in the summer and besmearing themselves with bears’ grease, etc., they would continue white; and had we thought fit to make them our wives, they would readily have complied with our fashion of wearing clothes all the year round; and by doing justice to these poor benighted heathen, we should have introduced Christianity amongst them. Your own reflections upon these hints will be a sufficient answer to your first query. I shall only add that General Johnson’s success was owing, under God, to his fidelity to the Indians, and his generous conduct to his Indian wife, by whom he hath several hopeful sons, who are all war-captains, the bulwarks with him of the five nations, and loyal subjects to their mother country.

The Reverend Peter Fontaine of Virginia, in a letter to his brother Moses
March 30, 1757

Robert S. Tilton, Pocahontas: The Evolution of an American Narrative, (Cambridge: Cambridge University Press, 1994). 21-23.

Pocahontas: The Evolution of an American Narrative

Cambridge University Press
November 1994
276 pages
31 b/w illus
229 x 152 x 16 mm
Paperback ISBN: 9780521469593

Robert S. Tilton, Professor of English
University of Connecticut, Torrington

From the time of its first appearance, the story of Pocahontas has provided the terms of a flexible discourse that has been put to multiple, and at times contradictory, uses. Centering around her legendary rescue of John Smith from the brink of execution and her subsequent marriage to a white Jamestown colonist, the Pocahontas convention became a source of national debate over such broad issues as miscegenation, racial conflict, and colonial expansion. At the same time, Pocahontas became the most frequently and variously portrayed female figure in antebellum literature. Robert S. Tilton draws upon the rich tradition of Pocahontas material to examine why her half-historic, half-legendary narrative so engaged the imaginations of Americans from the earliest days of the colonies through the conclusion of the Civil War. Drawing upon a wide variety of primary materials, Tilton reflects on the ways in which the Pocahontas myth was exploded, exploited, and ultimately made to rationalise dangerous preconceptions about the native American tradition.

• The only study to focus exclusively on the Pocahontas narrative during this period
• Deals with crucial aspects of Indian/white relations, such as interracial marriages, and the place of the Indian in ‘Manifest Destiny’ ideology
• Brings together a number of visual images not elsewhere presented together

Table of Contents

• 1. Miscegenation and the Pocahontas narrative in colonial and federalist America
• 2. The Pocahontas narrative in post-Revolution America
• 3. The Pocahontas narrative in the era of the romantic Indian
• 4. John Gadsby Chapman’s Baptism of Pocahontas
• 5. The figure of Pocahontas in sectionalist propaganda
• Index