• Loving v. Virginia (No. 395): 206 Va. 924, 147 S.E.2d 78, reversed.

    Waren, C.J., Opinion of the Court, SUPREME COURT OF THE UNITED STATES
    388 U.S. 1, Loving v. Virginia
    Appeal from the Supreme Court of Appeals of Virginia
    No. 395
    Argued: April 10, 1967
    Decided: June 12, 1967
    Source: Legal Information Institute, Cornell University Law School

    MR. CHIEF JUSTICE WARREN delivered the opinion of the Court.

    This case presents a constitutional question never addressed by this Court: whether a statutory scheme adopted by the State of Virginia to prevent marriages between persons solely on the basis of racial classifications violates the Equal Protection and Due Process Clauses of the Fourteenth Amendment. [n1] For reasons which seem to us to reflect the central meaning of those constitutional commands, we conclude that these statutes cannot stand consistently with the Fourteenth Amendment.

    In June, 1958, two residents of Virginia, Mildred Jeter, a Negro woman, and Richard Loving, a white man, were married in the District of Columbia pursuant to its laws. Shortly after their marriage, the Lovings returned to Virginia and established their marital abode in Caroline County. At the October Term, 1958, of the Circuit Court [p3] of Caroline County, a grand jury issued an indictment charging the Lovings with violating Virginia’s ban on interracial marriages. On January 6, 1959, the Lovings pleaded guilty to the charge, and were sentenced to one year in jail; however, the trial judge suspended the sentence for a period of 25 years on the condition that the Lovings leave the State and not return to Virginia together for 25 years. He stated in an opinion that:

    Almighty God created the races white, black, yellow, malay and red, and he placed them on separate continents. And, but for the interference with his arrangement, there would be no cause for such marriage. The fact that he separated the races shows that he did not intend for the races to mix.

    After their convictions, the Lovings took up residence in the District of Columbia. On November 6, 1963, they filed a motion in the state trial court to vacate the judgment and set aside the sentence on the ground that the statutes which they had violated were repugnant to the Fourteenth Amendment. The motion not having been decided by October 28, 1964, the Lovings instituted a class action in the United States District Court for the Eastern District of Virginia requesting that a three-judge court be convened to declare the Virginia anti-miscegenation statutes unconstitutional and to enjoin state officials from enforcing their convictions. On January 22, 1965, the state trial judge denied the motion to vacate the sentences, and the Lovings perfected an appeal to the Supreme Court of Appeals of Virginia. On February 11, 1965, the three-judge District Court continued the case to allow the Lovings to present their constitutional claims to the highest state court…

    …Marriage is one of the “basic civil rights of man,” fundamental to our very existence and survival. Skinner v. Oklahoma, 316 U.S. 535, 541 (1942). See also Maynard v. Hill, 125 U.S. 190 (1888). To deny this fundamental freedom on so unsupportable a basis as the racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment, is surely to deprive all the State’s citizens of liberty without due process of law. The Fourteenth Amendment requires that the freedom of choice to marry not be restricted by invidious racial discriminations. Under our Constitution, the freedom to marry, or not marry, a person of another race resides with the individual, and cannot be infringed by the State.

    These convictions must be reversed.

    It is so ordered.

    Read the entire opinion here.

  • TEDxHampshireCollege–Jay Smooth: How I Learned to Stop Worrying and Love Discussing Race

    TEDx
    Hampshire College, Amherst, Massachusetts
    2011-11-15

    Jay Smooth is host of New York’s longest running hip-hop radio show, the Underground Railroad on WBAI 99.5 FM in NY, and is an acclaimed commentator on politics and culture.

    In this talk, he discusses the sometimes thorny territory of how we discuss issues of race and racism, offering insightful and humorous suggestions for expanding our perception of the subject.

  • Who is Black?

    The Final Call
    2001-07-10

    Rosa Clemente, Guest Columnist


    Rosa Clemente

    Yesterday, an interesting thing happened to me. I was told I am not Black.

    The kicker for me was when my friend stated that the island of Puerto Rico was not a part of the African Diaspora. I wanted to go back to the old skool playground days and yell: “You said what about my momma?!” But after speaking to several friends, I found out that many Black Americans and Latinos agree with him. The miseducation of the Negro is still in effect!

    I am so tired of having to prove to others that I am Black, that my peoples are from the Motherland, that Puerto Rico, along with Cuba, Panama and the Dominican Republic, are part of the African Diaspora. Do we forget that the slave ships dropped off our people all over the world, hence the word Diaspora?…

    Read the entire article here.

  • The Five Stages of Being Biracial (If You’re Me)

    The Toast
    2013-10-21

    Jaya Saxena

    1. Denial

    It wasn’t that the idea of being biracial frustrated me, it was just that I didn’t think I was it.

    Yes, I finally learned to write “Jaya Saxena,” but to a blank-slate of a five-year-old that combination of letters was just as random as any of my friends’ names. “Judith” looked weird too, right? “Denisa”? “Fiona”? I figured it was all arbitrary.

    My family did not act like other immigrant or biracial families. Those kids had parents who spoke of siblings and childhoods in foreign countries with thick accents. They always seemed to be returning to those countries, or filling their households with decorations and music to make it feel like they had never left. They had kids who actually knew something about a “home country.” My house never felt like Talia’s house, where she’d switch between speaking to her dad in Hebrew, her mom in English, and then playing Aladdin on Sega Genesis with me.

    My dad, who moved to Newark when he was 8, had long ago adopted a Jersey accent and demeanor, his actions indistinguishable from those of his Italian and Jewish neighbors. He cooked pork chops and pasta with meat sauce, and played country fiddle. He lit incense sometimes but so did lots of hippie parents. He hadn’t been back to India since before I was born.

    My mom, with her freckles and red hair, was often mistaken for my Irish nanny. We can trace our first ancestor’s arrival to 1635, and by about 1740 everyone on her side had officially come over. She grew up on a farm and wasn’t afraid of killing the roaches that sometimes skittered around our apartment, and the only time she was called “exotic” was when she went to Scotland. Together, they were just my parents.

    So I wasn’t biracial. I was a New Yorker, as if being both weren’t an option. I ate bagels and played handball and wore pants. My dad taught me how to play guitar and played me songs by Danny Kaye or The Muppets. Yes, sometimes my “dress up” outfits contained brightly colored silk and bangles, but those were just decorations. Yes, my grandma would make potatoes that came out yellow and were flecked with seeds, but she’d save a plate of spaghetti and slices of American cheese for me. They were Indian, not me, and that was normal…

    Read the entire article here.

  • Is It Time to Do Away With The ‘One-Drop’ Rule?

    Clutch
    2013-07-10

    Britni Danielle
    Los Angeles

    Conversations about race in America can lead to never-ending discussions, hurt feelings, and sometimes even breakthroughs. Blame it on our complicated past of slavery, racism, and legalized prejudice, but even approaching a frank discussion about race in this country can seem nearly impossible.

    And yet we keep trying.

    Recently, I spotted an article over on The Root which stated that Johnny Depp is a direct descendant of Elizabeth Key, a former slave who worked to secure her freedom in 1656…

    …While I doubt anyone will rush to claim Depp as black (at least I hope not), how blackness gets defined in America continues to be rooted in antiquated notions of the one-drop rule

    …When pondering whether or not we should do away with the one-drop rule, it’s important to remember it was not created by those of African ancestry looking forge a shared kinship or by local/federal governments hoping to properly categorize the populace for the purpose of collecting census data (the terms “Indian,” “mulatto,” and “negro” were well established), but rather the one-drop rule was created to keep the white race “pure.” In short, it was merely another tool aimed at protecting white supremacy in America…

    Read the entire article here.

  • Phil “Pompey” Fixicio To Speak on a Post Show Panel Exploring African American and Native American Spirituality

    Los Angeles Theater Center
    514 South Spring Street
    Los Angeles, California 90013
    Telephone: 213.489.0994
    Sunday, 2013-11-03, 15:00 PST (Local Time)

    On Sunday November 3rd, in honor of the new play on the Seminole people, the road weeps, the well runs dry, Phil “Pompey” Fixicio will be speaking on a post show panel at The Los Angeles Theatre Center. This panel, entitled Exploring African American and Native American Spirituality will include Rev. Dr. Cecil “Chip” Murray (USC), Phil “Pompey” Fixico (Seminole descendant), and Professor Hanay Geigomah (UCLA). The panel follows the 3:00pm performance. For tickets and information on the play, click here.
     
    Phil “Pompey” Fixico, Seminole Maroon Descendant, California Semiroon Mico (Nation of One), Heniha for the Wildcat/John Horse Band of the Seminoles of Texas and Old Mexico, Honorary Elder of the Muskogee Yamassee of Florida, Featured, in the Smithsonian Institution’s, book and exhibit, entitled :”indivisible”; African-Native American Lives in the Americas, Co-Founder of the Bureau of Black Indian Affairs (indianvoices), Member of the L.A. chapter of the Buffalo Soldiers and Dept. of Interior/National Park Service/ National Underground Rail Road/ Network to Freedom Private-Sector Partner ( Semiroon Historical Society).

  • the road weeps, the well runs dry

    Los Angeles Theater Center
    514 South Spring Street
    Los Angeles, California 90013
    Telephone: 213.489.0994

    2013-10-24 through 2013-11-17
    Thursday-Saturday: 20:00 PT (Local Time)
    Sunday: 15:00 PT (Local Time)

    Written by Marcus Gardley
    Directed by Shirley Jo Finney

    Rolling World Premiere

    Surviving centuries of slavery, revolts, and The Trail of Tears, a community of self-proclaimed Freedmen creates the first all-black U.S. town in Wewoka, Oklahoma. The Freedmen (Black Seminoles and people of mixed origins) are rocked when the new religion and the old way come head to head and their former enslavers arrive to return them to the chains of bondage.  Written in gorgeously cadenced language, utilizing elements of African American folklore and daring humor, the road weeps, the well runs dry merges the myth, legends and history of the Seminole people.

    Previews: October 24 & 25

    For more information, click here.

  • (1)ne Drop Project Live

    Painted Bride Art Center
    230 Vine Street
    Philadelphia, Pennsylvania 19106
    Telephone: 215.925.9914
    Sunday, November 10, 2013, 17:00-18:00 EST (Local Time)

    Do you know Blackness when you see it? This provocative question informs the work of Dr. Yaba Blay, whose (1)ne Drop Project depicts the stories and images of over 60 individuals from around the world, all of whom identify as Black, but none of whom fit the stereotypical “Black box.” Their candid memoirs challenge our understanding of race and identity.

    The storytelling event, (1)ne Drop Project Live, interweaves history with candid stories from participants in the Project and gives a microphone to living testimonies of diversity. The event will include readings from project participants.

    For more information, click here.

  • Playwright Sarah Rutherford on her play Adult Supervision

    TheatreVOICE
    Department of Theatre & Performance
    Victoria and Albert Museum
    2013-10-22

    Heather Neill

    Interview: Sarah Rutherford

    The playwright talks to Heather Neill about her new drama, Adult Supervision, a story about race which is currently playing at the Park Theatre in London’s Finsbury Park in Jez Bond’s production. Recorded at the Park Theatre, 16 October 2013.

    Listen to the interview here.

  • One Thing I Can’t Pass On to My Daughter: White Privilege

    Brain, Child: the magazine for thinking mothers
    2013-10-24

    Martha Wood
    Momsoap: Sometimes I froth at the Mouth

    A while back, I met up for a play date with another white mother to children of color. As we sat chatting and watching our daughters play, I noticed something about her daughter, next to Annika, and no doubt, she noticed that same thing. And so I said it aloud. Something I’d never noticed about Annika before that day. And since, I have reflected upon it many, many times, wondering exactly what it meant.

    “If you put our daughters in a group of black children, nobody would ever guess they were biracial.”

    Both of our girls have skin tones similar to the average African American. Both brown eyes. Both, very thick, curly hair.

    She nodded. Knowingly…

    Read the entire article here.