• Coming Out as Biracial

    Human Parts
    2013-10-21

    Stephanie Georgopulos

    A few months ago, I not-so-subtly asserted myself as biracial while having dinner with a new coworker. “I’m a Capricorn,” she’d said. “Yeah…my mom’s black,” I responded (not verbatim, but the exchange was similar). Whoa. What? Immediately after I injected that part of my identity into the conversation, I had a Come-to-Jesus moment. What was I doing? Did I always do this when I met new people?

    The answer, if you’re wondering, is yes. (Although the timing and context are usually a bit more appropriate.) I’ve been coming out this way since I was a teenager. First, my friends would do it for me, whenever one of our peers said something racist in front of me (which was often). “Dude. Steph’s mom is black!” The requisite retort was always, “Oh, sorry Steph. Are you half-offended?” (No, but I am wishing tired ass jokes qualified as hate crimes.)

    Here it is: My mother is black. My dad is white. Two of my siblings look like my mom, and two of us look like my dad. Of the two who favor my dad, only one is biracial — that’d be me, the pigmentally challenged Michael Jackson of our troupe. Are you confused yet? Good. Welcome to what it’s like to be biracial…

    …That’s not to say I understand the black experience. For starters, I have white privilege. Olive skin with curly hair, fine and versatile. Police don’t see me. No one follows me around stores (but they’re confused as hell when I come in to shop with my mother and sister). No one assumes I’m uneducated or that my father left me. No one calls me her token black friend or asks why I talk so white (though I can imagine my mother, sister, and brother have heard that one a bit)…

    Read the entire article here.

  • Indiana’s Miscegenation Laws: An Ineffective Racist Agenda

    Ball State University, Muncie, Indiana
    May 2013
    57 pages

    Megan M. Harris

    An Undergraduate Honors Thesis (HONRS 499)

    Miscegenation laws have played an influential and explanatory role in Indiana’s perception and attitudes about interracial relationships. Indiana had stringent regulations against such unions, which existed for a large portion of the Hoosier state’s history. Despite the unusually harsh legislations against these couples, interracial marriages continued to occur in Indiana. In fact, some multiracial communities, such as the Longtown Settlement, were created as safe havens for these couples. Although these laws were repealed in Indiana two years before the country abolished them nationwide in 1967, the state has had persistent attitudes against interracial marriage that couples must endure. In the face of the continual growth of such unions, local and national attitudes can be adjusted to greater social acceptance, especially with a clear understanding of the racism that underlies the previous miscegenation laws that outlawed interracial marriages.

    Read the entire thesis here.

  • How Indiana Punishes Miscegenation

    The New York Times
    1879-05-21

    Terre Haute, Ind., May 20.—William Nelson, a colored man, was sentenced to-day to pay a fine of $5,000 and be imprisoned in the Penitentiary for one year for marrying a white woman. The prosecution originated in spite, but Nelson was convicted under the law of 1856, which Judge Long held to be valid through a decision of the Supreme Court.

  • ‘Longing for Oneself’: Hybridism and Miscegenation in Colonial and Postcolonial Portugal

    Etnográfica
    Volume VI, Number 1 (2002)
    pages 181-200

    Miguel Vale de Almeida, Professor of Anthropology
    Instituto Superior de Ciências do Trabalho e da Empresa

    This essay acknowledges that hybridism, in a troubling reminiscence of the 19th century debate on race and the hybrids is a central issue of debate in the social sciences today. The Portuguese case is one of the most complex and intriguing: if Brazil has been systematically praised as the example of the humanistic and miscegenating characteristic of Portuguese expansion, it has also been used as an argument for the legitimization of later colonialism in Africa, as well as for the construction of a self-representation of Portuguese as non-racists. The Portuguese nation, however, has seldom been described as a miscigenated nation and mestiça itself. Contemporary rhetoric on hybridity – as part of globalization, transnationality, postcolonial diasporas, and multiculturalism – clashes with the reality of the return of ‘race’ within a cultural fundamentalism. This paper focuses on discourses and modes of classification as the starting point for discussing specific practices and processes of Miguel Vale de Almeida identity dispute in the ‘Lusophone’ space.

    This is an essay–not a research paper–that acknowledges that, in a troubling reminiscence of the 19th century debate on race and the hybrids, hybridism is a central issue of debate in the social sciences today. The term ‘hybrid’  was applied from botany to anthropology and was associated with both political and scientific speculations on ‘races’ as species or subspecies. The acknowledgment of the common humanity of all ‘races’ strengthened the separation between culture and nature as part and parcel of the project of Modernity (cf. Latour 1994); but it also diverted attention from hybridism to the field of miscegenation and mestiçagem – i.e., ‘racial’ and cultural mixing. Hybridism – and mixing in general – was condemned by some for its impurity and praised by others for its humanism. The result of the century-long debate is, however, much more hybrid itself than a clear opposition. Discourses on miscegenation and mestiçagem tended to be used as ideological masks for relations of power and domination. They were also used as central elements in national, colonial and imperial narratives. The Brazilian case is well known. The Portuguese case is one of the most complex and intriguing: if Brazil has been systematically praised as the example of  the humanistic and miscegenating characteristic of Portuguese expansion, it has also been used as an argument for the legitimization of later colonialism in Africa, as well as for the construction of a self-representation of the Portuguese as non-racists. The Portuguese nation, however, has seldom been described as a miscigenated nation and mestiça itself. In the discourses of national identity, emphasis has been placed upon what the Portuguese have given to the others–a gift of ‘blood’ and culture–and not on what they have received from the others. Present rhetoric on hybridity – as part of globalization, transnationality, postcolonial diasporas, and multiculturalism – clashes with the reality of the return of ‘race’ in cultural fundamentalism, policies of nationality and citizenship, and in the politics of representation. This paper will focus on discourses and modes of classification as the starting point for discussing specific practices and processes of identity dispute in the ‘Lusophone’ space. Three periods in the Portuguese production around miscegenation and hybridism will be analysed: a period marked by racist theories; a period marked by luso-tropicalism; and the present period marked by discussions of multiculturalism. Finally, the acknowledgment of creolized social formations as both the outcome of colonialism and the possible examples for thinking of new, less racist societies, closes this exploratory essay…

    Read the entire article here.

  • Black Beethoven and the Racial Politics of Music History

    Transition
    Issue 112, 2013
    pages 117-130
    DOI: 10.1353/tra.2013.0056

    Nicholas T. Rinehart
    Harvard University

    Nicholas T. Rinehart debunks theories of Beethoven’s blackness and calls for a reimagining of the classical canon.

    The Question

    Was Beethoven Black? He surely wasn’t, but some insist otherwise. The question is not a new one—it has been rehashed over the course of several decades, although it never seems to have caused much of a stir in any public intellectual debates. Indeed, what is perhaps most fascinating about this question is that is has remained somewhat under the radar despite its stubbornness. Nobody really thinks Beethoven was black. And only a few have even stumbled upon the possibility. That Beethoven may have been black is pure trivia—a did-you-know factoid for the classical music enthusiast. The composer ranks with Alexanders Pushkin and Dumas as one of history’s great ethnic surprises, with the obvious exception that Beethoven wasn’t ethnic. He was simply swarthy.

    The logic goes something like this: Beethoven’s family, by way of his mother, traced its foots to Flanders, which was for sometime under Spanish monarchical rule, and because Spain maintained a longstanding historical connection to North Africa through the Moors, somehow a single germ of blackness trickled down to our beloved Ludwig. This very theory—that Beethoven was descended from the Moors—has reappeared in several works throughout the twentieth century. Jamaican historian Joel Augustus Rogers (1880-1966) popularized this theory in several writings around midcentury, but the birth of the myth can be traced back further to approximately 1915 or even earlier according to music historian Dominique-René de Lerma, the world’s leading scholar on classical composers of color. Rogers assented in his provocative and controversial works such as the three-volume Sex and Race (1941-44), the two-volume World’s Great Men of Color (1946-47), 100 Amazing Facts About the Negro (1934), Five Negro Presidents (1965), and Nature Knows No Color Line (1952), that Beethoven—in addition to Thomas Jefferson, Johann Wolfgang von Goethe, Robert Browning, and several popes, among others—was genealogically African and thus black. Musicologist Donald Macardle and de Lerma both refuted this possibility with several decades between them. De Lerma also authored a brief account…

    Read or purchase the article here.

  • My Basmati Bat Mitzvah

    Amulet Books
    2013-10-01
    256 pages
    5 1/2 x 8 1/4
    Hardcover ISBN: 1-4197-0806-6

    Paula J. Freedman

    During the fall leading up to her bat mitzvah, Tara (Hindi for “star”) Feinstein has a lot more than her Torah portion on her mind. Between Hebrew school and study sessions with the rabbi, there doesn’t seem to be enough time to hang out with her best friend Ben-O—who might also be her boyfriend—and her other best friend, Rebecca, who’s getting a little too cozy with the snotty Sheila Rosenberg. Not to mention working on her robotics project with the class clown Ryan Berger, or figuring out what to do with a priceless heirloom sari that she accidentally ruined. Amid all this drama, Tara considers how to balance her Indian and Jewish identities and what it means to have a bat mitzvah while questioning her faith.

    With the cross-cultural charm of Bend It Like Beckham, this delightful debut novel is a classic coming-of-age story and young romance with universal appeal.

  • Critical Mixed Race Studies in the Twenty-First Century (ETHN 0090B S01)

    Brown University
    Fall 2013

    Alexandrina R. Agloro, Visiting Instructor in American Studies

    This course will guide students through an understanding of the historical, contemporary, and ideological rationale behind the constructions of mixed race, and how mixed race theory plays out in history, art, and contemporary media. This course aims to expand the conversations of mixed race beyond the stereotypes of tragic mulattos and happy hapas, instead interrogating what mixed race looks like in the twenty-first century and what historical precedents can explain current phenomena.

    For more information, click here. View the syllabus (in Microsoft Word format) here.

    The week of October 20th, my co-authored article with Glenn C. Robinson titled, “The Impact of Internet Publishing and Online Communications on Mixed-Race Discourses” from the Asian American Literary Review Special Issue on Mixed Race, will be part of the required reading. Please read the syllabus for information on some other additional excellent resources.

  • Transforming Korea into a multicultural society: reception of multiculturalism discourse and its discursive disposition in Korea

    Asian Ethnicity
    Volume 13, Issue 1, 2012
    pages 97-109
    DOI: 10.1080/14631369.2012.625703

    Ji-Hyun Ahn
    University of Texas, Austin

    Since 2005, multicultural-based words such as multicultural society, multicultural family, and multicultural education have grown explosively in Korean society. Due to this social trend, adoption of the term multiculturalism has become a trend within the government and press to explain current social changes in Korea. Nevertheless, there have been few efforts to tackle multiculturalism as a crucial political project or a considerable academic theme of discussion. Thus, this study aims to examine how multiculturalism discourse in Korea has been received and draws its discursive disposition. It argues how the media, especially the press, incorporate other crucial issues such as ‘diversity’, ‘human rights’, and ‘minority politics’ in terms of multiculturalism. To analyse, a total of 275 journal articles were selected and scrutinised. This study contextualises Korean multiculturalism and suggests a meta-picture of the discursive economy of multiculturalism in Korea.

    Introduction

    Since 2005, ‘multicultural’-based terms such as ‘multicultural society’, ‘multicultural family’ and ‘multicultural education’ have grown explosively in Korean society. The advertising copy of ‘Dynamic Korea’ and many other multi-racial models in TV commercials seem to indicate that Korea is becoming a multicultural society. Furthermore, many journals deal with multiculturalism issues through features and series.

    A key symbolic event illustrating this trend was when Hines Ward, an American football hero with a Korean mother, visited Korea in 2006. The passionate response to this ‘Korean’ hero from the U.S. ignited a discussion on issues of race and multicultural society in Korea. Following these events, adoption of the term ‘multiculturalism’ has become a trend within the government and press to explain current social changes in Korea. Nevertheless, there have been few efforts to tackle multiculturalism as a crucial political project or a considerable academic theme of discussion. In this sense, discussions of multiculturalism in Korea are either too superficial or absent altogether. What I want to point out in this context is that racial projects are now proceeding in Korea using multiculturalism discourse, and this serves as a launching point that propels this study.

    One significant feature of globalization is an increase of mobility. The flow of people’s mobility is getting more and more diverse and dynamic. For example, Korea, originally supposed to be a very homogeneous country, is now experiencing a great, new influx of immigrants. In a demographical sense, South Korea has a total population of about 40 million people, with a foreign population approaching one million as of 2007. This influx of foreigners started in the early 90s with migrant workers, but the numbers increased in 2000 with a growing number of international, married couples in Korea.

    Due to this drastic change, the Korean government has created many policies to assimilate those immigrants and foreigners into Korean society. Media especially plays a key role in handling this issue; for example, newspapers feature the issues of migrant workers and international marriage families, and frame the issues in terms of multiculturalism discourse. What is more, this discursive formation of multicultural society rearranges the order of other competing discourses such as globalization, neo-liberalism, and racism in Korea. Thus, this study has two aims: (1) it examines how multiculturalism discourse has been received and how the term multiculturalism has been used and (2) it studies how multiculturalism discourse in Korea draws its discursive disposition and how the media, especially the press, incorporates other crucial issues such as ‘diversity’, ‘human rights’ and ‘minority politics’ in terms of multiculturalism. I believe this would provide insights about how globalisation promotes social change incorporating multiculturalism discourse in Korea.

    Analysing newspaper articles from 1992 to 2007, I demonstrate the typology of discursive dispositions on multiculturalism discourse in Korea. There are three dimensions: (1) multiculturalism discourse is representing multi-race, (2) it passes through minority politics and minority movements, and (3) it detours the idea of (cultural) diversity. I will discuss how this discursive disposition of multiculturalism is now proceeding in Korean society.

    Read the entire article here.

  • School aims to give biracial kids a place to ‘be themselves’

    Japan Times
    2013-10-20

    Michael Bradley, Special to the Japan Times

    NAKAGUSUKU, OKINAWA – Melissa Tomlinson doesn’t have very happy memories of elementary school. As an 8-year-old, she “never had a chance to eat lunch normally — the other kids put something in it, or they mixed the milk and soup and orange together and told me to eat it.”

    Like the three or four other mixed-race children in her class, Tomlinson was bullied on a daily basis. Now a 26-year-old high school English teacher, she still recalls how “they told me to go home to America, and they talked bad about my mom.”

    Her teachers did little to stop the abuse — indeed, some, wittingly or not, even contributed to it. Every summer, on the anniversary of the end of the Battle of Okinawa — the three-month assault in which around 100,000 Okinawan civilians perished — Tomlinson would become the focus of the class. “The teacher always said, ‘Melissa, can you stand up? So, you are half-American, what do you think about this?’ For me, I was like, ‘I grew up here, I don’t know about American things.’ ” Tomlinson had no memory of her father, a U.S. serviceman who’d split from her mother when she was still a baby.

    Tomlinson’s story is far from unique. Since 1946, many children here have been born to U.S. military fathers and Okinawan mothers. Sometimes (and especially when the fathers are deployed elsewhere) the mothers are left to bring up the children by themselves, and, like Tomlinson, those children don’t always have an easy time at school.

    When five single mothers set up a school for their own “Amerasian” children in Okinawa 15 years ago, they were not so much worried about bullying as concerned about getting their kids a bilingual education. The only one of the women still involved with the school — the current principal, Midori Thayer — explains: “Our children needed to learn both languages because of their two different heritages. They had to be themselves.”…

    Read the entire article here.

  • Review of Adult Supervision at Park Theatre Finsbury Park

    LondonTheater1.com
    London
    2013-10-20

    Alan Franks, Senior Reviewer

    Adult supervision, if you remember, is what Barack Obama said Washington needed. This was back in 2006, two years before his election as forty-fourth president of the US, and the first black incumbent of the office. So there could hardly be a more timely moment than now for a play bearing his words as its title, with America once more squeezing through one of its congressional crises which baffle the world with their apparent childishness.

    What’s more, Sarah Rutherford’s play is set on that giddy evening five years ago when the votes were counted, the unthinkable happened and a black American family prepared to move into the White House. So the joyful political liberation plays out as a running backdrop to the get-together of the four youngish women on whom we are here to eavesdrop. More a frontdrop actually, since the TV is situated on the fourth wall, which means they gawp and whoop at us as the results of the count come in. It is as if we are making our own fleeting guest appearances at the unfolding drama.

    Our hostess is the controlling Natasha, lawyer turned full-time mother who loses no opportunity for trumpeting the moral virtue of her career shift. Her children are a statement in their own right; she is white and they are black, the fruits of an adoption mission to Ethiopia. One of her guests is the angry Mo, whose husband is black; another is Issy, Natasha’s supposed best friend; the third, and only black woman is the heavily pregnant Angela. In Natasha’s patronising, or matronising vision, the four of them are bonded by their commitment to mixed-race progeny…

    Read the review here.