Mixed Race Studies

Mestizaje: Critical Uses of Race in Chicano Culture

University of Minnesota Press
2006
272 pages
15 halftones; 5 7⁄8 x 9
Paper ISBN: 0-8166-4595-7
Paper ISBN-13: 978-0-8166-4595-4
Cloth ISBN: 0-8166-4594-9
Cloth ISBN-13: 978-0-8166-4594-7

Rafael Pérez-Torres, Professor and Chair of English
University of California, Los Angeles

A major reassessment of how mixed-race identity affects Chicano culture and politics.

Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities.

Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros [1962-1996], and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge.

Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline.

Table of Contents

Acknowledgments
Introduction

PART I. Creating Mestizaje
1. The Critical Mixture of Race
2. The Mestizo Voice

PART II. Fashioning Mestizaje
3. Popular Music and Postmodern Mestizaje
4. Land and Race in Chicano Public Art

PART III. Challenging Mestizaje
5. The Transgressive Body and Sexual Mestizaje
6. Narrative and Loss

Notes
Works Cited
Index

Mixing Race, Mixing Culture: Inter-American Literary Dialogues

University of Texas Press
2002
6 x 9 in.
324 pp., 4 photos, 1 chart
ISBN: 978-0-292-74348-9
Print-on-demand title

Edited by

Monika Kaup, Assistant Professor of English
University of Washington, Seattle

Debra Rosenthal, Assistant Professor of English
John Carroll University

Over the last five centuries, the story of the Americas has been a story of the mixing of races and cultures. Not surprisingly, the issue of miscegenation, with its attendant fears and hopes, has been a pervasive theme in New World literature, as writers from Canada to Argentina confront the legacy of cultural hybridization and fusion.

This book takes up the challenge of transforming American literary and cultural studies into a comparative discipline by examining the dynamics of racial and cultural mixture and its opposite tendency, racial and cultural disjunction, in the literatures of the Americas. Editors Kaup and Rosenthal have brought together a distinguished set of scholars who compare the treatment of racial and cultural mixtures in literature from North America, the Caribbean, and Latin America. From various angles, they remap the Americas as a multicultural and multiracial hemisphere, with a common history of colonialism, slavery, racism, and racial and cultural hybridity.

Table of Contents

• Acknowledgments
• Introduction
• I. Mixed-Blood Epistemologies
  1. Werner Sollors, Can Rabbits Have Interracial Sex?
  2. Doris Sommer, Who Can Tell? The Blanks in Villaverde
  3. Zita Nunes, Phantasmatic Brazil: Nella Larsen‘s Passing, American Literary Imagination, and Racial Utopianism
• II. Métissage and Counterdiscourse
  1. Françoise Lionnet, Narrating the Americas: Transcolonial Métissage and Maryse Condé‘s La Migration des coeurs
  2. Michèle Praeger, Créolité or Ambiguity?
• III. Indigenization, Miscegenation, and Nationalism
  1. Priscilla Archibald, Gender and Mestizaje in the Andes
  2. Debra J. Rosenthal, Race Mixture and the Representation of Indians in the U.S. and the Andes: Cumandá, Aves sin nido, The Last of the Mohicans, and Ramona
  3. Susan Gillman, The Squatter, the Don, and the Grandissimes in Our America
• IV. Hybrid Hybridity
  1. Rafael Pérez-Torres, Chicano Ethnicity, Cultural Hybridity, and the Mestizo Voice
  2. Monika Kaup, Constituting Hybridity as Hybrid: Métis Canadian and Mexican American Formations
• V. Sites of Memory in Mixed-Race Autobiography
  1. Rolando Hinojosa-Smith, Living on the River
  2. Louis Owens, The Syllogistic Mixedblood: How Roland Barthes Saved Me from the indians
• Coda: From Exoticism to Mixed-Blood Humanism
  1. Earl E. Fitz, From Blood to Culture: Miscegenation as Metaphor for the Americas
• Contributors
• Works Cited
• Index

Read the entire introduction here.