Mixed Race Studies

A Master on the Periphery of Capitalism

Duke University Press
2001
232 pages
Cloth ISBN: 978-0-8223-2210-8
Paperback ISBN: 978-0-8223-2239-9

Roberto Schwarz

Translated by:

John Gledson, Emeritus Professor of Brazilian Studies
University of Liverpool

A Master on the Periphery of Capitalism is a translation (from the original Portuguese) of Roberto Schwarz’s renowned study of the work of Brazilian novelist Machado de Assis (1839–1908). A leading Brazilian theorist and author of the highly influential notion of “misplaced ideas,” Schwarz focuses his literary and cultural analysis on Machado’s The Posthumous Memoirs of Brás Cubas, which was published in 1880. Writing in the Marxist tradition, Schwarz investigates in particular how social structure gets internalized as literary form, arguing that Machado’s style replicates and reveals the deeply embedded class divisions of nineteenth-century Brazil.

Widely acknowledged as the most important novelist to have written in Latin America before 1940, Machado had a surprisingly modern style. Schwarz notes that the unprecedented wit, sarcasm, structural inventiveness, and mercurial changes of tone and subject matter found in The Posthumous Memoirs of Brás Cubas marked a crucial moment in the history of Latin American literature. He argues that Machado’s vanguard narrative reflects the Brazilian owner class and its peculiar status in both national and international contexts, and shows why this novel’s success was no accident. The author was able to confront some of the most prestigious ideologies of the nineteenth century with some uncomfortable truths, not the least of which was that slavery remained the basis of the Brazilian economy.

A Master on the Periphery of Capitalism will appeal to those with interests in Latin American literature, nineteenth century history, and Marxist literary theory.

Table of Contents

• Introduction / John Gledson
• Preface
• 1. Initial Observations
• 2. A Formal Principle
• 3. The Practical Matrix
• 4. Some Implications of the Prose
• 5. The Social Aspect of the Narrator and the Plot
• 6. The Fate of the Poor
• 7. The Rich on Their Own
• 8. The Role of Ideas
• 9. Questions of Form
• 10. Literary Accumulation in a Periferal Country
• Notes
• Glossary
• Bibliography
• Index

CLS 413: Comparative Studies in Theme: Generation, Degeneration, Miscegenation

Northwestern University
Winter 2012

César Braga-Pinto, Associate Professor of Brazilian Studies

In this seminar we will discuss how and why late 19th-century and early 20th-century fiction often represented a crisis in models of biological reproduction. We will investigate how anxieties regarding miscegenation and degeneration impacted this three-part pattern:

(1) the “family romance” in Latin America (and elsewhere); (2) the  so-called generative crisis in the turn of the century; (3) the homosocial, “horizontal” forms of association or affiliation that were evoked to compensate the crisis in the generative model. We will also consider the meanings of the term “generation” as a form of “affiliation” in multi-racial societies such as Brazil.

Although we will focus primarily on Brazilian fiction, the approach will be comparative (hemispheric and/or transatlantic), and final papers may focus on U.S., Latin American, European, African or other post-colonial literatures (primarily from the period 1850’s-1930’s).

Class Materials:

• José de Alencar (Iracema, 1865)
• Aluísio de Azevedo (O Mulato, 1881)
• Adolfo Caminha (O Bom Crioulo, 1895)
• Machado de Assis (Dom Casmurro, 1899)
• Lima Barreto (Clara dos Anjos, 1922)
• José Lins do Rego (Doidinho, 1933; Banguê, 1934)
• Graciliano Ramos (São Bernardo, 1934)
• Gilberto Freyre (The Masters and the Slaves, 1933)

ALL WORKS ARE AVAILABLE IN ENGLISH TRANSLATION.

Secondary sources may include works by Doris Sommer, Edward Said, Franz Fanon, Eve Sedgwick, Judith Butler, Roberto Schwarz, Silviano Santiago and Jacques Derrida.