Mixed Race Studies

Existing Across Boundaries: A Conversation with Community Journalist and Editor Sharon Ho Chang

The Seventh Wave
2021-10-15

Sharon Ho Chang knows her way around community journalism. She is the managing editor at the South Seattle Emerald, a digital news and culture publication run by and centering the BIPOC people and communities who live, work, create, and are experiencing displacement due to gentrification in the city’s Central District and South End. The Emerald is a beacon of thorough, complex, and vital reporting for the immediate area, as well as an example of how journalism can embrace multifaceted local stories that have regional, national, and even global importance. In addition to editing the Emerald, Chang is also a writer, artist, and documentarian with a lot of storytelling under her belt, including the publication of two nonfiction books — Raising Mixed Race: Multiracial Asian Children in a Post-Racial World (Routledge, 2015) and the memoir Hapa Tales And Other Lies: A Mixed Race Memoir About the Hawai’i I Never Knew (self published in 2018) — both of which explore in academic and personal ways the experience of being mixed race. She is also a photographer and videographer, and is dedicated to documenting underrepresented and underreported stories of the people and places in her community in Seattle, her family and elders in Taiwan, and her own multiracial transnational experience.

Chang spoke with Interviews Editor Sarah Neilson over Zoom about her many, many journalism projects past and present; her experiences with feedback and creative inspiration over time; voting in her first Taiwan presidential election; and what Economies of Harm means to her…

Read the entire interview here.

As more people claim a multiracial identity, and it subsequently becomes more mainstream, I have been disturbed to also see a lot of mixed-race work rewrite white supremacist ideologies of old (e.g. postracialism, excluding non-white mixed people, not naming race, anti-blackness, etc.). Same oppression, different era, under somewhat changed circumstances. Racism is a clever shapeshifter. I have been looking for a while for a mixed community that resists, holds fast to a hard edge, refuses to re-inscribe, and pushes forward transformative dialogue.

Midwest Mixed is that community.

Sharon H. Chang, “Midwest Mixed: Taking the lead on antiracist conversations about multiraciality,” Sharon H. Chang, author | photographer | activist, July 25, 2019. https://sharonhchang.com/2019/07/25/4943/.

Midwest Mixed: Taking the lead on antiracist conversations about multiraciality

Sharon H. Chang, Author, Photographer, Activist
2019-07-25

Sharon H. Chang

Me and Alissa Paris

“There is colorism in this work. There is shadeism in this work. There is anti-blackness in this work. And we are here to critique that.” —Alissa Paris, Executive Director and Co-founder, Midwest Mixed

Heat bounces off the parking lot pavement, blazes bright off light beige walls of the church where the conference is being held. It’s a typically warm, humid morning in Minneapolis. Summer glimmers across a yellow Black Lives Matter banner, bold against the south wall. Inside, the air is comfortable and cooled. Organizers and volunteers in deep purple T-shirts, “Midwest Mixed” written in turquoise, mill about, preparing. More attendees drift through doors, queue up, write their pronouns, hang lanyards from their necks.

Volunteers hand us beautiful 29-page, full color programs. Workshops include reflective writing, creative movement, dialogue and panels. I appreciate right away that there is an emphasis in the workshops on healing, parenting, mental wellness, and healthy families. There is note taking space in the back of the program and a worksheet entitled “A Deep Dive On My Identity” to help attendees think on the different intersections of our whole selves (e.g. geography, nationality, ethnicity, language, race, religion, socioeconomic status, ability, sexual orientation, gender ID, etc.).

In the marketplace, vendors sell social justice buttons, cards and shirts, jewelry from Africa, Corage Dolls to build self-love and confidence in girls of color. Posters display Maria P. P. Root’s Bill of Rights for Racially Mixed People, a history of the multiracial movement, definitions of terms like intersectionality, ethnicity, sexual orientation, gender pronouns. Multi-medium works by local artists fill social rooms and hallways, including Within, Between, and Beyond: a multi-layered interactive installation on mixed race and transracial adoptee stories…

…And by the end of the weekend, I realize I’ve just attended one of the best race conferences I’ve ever been to…

Read the entire article here.

My First School Talk On Raising Mixed Kids

Sharon Chang: author | photographer | activist
2019-03-21

Sharon H. Chang

I gave the first, dedicated talk I’ve ever given on raising Mixed Race children in Seattle, Tuesday, March 5: “Raising Mixed Kids: Multiracial Identity & Development.”…

Teaching a rallying cry to K-2 students earlier this week. Omg look at these beautiful babies and all the hope/possibility they represent. Equity work can be so depressing. But this? GIVING ME LIFE. pic.twitter.com/4SnbDBna9H

— Sharon H Chang (@sharonhchang) March 22, 2019

Read the entire article here.

Sharon H. Chang does a deep dive of her new memoir “Hapa Tales and Other Lies” with fellow Seattle writer Anne Liu Kellor

International Examiner
Seattle, Washington
2018-10-08

Anne Liu Kellor

Sharon H. Chang recently released a memoir called Hapa Tales and Other Lies: A Mixed Race Memoir about the Hawai’i I Never Knew. The book is an exploration of her Mixed Race Asian American identity through the lens of being a tourist in Hawai’i, a place with many Mixed Race Asians where Chang was indirectly told she could find a sense of racial belonging.

Different from the trips she took with her parents when she was a kid, Chang’s adult exploration of spaces like Pearl Harbor and the Polynesian Cultural Center tell her a more complicated history of Hawai’i and the indigenous culture – colonization, marginalization of Native Hawaiians, exploitation and appropriation. She spends significant time challenging the use of the term “hapa,” a word that originally referred to mixed Hawaiian natives, but that many Mixed Race Asians now use without any awareness of the word’s origins.

Seattle-based writer Anne Liu Kellor interviewed Chang about this exploration as they shared similar perspectives of being Mixed Race, Asian American women and mothers.

International Examiner: In Hapa Tales and Other Lies, you write that this book is a “chapter of your identity story” and “part of a larger, necessary story about the loneliness and challenge of self-defining that Mixed Race people generally face.” When did you start becoming more reflective about your Mixed Race identity, and how has this process of “self-defining” changed for you over time?

SHC: I started becoming more reflective about being Mixed Race when I met my husband (who is also Mixed) at the turn of the century. My husband had been recently politicized and the 2000 Census had just taken place where people could self-select more than one race box for the first time. When we met, he was in the process of reflecting deeply on where to step into the race conversation as a now recognized biracial person. I had never heard anyone talk about being Mixed Race like that, ever, and I was completely drawn in.

When my husband and I grew up no one talked about being biracial, multiracial, or mixed-race. That language didn’t really exist on a large scale. People like us were “half” this, “quarter” that, or you were expected to just “pick a side.” I began to see such concepts as harmfully self-divisive and wondered how things could be different. But what spurred me to go even deeper and actually begin writing on Mixed Race was the birth of my son in 2009…

Read the entire interview here.

How do multiracial Asian people fit into discussions around race?

The Record
KUOW.org 94.9 FM | Seattle News & Information
2016-09-29

Caroline Chamberlain, Acquisitions Producer

Bill Radke, Host

Bill Radke sits down with Sharon H. Chang, author of “Raising Mixed Race: Multiracial Asian Children in a Post-Racial World.”

She explains why it’s important to study the experiences of mixed race people and how it relates to our broader history of race in this country.

Listen to the interview (00:12:32) here.

‘Raising Mixed Race’: An Evening with Sharon H. Chang and Tangerine

The Seattle Public Library
Central Library
Level 1 – Microsoft Auditorium
1000 Fourth Avenue
Seattle, Washington 98104-1109
Thursday, 2016-09-29, 19:00-21:00 PDT (Local Time)

Join us for an author talk, and live music by Seattle band Tangerine, to celebrate the final stop of Sharon H. Chang’s “Raising Mixed Race: Multiracial Asian Children in a Post-Racial World” book tour.

Drawn from extensive research and interviews with sixty-eight parents of multiracial children, “Raising Mixed Race: Multiracial Asian Children in a Post-Racial World” examines the complex task of supporting our youngest around being “two or more races” and Asian while living amongst post-racial ideologies. “Racist America” author Joe R. Feagin hailed Chang’s work as “one of the best field interview studies of multiracial issues yet to be done,” one which captures “the gritty realities of being mixed-race in this country.”

Following an interview with Sharon H. Chang about their experiences as multiracial musicians, Seattle indie band Tangerine will perform a live set with songs from their latest EP, Sugar Teeth…

For more information, click here.

All Mixed Up: What Do We Call People Of Multiple Backgrounds?

Code Switch: Race And Identity, Remixed
National Public Radio
2016-08-25

Leah Donnella

In a country where the share of multiracial children has multiplied tenfold in the past 50 years, it’s a good time to take stock of our shared vocabulary when it comes to describing Americans like me. Jeannie Phan for NPR

It’s the summer of 1998 and I’m at the mall with my mom and my sister Anna, who has just turned 5. I’m 7. Anna and I are cranky from being too hot, then too cold, then too bored. We keep touching things we are not supposed to touch, and by the time Mom drags us to the register, the cashier seems a little on edge.

“They’re mixed, aren’t they?” she says. “I can tell by the hair.”

Mom doesn’t smile, and Mom always smiles. “I have absolutely no idea what you’re talking about,” she says.

Later, in the kitchen, there is a conversation…

…‘Multiracial’ or ‘mixed’?

In light of Hall’s paper, “multiracial” was adopted by several advocacy groups springing up around the country, some of which felt the term neutralized the uncomfortable connotations of a competing term in use at that point: “mixed.”

In English, people have been using the word “mixed” to describe racial identity for at least 200 years, like this 1864 British study claiming that “no mixed races can subsist in humanity,” or this 1812 “Monthly Retrospect of Politics” that tallies the number of slaves — “either Africans or of a mixed race” — in a particular neighborhood.

Steven Riley, the curator of a multiracial research website, cites the year 1661 as the first “mixed-race milestone” in North America, when the Maryland colony forbade “racial admixture” between English women and Negro slaves.

But while “mixed” had an established pedigree by the mid-20th century, it wasn’t uncontroversial. To many, “mixed” invited associations like “mixed up,” “mixed company” and “mixed signals,” all of which reinforced existing stereotypes of “mixed” people as confused, untrustworthy or defective. It also had ties to animal breeding — “mixed” dogs and horses were the foil to pure-breeds and thoroughbreds.

Mixed “evokes identity crisis” to some, says Teresa Willams-León, author of The Sum of Our Parts: Mixed Heritage Asian Americans and a professor of Asian American Studies at California State University. “It becomes the antithesis to pure.”…

Read the entire article here.

‘Blind Spots’ and Other Problems in Globally Blended Families

The Wall Street Journal
2016-08-31

Tracy Slater

When the parents are in the majority and the kids are in the minority

Perhaps your child, like my two-year-old, and many other children in globally blended families, belongs to the world’s growing mixed-ethnicity population. The World Factbook finds a percentage of mixed-ethnicity people in almost a quarter of its 236 countries and territories. Among western nations, the U.K.’s and the U.S.’s mixed-race populations are increasing faster than any other minority group.

Mixed-ethnicity children often face very different experiences to their parents, a point stressed by many studies tracking this population’s growth, but within multinational families, there is another dimension: My daughter may be mixed, but she has two biological parents without much clue about what it feels like to be a minority as a kid. I’m a Jewish-American, raised with all the cultural privileges afforded to whites in the U.S., her father is native Japanese, and we live in Japan.

As a woman in a multicultural, multinational, and multiracial couple, I’ve sensed how some people assume I must be uniquely open to cultural differences, and thus uniquely equipped to raise a mixed child. But this assumption betrays a flawed logic. Globe-trotting parents in mixed marriages who grew up in the majority may be aware of racism and may even have faced it themselves, but most still lack a deeper understanding of racism during a child’s formative years…

Read the entire article here.

IN THE WHITE FRAME : An interview with mixed-race dancers Angel Langley & Jasmmine Ramgotra

Multiracial Asian Families: thinking about race, families, children, and the intersection of mixed ID/Asian
2016-08-30

Sharon H. Chang

STRANGE COUPLING is an annual juried exhibition of collaborations between University of Washington (UW) student artists and local professional artists. Over a decade old, the School of Art + Art History + Design program aims to connect campus and community through teamwork and direct engagement. This year I was entirely captivated by one of twelve projects, a performance piece entitled In The White Frame by mixed-race student dancers Angel Langley and Jasmmine Ramgotra with local sound artist/composer/teacher Byron Au Yong. The piece is a stunning work of art and innovative look at the experience of multiraciality within our white dominant culture.

Performed Friday June 10 at Seattle’s King Street Station, In the White Frame is a 20-minute structured improvisation that utilizes movement, materials, sound and space. The audience — who does not sit — is invited to participate but also come and go at will. “We wanted to create something that was structured and improvisational,” said Jasmmine, “And we had an intention to do it about identity.”

Over coffee with me at Columbia City Bakery in Seattle, Angel and Jasmmine sit down to tell more about creating this beautiful piece. They recall at their first meeting with Byron months ago talking about the prevalence of racial dichotomies in society right now. “We knew we wanted to do [something] about our own experience,” reflects Jasmmine. At the same time the three artists had discussed how art is often presented in white-framed gallery spaces. That was when Angel had an epiphany. She had been reading Raising Mixed Race: Multiracial Asian Children In a Post-Racial World and learning about Joe R. Feagin’s theory of the white racial frame for the first time. “I remember giving [the book] to Jasmmine like you need to read this chapter on white framing cause this is what we’re doing,” says Angel. But also “what does that mean being our identities in a high art space, a white-framed gallery?” Jasmmine can’t hide her enthusiasm, “I was like oh my god that makes so much sense.”

To give form to their improvisation they brainstormed a wordlist with Byron. “Ideas of what mixed race peoples are,” explained Angel, “like superhuman, mixed.” Mutt was one of them says Jasmmine “because someone called me that before and I was like wow. Really?” The dancers nod to themselves about such contradictions. Mixed race identity is supposed to be fluid so fluidity was also on their wordlist. But the reality is that being multiracial is often a polarized, painful experience via other peoples perceptions. The truth of this dichotomy compelled them to add stuck to their list too. “Like more ugly or more beautiful,” Angel gives another example. “Just this idea you’re either a superhuman, or you’re a piece of shit.”…

Read the entire interview here.