Slavery graphic novel goes to schools to shed light on Scots history

Posted in Articles, History, Media Archive, Slavery, Teaching Resources, United Kingdom on 2018-08-21 03:05Z by Steven

Slavery graphic novel goes to schools to shed light on Scots history

The National
2018-08-09

Kirsteen Paterson

The work is an 'ambitious collaboration' between independent publisher BHP Comics and Glasgow University
The work is an ‘ambitious collaboration’ between independent publisher BHP Comics and Glasgow University

EVERY third year pupil in Scotland is to be schooled on Scotland’s slave past thanks to a new graphic novel.

As many as 12,000 copies of Freedom Bound, which draws from research into slavery in the 1700s, are to be distributed around the country within weeks.

The work is an “ambitious collaboration” between independent publisher BHP Comics and Glasgow University, with illustrations from veteran artist Warren Pleece, whose credits include DC Comics and 2000AD.

The result is 144 pages that tell the stories of three people brought to Scotland to serve white masters…

…Launching the online archive in June, Professor Simon Newman of Glasgow University, who worked on Freedom Bound, said the loss of slave stories from the national memory had been “accidental”, telling The National: “Because there weren’t huge numbers of these people, because they formed relationships with the white population, they just disappeared.

“I suspect there are a good number of us who have African DNA.”

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Turkish descendants of African slaves begin to discover their identity

Posted in Articles, Europe, Media Archive on 2013-03-24 03:00Z by Steven

Turkish descendants of African slaves begin to discover their identity

The National
Abu Dhabi, United Arab Emirates
2012-09-01

Piotr Zalewski

No one knows how many Afro-Turks there are but, in a country that’s beginning to acknowledge its great diversity, they’re beginning to unearth their forgotten history.

In 1961, Ertekin Azerturk, a Turkish businessman from Istanbul, placed a long-distance call. The voice of the switchboard operator who answered—a woman’s voice, sweet and crisp, like a singer’s—must have made his head spin. Must have, because from that day on, Azerturk insisted on speaking to the same operator each time he picked up the phone. During one call he found the gumption to ask his mystery girl out on a date. Her reply was as surprising to him as his request was to her. “No way,” Tomris, the operator, told Azerturk. “You won’t like me,” she explained, “because I’m dark.”

But Azerturk didn’t back down and Tomris eventually gave in. When they met, he was dumbstruck. He had understood Tomris was dark, but had never figured she would be black. (He had never previously met or even heard of a Turk who was.) Tomris was, like her voice, striking, and Azerturk was smitten. Over the Azerturk family’s objections, the pair married.

…As a child, Muge could not fully grasp why her skin was the colour it was—or why it should matter. She finally learnt, and understood, the truth in her teens. She and her brother were descendants, three generations removed, of black slaves…

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