Mixed Race Studies

Scholarly perspectives on the mixed race experience.

Often when mixed-race identities are discussed today, they are conflated with this idea of our “post-racial future.” A future where race is no longer an issue and everyone looks like Halle Berry. The kinds of people who seem to be the most vocal about mixed-race are the people who claim that, “Everyone is a bit mixed-race” or “I don’t see race, we are beyond it” etc. There is this belief that Love and its mixed-race children will help break down the barriers that have been so doggedly safe-guarded for the past several hundred years. Parents of mixed-race children often believe this too, I’ve heard it coming from their mouths many times.

Sophie Steains, “Not Your Post-Racial Future: Why Interracial Families Need to Talk About Race,” ARMED, May 17, 2015. http://armedpublishing.tumblr.com/post/119170717528/not-your-post-racial-future-why-interracial.

“I have two handicaps, I am a woman and I have some Negro blood in my veins.”

Posted in Excerpts/Quotes on 2020-06-18 00:31Z by Steven

[Florence] Price and her music were well received in Chicago. The great contralto Marian Anderson closed her legendary 1939 Lincoln Memorial concert with a piece arranged by Price. Still, she scraped to make ends meet, writing pop tunes and accompanying silent films. In 1943, she sent a letter to Serge Koussevitzky, conductor of the Boston Symphony Orchestra, acknowledging what she was up against. “I have two handicaps,” she wrote: “I am a woman and I have some Negro blood in my veins.”

Tom Huizenga, “Revisiting The Pioneering Composer Florence Price,” All Things Considered, National Public Radio, January 21, 2019. https://www.npr.org/2019/01/21/686622572/revisiting-the-pioneering-composer-florence-price.

Tags: All Things Considered, Florence B. Price, Florence Beatrice Price, Florence Price, National Public Radio, NPR, Serge Koussevitzky, Tom Huizenga

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Revisiting The Pioneering Composer Florence Price

Posted in Articles, Arts, Audio, Biography, Media Archive, United States, Women on 2020-06-18 00:10Z by Steven

Revisiting The Pioneering Composer Florence Price

All Things Considered
National Public Radio
2019-01-21

Tom Huizenga, Music Producer

Florence Price was the first African-American woman to have her music performed by a major symphony orchestra.
Special Collections, University of Arkansas Libraries

In 1933, the Chicago Symphony Orchestra gave the world premiere of Symphony No. 1 by a then little-known composer named Florence Price. The performance marked the first time a major orchestra played music by an African-American woman.

Price’s First Symphony, along with her Fourth, has just been released on an album featuring the Fort Smith Symphony, conducted by John Jeter.

Fans of Price, especially in the African-American community, may argue that her music has never really been forgotten. But some of it has been lost. Not long ago, a couple bought a fixer-upper, south of Chicago, and discovered nearly 30 boxes of manuscripts and papers. Among the discoveries in what turned out to be Price’s abandoned summer home was her Fourth Symphony, composed in 1945. This world-premiere recording is another new piece of the puzzle to understanding the life and music of Price, and a particular time in America’s cultural history.

Read the story here. Listen to the story (00:04:00) here.

Tags: All Things Considered, Chicago, Chicago Symphony Orchestra, Florence B. Price, Florence Beatrice Price, Florence Price, Illinois, music, National Public Radio, NPR, Tom Huizenga

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Mixed Race Studies

“I have two handicaps, I am a woman and I have some Negro blood in my veins.”

Revisiting The Pioneering Composer Florence Price

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