Scholarly perspectives on the mixed race experience.
Although the history of racial passing does not evoke the clearcut ethical responses that we have to slavery it is an important part of the larger story of racism and racial repression in this country. The frequency of passing is further evidence of the fraudulence of race as a meaningful construct for other than divisive exploitation. The experiences of the black Creole men and women that I have focused on are examples of the extreme risks African-Americans born at the turn-of-the-century often felt forced to take to circumvent a poverty that was socially engineered by white supremacists who wanted to preserve decent paying jobs for whites. Therefore, to read the history of “passing” as a tragic mulatto story of self-hatred, or as evidence of a “devil may care,” Caribbean-style multiracial identity in South Louisiana is to misread the history of American race relations…
At a Rose Parade float display, Thomas Lopez compares profiles with our first president. (Courtesy of Thomas Lopez)
“Mr. Lopez, we need you to turn in the form declaring your son’s race,” said the administrator from my son’s school.
In second grade, we transferred him to LAUSD from his parochial school and filed the necessary stack of paperwork, save one form. That was the statement of racial identity.
It wasn’t intentional, just an honest mistake. But it wasn’t one the school would easily overlook. They called my wife and me individually to obtain the form.
Completing this form was not easy. My son is multiracial — Black, white and Native American. I too am multiracial white and Latino. My wife and I are Mexican American…
Even as a child, I balked at the stereotype of the Tragic Mulatto.
It didn’t make sense to me.
And I straight-up resented its implication: that my existence was tragic and my whole life worthless because I was “this close to” but not completely white.
Neither I nor any of the Mixed folks I grew up with seemed the least bit miserable about our ancestry or identities.
I was a young “bookworm”—today I’d be called an avid reader—regularly devouring the works of many fine poets and authors including Langston Hughes, who was one of my favorites…
The award-winning journalist and co-host of CBS Saturday Morning tells the candid, and deeply personal story of her mother’s abandonment and how the search for answers forced her to reckon with her own identity and the secrets that shaped her family for five decades.
Though Michelle Miller was an award-winning broadcast journalist for CBS News, few people in her life knew the painful secret she carried: her mother had abandoned her at birth. Los Angeles in 1967 was deeply segregated, and her mother—a Chicana hospital administrator who presented as white, had kept her affair with Michelle’s father, Dr. Ross Miller, a married trauma surgeon and Compton’s first Black city councilman—hidden, along with the unplanned pregnancy. Raised largely by her father and her paternal grandmother, Michelle had no knowledge of the woman whose genes she shared. Then, fate intervened when Michelle was twenty-two. As her father lay stricken with cancer, he told her, “Go and find your mother.”
Belonging is the chronicle of Michelle’s decades-long quest to connect with the woman who gave her life, to confront her past, and ultimately, to find her voice as a journalist, a wife, and a mother. Michelle traces the years spent trying to make sense of her mixed-race heritage and her place in white-dominated world. From the wealthy white schools where she was bussed to integrate, to the newsrooms filled with white, largely male faces, she revisits the emotional turmoil of her formative years and how the enigma of her mother and her rejection shaped Michelle’s understanding of herself and her own Blackness.
As she charts her personal journey, Michelle looks back on her decades on the ground reporting painful events, from the beating of Rodney King to the death of George Floyd, revealing how her struggle to understand her racial identity coincides with the nation’s own ongoing and imperfect racial reckoning. What emerges is an intimate family story about secrets—secrets we keep, secrets we share, and the secrets that make us who we are.
Colin Kaepernick’s graphic novel memoir details his high school years before he entered professional sports, according to the publisher. Jamie McCarthy/Getty Images
Former NFL quarterback Colin Kaepernick accused his White adoptive parents of perpetuating racism in their household in an interview with CBS’ Adriana Diaz on Thursday.
“I know my parents loved me, but there were still very problematic things that I went through,” the 35-year-old said.
“I think it was important to show that, no, this can happen in your home, and how you move forward collectively while addressing the racism that is being perpetuated.”…
Colin Kaepernick: Change the Game is an inspiring high school graphic novel memoir for readers 12 and up from celebrated athlete and activist Colin Kaepernick. A high school senior at a crossroads in life and heavily scouted by colleges and Major League Baseball (MLB), Colin has a bright future ahead of him as a highly touted prospect. Everyone, from his parents to his teachers and coaches, is in agreement on his future. Everyone but him.
Colin isn’t excited about baseball. In the words of five-time all-star MLB player Adam Jones, “Baseball is a white man’s sport.” He looks up to athletes like Allen Iverson: talented, hyper-competitive, unapologetically Black, and dominating their sports while staying true to themselves. College football looks a lot more fun than sleeping on hotel room floors in the minor leagues of baseball. But Colin doesn’t have a single offer to play football. Yet. This touching YA graphic novel memoir explores the story of how a young change-maker learned to find himself, make his own way, and never compromise.
Mixed-race writers invited to share contribute to groundbreaking celebration of Mixed identity.
Militantly Mixed and Mixed Auntie Confidential announce an exciting new anthology celebrating a fresh dimension of Mixed-race identity journeys for writers at all experience levels.
The premiere issue of the Be Your Mixed Ass Self® Anthology Volume 1 welcomes original, unpublished essays and poetry by Mixed-race adults of all genders, and mixes.
“Be Your Mixed Ass Self®” is the motto of the Militantly Mixed podcast, created and hosted by Sharmane “Sir Auntie Mane” Fury. “This anthology takes that affirmation to the next level to uplift public unapologetic mixedness in ways that empower us all.”
This groundbreaking anthology will be a fundraiser for the award-winning Militantly Mixed podcast which is celebrating its fifth anniversary in 2023. The anthology submission deadline is March 15, 2023.
“We’re looking for writing that shares the experience of becoming your Mixed ass self,” says TaRessa Stovall, author and blogger at Mixed Auntie Confidential, who is co-editing the anthology with Sharmane. “Contributors don’t have to be professional or published writers. We welcome new and experienced writers to add their voices to the mix.”
“It’s the authenticity of the writing for us,” said Sharmane…
Samira K. Mehta, Assistant Professor of Women and Gender Studies and Jewish Studies University of Colorado, Boulder
An unflinching look at the challenges and misunderstandings mixed-race people face in family spaces and intimate relationships across their varying cultural backgrounds
In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial.
Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than her father’s—they never carried on conversations in languages she couldn’t understand or blamed her for finding the food was too spicy. In adulthood, she realized that some of her Indian family’s assumptions about the world had become an indelible part of her—and that her well-intentioned parents had not known how to prepare her for a world that would see her as a person of color.
Popular belief assumes that mixedness gives you the ability to feel at home in more than one culture, but the flipside shows you can feel just as alienated in those spaces. In 7 essays that dissect her own experiences with a frankness tempered by generosity, Mehta confronts questions about:
authenticity and belonging;
conscious and unconscious cultural inheritance;
appropriate mentorship;
the racism of people who love you.
The Racism of People Who Love You invites people of mixed race into the conversation on race in America and the melding of found and inherited cultures of hybrid identity.
From celebrated ballerina and New York Times bestselling author Misty Copeland, a heartfelt memoir about her friendship with trailblazer Raven Wilkinson which captures the importance of mentorship, shared history, and honoring the past to ensure a stronger future.
Misty Copeland made history as the first African-American principal ballerina at the American Ballet Theatre. Her talent, passion, and perseverance enabled her to make strides no one had accomplished before. But as she will tell you, achievement never happens in a void. Behind her, supporting her rise was her mentor Raven Wilkinson. Raven had been virtually alone in her quest to breach the all-white ballet world when she fought to be taken seriously as a Black ballerina in the 1950s and 60s. A trailblazer in the world of ballet decades before Misty’s time, Raven faced overt and casual racism, hostile crowds, and death threats for having the audacity to dance ballet.
The Wind at My Back tells the story of two unapologetically Black ballerinas, their friendship, and how they changed each other—and the dance world—forever. Misty Copeland shares her own struggles with racism and exclusion in her pursuit of this dream career and honors the women like Raven who paved the way for her but whose contributions have gone unheralded. She celebrates the connection she made with her mentor, the only teacher who could truly understand the obstacles she faced, beyond the technical or artistic demands.
A beautiful and wise memoir of intergenerational friendship and the impressive journeys of two remarkable women, The Wind at My Back captures the importance of mentorship, of shared history, and of respecting the past to ensure a stronger future.
Synopsis: This topical short documentary features interviews with multiethnic and multiracial youth living in Catalonia, Spain, who talk about their mixed heritage and its meaning for them, their identity and sense of belonging, and their experiences of discrimination and agency. Through these narratives, MIXED VOICES reveals that the positive, empowering experiences of mixedness—a growing reality in Spain as well as across the globe—can coexist with negative stereotypes and prejudices and the continued stigmatization and discrimination of racialized groups, who are more constrained in their identity options. In this way, the documentary highlights the socially transformative aspects of mixedness while alerting us to persistent social divisions that hinder social inclusion and cohesion.
MIXED VOICES was produced as part of the MIXED-YOUTH Research Project (“Social Relations and Identity Processes of Children of Mixed Unions: Mixedness—Between Inclusion and Social Constraints,” CSO2015-63962-R), for which a total of 152 Spanish-born individuals from very diverse ancestries were interviewed. More information about the results of this project can be found in the following publications:
Rodríguez-García, Dan. (2022) “The Persistence of Racial Constructs in Spain: Bringing Race and Colorblindness into the Debate on Interculturalism.” Social Sciences 11: 13. https://doi.org/10.3390/socsci11010013.
Rodríguez-García, Dan, Miguel Solana, Anna Ortiz, and Beatriz Ballestín. (2021) “Blurring of Colour Lines? Ethnoracially Mixed Youth in Spain Navigating Identity.” Journal of Ethnic and Migration Studies 47(4): 838–60. https://doi.org/10.1080/1369183X.2019.1654157.
Rodríguez-García, Dan, and Cristina Rodríguez-Reche. (2022) “Daughters of Maghrebian Muslim and Native Non-Muslim Couples in Spain: Identity Choices and Constraints.” Social Compass 69(3): 423–39. https://doi.org/10.1177/00377686221091045.
Rodríguez-García, Dan, Miguel Solana-Solana, Anna Ortiz-Guitart, and Joanna L. Freedman. (2018) “Linguistic Cultural Capital among Descendants of Mixed Couples in Catalonia, Spain.” Journal of Intercultural Studies 39(4): 429–50. https://doi.org/10.1080/07256868.2018.1487388.
The material for this documentary was recorded in 2020 in Catalonia, Spain, in the midst of a full lockdown because of the COVID-19 pandemic. Each participant self-recorded their video, which may have affected the sound and image quality in some cases. All participants have given their consent to use their recordings for the purposes of this documentary.
PRODUCTION TEAM:
INMIX-UAB Research Group on Immigration, Mixedness, and Social Cohesion: Dan Rodríguez-García, Anna Ortiz-Guitart, Cristina Rodríguez-Reche, Teresa Habimana-Jordana, Miguel Solana-Solana, Beatriz Ballestín-González, Víctor Navarro-Izquierdo, Joanna Freedman
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less happy times.
For Nenda Neururer, the word ‘oachkatzlschwoaf‘ invokes a range of emotions. The German word is very hard to pronounce and is synonymous with the Austrian state of Tyrol where locals tease outsiders by asking them to pronounce it.
Despite growing up in Tyrol, Nenda Neururer often felt like an outsider when confronted with this word. But when she moved to London she grew nostalgic for it and it became her little secret.
Found in Translation is a series made as part of the In The Mix project, in partnership with BBC Studios TalentWorks, Black Creators Matter and the Barbican.
