Mixed Race Studies

The Wind at My Back: Resilience, Grace, and Other Gifts from My Mentor, Raven Wilkinson

Grand Central Publishing (an imprint of Hachette Book Group)
2022-11-15
240 pages
Hardcover ISBN-13: 9781538753859
Ebook ISBN-13: 9781538753866
Audiobook ISBN-13: 9781549160080

Misty Copland with Susan Fales-Hill

From celebrated ballerina and New York Times bestselling author Misty Copeland, a heartfelt memoir about her friendship with trailblazer Raven Wilkinson which captures the importance of mentorship, shared history, and honoring the past to ensure a stronger future.

Misty Copeland made history as the first African-American principal ballerina at the American Ballet Theatre. Her talent, passion, and perseverance enabled her to make strides no one had accomplished before. But as she will tell you, achievement never happens in a void. Behind her, supporting her rise was her mentor Raven Wilkinson. Raven had been virtually alone in her quest to breach the all-white ballet world when she fought to be taken seriously as a Black ballerina in the 1950s and 60s. A trailblazer in the world of ballet decades before Misty’s time, Raven faced overt and casual racism, hostile crowds, and death threats for having the audacity to dance ballet.

The Wind at My Back tells the story of two unapologetically Black ballerinas, their friendship, and how they changed each other—and the dance world—forever. Misty Copeland shares her own struggles with racism and exclusion in her pursuit of this dream career and honors the women like Raven who paved the way for her but whose contributions have gone unheralded. She celebrates the connection she made with her mentor, the only teacher who could truly understand the obstacles she faced, beyond the technical or artistic demands.

A beautiful and wise memoir of intergenerational friendship and the impressive journeys of two remarkable women, The Wind at My Back captures the importance of mentorship, of shared history, and of respecting the past to ensure a stronger future.

Multiracial: The Kaleidoscope of Mixedness

Polity
2022-12-27
232 pages
152 x 229 mm / 6 x 9 in
Hardback ISBN: 9781509534654
Paperback ISBN: 9781509534661
ebook ISBN: 9781509534678

Hephzibah V. Strmic-Pawl, Associate Professor of Sociology
Manhattanville College, Purchase, New York

The year 2000 was the first time the US Census permitted respondents to choose more than one race. Although the US has long recognized that a “mixed-race” population exists, the contemporary “multiracial population” presents different questions and implications for today’s diverse society.

This book is the first overview to bring a systematic critical race lens to the scholarship on mixedness. Avoiding the common pitfall of conflating “mixed” with “multiracial,” the book reveals how identity forms and fluctuates such that people with mixed heritage may identify as mixed, monoracial, and/or multiracial throughout their lives. It analyzes the dynamic and various manifestations of mixedness, including at the global level, to reveal its complex impact on both the structural and individual levels. Multiracial critically examines topics such as family dynamics and racial socialization, multiraciality in media and popular culture, and intersections of race, gender, class, and sexual orientation.

Integrating diverse theories, qualitative research, and national-level data, this accessible and engaging book is essential for students of race and those looking to understand the new field of multiraciality.

Table of Contents

• Detailed Contents
• List of Figures and Tables
• CHAPTER 1: MULTIRACIAL AMERICA
• CHAPTER 2: DEFINING MIXED-RACE & MULTIRACIAL
• CHAPTER 3: RACE AND FAMILY
• CHAPTER 4: INTERSECTIONAL IDENTITIES & GLOBAL MIXEDNESS
• CHAPTER 5: MULTIRACIALISM IN THE MEDIA
• CHAPTER 6: NEW, SHIFTING, OR REBOUNDING BOUNDARIES
• References
• Notes
• Index

Jazz à la Creole: French Creole Music and the Birth of Jazz

University Press of Mississippi
November 2022
248 pages
1 table; 29 b&w figures; 20 musical examples
Hardcover ISBN: 9781496842404
Paperback ISBN: 9781496842428

Caroline Vézina
Montréal, Quebec, Canada

The first scholarly volume dedicated to French Creole music and its contribution to the development of jazz in New Orleans

During the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.

Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana.

Transatlantic Liverpool: Shades of the Black Atlantic

Lexington Books (an imprint of Rowman & Littlefield)
October 2022
342 pages
Trim: 6 x 9
Hardback ISBN: 978-1-7936-5263-8
eBook ISBN: 978-1-7936-5264-5

Mark Christian, Professor of Africana Studies
City University of New York, New York, New York

In Transatlantic Liverpool: Shades of the Black Atlantic, Mark Christian presents a Black British study within the context of the transatlantic and Liverpool, England. Taking a semi-autoethnographic approach based on the author’s Black Liverpool heritage, Christian interacts with Paul Gilroy’s notion of the Black Atlantic. Yet, provides a fresh perspective that takes into account a famous British slave port’s history that has been overlooked or under-utilized. The longevity of Black presence in the city involves a history of discrimination, stigma, and a population group known colloquially as Liverpool Born Blacks (LBBs). Crucially, this book provides the reader with a deeper insight of the transatlantic in regard to the movement of Black souls and their struggle for acceptance in a hostile environment. This book is an evocative, passionate, and revealing read.

Table of Contents

• Acknowledgments
• Introduction
  1. Theorizing Transatlantic Liverpool and the Black Atlantic Paradigm
  2. Life and Times in a Liverpool Black Family – The Christians
  3. Schooling, L8 Community Football, Grassroots Education, and Mainstream Miseducation
  4. Anti-Black Riots, Resistance & Black Organization Demise: 1919-2000s
  5. A Tale of Two Freedoms: Contemporary Self-Reflexivity and the Memory of Frederick Douglass
• Appendices
  1. Liverpool City Council Slave Apology Minutes – from December 9, 1999
  2. The Age of Slave Apologies: The Case of Liverpool, England – transcript of public lecture presented by Dr. Mark Christian, November 14, 2007
  3. Front cover: CWCN Reports on Historic Slave Apology (Issue 26: December 1999)
  4. Consortium of Black Organisations – Liverpool- Response to LCC Slave Apology
  5. Front cover: CWCN Celebration of College Status (Issue 12: December 1992)
  6. CWCN Editorial denounces drastic cuts to funding by LCC (Issue 21: June 1997)
  7. Liverpool Echo (August 27, 1997) – Report praised CWC teaching
  8. Front cover: CWCN (Issue 1: June 1987) – Evidence of LCC fight to close CWC in 1987
  9. Front cover: CWCN (Issue 25: June 1999) – Reports on Lawrence Inquiry and Racism
  10. CWCN (Issue 12: December 1992, p.13) – Proof of Jacqueline N. Brown visiting CWC.
  11. Front cover: CWCN (Issue 8: December 1990) – Dr. William E. Nelson Jr at CWC
  12. Dr Mark Christian Community Education Award from The Voice 1999
• Bibliography
• Index
• About the Author

The Grimkes: The Legacy of Slavery in an American Family

Liveright (an imprint of W. W. Norton)
2022-11-08
432 pages
6.3 x 9.4 in
Hardcover ISBN: 978-1-324-09084-7

Kerri K. Greenidge, Mellon Assistant Professor
Department of Studies in Race, Colonialism, and Diaspora
Tufts University, Medford, Massachusetts

A stunning counternarrative of the legendary abolitionist Grimke sisters that finally reclaims the forgotten Black members of their family.

Sarah and Angelina Grimke—the Grimke sisters—are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.

That the Grimke sisters had Black relatives in the first place was a consequence of slavery’s most horrific reality. Sarah and Angelina’s older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers’ trials and exploits in the North, where Archibald and Francis became prominent members of the post–Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis’s wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald’s daughter, Angelina Weld Grimke, who channeled the family’s past into pathbreaking modernist literature during the Harlem Renaissance.

In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental—an emblem of the limits of progressive white racial politics.

A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy—both traumatic and generative—of those myths, which reverberate to this day.

Ruby Red Skies, A Novel

Roseway Publishing (an imprint of Fernwood Publishing)
October 2022
272 pages
8.5 x 5.5 in
Paperback ISBN: 9781773635606

Taslim Burkowicz

Ruby used to be a fiery, sexy, musical genius. But when she got pregnant as a teenager in the 90s, her life took a turn into banality. Now a middle-aged Indo-Canadian woman, she feels unseen and unheard by her white husband and struggles to communicate with her mixed-race daughter. When she discovers her husband cheating, she embarks on a quest to unearth exciting secrets from her past. To find what she needs, she drives straight into B.C.’s raging wildfires, accompanied only by the fantastical stories her mother used to tell about their ancient Moghul ancestry — a dancer named Rubina who lived in the concubine quarters of the great Red Fort. This book is at once historical fiction and political romance, deftly navigating themes of mixed-race relationships, climate change, motherhood, body shame, death and the passage of time.

The White Mosque: A Silk Road Memoir

Hurst Publishers
October 2022
304 pages
Hardback ISBN: 9781787388079

Sofia Samatar, Assistant Professor of English
James Madison University, Harrisonburg, Virginia

A rich history of wanderers, exiles and intruders. A haunting personal journey through Central Asia. An intimate reflection on mixed identity shaped by cultural crossings.

In the late 1800s, a group of German-speaking Mennonites fled Russia for Muslim Central Asia, to await Christ’s return.

Over a century later, Sofia Samatar traces their gruelling journey across desert and mountains, and its improbable fruit: a small Christian settlement inside the Khanate of Khiva. Named ‘The White Mosque’ after the Mennonites’ whitewashed church, the village—a community of peace, prophecy, music and martyrs—lasted fifty years.

Within this curious tale, Sofia discovers a tapestry of characters connected by the ancient Silk Road: a fifteenth-century astronomer-king; an intrepid Swiss woman traveller; the first Uzbek photographer; a free spirit of the Harlem Renaissance. Along the way, in a voice both warm and wise, she explores her own complex upbringing as an American Mennonite of colour, the daughter of a Swiss-American Christian and a Somali Muslim.

On this pilgrimage to a lost village and a near-forgotten history, Samatar traces the porous borders of identity and narrative. When you leave your tribe, what remains? How do we enter the stories of others? And how, out of life’s buried archives and startling connections, does a person construct a self?

In Search of Mary Seacole: The Making of a Black Cultural Icon and Humanitarian

Pegasus Books
2022-09-06
416 Pages
6 x 9 in
Hardcover ISBN: 9781639362745

Helen Rappaport

From New York Times bestselling author Helen Rappaport comes a superb and revealing biography of Mary Seacole that is testament to her remarkable achievements and corrective to the myths that have grown around her.

Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain.

She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten.

More recently, her profile has been revived and her reputation lionized, with a statue of her standing outside St Thomas’s Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. In Search of Mary Seacole is the fruit of almost twenty years of research and reveals the truth about Seacole’s personal life, her “rivalry” with Florence Nightingale, and other misconceptions.

Vivid and moving, In Search of Mary Seacole shows that reality is often more remarkable and more dramatic than the legend.

Chapter 8 – “Theresa” and the Early Transatlantic Mixed-Race Heroine

Chapter in: African American Literature in Transition, 1800–1830
Cambridge University Press
March 2021
DOI: 10.1017/9781108632003.014
pages 202-226

Brigitte Fielder, Associate Professor of U.S. Literature
University of Wisconsin, Madison

This chapter examines the publication of “Theresa” in Freedom’s Journal, a short story about women’s wartime heroism into the broader history of the Haitian Revolution. “Theresa” paints an image of mixed-race womanhood that was not insignificant for both this American venue and for a larger transatlantic context. Like the anonymously written British epistolary novel, The Woman of Colour, A Tale (1808), “Theresa” shows mixed-race women who are aligned with Black racial uplift rather than white assimilation. Moreover, both of these texts present images of mixed-race heroines who differ significantly from those of the “tragic mulatta” genre that would gain popularity during the antebellum period. Instead, “Theresa” frames its mixed-race heroines as models not only of racial solidarity but also of radical abolitionist action. In this, “Theresa” anticipates postbellum mixed-race heroines, through foregoing mixed-race women’s heterosexual union with Black men with their political action alongside them. The chapter offers an analysis of early nineteenth-century texts such as Laura Sansay’s Secret History; or, the Horrors of St. Domingo (1808) and Zelica the Creole (1820), which make the safety of white women the priority of their mixed-race characters.

Read or purchase the chapter here.

Anglo-India and the End of Empire

Hurst Publishers
September 2022
370 pages
Hardback ISBN: 9781787383128

Uther Charlton-Stevens, Fellow
Royal Asiatic Society of Great Britain and Ireland

A startling new history of a community’s struggle to be heard as Empire waned in India, with echoes for all those of mixed heritage.

The standard image of the Raj is of an aloof, pampered and prejudiced British elite lording it over an oppressed and hostile Indian subject population. Like most caricatures, this obscures as much truth as it reveals. The British had not always been so aloof. The earlier, more cosmopolitan period of East India Company rule saw abundant ‘interracial’ sex and occasional marriage, alongside greater cultural openness and exchange. The result was a large and growing ‘mixed-race’ community, known by the early twentieth century as Anglo-Indians.

Notwithstanding its faults, Empire could never have been maintained without the active, sometimes enthusiastic, support of many colonial subjects. These included Indian elites, professionals, civil servants, businesspeople and minority groups of all kinds, who flourished under the patronage of the imperial state, and could be used in a ‘divide and rule’ strategy to prolong colonial rule. Independence was profoundly unsettling to those destined to become minorities in the new nation, and the Anglo-Indians were no exception.

This refreshing account looks at the dramatic end of British rule in India through Anglo-Indian eyes, a perspective that is neither colonial apologia nor nationalist polemic. Its history resonates strikingly with the complex identity debates of the twenty-first century.