Mixed Race Studies

Carina Ray fuses scholarship and teaching with personal experience

Brandeis Now
Waltham, Massachusetts
2017-12-17

Jarret Bencks
Office of Communications

Carina Ray in the classroom

Almost 25 years ago, historian Carina Ray spent her junior year abroad as an undergraduate studying in Ghana. She planned to explore her Puerto Rican family’s African roots.

Most Ghanaians she met insisted she was white, despite her longwinded explanations about her multiracial background. Eventually, she realized it would be smarter to talk less and listen more.

“I was enthralled by what Ghanaians had to say about their own perceptions of blackness and how race works there,” says Ray, associate professor of African and Afro-American studies (AAAS). The seeds of Ray’s career were planted.

By the time she returned to the University of California, Santa Cruz, to finish her bachelor’s degree, Ray knew she wanted to study what it means to be black in West Africa — from an African perspective. The history of race in Africa was rarely written about from an African perspective, and it became the focus of her PhD in African history at Cornell University…

Read the entire article here.

Jefferson’s Monticello finally gives Sally Hemings her place in presidential history

The Washington Post
2018-06-13

Philip Kennicott, Art and architecture critic

A view of Monticello. (Jack Looney)

You cannot see Thomas Jefferson’s mansion, Monticello, from the small room burrowed into the ground along the south wing of his estate. When the door is closed, you can’t see anything at all, because it is a windowless room, with a low ceiling and damp walls. But this was, very likely, the room inhabited by Sally Hemings, the enslaved woman who bore six of Jefferson’s children, a woman about whom little is known, who lived her life as Jefferson’s property, was considered his concubine, was a source of scandal and a political liability, and yet who might be considered the first lady to the third president of the United States if that didn’t presume her relationship to Jefferson was voluntary.

On Saturday, Monticello will open the room to the public, with a small exhibition devoted to the life of Hemings and the Hemings family. Reclaiming this space, which previously had been used as a public restroom, marks the completion of a five-year plan called the Mountaintop Project, which has seen significant changes to the beloved estate of the founding father. Using archaeology and other evidence, Monticello curators have restored Mulberry Row, where enslaved people lived and labored, and made changes (including to the wallpaper, paint and furnishings) inside the mansion, restored the north and south wings, and opened the upstairs rooms to the public on special tours. But symbolically and emotionally, the restoration of the Hemings room is the heart of the new interpretation of Monticello, and it makes tangible a relationship that has been controversial since rumors of “Dusky Sally” became part of American political invective in the early 19th century…

Read the entire article here.

Afro-Latin American Studies: An Introduction

Cambridge University Press
April 2018
400 pages
233 x 165 x 43 mm
Hardback ISBN: 9781107177628
Paperback ISBN: 9781316630662
eBook ISBN: 9781316835890

Editors:

Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics; Professor of African and African American Studies
Harvard University, Boston, Massachusetts

George Reid Andrews, Distinguished Professor of History
University of Pittsburgh

Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region’s long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.

• Presents systematic and synthetic overviews of recent scholarship on topics of major importance in the field of Afro-Latin American studies, for example Afro-Latin American religions, Afro-Latin American political movements, and Afro-Latin American music
• Covers a broad range of topics, embracing most of the humanities and social sciences
• Serves as the authoritative introduction for Afro-Latin American history, covering the period from 1500 to the present

Table of Contents

• 1. Afro-Latin American studies: an introduction Alejandro de la Fuente and George Reid Andrews
• Part I. Inequalities:
  • 2. The slave trade to Latin America: a historiographical assessment Roquinaldo Ferreira and Tatiana Seijas
  • 3. Inequality: race, class, gender George Reid Andrews
  • 4. Afro-indigenous interactions, relations, and comparisons Peter Wade
  • 5. Law, silence, and racialized inequalities in the history of Afro-Brazil Brodwyn Fischer, Keila Grinberg and Hebe Mattos
• Part II. Politics:
  • 6. Currents in Afro-Latin American political and social thought Frank Guridy and Juliet Hooker
  • 7. Rethinking black mobilization in Latin America Tianna Paschel
  • 8. ‘Racial democracy’ and racial inclusion: hemispheric histories Paulina Alberto and Jesse Hoffnung-Garskof
• Part III. Culture:
  • 9. Literary liberties: the authority of Afrodescendant authors Doris Sommer
  • 10. Afro-Latin American art Alejandro de la Fuente
  • 11. A century and a half of scholarship on Afro-Latin American music Robin Moore
  • 12. Afro-Latin American religions Stephan Palmié and Paul Christopher Johnson
  • 13. Environment, space and place: cultural geographies of colonial Afro-Latin America Karl Offen
• Part IV. Transnational Spaces:
  • 14. Transnational frames of Afro-Latin experience: evolving spaces and means of connection, 1600–2000 Lara Putnam
  • 15. Afro-Latinos: speaking through silences and rethinking the geographies of blackness Jennifer A. Jones

“The law recognizes racial instinct”: Tucker v. Blease and the Black–White Paradigm in the Jim Crow South

Law and History Review
Volume 29, Issue 2 (May 2011)
pages 471-495
DOI: 10.1017/S0738248011000058

John W. Wertheimer, Jessica Bradshaw, Allyson Cobb, Harper Addison, E. Dudley Colhoun, Samuel Diamant, Andrew Gilbert, Jeffrey Higgs, Nicholas Skipper

On January 24, 1913, the trustees of the Dalcho School, a segregated, all-white public school in Dillon County, South Carolina, summarily dismissed Dudley, Eugene, and Herbert Kirby, ages ten, twelve, and fourteen, respectively. According to testimony offered in a subsequent hearing, the boys had “always properly behaved,” were “good pupils,” and “never …exercise[d] any bad influence in school.” Moreover, the boys’ overwhelmingly white ancestry, in the words of the South Carolina Supreme Court, technically “entitled [them] to be classified as white,” according to state law. Nevertheless, because local whites believed that the Kirbys were “not of pure Caucasian blood,” and that therefore their removal was in the segregated school’s best interest, the court, in Tucker v. Blease (1914), upheld their expulsion.

Read or purchase the article here.

Portrait Of: ‘The Latinos Of Asia’

Latino USA
2018-05-22

Janice Llamoca, Digital Media Editor
Futuro Media Group

When you hear of last names like Torres, Rodriguez or Santos, you might automatically think of Latin America—and you’re not completely wrong. Those surnames are common throughout Latin America, but they’re also common in the Philippines.

Because of Spanish colonization, Filipinos and Latinos also share —aside from last names— religion, food and even similarities in language. These lines become even clearer here in the United States, as Filipino-Americans grow up in a cities with large Latino populations, like Los Angeles.

Anthony Ocampo, associate professor of sociology at California State Polytechnic University, Pomona, breaks down these similarities in his book, The Latinos of Asia: How Filipino Americans Break the Rules of Race.

Maria Hinojosa talks to Ocampo about the book, his experience growing up in Los Angeles as a Filipino-American and what his research tells us about the link between Filipinos and Latinos…

Listen to the interview (00:19:30) here.

Natives: Race and Class in the Ruins of Empire by Akala – review

The Guardian
2018-05-20

Afua Hirsch

Akala: ‘a disruptive, aggressive intellect’. Photograph: Rob Baker Ashton/BBC/Green Acre Films

In a powerful, polemical narrative, the rapper charts his past and the history of black Britain

In 2010, UK rap artist Akala dropped the album DoubleThink, and with it, some unforgettable words. “First time I saw knives penetrate flesh, it was meat cleavers to the back of the head,” the north London rapper remembers of his childhood. Like so much of his work, the song Find No Enemy blends his life in the struggle of poverty, race, class and violence, with the search for answers. “Apparently,” it continues, “I’m second-generation black Caribbean. And half white Scottish. Whatever that means.”

Any of the million-plus people who have since followed Akala – real name Kingslee Daley – know that the search has taken him into the realm of serious scholarship. He is now known as much for his political analysis as for his music, and, unsurprisingly, his new book, Natives, is therefore long awaited. What was that meat cleaver incident? What was his relationship with his family and peers like growing up? How did he make the journey from geeky child, to sullen and armed teenager, to writer, artist and intellectual?.

Natives delivers the answers, and some of them are hard to hear. In one of the most touching of many personal passages in the book, Akala retraces the steps by which he was racialised – as a mixed-race child – into blackness, and by which he realised that his mother, who fiercely protected her children’s pride in their heritage, enrolling them among other things in a Pan-African Saturday school, was racialised as white…

Read the entire article here.

Natives: Race and class in the ruins of empire

Two Roads Books (an imprint of Hodder & Stoughton)
2018-05-17
352 pages
5.7 x 1.3 x 8.7 inches
Hardcover ISBN-13: 978-1473661219
Paperback ISBN: ISBN-13: 978-1473661226

Akala (Kingslee James Daley)

A searing modern polemic from the BAFTA– and MOBO-award-winning musician and political commentator, Akala

From the first time he was stopped and searched as a child, to the day he realised his mum was white, to his first encounters with racist teachers – race and class have shaped Akala’s life and outlook. In this unique book he takes his own experiences and widens them out to look at the social, historical and political factors that have left us where we are today.

Covering everything from the police, education and identity to politics, sexual objectification and the far right, Natives will speak directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain’s racialised empire.

A Métis Night at the Opera: Louis Riel, Cultural Ownership, and Making Canada Métis

Adam Gaudry, Ph.D.
2017-05-18

Adam Gaudry, Assistant Professor
Faculty of Native Studies & Department of Political Science
University of Alberta

Taking my seat at the Four Seasons Centre for the Performing Arts, home of the Canadian Opera Company (COC) to watch the debut of Louis Riel, I snap a photo with my camera. (above). Immediately and out of nowhere an usher appears to inform me that I can’t take photos inside the hall, because the set design is copyrighted. I’m surprised by this, as the image used is clearly derived from a public domain photo of Riel, something that Métis rightfully regard as part of our historical legacy.

In truth though, I’m more annoyed that five minutes before this a number of Nisga’a—represented by the Git Hayetsk and Kwhlii Gibaygum Dancers—had presented to opera-goers on the theft of one of their songs by the opera’s composer, a lament song from the House of Sgat’iin. After contacting the COC, they had worked to educate the audience and the COC on how the composer took one of their sacred songs, without permission or prior knowledge, using Cree words in place of theirs and renamed the Kuyas Aria (read their critique in the opera’s program here).

The irony, of course, was that while the opera appropriated Indigenous songs and stories, my photo for Instagram was somehow violating the intellectual property of one of the many non-Native people who had decided to remix Indigenous culture, history, and imagery for non-Indigenous consumption. It reinforced the tightly held colonial notion that everything that once belong to us now belongs to “everyone,” and that in the name of art all is open to appropriation—and eventual ownership—by Canadians…

Read the entire article here.

Steve William’s Column: Invisible blackness, can you see it?

South Strand News
Georgetown, South Carolina
2015-05-25

Steve Williams

Steve Williams

Last weekend’s royal wedding in England was a beautiful thing to behold. Many have likened it to Barack Obama’s inauguration in 2009.

Social media is abuzz with millions who witnessed it; perhaps because Meghan Markle, who is of mixed racial heritage, didn’t diminish her African heritage rather, she celebrated it. When talking about her mixed heritage, race isn’t something she leads with, but she’s clearly comfortable talking about it. She tells a story of growing up and having her mother pick her up from school; how her friends would often ask — “who’s that black lady? Is she your maid?”

A self-described feminist and egalitarian Meghan has proudly supported many causes for those who are marginalized. Her wedding ceremony spoke volumes for her character. Likewise, kudos must be given to Prince Harry and the royal family for allowing her to express it. Maybe they’re more progressive than I thought…

While more and more celebrities like Halle Berry, Mariah Carey, Alicia Keys, Sade, Drake, Vin Diesel, and Dwayne “The Rock” Johnson are celebrating their multicultural heritage today, this was not always the case — particularly those black celebrities who could “pass” for white…

…Yet, the question of race for many blacks in America was determined by the so-called “One Drop Rule.” The law adopted by most Southern states originated during slavery and reinforced under Jim Crow, said if an individual has one single drop of “black blood” in their ancestry, then that individual is black regardless of his or her appearance.

In the early 1900s, being “black” or “colored” had drastic practical consequences even for whites.

The story is told of John Kirby who was the son of Big John Godbolt. Godbolt was one-eighth African and seven-eighths European. That meant Big John was legally classified as “colored” under South Carolina law. But John Kirby’s mother was white which meant John Kirby and his siblings had less than one-eighth African blood and were legally not “colored.” Instead, having only one-thirty-second African blood they were legally coded as “white.”…

Read the entire article here.

We Are the Original Southerners

The New York Times
2018-05-22

Malinda Maynor Lowery, Associate Professor; Director, Center for the Study of the American South (and Lumbee Indian)
University of North Carolina

An Indian delegation visited the White House Conservatory in 1863 during the Civil War. The story of American Indians during that period is largely overlooked in the contemporary struggle over statues of Confederate soldiers and politicians. Mathew Brady/Buyenlarge, via Getty Images

CHAPEL HILL, N.C. — The people clamoring over whether to keep or remove Confederate monuments agree on one thing: This is a black-white issue. Last month, a graduate student doused the University of North Carolina’s Confederate monument in a mixture of her own blood and red ink. The monument, she said, “is the genocide of black people.”

I recognize my blood on these statues, too.

When people see Southern history in black and white, where are American Indians? Most people believe that the American Indian genocide took place long ago. But it wasn’t completely successful. There are over six and a half million American Indians, and many of them live in the South. North Carolina is home to the Lumbee Tribe, the largest tribe of American Indians east of the Mississippi (55,000 strong), of which I am a member. We are the original Southerners, and we shaped and continue to shape Southern history.

And yet even the most progressive Americans don’t seem to realize this. The coalition organized to oppose the Unite the Right rally in Charlottesville, Va., last August did not invite any representatives of Virginia’s seven American Indian tribes to participate…

…Indian communities defied the logic of racial segregation; their very existence belied whites’ insistence that there were two races, never to be mixed. In 1924, the Virginia legislature passed the Racial Integrity Act, which outlawed interracial marriage, in part by reclassifying American Indians as “colored.” The act erased the distinct identity that people like Chief Branham are still today trying to protect…

Read the entire article here.