Mixed Race Studies

Race as a social question in Brazil

The Rice Institute Pamphlet
Volume 27, Number 4 (October 1940)
pages 218-241

Carlos M. Delgado de Carvalho (1884-1990)

I. ETHNIC COMPOSITION OF THE BRAZILIAN POPULATION

At first sight, it seems that race could be considered as the capital element of the biological aspect of society. Race is a very common and vague term, freely used in human affairs, but with no precise meaning at all. It stands probably for zoological comparisons, but its chief virtue is to be a powerful appeal to feelings and passion; its value, therefore, is pseudo-scientific.

The only proof that race exists is that we find, nearly everywhere, racial problems, race questions, racial minorities, and so on. It is especially the revision of the European political map in the nineteenth century on the lines of nationality politics and in the twentieth century by the ethnic realities of the Treaties of 1919-1920, that has impressed on our minds the concept of race.

Some people are satisfied with races as major divisions of mankind: black, yellow, brown, white. Others have in view a nation or a country. Some mystics believe in a hypothetical pure race,” that has existed according to a subjective ideal of which they are possibly the prototype. An isolated group with uniform and stable physical aspects is sometimes called a “race.” It happens also that race is mistaken for language; for instance, we hear that South America has populations of the Latin race…

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Narratives of astonishment: Miscegenation in New World literature

Rice University
1994
235 pages

John Wesley Buass

A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY

Through readings of a variety of literary and historical narratives from throughout the Americas dating from the 16th century to the present, I show that miscegenation, its sudden and disrupting revelation in these narratives serving as the catalyst for utopian and/or apocalyptic rhetoric, becomes a trope for New World cultural identity (Utopia and Apocalypse themselves being crucial ideas for this hemisphere). I call by the name “Astonishment” the resulting space created by the sudden revelation of miscegenation in these narratives.

Table of Contents

• Abstract
• Acknowledgements
• Prologue. Re-reading Columbus’s (Dis)Course: Toward a Reading of New World Literature
• “Delta Autumn” and Tenda dos milagres: Toward a Theory of Astonishment
• “Regions beyond right knowing”: Cabeza de Vaca’s Search for a Language
• ¿Quienes somos?: Labyrinths of Blood in de la Vega, Faulkner, and Paz
• Gonzalo Guerrero’s Children: A Survey of Narratives of Astonishment
• Conclusion
• Works Cited and Consulted

Read the first 30 pages here.

By obscuring the historic dimensions of American multiraciality—emphasizing its newness but not its oldness—we may run the risk of ignoring lessons that past racial stratification offers for understanding today’s outcomes. For one thing, older social norms still make themselves felt in contemporary discussion of mixed-race identity (Davis, 1991; Waters, 1991; Wilson, 1992). In addition, history reminds us that these attitudes toward multiraciality were embedded in complex webs of social, political, economic, and cultural premises and objectives, thereby suggesting that the same holds true today. Finally, turning to the past highlights how malleable racial concepts have proved to be over time despite the permanence and universality we often ascribe to them. Given the United States’ history, the extent to which public attitudes toward mixed-race unions and ancestry have changed is remarkable. Perhaps the real new people today are not just those of multiracial heritage but also Americans in general who now conceptualize, tolerate, or embrace multiple-race identities in ways that were unacceptable in the past.

Ann Morning, “New Faces, Old Faces: Counting the Multiracial Population Past and Present,” in New Faces in a Changing America: Multiracial Identity in the 21st Century, edited by Loretta I. Winters, Herman L. DeBose, Thousand Oaks, California: SAGE Publications USA, 2002.

One Big Hapa Family

KCTS 9 Television
Real NW
Seattle, Washington
Monday, 2011-11-14, 22:00 PST

After a family reunion, Japanese-Canadian filmmaker, Jeff Chiba Stearns embarks on a journey of self-discovery to find out why everyone in his Japanese-Canadian family married interracially after his grandparents’ generation.

Using a mix of live action and animation, “One Big Hapa Family,” explores why almost 100 percent of Japanese-Canadians—more than any other ethnic group—marry interracially and how their mixed children perceive their unique multiracial identities.

The stories of our generations of a Japanese-Canadian family to come to life through animation by some of Canada’s brightest independent animators, including Louise Johnson, Ben Meinhardt, Todd Ramsay, Kunal Sen, Jonathan Ng, and the filmmaker himself.

“One Big Hapa Family” makes us question: Is interracial mixing the end of multiculturalism as we know it?

 For more information, click here.

Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings

University of Texas Press
2003
216 pages
6 1/8 x 9 1/4 in.
12 color and 60 b&w illus., 4 tables
Hardcover ISBN: 978-0-292-71245-4

Magali M. Carrera, Professor of Art History
University of Massachusetts, Dartmouth

Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians.

Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: Visual Practices in Late-Colonial Mexico
• Chapter One: Identity by Appearance, Judgment, and Circumstances: Race as Lineage and Calidad
• Chapter Two: The Faces and Bodies of Eighteenth-Century Metropolitan Mexico: An Overview of Social Context
• Chapter Three: Envisioning the Colonial Body
• Chapter Four: Regulating and Narrating the Colonial Body
• Chapter Five: From Popolacho to Citizen: The Re-vision of the Colonial Body
• Epilogue: Dreams of Order
• Notes
• Glossary
• Bibliography
• Index

The Lost German Slave Girl: The Extraordinary True Story of Sally Miller and Her Fight for Freedom in Old New Orleans

Grove/Atlantic, Inc.
November 2005
288 pages
Paperback ISBN-13: 978-0-8021-4229-0

John Bailey

It is a bright, spring morning in New Orleans, 1843. In the Spanish Quarter, on a street lined with flophouses and gambling dens, Madame Carl Rouff recognizes a face from her past. It is the face of Salomé Müller, her best friend’s daughter who disappeared twenty-five years earlier. But the young olive-skinned woman claims her name is Mary Miller—she is the property of a Frenchman who owns a nearby cabaret. She is a slave, with no memory of a “white” past, or of the Müller family’s perilous journey from its German village to New Orleans. And yet her resemblance to her mother is striking, and she bears two telltale birthmarks. Had a defenseless European orphan been callously and illegally enslaved, or was she an imposter? So began one of the most celebrated and sensational trials of nineteenth-century America.

In brilliant novelistic detail, award-winning historian John Bailey reconstructs the exotic sights, sounds, and smells of mid-nineteenth-century New Orleans, an “infernal motley crew” of cotton kings, decadent river workers, immigrants, and slaves. Miller’s dramatic trial offers an eye into the fascinating laws and customs surrounding slavery, immigration, and racial mixing. Did Miller, as her relatives sought to prove, arrive from Germany under perilous circumstances as an indentured servant or was she, as her master claimed, part African and a slave for life? The trial pits a humble community of German immigrants against Mary’s previous owner, John Fitz Miller, a hardened capitalist who is as respected by the community for his wealth and power as he is feared and distrusted, and his attorney, John Randolph Grymes, one of the brashest and most flamboyant lawyers of his time. Was Sally Miller’s licentious lifestyle proof that she was part African, as the defense argued? Or was she the victim of a terrible injustice? Bailey follows the case’s incredible twists and turns all the way to the Supreme Court, and comes to a shocking conclusion.

A tour de force of investigative history that reads like a suspense novel, The Lost German Slave Girl is a fascinating exploration of slavery and its laws, a brilliant reconstruction of mid-nineteenth-century New Orleans, and a riveting courtroom drama. It is also an unforgettable portrait of a young woman in pursuit of freedom.

Bridging: How Gloria Anzaldúa’s Life and Work Transformed Our Own

University of Texas Press
April 2011
292 pages
6 x 9 in., 6 b&w photos

Edited by:

AnaLouise Keating, Professor of Women’s Studies
Texas Woman’s University

Gloria González-López, Associate Professor of Sociology, and Faculty Associate
Center for Mexican American Studies
Center for Women’s and Gender Studies
Teresa Lozano Long Institute of Latin American Studies
University of Texas, Austin

The inspirational writings of cultural theorist and social justice activist Gloria Anzaldúa have empowered generations of women and men throughout the world. Charting the multiplicity of Anzaldúa’s impact within and beyond academic disciplines, community trenches, and international borders, Bridging presents more than thirty reflections on her work and her life, examining vibrant facets in surprising new ways and inviting readers to engage with these intimate, heartfelt contributions.

Bridging is divided into five sections: The New Mestizas: “transitions and transformations”; Exposing the Wounds: “You gave me permission to fly in the dark”; Border Crossings: Inner Struggles, Outer Change; Bridging Theories: Intellectual Activism with/in Borders; and “Todas somos nos/otras”: Toward a “politics of openness.” Contributors, who include Norma Elia Cantú, Elisa Facio, Shelley Fisher Fishkin, Aída Hurtado, Andrea Lunsford, Denise Segura, Gloria Steinem, and Mohammad Tamdgidi, represent a broad range of generations, professions, academic disciplines, and national backgrounds. Critically engaging with Anzaldúa’s theories and building on her work, they use virtual diaries, transformational theory, poetry, empirical research, autobiographical narrative, and other genres to creatively explore and boldly enact future directions for Anzaldúan studies.

A book whose form and content reflect Anzaldúa’s diverse audience, Bridging perpetuates Anzaldúa’s spirit through groundbreaking praxis and visionary insights into culture, gender, sexuality, religion, aesthetics, and politics. This is a collection whose span is as broad and dazzling as Anzaldúa herself.

Table of Conents

• Con profunda gratitud
• Building Bridges, Transforming Loss, Shaping New Dialogues: Anzaldúan Studies for the Twenty-First Century (AnaLouise Keating and Gloria González-López)
• I. The New Mestizas: “transitions and transformations”
  • 1. Bridges of conocimiento: Una conversación con Gloria Anzaldúa (Lorena M. P. Gajardo)
  • 2. A Letter to Gloria Anzaldúa Written from 30, Feet and 25 Years after Her “Speaking in Tongues: A Letter to 3rd-World Women Writers” (ariel robello)
  • 3. Deconstructing the Immigrant Self: The Day I Discovered I Am a Latina (Anahí Viladrich)
  • 4. My Path of Conocimiento: How Graduate School Transformed Me into a Nepantlera (Jessica Heredia)
  • 5. Aprendiendo a Vivir/Aprendiendo a Morir (Norma Elia Cantú)
  • 6. Making Face, Rompiendo Barreras: The Activist Legacy of Gloria E. Anzaldúa (Aída Hurtado)
• II. Exposing the Wounds: “You gave me permission to fly into the dark”
  • 7. Anzaldúa, Maestra (Sebastián José Colón-Otero)
  • 8. “May We Do Work That Matters”: Bridging Gloria Anzaldúa across Borders (Claire Joysmith)
  • 9. A Call to Action: Spiritual Activism . . . an Inevitable Unfolding (Karina L. Céspedes)
  • 10. Gloria Anzaldúa and the Meaning of Queer (Héctor Domínguez-Ruvalcaba)
  • 11. Breaking Our Chains: Achieving Nos/otras Consciousness (Lei Zhang)
  • 12. Conocimiento and Healing: Academic Wounds, Survival, and Tenure (Gloria González-López)
• III. Border Crossings: Inner Struggles, Outer Change
  • 13. Letters from Nepantla: Writing through the Responsibilities and Implications of the Anzaldúan Legacy (Michelle Kleisath)
  • 14. Challenging Oppressive Educational Practices: Gloria Anzaldúa on My Mind, in My Spirit (Betsy Eudey)
  • 15. Living Transculturation: Confessions of a Santero Sociologist (Glenn Jacobs)
  • 16. Acercándose a Gloria Anzaldúa to Attempt Community (Paola Zaccaria)
  • 17. Learning to Live Together: Bridging Communities, Bridging Worlds (Shelley Fisher Fishkin)
  • 18. Risking the Vision, Transforming the Divides: Nepantlera Perspectives on Academic Boundaries, Identities, and Lives (AnaLouise Keating)
• IV. Bridging Theories: Intellectual Activism with/in Borders
  • 19. “To live in the borderlands means you” (Mariana Ortega)
  • 20. A Modo de Testimoniar: Borderlands, Papeles, and U.S. Academia (Esther Cuesta)
  • 21. On Borderlands and Bridges: An Inquiry into Gloria Anzaldúa’s Methodology (Jorge Capetillo-Ponce)
  • 22. For Gloria, Para Mi (Mary Catherine Loving)
  • 23. Chicana Feminist Sociology in the Borderlands (Elisa Facio and Denise A. Segura)
  • 24. Embracing Borderlands: Gloria Anzaldúa and Writing Studies (Andrea A. Lunsford)
• V. Todas Somos Nos/otras: Toward a “Politics of Openness”
  • 25. Hurting, Believing, and Changing the World: My Faith in Gloria Anzaldúa (Suzanne Bost)
  • 26. Feels Like “Carving Bone”: (Re)Creating the Activist-Self, (Re)Articulating Transnational Journeys, while Sifting through Anzaldúan Thought (Kavitha Koshy)
  • 27. Shifting (Kelli Zaytoun)
  • 28. “Darkness, My Night”: The Philosophical Challenge of Gloria Anzaldúa’s Aesthetics of the Shadow (María DeGuzmán)
  • 29. The Simultaneity of Self- and Global Transformations: Bridging with Anzaldúa’s Liberating Vision (Mohammad H. Tamdgidi)
  • 30. For Gloria Anzaldúa . . . Who Left Us Too Soon (Gloria Steinem)
  • 31. She Eagle: For Gloria Anzaldúa (Gloria Steinem)
• Notes
• Glossary
• Works Cited
• Published Writings by Gloria E. Anzaldúa
• Contributors’ Biographies
• Index

Black Skin, White Masks

Grove/Atlantic, Inc.
September 2008 (Originially published in 1952)
240 pages
5-1/2 x 8-1/4
Paperback ISBN-13: 978-0-8021-4300-6

Frantz Fanon

Translated from the French by Richard Philcox

Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon’s, and Black Skin, White Masks represents some of his most important work. Fanon’s masterwork is now available in a new translation that updates its language for a new generation of readers.

A major influence on civil rights, anticolonial, and black consciousness movements internationally, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world. Hailed for its scientific analysis and poetic grace when it was first published in 1952, the book remains a vital force today from one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history.

Contents

• Foreword
• Introduction
• Chapter One: The Black Man and Language
• Chapter Two: The Woman of Color and the White Man
• Chapter Three: The Man of Color and the White Woman
• Chapter Four: The So-Called Dependency Complex of the Colonized
• Chapter Five: The Lived Experience of the Black Man
• Chapter Six: The Black Man and Psycho-pathology
• Chapter Seven: The Black Man and Recognition
  • A. The Black Man and Adler
  • B. The Black Man and Hegel
• Chapter Eight:By Way of Conclusion

A Free Man of Color

Grove/Atlantic, Inc.
October 2011
112 pages
5 1/2 x 8 1/4
Paperback ISBN-13: 978-0-8021-4566-6

John Guare

John Guare’s new play is astonishing, raucous, and panoramic. A Free Man of Color is set in boisterous New Orleans prior to the historic Louisiana Purchase. Before law and order took hold and class, racial, and political lines were drawn, New Orleans was a carnival of beautiful women, flowing wine, and pleasure for the taking. At the center of this Dionysian world is the mulatto Jacques Cornet, who commands men, seduces women, and preens like a peacock. But it is 1801 and the map of New Orleans is about to be redrawn. The Louisiana Purchase brings American rule and racial segregation to the chaotic, colorful world of Jacques Cornet and all that he represents, turning the tables on freedom and liberty.

Acclaimed author reveals secret Scottish roots in moving tribute

Daily Record
Glasgow, Scotland
2011-05-08

Maggie Barry
Sunday Mail

Writer Aminatta Forna has been called many things in her life but never Scottish—until today.

The African author’s fearless books exposing betrayal and treachery in Sierra Leone have brought critical acclaim and awards.

But only now has it emerged that Aminatta, whose father was executed when she was only 10, is half Scottish.

As her latest book The Memory Of Love was shortlisted for the Orange Prize, she paid tribute to her mum Maureen Campbell.

Aminatta said she was as brave and determined as her dad Mohamed, the son of an African chief, who died standing up for his beliefs.

Aminatta, 46, said: “My mother always gets wiped from my biographies—it’s always about Sierra Leone and my father. The Scottish side is never recognised.

“I was born at Bellshill Maternity Hospital, where my father was a doctor. My mother is from Aberdeen so suddenly being recognised as a half Scot is a bit of a breakthrough…

…She pays tribute to her mum for being willing to marry the man she loved in the face of opposition from both their families and society’s unease with mixed marriages.

Maureen’s parents had wanted her to marry a Scot and Mohamed’s family had wanted a dynastic marriage, in keeping with his status as the son of an African chieftain…

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