Mixed Race Studies
Scholarly perspectives on the mixed race experience.
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- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
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Tag: Nella Larsen
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Rebecca Hall shares her Brief But Spectacular take on “Passing” and on her own racial identity as part of our arts and culture series, CANVAS.
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To be sure, there are other dimensions of this adaptation that deserve discussion—for example, the downplaying of Clare’s abusive childhood, which renders her passing a little more mercenary than it is in the novel—but I’ve already gone on too long. As is by now clear, I have my misgivings about [Rebecca] Hall’s recent film, but,…
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For years, I passed as white. Only later did I realize the advantages I was getting made me complicit in a system that oppressed others.
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Director Rebecca Hall’s recent adaptation of Nella Larsen’s exquisite second novel, Passing (1929), is visually stunning. I had the pleasure of seeing the film on the big screen, during its limited theatrical run and before its Netflix release.
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‘Passing’ filmmaker Rebecca Hall shares the personal story behind her movie Fresh Air National Public Radio 2021-11-30 Terri Gross, Host Rebecca Hall (right) works on the set of Passing with actors Ruth Negga (left) and Tessa Thompson. Netflix Actor/filmmaker Rebecca Hall had what she describes as a “real gasp” moment when she first read Nella…
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Rebecca Hall’s adaptation of “Passing” expertly uses the craft of cinema to explore race and colorism from a Black point of view, Imani Perry argues.
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With a remarkable fusion of substance and style, Hall’s adaptation of Nella Larsen’s 1929 novel unfolds inner lives along with social crises.