Mixed Race Studies – Page 67 – Scholarly perspectives on the mixed race experience.

The Love Songs of W.E.B. Du Bois, A Novel

2021-10-07

The Love Songs of W.E.B. Du Bois, A Novel

HarperCollins
2021-08-24
816 pages
6x9in
Hardcover ISBN: 9780062942937
eBook ISBN: 9780062942968
Audiobook ISBN: 9780062942975

Honorée Fanonne Jeffers, Professor of English
University of Oklahoma, Norman

The 2020 National Book Award–nominated poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.

The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.

Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.

To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.
‘Black & Jewish Talk Series’ starts with ‘A Conversation’

2021-10-07

‘Black & Jewish Talk Series’ starts with ‘A Conversation’

The Harvard Gazette
2021-02-18

Manisha Aggarwal-Schifellite, Harvard Staff Writer

Exploring their identities through culture, politics, and religion

The Center for Jewish Studies and the Hutchins Center for African & African American Research debut Monday “Black & Jewish: A Conversation,” the first installment of a new joint venture to shed light on the multifaceted nature of Black and Jewish identities in North America.

“Black & Jewish” is the first of three scheduled events this semester in the “Black & Jewish Talk Series,” focused on culture, politics, and religion.

“There is a lot of focus on the relationship between Black communities and Jewish communities in the U.S., but Black and Jewish identity hasn’t received very much scholarly attention,” said Sara Feldman, a preceptor of Yiddish in the Department of Near Eastern Languages and Civilizations and a co-organizer of the series. “There are many people in the United States who identify as both Black and Jewish. It’s time that their voices are amplified here at Harvard.”

“Black and Jewish: A Conversation,” takes place with vocalist and composer Anthony Russell and Rebecca Pierce, a writer and filmmaker. The discussion will be moderated by Katya Gibel Mevorach, Professor of Anthropology and American Studies at Grinnell College, and will focus on how Jewish diversity is discussed in public life and how it can and should change…

Read the entire article here.
Bubba Wallace Gets a Breakthrough NASCAR Victory at Talladega

2021-10-07

Bubba Wallace Gets a Breakthrough NASCAR Victory at Talladega

The New York Times
2021-10-04

Andrew Keh

Going into Monday’s race at Talladega, Wallace said he believed he would win. Chris Graythen/Getty Images

Wallace’s NASCAR Cup win was the first by a Black driver since 1963 and also the inaugural victory in the sport’s top series for Michael Jordan, the co-owner of Wallace’s team.

A little more than a year after almost single-handedly forcing American auto racing to confront the sport’s longstanding issues with racism, Darrell Wallace Jr., known as Bubba, became just the second Black winner in NASCAR’s top series, finishing first at a rain-shortened event at Talladega Superspeedway on Monday afternoon.

Wallace, 27, rose from relative obscurity to national prominence last year when he added his voice to the widespread national protest movement for racial justice and equality after the murder of George Floyd. It was not unusual to hear an athlete speak on the subject — but it was unusual to hear a NASCAR driver do so.

It was stirring for many, then, to see Wallace, currently NASCAR’s only Black driver in the Cup Series, wear an “I Can’t Breathe” shirt — referring to the last words of Floyd and of Eric Garner, who died in 2014 after a New York City police officer placed him in a prohibited chokehold — and display the slogan “Black Lives Matter” on his car last year. He spoke out about the racism he experienced on a daily basis as a Black man in an overwhelmingly white sport. His burst of activism, most notably, persuaded NASCAR to ban the display of Confederate flags, long a fixture at American auto races…

Read the entire article here.
Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family

2021-10-07
Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family

Oxford University Press
2021-08-30
320 Pages
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780197530474

Laura Arnold Leibman, Professor of English and Humanities
Reed College, Portland, Oregon

Highlights
- Provides a rare historical portrait of life as a Jewish American of color
- Examines the history of racial “passing” in an international context
- Uses an intersectional lens to untangle a family history
An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother’s maternal line. Using family heirlooms to unlock the mystery of Moses’s ancestors, Once We Were Slaves overturns the reclusive heiress’s assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings’ extraordinary journey throughout the Atlantic World, Leibman examines artifacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and–at times–white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race–as well as on the role of religion in racial shift–in the first half of the nineteenth century.

Table of Contents
- Illustrations
- Preface
- Chapter 1: Origins (Bridgetown, 1793-1798)
- Chapter 2: From Slave to Free (Bridgetown, 1801)
- Chapter 3: From Christian to Jew (Suriname, 1811-12)
- Chapter 4: The Tumultuous Island (Bridgetown, 1812-1817)
- Chapter 5: Synagogue Seats (New York & Philadelphia, 1793-1818)
- Chapter 6: The Material of Race (London, 1815-17)
- Chapter 7: Voices of Rebellion (Bridgetown, 1818-24)
- Chapter 8: A Woman Valor (New York, 1817-19)
- Chapter 9: This Liberal City (Philadelphia, 1818-33)
- Chapter 10: Feverish Love (New York, 1819-1830)
- Chapter 11: When I am Gone (New York, Barbados, London, 1830-1847)
- Chapter 12: Legacies (New York and Beyond, 1841-1860)
- Epilogue
- Appendix: Family Trees
- Abbreviations
- Bibliography
- Notes
It’s Never Too Late to Publish a Debut Book and Score a Netflix Deal

2021-10-03

It’s Never Too Late to Publish a Debut Book and Score a Netflix Deal

The New York Times
2021-09-28

Isaac Fitzgerald

Jocelyn Nicole Johnson, a public school art teacher for 20 years, is the author of “My Monticello,” her debut book. She also has a Netflix film deal. Matt Eich for The New York Times

Jocelyn Nicole Johnson, at 50, is not the average age of a debut author. But the public school teacher describes herself as a “literary debutante” with the October publication of “My Monticello.”

Jocelyn Nicole Johnson has been a public school art teacher for 20 years, but she is not in her elementary classroom this fall in Charlottesville, Va. Her debut collection, “My Monticello” — five short stories and the book’s title novella — will be published on Oct. 5. The Pulitzer Prize-winning author Colson Whitehead has called “My Monticello” “nimble, knowing, and electrifying,” and Esquire named “My Monticello,” published by Henry Holt, one of the best books of the fall, writing that it “announces the arrival of an electric new literary voice.”

To top that off, Netflix plans to turn the book’s title novella into a film. In the novella, which is set in the near future, a young woman who is descended from Thomas Jefferson and Sally Hemings, and a band of largely Black and brown survivors take refuge from marauding white supremacists in Monticello, Jefferson’s homestead…

Read the entire interview here.
Bilal Kawazoe’s film ‘Whole’ tackles the experience of being mixed race in Japan

2021-10-03

Bilal Kawazoe’s film ‘Whole’ tackles the experience of being mixed race in Japan

The Japan Times
2021-09-30

Mark Schilling, Film Critic

In Bilal Kawazoe’s ‘Whole,’ Usman Kawazoe (left) and Kai Sandy (right) play two biracial men who bond over coming to terms with their identity while living in Japan.

In Japanese, the word “hāfu” — a colloquial term for people who are half-Japanese — is a label that some accept, but others reject, preferring such terms as “daburu” (double) or “mikkusu” (mix).

So seeing the title of Bilal Kawazoe’s new film “Whole,” which tells the story of two biracial men of radically different backgrounds in Kobe who become friends, my first thought was that Kawazoe, who is of Japanese and Pakistani parentage, had come up with yet another alternative to the hāfu label.

Not so, as he explains in a video call. The title instead refers to the characters’ quests to become “whole” in terms of their identity. Kawazoe says his brother, Usman, came to him with the idea of “making a film based on the identity crises and the experiences of mixed people in Japan.”

“We did a lot of research and realized there wasn’t really a narrative film (on that theme),” he continues. Instead, they found films that were “quite stereotypical or just one-sided.”

“So we kind of felt this sense of responsibility to make an honest film on this whole mixed-race experience,” he says…

Read the entire review here.
Hawai′i Is My Haven: Race and Indigeneity in the Black Pacific

2021-10-03
Hawai′i Is My Haven: Race and Indigeneity in the Black Pacific

Duke University Press
September 2021
360 pages
17 illustrations
Paper ISBN: 978-1-4780-1437-9
Cloth ISBN: 978-1-4780-1346-4

Nitasha Tamar Sharma, Professor of African American Studies and Asian American Studies
Northwestern University, Evanston, Illinois

Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged anti-Black racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one drop rule, non-White multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma’s analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

Table of Contents
- Acknowledgments
- Introduction: Hawaiʻi Is My Haven
- 1. Over Two Centuries: The History of Black People in Hawaiʻi
- 2. “Saltwater Negroes”: Black Locals, Multiracism, and Expansive Blackness
- 3. “Less Pressure”: Black Transplants, Settler Colonialism, and a Radical Lens
- 4. Racism in Paradise: AntiBlack Racism and Resistance in Hawaiʻi
- 5. Embodying Kuleana: Negotiating Black and Native Positionality in Hawaiʻi
- Conclusion: Identity↔Politics↔Knowledge
- Notes
- Bibliography
- Index
Ralston, Elreta Melton Alexander

2021-10-02

Ralston, Elreta Melton Alexander

NCPedia
State Library of North Carolina
Raleigh, North Carolina
2013

Virginia L. Summey, Historian, Author, and Faculty Fellow
Lloyd International Honors College, University of North Carolina at Greensboro

Elreta Melton Alexander was a pioneering African-American attorney from Greensboro, North Carolina. Born in Smithfield, North Carolina, she was the daughter of a Baptist minister and a teacher, and grew up comfortably as a part of the black middle class. Coming of age during the Jim Crow period of the South, she was raised by her educated, middle-class parents to be a leader in the community. The descendant of two white grandparents, her bi-racialism formed her early awareness of colorism within the African-American community…

Read the entire article here.
Part of the expedition involved sketching and describing mixed-race Brazilians. Agassiz saw the rampant miscegenation in Brazil as a “mongrelization” of pure racial types that would ultimately result in sterility.

2021-10-01

[Louis Rodolphe] Agassiz applied this penchant for classification to his views on race. Part of the expedition involved sketching and describing mixed-race Brazilians. Agassiz saw the rampant miscegenation in Brazil as a “mongrelization” of pure racial types that would ultimately result in sterility. Agassiz categorized humans into different “species.” In his book on the Brazil trip, Agassiz notes, “the fact that [the races] differ by constant permanent features is in itself sufficient to justify a comparison between the human races and animal species.”

Michelle Y. Raji, “Retrospection: Agassiz’s Expeditions in Brazil,” The Harvard Crimson, April 21, 2016. https://www.thecrimson.com/article/2016/4/21/agassiz-in-brazil/.
De Waal’s ‘extraordinary’ memoir goes to Tinder Press

2021-10-01

De Waal’s ‘extraordinary’ memoir goes to Tinder Press

The Bookseller: At the Heart of Publishing since 1858
2021-09-28

Heloise Wood, Deputy News Editor

Tinder Press has landed Kit de Waal’s memoir about growing up in Birmingham in the Sixties and Seventies, Without Warning and Only Sometimes, which she described as “the story I always wanted to tell”.

Publisher Mary-Anne Harrington acquired UK and Commonwealth rights from Jo Unwin at JULA. Without Warning and Only Sometimes will be published on 18th August 2022.

The memoir charts de Waal’s unpredictable childhood, growing up mixed race in Moseley, Birmingham.

Harrington said: “I have been desperate to work with Kit for years and knew she had the most wonderful story to tell, so it’s both an enormous thrill and an honour to be working with her on Without Warning and Only Sometimes. Kit takes us into the mind and heart of a girl raised to believe the world was going to end in 1975, who was never allowed to celebrate Christmas, and whose father squirreled away every penny he had to build a house in St Kitts that his wife and children were never to see.”…

Read the entire article here.

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