Mixed Race Studies

Race and Racism in Nineteenth-Century Art: The Ascendency of Robert Duncanson, Edward Bannister, and Edmonia Lewis

University Press of Mississippi
2021-07-15
282 pages
30 b&w illustrations
Hardcover ISBN: 9781496834348
Paperback ISBN: 9781496834355

Naurice Frank Woods Jr., Associate Professor of African American Studies
University of North Carolina, Greensboro

Foreword by George Dimock, Associate Professor Emeritus of Art
University of North Carolina, Greensboro

The extraordinary struggle, achievement, loss, and reclamation of three brilliant African American artists of the 1800s

Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels.

Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art.

Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.

George Floyd Protests Prompted a Reckoning Over Colorism, Afro-Latinx Identity

Teen Vogue
2021-05-26

Zoë Watkins

Racial Reckoning is a series produced by student journalists reflecting on how the national uprisings after the police killing of George Floyd affected their generation. It was produced in collaboration with Dr. Sherri Williams’ Race, Ethnic and Community Reporting class at American University.

Alé Headley, 24, an Afro Panamanian living in Minneapolis, Minnesota, attended over 20 marches and rallies last summer to protest the death of George Floyd. Headley, who is Black, Afro-Latina, and queer, identifies as nonbinary and uses the pronouns they/them and ella. They say they were “immediately” driven to join movements demanding justice for Black and brown lives lost to police violence.

Their decision to get involved was multifaceted and deeply personal: They had witnessed police officers mistreat unhoused people in their neighborhood, thought of their younger brother who regularly endures police harassment, and their own experiences with racial profiling. “It’s disgusting to see how other people are treated, and then experiencing it for yourself,” Headley tells Teen Vogue. “It’s a different level of empathy.”

While navigating dual identities, many members of Afro-Latinx communities got involved in last summer’s uprisings against systemic racism. Many often found themselves in an uncomfortable tug of war with their identities. As they protested and heard personal stories of racism, some realized that their identification with their Blackness had been muddied throughout childhood, and their dual identities were never allowed to fully shine…

Read the entire article here.

One Drop featuring Dr. Yaba Blay and the Mixed Aunties

Militantly Mixed Podcast
2021-04-27

This is a very special episode of Militantly Mixed. I, along with TaRessa Stovall and Sonia Smith-Kang aka “the Mixed Aunties” sat down to speak with Dr. Yaba Blay, author of One Drop: Shifting the Lens on Race about her work on the book and the term “One Drop” as it pertains to Mixed-Black identified people.

Listen to the podcast (01:05:02) here.

Validation of the Multiracial Youth Socialization (MY-Soc) Scale among racially diverse multiracial emerging adults.

Journal of Family Psychology
Published online: 2021-05-31
DOI: 10.1037/fam0000879

Annabelle L. Atkin, PhD, Postdoctoral Scholar
T. Denny Sanford School of Social and Family Dynamics
Arizona State University

Hyung Chol Yoo, Associate Professor of Psychology
Arizona State University

Rebecca M. B. White, Associate Professor of Family and Human Development
Sanford School of Social and Family Dynamics
Arizona State University

Alisia G. T. T. Tran, Assistant Professor in the Counseling and Counseling Psychology Program
Arizona State University

Kelly F. Jackson, Associate Professor of Social Work
Arizona State University

Multiracial children are the largest demographic group in the United States among individuals under the age of 18 (Pew Research Center, 2015), but their developmental processes are understudied. Parents and caregivers play an important role in preparing youth to navigate racialized society by teaching them to understand what it means to be a member of a racial-ethnic group (Hughes et al., 2006). However, this process is more complex in multiracial families, where youth belong to multiple racial-ethnic groups. Thus, the purpose of the present study was to develop and validate the first measure of racial-ethnic socialization for Multiracial youth, the Multiracial Youth Socialization (MY-Soc) Scale, to assess the unique messages that are communicated in multiracial families regarding topics of race, ethnicity, and culture. Using a sample of 901 Multiracial emerging adults (m_age = 22.43), we separately captured the socialization practices of two of the youths’ primary caregivers from the youths’ perspective. Exploratory and confirmatory factor analyses supported a 62-item scale measuring eight types of socialization: Navigating Multiple Heritages Socialization, Multiracial Identity Socialization, Preparation for Monoracism Socialization, Negative Socialization, Colorblind Socialization, Diversity Appreciation Socialization, Race-Conscious Socialization, and Silent Socialization. The MY-Soc Scale was also supported by validity and reliability tests. This study contributes an important tool for scholars and practitioners to learn which racial-ethnic socialization messages are promotive for Multiracial youth development in different contexts.

Read or purchase the article here.

No mass protests after Honolulu police shoot, kill Black man

ABC News
2021-06-06

Jennifer Sinco Kelleher and Mogomotsi Magome, Associated Press

n a 2021 photo provided by Bickerton Law Group representing the family of Lindani Myeni, he is standing on a beach in Waimanalo, Hawaii with his wife and two children. Some Black people in Hawaii say Myeni’s shooting death by Honolulu police is a reminder that Hawaii isn’t the racially harmonious paradise it’s held up to be. (Myeni Family Photo/Bickerton Law Group via AP)

Honolulu police shot and killed Lindani Myeni, a Black man, three months after he moved to Hawaii with his wife, believing it would be safer place to raise their two Black children

HONOLULU — Lindsay Myeni and her South African husband moved to Hawaii, where she grew up, believing it would be safer to raise their two Black children here than in another U.S. state.

Three months after they arrived, Honolulu police shot and killed her husband, 29-year-old Lindani Myeni, who was Black.

“We never thought anything like this would ever happen there,” Lindsay Myeni, who is white, told The Associated Press in an interview from her husband’s hometown, Empangeni in Kwazulu-Natal province.

To some, Lindani Myeni’s death and the muted reaction from residents, is a reminder that Hawaii isn’t the racially harmonious paradise it’s held up to be.

The couple moved to Honolulu from predominately white Denver in January.

Hawaii, where white people are not the majority and many people identify as having multiple ethnicities, felt right: “We were refreshed to be back to somewhere that is so diverse.”…

Read the entire article here.

‘Mixed-ish’ Cast Reacts to ABC Cancellation After Two Seasons: “Onward And Upward”

Deadline
2021-05-14

Alexandra Del Rosario, TV Reporter

Kelsey McNeal/ABC

The actresses behind Mixed-ish‘s Johnson family broke their silence on social media after ABC announced that it will not renew the comedy for a third season.

Arica Himmel, who stars as the younger version of Tracee Ellis Ross’ Rainbow “Bow” Johnson, first posted her reaction to the news on Instagram. She reminisced on her time on the series, following in Ross’ steps and more.

“TI want to thank our many loyal fans who joined us each week for the last two years on our journey from the commune to the ‘burbs — it has been an amazing experience and I will miss my TV family more than you can imagine,” she said…

Read the entire article here.

As a ‘white-passing’ Asian American, I feel grief, shame and confusion right now

TODAY
2021-04-02

Maura Hohman, Weekend Editor and Reporter

Melea McCreary and Maura Hohman, a broadcast producer and digital editor for TODAY, share their experiences growing up with Filipino mothers but passing as non-Asian. As Asian Americans across the country are targeted for their appearance, they share their identity crisis. Courtesy Maura Hohman/Melea McCreary/ Fabio Briganti

Schoolmates never pulled their eyes sideways at me, but one did ask if my mom was my nanny and tried to convince me I was adopted.

During Asian Pacific American Heritage Month, TODAY is sharing the community’s history, pain, joy and what’s next for the AAPI movement. We will be publishing personal essays, stories, videos and specials throughout the entire month of May.

I’ll never know exactly how much privilege my face has afforded me, though I’ve often wondered about the magnitude. No stranger has ever yelled a racial slur at me, but at a previous job a client spoke poorly of Filipinos not knowing half my family is from there. Schoolmates never pulled their eyes sideways at me, but one did ask if my mom was my nanny and tried to convince me I was adopted. In the wake of the Atlanta spa shootings that left eight people dead, including six Asian American women, a few friends have texted to see how I’m doing. But over the years, so many friends have said they don’t consider me Asian...

Read the entire interview here.

Aftershocks: A Memoir

Simon & Schuster
2021-01-12
320 pages
Hardcover ISBN-13: 9781982111229
Paperback ISBN-13: 9781982111236
eBook ISBN-13: 9781982111243
Unabridged Audiobook ISBN-13: 9781797108698

Nadia Owusu

In the tradition of The Glass Castle, a deeply felt memoir from Whiting Award–winner Nadia Owusu about the push and pull of belonging, the seismic emotional toll of family secrets, and the heart it takes to pull through.

Young Nadia Owusu followed her father, a United Nations official, from Europe to Africa and back again. Just as she and her family settled into a new home, her father would tell them it was time to say their goodbyes. The instability wrought by Nadia’s nomadic childhood was deepened by family secrets and fractures, both lived and inherited. Her Armenian American mother, who abandoned Nadia when she was two, would periodically reappear, only to vanish again. Her father, a Ghanaian, the great hero of her life, died when she was thirteen. After his passing, Nadia’s stepmother weighed her down with a revelation that was either a bombshell secret or a lie, rife with shaming innuendo.

With these and other ruptures, Nadia arrived in New York as a young woman feeling stateless, motherless, and uncertain about her future, yet eager to find her own identity. What followed, however, were periods of depression in which she struggled to hold herself and her siblings together.

Aftershocks is the way she hauled herself from the wreckage of her life’s perpetual quaking, the means by which she has finally come to understand that the only ground firm enough to count on is the one written into existence by her own hand.

Heralding a dazzling new writer, Aftershocks joins the likes of Don’t Let’s Go to the Dogs Tonight and William Styron’s Darkness Visible, and does for race identity what Maggie Nelson does for gender identity in The Argonauts.

To Fathom His Very Roots: Chief Buffalo Child Long Lance and “Evidence” of His Literary Racial Passing

J19: The Journal of Nineteenth-Century Americanists
Volume 9, Number 1, Spring 2021
page 69-80
DOI: 10.1353/jnc.2021.0008

DeLisa D. Hawkes, Assistant Professor of English
University of Texas, El Paso

During the latter part of the long nineteenth century, actor and author Sylvester Clark “Chief Buffalo Child” Long Lance completely discarded his African American ancestry to assert a composite Native American identity. He did so in hopes of escaping anti-Black violence. His writings suggest that he believed that performing the racialized stereotype of the “noble savage” would better position him to achieve inclusion in US society, which was otherwise denied to him in his legal “colored” (read: Black) racial identity. His complex and problematic approach to his ancestry and racial identity invites scholars to critically consider how some authors simultaneously challenged yet adhered to social expectations regarding racial identification when reflecting on their personal lives and asserting their racial identities in literature. Long Lance’s life and writings invite scholars to question what counts as “evidence” to prove so-called racial passing when authors or their characters reflect on certain aspects of their ancestry and racial identity. In this essay, I examine the complexities of racial passing in nineteenth and twentieth century literatures with attention to Long Lance’s unique perspective of his racial identity and shows how he used literary and legal racial passing to challenge racial binarism.

Read or purchase the article here.

Fredi Washington and Her Defining Role in Imitation of Life

Blog
Amistad Research Center
2018-07-02

The Fredi Washington papers at the Amistad Research Center highlights the life of the African American actress, dancer, and activist known for her stage and screen rolls from the 1920-1940s. She was born Fredericka Carolyn Washington in Savannah, Georgia on December 23, 1903, and was one of nine children of Robert T. and Harriet Walker Ward Washington. Fredi’s mother died when she was young, and she attended St. Elizabeth’s Convent in Cornwell Heights, Pennsylvania with her sister Isabel. Fredi moved to Harlem in 1919 to live with her grandmother. She left school and soon entered show business. She began her career in the early 1920s as a chorus dancer in Nobble Sissle and Eubie Blake’s Shuffle Along. She adopted the stage name Edith Warren in 1926 when she acted in the lead role opposite Paul Robeson in Black Boy…

Read the entire article here.