Mixed Race Studies

The Devil’s Half Acre: The Untold Story of How One Woman Liberated the South’s Most Notorious Slave Jail

Seal Press (an imprint of Basic Books)
2022-04-12
352 pages
Hardcover ISBN-13: 9781541675636
eBook ISBN-13: 9781541675629
Audiobook ISBN-13: 9781549193354

Kristen Green

The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs

In The Devil’s Half Acre, New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.” When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities.

A sweeping narrative of a life in the margins of the American slave trade, The Devil’s Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.

Woman, Eating: A Literary Vampire Novel

HarperVia (an imprint of HarperCollins)
2022-04-12
240 pages
5.5 x 0.85 x 8.25 inches
Hardcover ISBN: 9780063140882
E-book ISBN: 9780063140905
Digital Audio, MP3 ISBN: 9780063140912

Claire Kohda

A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch.

Lydia is hungry. She’s always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside – the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can’t eat any of these things. Her body doesn’t work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs’ blood in London – where she is living away from her vampire mother for the first time – is much more difficult than she’d anticipated.

Then there are the humans – the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can’t bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for – perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry – always hungry.

As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her – between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans – if she is to find a way to exist in the world. Before any of this, however, she must eat.

Stranger and Alone: The Story of a Man Who Betrayed His Own People

Harcourt, Brace and Company
1951
308 pages

J. Saunders Redding (1906–1988)

Stranger and Alone dramatizes the psychological and moral costs of denying one’s racial identity and allowing one’s “white face” to predominate. Striving for individual success through rejection of one’s people, the novel implies, amounts to a betrayal of oneself, as well as a futile striving against history, “the time on the clock of the world.

For Colin Kaepernick, Writing Is Another Form of Activism

Publishers Weekly
2022-03-29

Nathalie op de Beeck, Associate Professor of English
Pacific Lutheran University, Tacoma, Washington

Colin Kaepernick, at 34, presides over a multimedia platform for Black and brown people’s empowerment. In 2016, inspired by civil rights heroes, the then-San Francisco 49ers quarterback rocked the NFL by taking a knee during the national anthem to protest police brutality, sparking protests and backlash. That fall, he and his partner Nessa (known by her first name only) established Know Your Rights Camp, a youth-focused organization with principles that echo the Black Panthers’ Ten-Point Program for communities, along with a downloadable set of educational resources, Colin in Black & White: The Kaepernick Curriculum. He went on to found Kaepernick Publishing, for which he edited a collection of essays by social justice leaders, Abolition for the People: The Movement for a Future Without Policing or Prisons.

Kaepernick Publishing and Scholastic have teamed up to publish Kaepernick’s debut picture book (as part of a multibook deal), the autobiographical I Color Myself Different, with illustrations by Eric Wilkerson, an artist known for his high-energy fantasy illustrations. Wilkerson’s paintings grace the covers of Nic Stone’s Shuri books and Kwame Mbalia’s Tristan Strong series, and Kaepernick was familiar with his work; the author and illustrator spoke back and forth to fine-tune the images of a young Colin in I Color Myself Different. Kaepernick corresponded with PW about writing as a form of activism, recognizing the many elements that make up our identities, and finding strength in the history of social justice movements…

Read the entire interview here.

I Color Myself Different

Scholastic
2022-04-05
40 pages
Hardcover ISBN: 978-1338789621

Colin Kaepernick, Eric Wilkerson (Illustrator)

An inspiring story of identity and self-esteem from celebrated athlete and activist Colin Kaepernick.

When Colin Kaepernick was five years old, he was given a simple school assignment: draw a picture of yourself and your family. What young Colin does next with his brown crayon changes his whole world and worldview, providing a valuable lesson on embracing and celebrating his Black identity through the power of radical self-love and knowing your inherent worth.

I Color Myself Different is a joyful ode to Black and Brown lives based on real events in young Colin’s life that is perfect for every reader’s bookshelf. It’s a story of self-discovery, staying true to one’s self, and advocating for change… even when you’re very little!

Special Issue “Multiracial Identities and Experiences in/under White Supremacy”

Social Sciences
Volume 11, Number 2, Special Issue “Multiracial Identities and Experiences in/under White Supremacy”
Published 2022-02-21

Guest Editors:

David L. Brunsma, Professor of Sociology
Virginia Tech, Blacksburg, Virginia

Jennifer Sims, Assistant Professor of Sociology
University of Alabama, Huntsville

Dear Colleagues,

Social scientific scholarship on Multiracial experiences and processes of identity development have been the subject of social scientific scholarship for over three decades. During this time, scholars from a wide variety disciplines, such as sociology, psychology, geography, history, political science, and the humanities, along with the critical interdisciplinary work of women’s and gender studies, queer studies, Black studies, and others, have contributed to the present state of knowledge.

We now know that multiracial identities are dynamic and intersectional. We also know that mixed-race experiences are embedded within social institutions, social structures, political movements, histories, and stories. Processes like racialization and microaggressions, family and peer dynamics, and other important social, cultural, economic, historical, collective, and political realities are known to manifest in unique ways for mixed-race populations. Far from heralding an end to race and racism, we know that multiraciality is woven within structures of white supremacy across a broad range of social, political, and national contexts…

Read all of the nine (9) papers here.

Trailblazer with Amandla Stenberg

Net-a-Porter
2021-02-08

Micha Frazer-Carroll

Ever since her breakout role in The Hunger Games, Amandla Stenberg’s career has gone from strength to strength. Here, the actor talks to Micha Frazer-Carroll about her involvement in the Black Lives Matter movement, how the pandemic has made her re-evaluate her life and why she’s keenly exploring other creative avenues

Speaking to Amandla Stenberg feels strikingly like hanging out with a close friend, as well as interviewing a compelling voice from Hollywood’s twentysomething cohort. As we connect over Zoom, the conversational ground quickly spans from grumbling about media depictions of Gen Z to lamenting the elitist hierarchies that have emerged at queer Zoom parties. She also laughs a lot.

The laughter subsides and Stenberg reflects on the turbulent times that 2020 brought. She’s been Airbnb-ing and short-term renting for two years now – between New York, LA, Paris and Copenhagen – and has felt constantly unsettled since the pandemic hit. “I think sometimes I forget the lens through which I’m looking at things,” she says. “I can kind of get stressed out, wondering why I have so much anxiety, or why I’m in a constant state of paranoia and fear – and then I remember the circumstances.”

There are things to be grateful for, too, of course – she stresses that she doesn’t want to sound all “the pandemmy’s been so hard”, particularly since the actor, whose father is Danish, spent three months of the past year in the rolling hills of rural Denmark. “The thing I’m grateful for is definitely the opportunity to move more slowly – like actually thinking about my habits, the way I move through each day and what my priorities are.”…

Read the entire article here.

One More Census Takeaway: The End of an Era of Counting the Nation?

The New York Times
2022-03-12

Michael Wines, National Correspondent

Some experts are arguing that it’s time for the census to aggressively make use of government data and other sources to augment its own decennial count.

WASHINGTON — Beyond the reports of undercounts and overcounts in population totals, there is another takeaway from the post-mortem of 2020 census data issued on Thursday: This could be the last census of its kind.

The next census will be taken in a nation where Amazon may have a better handle on where many people live than the Census Bureau itself. For some advocates of a more accurate count, the era in which census-takers knock on millions of doors to persuade people to fill out forms should give way in 2030 to a sleeker approach: data mining, surveys, sophisticated statistical projections and, if politics allows, even help from the nation’s tech giants and their endless petabytes of personal information.

The Census Bureau itself has yet to leap very far into that new era. But it has hinted recently at a “blended” approach in which official census figures could be supplemented with reliable data from government records and other sources…

Read the entire article here.

Writer Gregory Howard Williams’ “Life on the Color Line”

Fresh Air with Terry Gross
WHYY FM, Philadelphia, Pennsylvania
1995-02-21

Terry Gross, Host

Williams spent the first ten years of his life believing he was white in segregated Virginia, and that his dark-skinned father was Italian. When his parents’ marriage ended, his father took him and his brother to Muncie, Indiana, where the boys learned that they were half black. Williams’ new memoir “Life on the Color Line” is about the struggle and repression he faced growing up between the races. Publisher’s Weekly calls it “(an) affecting and absorbing story.”

Listen to the interview (00:23:10) here. Download the interview here.

Nitasha Tamar Sharma: Hawai’i Is My Haven: Race and Indigeneity in the Black Pacific

New Books Network
2022-03-30

Hawai’i Is My Haven: Race and Indigeneity in the Black Pacific (Duke UP, 2021) maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged anti-Black racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, non-White multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma’s analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

Listen to the interview (01:48:48) here.