Mixed Race Studies

Performance and Identity in Adrian Piper’s Work

InMedia: The French Journal of Media Studies
Volume 8, Number 2 (2020)
DOI: 10.4000/inmedia.2754
17 pages

Antonia Rigaud, Associate Professor of American Studies
Sorbonne Nouvelle University, Paris France

Adrian Piper’s career which spans close to 60 years illustrates the passage in American art from conceptualism to performance art at the turn of the 1970s. She uses the language of conceptualism to interrogate, through performance, the notion of identity in American culture. Confronting her viewers with racial stereotypes, or presenting strategies of retreat, her performances suggest that identity is a fluctuating notion, one which can only exist in dialogue between artist and audience. Her critique of essentialism is at the heart of artworks which are to be construed as social contracts binding artist and audiences together in the definition of the self.

Contents

• Introduction
• “I Embody Everything You Most Hate and Fear”: Giving Visibility to the Subaltern
• “Retiring from Being Black”: The Strategy of Retreat
• “Probable Trust”: Art as Social Contract
• Conclusion

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A vigorous examination of ‘Mr. NAACP,’ who passed as White

The Washington Post
2022-03-25

Kevin Boyle, William Smith Mason Professor of American History
Northwestern University, Evanston, Illinois

When Walter White joined the National Association for the Advancement of Colored People’s New York staff in 1918, he had a thin record of civil rights activism. But he quickly made himself into the association’s indispensable man, particularly skilled at communicating the terror of racial violence to White audiences. It was a talent built partly on his limitless courage, partly on his incessant charm, and partly on a family inheritance that set him apart from most of Black America. “I am a Negro,” he wrote late in life. “My skin is white, my eyes are blue, my hair is blond. The traits of my race are nowhere visible upon me.”

But the marks of slavery were. The sexual exploitation that ran through the antebellum South coiled tightly round White’s maternal line: Both his great-grandfather and grandfather were prominent White men; his great-grandmother and grandmother, enslaved women powerless to resist them. His mother was born into bondage, too, just as the Civil War was about to bring the slave system down. Over the decades of freedom that followed, she and the light-skinned man she married pulled their family into the Black middle class, where their color carried a great deal of cachet. There White was born and raised, wrapped in the Victorian virtues of turn-of-the-century Atlanta’s most prestigious Black neighborhood as Jim Crow closed in around him.

A.J. Baime centers the first two thirds of his vigorous biography, “White Lies: The Double Life of Walter F. White and America’s Darkest Secret,” on the first 12 years of White’s confrontation with that brutal regime. His breakthrough came two weeks into his time as an NAACP staffer, when his boss, the incomparable James Weldon Johnson, sent him to investigate a lynching in tiny Estill Springs, Tenn. White arrived in town claiming to be a traveling salesman. In short order, he was sitting in the general store, chatting up the locals who assumed that he was as White as they were. By nightfall, he had gathered all the horrifying details that made his resulting exposé, published in the NAACP magazine, the Crisis, a sensation…

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Foreshadowing Failure: Mulatto and Black Oral Discourse and the Upending of The Western Design in Thomas Gage’s A New Survey (1648)

Hispania
Volume 102, Number 4, December 2019
pages 583-600
DOI: 10.1353/hpn.2019.0105

Monica Styles, Visiting Assistant Professor of Spanish
Colby College, Waterville, Maine

Thomas Gage wrote A New Survey of the West Indies or, The English American his Travel by Sea and Land (1648) with the aim to convince Oliver Cromwell that the English could successfully invade Spanish held American territories. The English attempt to invade the Spanish colonies in 1655 would not garner non-Whites’ unwavering aid, which is a decisive factor in the Western Design’s failure. Although subalterns in the region rebelled against Spanish hegemony, they were by no means in constant revolt as Gage suggested. They had also carved out an integral place within Spanish American society and culture. Mulattos are subaltern agents whose defining role in the Western Design’s collapse has not been considered sufficiently. Though they were Afro-descendants, Mulattos were racially ambiguous tricksters who disturbed hierarchies. Mulattos sought autonomy by forming alliances with Europeans—be they Spanish, English, French or Dutch—as well as with Amerindian communities, to the extent that these relationships afforded them relative autonomy within hierarchical colonial power structures. Mulattos’ oral and embodied discourses within Gage’s text exemplify their agency and shifting alliances.

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Stories of racial passing, from the pages of Nella Larsen to Detroit’s upper class

Stateside
Michigan Radio
2022-03-25

Elsie Roxborough was born in 1914 in Detroit to one of Michigan’s most prominent Black families. When she died in New York City in 1949, her death certificate listed her race as white. She had lived there as a white woman for over a decade, working for a time as a model while aspiring to acclaim as a playwright.

“She almost immediately goes to New York City after graduation from the University of Michigan,” said Ken Coleman, a journalist who has researched the Roxborough family. Elsie Roxborough “at least professionally changed her name to Pat Rico at one point, and then ultimately, Mona Manet, and her brown, brownish-black hair becomes Lucille Ball auburn.”

Roxborough represents one of the few documented historical instances from Michigan of a Black person choosing to live nearly full-time as a member of white society. This phenomenon, known as racial passing, has received renewed popular attention through recent artistic works like Rebecca Hall’s film adaptation of Nella Larsen’s 1929 novel Passing and Britt Bennett’s novel The Vanishing Half…

Listen to the story (00:19:36) here.

“What are you?” Reactions to American Racial Rhetoric among Mixed and Multiracial Caribbeans

Charisse L’Pree, Ph.D.: Media Made Me Crazy
2014-08-19

Charisse L’Pree, Associate Professor of Communications
S.I. Newhouse School of Public Communications
Syracuse University, Syracuse, New York

Historically, the United States has had tumultuous relationship with mixed and multiracial individuals within its borders; interracial marriage was illegal until 1967, and the one-drop rule continues affect racial discourse. Combined with the hegemonic power of American culture, the effect of this rhetoric is especially evident in neighboring cultures with different social constructions of race. This paper explores the experiences of young adults in the United States and the Caribbean who identify as mixed or multiracial, and their use of social media to publicly identify and affect this conversation.

To be “mixed” is to contain different qualities or elements. Although racial categorizations can differ from culture to culture, much of the literature regarding the identity of mixed individuals has emerged from the United States and Western Europe. In these communities, multiracial individuals are less than 3% of the population and considered to be between groups. Stereotypes like the “tragic mulatto” describe the psychological stress that multiracial individuals can experience as simultaneously ostracized and exoticized anomalies. They are the targets of curiosity, resulting in the common question: “What are you?”…

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A Dialectic of Race Discourses: The Presence/Absence of Mixed Race at the State, Institution, and Civil Society and Voluntary and Community Sector Levels in the United Kingdom

Chinelo L. Njaka, Independent Researcher
London, United Kingdom

Social Sciences
Volume 11, Number 2, Special Issue “Multiracial Identities and Experiences in/under White Supremacy”
Published 2022-02-21
DOI: 10.3390/socsci11020086

For the twenty years that mixed race has been on the United Kingdom (UK) censuses, the main story of mixed race in the UK remains one notable for its nominal presence and widespread absence in national discourses on race and ethnicity, racialisation, and racisms. The article explores reasons for this through connecting the continued presence/absence of mixed race in public discursive spheres to the role that White supremacy continues to play at systemic, structural, and institutional levels within UK society. As technologies of White supremacy, the article argues that continued marginalisation of mixed race has a direct connection to systemic, structural, and institutional aspects of race, racialisation, and racisms. Using three case studies, the article will use race-critical analyses to examine the ways that mixed race is present and—more often—absent at three societal levels: the state, institution, and civil society and voluntary and community sector. The paper will conclude by exploring key broad consequences for the persistent and common presence/absence of mixed race within race and racisms discourses as a technology of political power. Working in tandem, the paper exposes that presence/absence continues to affect mixed race people—and all racialised people—living in and under White supremacy.

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Latinos have many skin tones. Colorism means they’re treated differently.

The Washington Post
2022-03-31

Rachel Hatzipanagos

Growing up, Anyiné Galván-Rodríguez was not the darkest-skinned member of her part-Dominican, part-Puerto Rican family, and not the lightest.

“In every Dominican family, because you have such a melting pot of Spaniard, African and Taino origins, you always have a rainbow of colors,” she said.

Even as a child, Galván-Rodríguez noticed that her physical features shaped how she was treated. While some grandchildren were praised for their looser curls, Galván-Rodríguez was chastised for her coarse, curly hair.

“No one ever directly said, ‘Oh you have bad hair and because you have bad hair, you’re less than the other cousin,’” said Galván-Rodríguez, 40. “But it was said like microaggressions.”…

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Stateside Podcast: “Passing:” The Story of Elsie Roxborough

Stateside
Michigan Radio
2022-03-24

In 1914, Elsie Roxborough was born into a wealthy, Black family in Detroit. But when she died in 1939, her death certificate listed her as white. Her life was rich, curious and at times, troubled, all while attempting a sort of high-wire-act of living multiple lives, between cities and names and races. Today, we talk about her life, death, and everything in between.

Listen to the story (00:19:36) here. Download the story here.

We need treatments based on actual and not assumed genetic variation. That means assessing the patterns of diversity that reflect the distribution of human genetic variation across the globe. To this end, genetic ancestry should be understood as a continuum that it is not categorized in such a way that serves as a surrogate for race (40). Contemporary usage of continental ancestry categories (e.g., European, Middle Eastern, South Asian, Oceanic, East Asian, American, and African) serves as an example of how presumed “ancestral” geographies are assumed as equivalent to biological categories and serve as a false proxy for race. Such groupings correspond to Western racial categorizations and assume genetic homogeneity based on geographical separation, but these groupings misrepresent the actual distribution of genetic variants and neglect continuous movement of people and the resulting degree of mixture across global populations.

Talia Krainc and Agustín Fuentes, “Genetic ancestry in precision medicine is reshaping the race debate,” Proceedings of the National Academy of Sciences, Volume 119, Number 12, Article e2203033119. https://doi.org/10.1073/pnas.2203033119.

Did George Washington Have an Enslaved Son?

The New Yorker
2022-03-07

Jill Abramson, Journalist and Senior Lecturer
Harvard University

West Ford’s descendants want to prove his parentage—and save the freedmen’s village he founded.

In Fairfax County, Virginia, two landmarks of early American history share an uneasy but inextricable bond. George Washington’s majestic Mount Vernon estate is one of the most popular historic homes in the country, visited by roughly a million people a year. Gum Springs, a small community about three miles north, is one of the oldest surviving freedmen’s villages, most of which were established during Reconstruction. The community was founded in 1833 by West Ford, who lived and worked at Mount Vernon for nearly sixty years, first as an enslaved teen-ager and continuing after he was freed. Following Washington’s death, in 1799, Ford helped manage the estate, and he maintained an unusually warm relationship with the extended Washington family.

Awareness of West Ford had faded both in Gum Springs and at Mount Vernon, but in recent years his story has been at the center of a bitter controversy between the two sites. His descendants have demanded that Mount Vernon recognize Ford for his contributions to the estate, which was near collapse during the decades after Washington’s death. They also argue—citing oral histories from two branches of the family—that Ford was Washington’s unacknowledged son, a claim that Mount Vernon officials have consistently denied. As that debate continues, Black civic organizations in Gum Springs are engaged in related battles to save their endangered community. They have resisted, with some success, Virginia’s planned expansion of Richmond Highway, which would encroach on the town, and they have embarked on the process of getting Gum Springs named a national historic site…

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