Seeking Participants for a Multiracial Documentary

Posted in Media Archive, United States, Videos, Wanted/Research Requests/Call for Papers on 2011-06-20 17:52Z by Steven

Seeking Participants for a Multiracial Documentary

We are in production on a documentary that looks into the subject of multiracial individuals. The director is an award winning filmmaker who has written on the multiracial issue in the Los Angeles Times. He is multiracial himself. This documentary will not repeat the multiracial clichés of the past and will instead explore impending social and cultural crisis facing multiracials as they continue to grow in numbers.

Right now we are interested in multiracial subjects—child to adult—who have experienced one or more of the following:

  • Lives publicly as one race and privately as multiracial
  • Encounters with the public school’s “two races or more” category
  • Pre-school applications with racial categories
  • Faced family or social pressures to identify with one race at the expense of other races
  • Ongoing conflicts over multiracial identity within self or with others
  • And any unusual multiracial conflicts that we may not yet be aware of

If any of the above applies to you, please write a paragraph describing your situation and what makes it relevant to the ongoing multiracial dialogue.

Please include the following: name, city, and an e-mail address where we can reach you. If you have a photo that you can attach, that would be appreciated.

If you have any further questions, please contact Rick at katrinanetwork@hotmail.com.

Thank you and we look forward to hearing from you!

Turning Dreams to Chaos: Multiplicity and the Construction of Identity

Posted in Dissertations, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Passing, Women on 2011-06-20 03:46Z by Steven

Turning Dreams to Chaos: Multiplicity and the Construction of Identity

Claremont Graduate University, Claremont, California
2003
249 pages
ISBN (eBook): 978-3-638-68960-1
Archive No.: V7499
DOI: 10.3239/9783638689601

Tamara Hollins

A Dissertation submitted to the Faculty of Claremont Graduate University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Field of English

This work will reflect on the mutability of meaning in the female mulatto body as well as on the mutability of perception by acknowledging the erroneous nature of race and its concrete results, by examining the valorization and undermining of racial essentialism and heterogeneity, and by revealing passing as bound by the social and legal restraints related to the physical body even as it interrogates racial classifications. Specifically, this study will explore how some nineteenth century, modern, and postmodern American narratives containing mulattoes and passing personas produce a resolution reiterating the structure of race or new subjectivities within or possibly without the color line. Through this exploration, the war between the homogenous Self and the different Other will play out. In an effort to unite a divided personality, the Other will counter attempts by the Self to maintain essentialism. The success lies not in the final outcome but in recognizing the subversive acts of the Other and the irrational tactics of the Self as continuously revealing the subjects as always already married and as surpassing mere essentialism into the multitudinous, heterogeneous One. Still, this work realizes that essentialism has a place in heterogeneity, even if essentialism is a logical error. Duality and conflict are inherent in heterogeneity, or the multitudinous One. The key is not to eradicate, in an essentialist manner, one and not the other, but to live in a state of awareness, respecting and accepting those who knowingly choose to construct identities within or without the color line.

Table of Contents

  • Introduction: Reading Meaning in the Mixed Body
  • Chapter One: Assimilating into What?: Stereotypes, Appearances, and Behavior
  • Chapter Two: Eliminating the Tragic: Intersections of Christianity, Racial Uplift, and True Womanhood
  • Chapter Three: Passing as Subversion and Reification
  • Chapter Four: The Journey Home: Replacing Tragedy with Authority
  • Chapter Five: Looking Within and Beyond Race with Irene, Clare, and Angela
  • Chapter Six: From the Passing Mulatto to the Biracial Character: Race, Class, Gender, and Family
  • Conclusion: The Community of Multiplicity

Purchase the dissertation here.

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(In) between identities: Representations of the island and the mulatto in nineteenth-century French fiction

Posted in Caribbean/Latin America, Dissertations, Literary/Artistic Criticism, Media Archive, Slavery on 2011-06-20 02:17Z by Steven

(In) between identities: Representations of the island and the mulatto in nineteenth-century French fiction

University of Wisconsin, Madison
2005
205 pages
Publication Number: AAT 3186126
ISBN: 9780542274718

Molly Krueger Enz, Assistant Professor of French
South Dakota State University

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (French)

This dissertation explores how five nineteenth-century authors depict the tension surrounding racial (in)equality in France’s island colonies through the creation of mulatto characters who are portrayed as “in-between” characters in exile. The thesis is divided into two sections, each based on a common a theme. The first part treats two novels containing mixed-race characters who criticize racial prejudice and the hypocrisy of metropolitan and colonial societies. In my first chapter, I examine how the protagonist of Dumas’s Georges devotes his life to ending racial discrimination against mulattoes on the Île de France and show that the figures of the island and mulatto are structured around similar tensions of isolation and self-sufficiency. My second chapter explores how mixed-race characters in Hugo’s Bug-Jargal refuse to be classified racially. I argue that race is changeable and reflects the unstable history of the island of Saint-Domingue. The second section of this study considers the themes of female heroism and oppression through the figures of the revolutionary, the “tragic mulatta,” and the épave. In the third chapter, I contend that the central mulatta character in Lamartine’s Toussaint Louverture, the product of her black mother’s rape by a white colonist, is depicted as a revolutionary heroine who symbolizes the political power struggle between France and Saint-Domingue. My fourth chapter claims that the “tragic mulatto” stereotype, previously studied in relation to American literature, can be applied to Sand’s eponymous white heroine in Indiana. In my fifth chapter on Madame Charles Reybaud’s “Les Éépaves” and Madame de Rieux, I argue that white female characters usurp traditional white male roles when they enter relationships with men of color. Furthermore, I analyze the figure of the “épave,” neither free nor slave, which I feel best represents the “in-between” nature of the mulatto. This dissertation analyzes geographic, racial, and gendered “in-between” spaces in French Romantic literature on colonialism to further develop an understanding of how marginalized identities were formed in the first half of the nineteenth century and how these identities in turn shaped Romanticism.

Table of Contents

  • Abstract
  • Introduction: Margins and Mixings
  • I. Prejudice and Hypocrisy: Criticisms of Metropolitan and Colonial Societies
    • CHAPTER ONE: The Mulatto as Island and the Island as Mulatto in Alexandre Dumas’s Georges
    • CHAPTER TWO: Mirroring, Monstrosity, and Métissage: Victor Hugo’s Bug-Jargal
  • II. Heroism and Oppression: The Revolutionary, the Tragic Mulatta, and the Épave
    • CHAPTER THREE: Female Revolutionary Heroism in Alphonse de Lamartine’s Toussaint Louverture
    • CHAPTER FOUR: Slavery and the Tragic Mulatto Stereotype in George Sand’s Indiana
    • CHAPTER FIVE: Who “Belongs” to Whom?: Sexual Politics in Two Works by Madame Charles Reybaud
  • Conclusion
  • Appendix
  • Works Cited
  • Works Consulted

Purchase the dissertation here.

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Colored White: Transcending the Racial Past

Posted in Books, History, Media Archive, Monographs, Social Science on 2011-06-19 21:46Z by Steven

Colored White: Transcending the Racial Past

University of California Press
November 2003
332 pages
Paperback ISBN: 9780520240704

David R. Roediger, Babcock Professor of History
University of Illinois, Urbana-Champaign

David R. Roediger’s powerful book argues that in its political workings, its distribution of advantages, and its unspoken assumptions, the United States is a “still white” nation. Race is decidedly not over. The critical portraits of contemporary icons that lead off the book—Rush Limbaugh, Bill Clinton, O.J. Simpson, and Rudolph Giuliani—insist that continuities in white power and white identity are best understood by placing the recent past in historical context. Roediger illuminates that history in an incisive critique of the current scholarship on whiteness and an account of race-transcending radicalism exemplified by vanguards such as W.E.B. Du Bois and John Brown. He shows that, for all of its staying power, white supremacy in the United States has always been a pursuit rather than a completed project, that divisions among whites have mattered greatly, and that “nonwhite” alternatives have profoundly challenged the status quo.

Colored White reasons that, because race is a matter of culture and politics, racial oppression will not be solved by intermarriage or demographic shifts, but rather by political struggles that transform the meaning of race—especially its links to social and economic inequality. This landmark work considers the ways that changes in immigration patterns, the labor force, popular culture, and social movements make it possible—though far from inevitable—that the United States might overcome white supremacy in the twenty-first century. Roediger’s clear, lively prose and his extraordinary command of the literature make this one of the most original and generative contributions to the study of race and ethnicity in the United States in many decades.

Table of Contents

  • One: Still White
  • Two: Toward Nonwhite Histories
    • 6. Nonwhite Radicalism: Du Bois, John Brown, and Black Resistance
    • 7. White Slavery, Abolition, and Coalition: Languages of Race, Class, and Gender
    • 8. The Pursuit of Whiteness: Property, Terror, and Expansion, 1790–1860
    • 9. Inbetween Peoples: Race, Nationality, and the “New-Immigrant” Working Class (with James Barrett)
    • 10. Plotting against Eurocentrism: The 1929 Surrealist Map of the World
  • Three: The Past/Presence of Nonwhiteness
    • 11. What If Labor Were Not White and Male?
    • 12. Mumia Time or Sweeney Time?
    • 13. In Conclusion: Elvis, Wiggers, and Crossing Over to Nonwhiteness
  • Notes
  • Credits
  • Index
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The Hudson River School via Cincinnati

Posted in Articles, Arts, History, Media Archive, Slavery, United States on 2011-06-19 21:14Z by Steven

The Hudson River School via Cincinnati

Chronogram: Arts, Culture, Spirit
Kingston, New York
2011-05-28

Sparrow

“History can be blind,” observes Joseph D. Ketner II, curator of “Robert S. Duncanson: ‘the spiritual striving of the freedmen’s sons,’” an exhibition at the Thomas Cole National Historical Site in Catskill. Duncanson (1821-1872) was an African-American landscape painter, once highly regarded, now almost entirely forgotten.
 
Born a freedman in Seneca County, New York, Robert Duncanson moved as a youth to Michigan. At the age of 16 he apprenticed to a house painter, then briefly began his own painting and glazing business. In 1840, Duncanson resolved to become an artist, relocating to Cincinnati, the largest city in “the West.” The youth taught himself to paint by copying Thomas Cole paintings and sketching from life. He became an itinerant portraitist, then moved on to nature scenes.
 
By the 1850s in Cincinnati, the two most popular art forms, landscape painting and daguerreotype photography, were dominated by African-American artists. James P. Ball was the preeminent daguerreotypist, Duncanson the top painter. Both men were light-skinned “mulattos,” of mixed race, benefiting from the racial caste system of the time. Cincinnati was a northern city, in a “free state” (one without slavery) whose economy and social outlook were Southern. “Cincinnati was one of the most vociferous abolitionist cities, behind Boston, and it was also one of the most adamant pro-slavery cities, simultaneously—a very, very complex dynamic,” explains Ketner.

In 1855, Duncanson and Ball painted a 600-yard antislavery panorama entitled “Mammoth Pictorial Tour of the United States Comprising Views of the African Slave Trade.” This work consisted of a canvas wrapped around two large dowels, which would be unspooled in an auditorium to the accompaniment of an orchestra, with lighting effects and a narrator describing the changing scenes. The “Mammoth Pictorial Tour” traveled the country, advertised as “Painted by Negroes.” Sadly, it is no longer extant…

…It is tempting to interpret Duncanson’s landscapes politically. Those dreamy temples on the shores of rivers—are they images of a utopian world without slavery and racism? Or does that oversimplify them? Duncanson himself once told his son, on the issue of race, “I have no color on the brain; all I have on the brain is paint.”…

Read the entire article here.

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Obama’s Mixed Heritage: A Mother’s Perspective

Posted in Articles, Barack Obama, Family/Parenting, Social Science, United States on 2011-06-19 00:33Z by Steven

Obama’s Mixed Heritage: A Mother’s Perspective

Beacon Broadside
2008-02-14

Barbara Katz Rothman, Professor of Sociology
City University of New York

It’s an interesting historical moment to be a white mother of a Black child, as another white mother’s Black child is running for president of the United States. Who’d have thought?

I too am a white mother of a Black child. When my Black child, Victoria, was in kindergarten or maybe first grade, sitting around the morning meeting at her politically progressive Quaker school, they were talking about how there’d never been a woman president, or a Black president, or a Jewish president. Victoria   piped up: “I could do it; I could be the first of all of them!” Now that she’s older, I think a presidential career is pretty well out for Victoria—the first multi-pierced, Mohawk-wearing, tattooed, electric-bass player president? Probably not. But back when she was in kindergarten, I’d have thought the chances of someone with Obama’s family background becoming president were unimaginably slim.

In case you’ve not seen a news report this year: Obama had an African father and a white American mother—from Kansas, no less, though ultimately her son was raised mostly in Hawaii. Too bad that his mother isn’t here to see this; she died, too young, of ovarian cancer. She did live long enough to see him in the Senate, miracle enough that was! If she was here now, I wonder how she’d be responding to the inevitable media attention: people are blogging about why we’re calling him “Black” rather than “mixed race,”about his “white heritage,”wondering if he is “Black enough,” thinking about his thoroughly unusual and so thoroughly American story…

…The “mixed race” community—powered to a significant (embarrassing?) extent by white mothers of kids who are not white—seeks a unique “mixed” identity, and Obama could be a poster child. But I don’t think we need poster children for mixed identity: we need a world in which a Black man can be president, no matter who his mother is. In such a world, “mixed” wouldn’t matter politically—we could still have our cultural identities, as many as we want, actually, us Americans with our occasional Cherokee grandmother, French great grandfather, Italian immigrant great, great grandmother, and maybe a couple of Jews and the occasional Black ancestor. Celebrating ethnicity can be fun. But race in America is not about fun or celebration: it’s about power. In the world we’ve got, it’s the Black ancestor that sets the identity, because that’s still the racial fault line in America…

Read the entire article here.

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Psychoanalysis and Interraciality: Asking Different Questions

Posted in Articles, Identity Development/Psychology, Media Archive on 2011-06-18 22:33Z by Steven

Psychoanalysis and Interraciality: Asking Different Questions

Psychoanalysis, Culture & Society
Volume 12, Issue 3 (2007)
pages 205–225
DOI: 10.1057/palgrave.pcs.2100121

Annie Stopford, Ph.D., Psychoanalytic Psychotherapist and Adjunct Research Fellow
University of Western Sydney, Sydney, Australia

In this article, the author questions psychoanalytic responses to interracial relationships and subjectivity. She argues that much psychoanalytic discussion on interraciality has been shaped by denial and repression of race, fears of miscegenation, and normative assumptions about the superiority of endogamy. From the perspective of hybridity studies and analytic frameworks predicated on the primacy of relationality, it is time to ask different psychoanalytic questions.

Introduction

In recent years there has been a marked increase in discussion about race, racism, and racialized subjectivity in psychoanalytic literature. One area of “race relations” which requires more attention, however, and a different kind of attention from that which it usually receives, is the area of interracial intimacy. In this article, I raise some questions about psychoanalytic responses to interracial sexual intimacy and interracial subjectivity. I argue that historical psychoanalytic responses to interracial desire, intimacy, and subjectivity were shaped by denial and repression of race, and by (unconscious) fears of miscegenation. In addition, I argue that psychoanalytic writers, past or present, who overtly or implicitly pathologize interracial desire deny full subjectivity to those in interracial relationships and of interracial parentage, inadvertently perpetuate forms of racial segregation, and mandate endogamy as the proper choice of “healthy” individuals. When informed by the insights of hybridity/critical mixed race studies and contemporary psychoanalytic frameworks embedded in notions of relationality and intersubjectivity, however, psychoanalytic perspectives can provide important insight into the intersubjective complexities, subtleties, and specificities of interracial desire and intimacy.

The article begins with some background information and discussion on general historical attitudes toward miscegenation, and the relatively recent emergence of hybridity/mixed race studies. I then show how “anti-miscegenism” permeates psychoanalysis, first by looking at the historical picture and the implications of covert racist and colonialist formulations for interracial couples and individuals, and then by examining some contemporary psychoanalytic writing on white desire for black bodies. In order to illustrate and elaborate some key issues, I utilize extracts from my research interviews with women and men who are or have been in intimate interracial relationships.

The interviews I draw on for this article are part of a wider psycho-social research project on transculturation in intimate African and non-African relationships, involving a series of conversations with 20 African and non-African women and men over a period of 2 years. There were several dominant themes in the narratives of my interlocutors, one of which was the responses of family, friends, and observers to their “mixed race” marriages, relationships, and children. I decided in the early stages of the research that I would try to let the data direct theoretical exploration, and this article is one outcome of this process (see also Stopford, 2004, 2006a, 2006b)…

Read the entire article here.

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Black Berry, Sweet Juice: On Being Black and White in Canada [Review]

Posted in Articles, Book/Video Reviews, Canada, Identity Development/Psychology, Media Archive on 2011-06-18 22:14Z by Steven

Black Berry, Sweet Juice: On Being Black and White in Canada [Review]

Quill and Quire – Canada’s Magazine of Book News and Reviews
October 2001

Hugh Hodges, Associate Professor of English
Trent University, Peterborough, Ontario

Lawrence Hill, Black Berry, Sweet Juice: On Being Black and White in Canada, Harper Collins Canada, September 2001, 256 pages, Paperback ISBN: 9780006385080; ISBN10: 0006385087.

With Black Berry, Sweet Juice Lawrence Hill opens an overdue discussion of what racial identity means to Canadians of mixed race. It’s a worthwhile project, but Hill undermines his intentions by trying to address academics and casual readers at the same time. The book falls somewhere between memoir and sociological study, but achieves neither the warmth of the former nor the rigour of the latter.

Hill’s reflections on race are often inconsistent. He pays lip service to the idea that cultures and communities are open-ended, but tends to speak of them as if they were homogenous and closed. He also seems to change his mind several times about whether racial identity is chosen by an individual or something they are born with. He argues that in contemporary Canada people are free to self-identify, but suggests that the person of mixed heritage who chooses not to identify himself as black will find that “his own race [will] take a bite out of his backside.”

Read the entire review here.

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The Loving Story

Posted in History, Live Events, Media Archive, United States, Videos, Virginia on 2011-06-18 18:31Z by Steven

The Loving Story

Silverdocs Documentary Festival (2011-06-20 through 2011-06-26)
Silver Spring, Maryland

Augusta Films, LLC
2011
77 minutes
Thursday, 2011-06-23, 14:45 EDT (Local Time)
Friday, 2011-06-24, 19:30 EDT (Local Time)
Official Website: www.lovingfilm.com

Director and Producer: Nancy Buirski
Producer and Editor: Elisabeth Haviland James
Screenwriters: Nancy Buirski and Susie Ruth Powell


Mildred and Richard Loving, 1965 (Photograph by Grey Villet)

Mildred and Richard Loving never imagined that their unassuming love story would be the basis of a watershed civil rights case in which the United States Supreme Court declared Virginia’s anti-miscegenation statute unconstitutional. But in 1967, when this soft-spoken interracial couple are exiled from Virginia—the only home they have ever known—for the crime of merely falling in love and getting married, they feel they have no choice but to fight back. Through extraordinary archival footage, director Nancy Buirski brings this tumultuous history back to life, and anchors it in a timely discourse on marriage equality. — SS

For more information, click here.

Note from Steven F. Riley: My wife Julia and I will attend the Friday, 2011-06-24 screening.

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Crossing Borders, Bridging Generations: Mixed-Heritage Families in Brooklyn

Posted in Articles, History, Media Archive, Social Science, United States on 2011-06-18 11:27Z by Steven

Crossing Borders, Bridging Generations: Mixed-Heritage Families in Brooklyn

Brooklyn Historical Society
Brooklyn, New York

April 2011

Project Description

Crossing Borders, Bridging Generations (CBBG) is a public programming series and oral history project about mixed-heritage families, race, ethnicity, culture, and identity, infused with historical perspective. CBBG is currently in the planning phase (April 2011 – March 2012) and will result in a multi-faceted interpretive website expected to be completed in 2015.

By providing a public forum for conversations about mixed-heritage families, Crossing Borders, Bridging Generations will inform the dialogue with historical perspectives on social constructions of race, ethnicity, and community; changes in immigration and citizenship laws and practices; and changes in marriage and partnership laws and practices. Through an interpretive website, online discussions initiated and led by scholars, public programs and events, Brooklyn Historical Society (BHS) will invite the public to share their own stories, respond to other people’s stories, react to, and learn from scholarly interpretations of these stories…

Scholarly Advisors

Mary Marshall Clark, Director of the Oral History Research Office
Columbia University

Martha Hodes, Professor of History
New York University

Keren R. McGinity, History
University of Michigan

Suleiman Osman, Assistant Professor of American Studies
George Washington University

Renee Romano, History
Oberlin College

Michael J. Rosenfeld, Associate Professor of Sociology
Stanford University

Elizabeth M. Smith-Pryor, Associate Professor of History
Kent State University

Karen Woods Weierman, Associate Professor of English (Literary History)
Worcestor State University

Project Staff

Sady Sullivan, Director of Oral History
Brooklyn Historical Society

For more information, click here. View the PDF brochure here.

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