Mixed Race Studies

Not Your Post-Racial Future: Why Interracial Families Need to Talk About Race

ARMED
2015-05-17

Sophie Steains

I have this memory that’s been troubling me for a while.

I was 18 and out in Kings Cross for the night. As I was waiting to order at the bar, a man came up and offered to buy me a drink. He was in his early 30s or so, white, built. He told me it was his birthday and that he wanted to celebrate. I knew he was coming on to me, but I was young and naïve, so I let him do it. Anyway, the lady at the bar made up this special blue birthday cocktail for him. She set it on fire, everyone around us cheered. I couldn’t help but join in on the celebration too. But then, as the man motioned to pay, I noticed a photograph tucked into the front pocket of his wallet. It was a young, beautiful Asian woman holding a Eurasian baby. My blood ran cold…

…Growing up half-Okinawan and half-white Australian has left me with a lot of these unanswered questions. It’s led me to the belief that our society just isn’t equipped to discuss mixed-race, despite the fact that I’m seeing mixed-race faces everywhere I look today. Despite the fact that mixed-race people existed on this land well before white people were even a blip on the radar. Watching Japanese-Canadian Jeff Chiba Stearns’ documentary “One Big Hapa Family,” I was struck by how much his own reflections mirrored my own:

“After thinking back on some bizarre identity related experiences that I had growing up mixed, I started to wonder if interracial couples ever considered how their marriages might affect their children? I got the sense that my relatives never discussed multiracial identity with their kids. I mean, not once growing up did I tell my parents that I experienced cultural confusion.”

Often when mixed-race identities are discussed today, they are conflated with this idea of our “post-racial future.” A future where race is no longer an issue and everyone looks like Halle Berry. The kinds of people who seem to be the most vocal about mixed-race are the people who claim that, “Everyone is a bit mixed-race” or “I don’t see race, we are beyond it” etc. There is this belief that Love and its mixed-race children will help break down the barriers that have been so doggedly safe-guarded for the past several hundred years. Parents of mixed-race children often believe this too, I’ve heard it coming from their mouths many times…

Read the entire article here.

Respecting and Celebrating Black Writing and Storytelling presented by Dr Anita Heiss

Flinders University
182 Victoria Square
Adelaide, South Australia, Australia
2015-07-09, 18:00-19:00 ACDT (Local Time)

Anita Heiss

A NAIDOC Week event co-hosted by Yunggorendi First Nations Centre with the School of Humanities and Creative Arts

Anita will address staff, students and members of the community for NAIDOC Week around this year’s theme: We all Stand on Sacred Ground: Learn, Respect and Celebrate.

This seminar will discuss the ways in which Aboriginal authors across genres write about concepts of space, respect for place and connection to country, and why we should be celebrating this new Australian literature…

For more information, click here.

Crowe’s ‘whitewashing’ sparks criticism from advocates

BBC News
2015-06-07

Elena Boffetta, BBC Washington

Hollywood’s reliance on bankable – and often white – actors has led to another round of sharp criticism of filmmakers for “whitewashing” roles where race and ethnicity play a part.

In Aloha, Cameron Crowe’s latest film, Emma Stone, a American actress with blonde hair and green eyes, was cast as Allison Ng – a junior fighter pilot who was part-Chinese, part-Hawaiian and part-Swedish.

Soon after the release, there was an uproar of criticism from social media against Crowe’s casting choice.

Both Asians and non-Asians asked why they didn’t pick an Asian actress to play a character who is part-Asian.

One advocacy group called Aloha “a whitewashed film” that failed to portray the ethnical diversity of Hawaii.

The Media Action Network for Asian Americans (MANAA) noted 60% of Hawaii’s population is Asian-American Pacific Islanders and 30% Caucasian, a fact not reflected in the film.

Crowe apologised on his website but said he based the Ng character on a real-life redheaded Hawaiian who felt compelled to constantly over-explain her unlikely ethnicity.

“I can understand what Crowe said about his intention that he based his character on someone that didn’t look Asian but identified with the culture but you could have casted someone who was part Hawaiian,” Guy Aoki, the founding president of MANAA, said.

“Whitewashing” casting differs from “colour-blind casting,” where a role is cast when factors of race or ethnicity are irrelevant to the character or plot…

…Hollywood has been accused of whitewashing Asians for decades…

Read the entire article here.

Mixed Race in Australia and the region

University of Western Australia (UWA)
2015-06-08 through 2015-06-10

Conveners: Farida Fozdar

People of ‘mixed race’ are often seen as marginal individuals managing cultural and psychological tensions, or alternatively valorised as the vanguard of an integrated, post-racial, cosmopolitan world (Edwards et al. 2012). Such dichotomies ignore the complex lived reality of being mixed – ranging from ‘passing’, to constructing multiracial identities, to embracing a cultural identity not necessarily reflected in one’s appearance (see Perkins, 2007; Paradies, 2006; Song and Aspinall, 2012; Jones, 2011). Mixed identities are not singular and fixed, but multiple and fluid (Nandi & Platt 2012; Tilbury, 2007; Paradies, 2006), often characterised by ‘ordinariness’ (Caballero, 2012). The lived experience of being ‘mixed’ is strongly influenced by political and social context (Luke and Luke, 1999). While a growing body of research exists on ‘mixed race’, more productive approaches are needed to investigate the cultural production of ‘mixedness’.

Perhaps surprisingly, Australia and the region lag behind the rest of the world in research on ‘mixed race’. There has been little public debate about the place of ‘mixed race’ in Australia and New Zealand (see Fozdar and Perkins, 2014). The subject does rate a hearing in Australia, however, in regard to people of mixed Aboriginal descent (Andrew Bolt style) (see Paradies, 2006). The social and political contexts of mixed race in Australia, New Zealand and the region offer complex histories of colonisation and migration, making this region an important counterpoint to the large bodies of research undertaken in the UK and US.

We invite papers on mixed race in Australia and surrounding countries, with a particular focus on mixed race across the life course (Csizmadia, 2012), the health and development of young people and families; cross-country comparison, and transgenerational effects. We are keen to include papers on mixed race of all types.

Invited speakers include:

• Prof Rosalind Edwards (Southampton)
• Dr Chamion Caballero (LSE)
• Prof Yin Paradies (Deakin)
• Prof David Trigger (UQ)
• Dr Kirsten McGavin (UQ)

View the program guide here.

Being ‘Mixed Race’: Kira Lea Dargin and Annina Chirade

BBC World Service
The Conversation
2015-05-11

Kim Chakanetsa, Presenter

Left: Kira Lea Dargin. Credit: Claire Mahjoub, SSH. Right: Annina Chirade. Credit: Adu Lalouschek

Kira Lea Dargin’s parents met at church. Her mother is white from a Russian family who emigrated to Australia in the 1950s, and her father is Aboriginal Australian. Being “mixed” Kira says, means constantly having to explain how you came about or how your family manages to blend. Having come through some difficult times as a teenager Kira now happily identifies with both of her cultural backgrounds. As the director of ‘Aboriginal Model Management Australia‘, her mission is to help broaden how Australian beauty is defined.

Annina Chirade describes herself as Ghanaian Austrian. She is the founder and editor of Rooted In magazine. When she was growing up, between London and Vienna, people would often question whether she was related to her fair, straight-haired mother. After many years obsessively straightening her own “kinky, curly, Afro-” hair as a teenager, she found her own style – inspired by the confident styles of black female singers like Erykah Badu. Annina says that when you are ‘mixed-race’ people make assumptions about your identity and consider it to be “up for debate”, but she is clear that “whiteness is not something I’m a part of.”

Listen to the interview here. Download the episode (00:26:55) here.

The Somatechnics of Whiteness and Race: Colonialism and Mestiza Privilege

Ashgate
May 2015
186 pages
234 x 156 mm
Hardback ISBN: 978-1-4724-5307-5
eBook PDF ISBN: 978-1-4724-5308-2
eBook ePUB ISBN: 978-1-4724-5309-9

Elaine Marie Carbonell Laforteza, Lecturer in Cultural Studies
Macquarie University, Australia

Investigating the emergence of a specific mestiza/mestizo whiteness that facilitates relations between the Philippines and Western nations, this book examines the ways in which the construction of a particular form of Philippine whiteness serves to deploy positions of exclusion, privilege and solidarity.

Through Filipino, Filipino-Australian, and Filipino-American experiences, the author explores the operation of whiteness, showing how a mixed-race identity becomes the means through which racialised privileges, authority and power are embodied in the Philippine context, and examines the ways in which colonial and imperial technologies of the past frame contemporary practices such as skin-bleaching, the use of different languages, discourses of bilateral relations, secularism, development, and the movement of Filipino, Australian and American bodies between and within nations.

Drawing on key ideas expressed in critical race and whiteness studies, together with the theoretical concepts of somatechnics, biopolitics and governmentality, The Somatechnics of Whiteness and Race sheds light on the impact of colonial and imperial histories on contemporary international relations, and calls for a ‘queering’ or resignification of whiteness, which acknowledges permutations of whiteness fostered within national boundaries, as well as through various nation-state alliances and fractures. As such, it will appeal to scholars of cultural studies, sociology and politics with interests in whiteness, postcolonialism and race.

Contents

• Acknowledgements
• Series Editor’s Preface
• 1. Introduction: the Routes of Mestiza Whiteness
• 2. The Use and Limits of Colonial Mentality
• 3. Providing a New Framework: Tracking Colonialism and Imperialism
• 4. Somatechnologies of the Mestiza/o Self: Skin Colour and Language
• 5. Mestiza/o Whiteness and Anglo-Australian Whiteness: Post-9/11 Somatechnologies of State and Secularism
• 6. The Biopolitical Fracture: Deportation and Detention
• 7. Bearing Witness to Racialised Norms: Challenges and Queer Interventions
• Epilogue: To Remember and to Re-member
• References
• Index

Being Maori-Chinese: Mixed Identities

Auckland University Press
January 2008
238 pages
Illustrations
210 x 148 mm
Paperback ISBN: 9781869403997

Manying Ip, Professor of Asian Studies
University of Auckland, Auckland, New Zealand

Being Maori-Chinese uses extensive interviews with seven different families to explore historical and contemporary relations between Māori and Chinese, a subject which has never been given serious study before. A full chapter is given to each family which is explored in depth often in the voices of the protagonists themselves.

This detailed and personal approach shows how in the nineteenth and early twentieth centuries Māori and Chinese, both relegated to the fringes of society, often had warm and congenial bonds, with intermarriage and large Māori-Chinese families. However in recent times the relationship between these two rapidly growing groups has shown tension as Māori have gained confidence in their identity and as increased Asian immigration has become a political issue. Being Maori-Chinese provides a unique and fascinating insight into cross-cultural alliances between Asian and indigenous peoples, revealing a resilience which has endured persecution, ridicule and neglect and offering a picture of New Zealand society which challenges the usual Pākehā-dominated perspective.

Today’s Māori-Chinese, especially younger members, are increasingly reaffirming their multiple roots and, with a growing confidence in the cultural advantages they possess, are playing important roles in New Zealand society.

Fast Talking PI

Arc Publications
July 2012
80 pages
216 x 138 mm (paperback), 223 x 145 mm (hardback)
Paperback ISBN: 978-1904614-35-7
Hardback ISBN: 978-1904614-77-7

Selina Tusitala Marsh, Senior Lecturer of English Drama and Writing Studies
University of Auckland, Auckland, New Zealand

Fast Talking PI (pronounced pee-eye) reflects the poet’s focus on issues affecting Pacific communities in New Zealand, and indigenous peoples around the world including the challenges and triumphs of being afakasi [mixed race]. The book is structured in three sections, Tusitala (personal), Talkback (political and historical) and Fast Talking PIs (dialogue). She writes as a calabash breaker, smashing stereotypes and challenging historic injustices; also exploring the idea of the calabash as the honoured vessel for identity and story. Her aesthetics and indigenous politics meld marvellously together.

List of Contents

• TUSITALA
  • Googling Tusitala
  • Not Another Nafanua Poem
  • Afakasi
  • Calabash Breakers
  • Hone Said
  • Things on Thursdays
  • Song for Terry
  • Langston’s Mother
  • Cardboard Crowns
  • The Sum of Mum
  • Wild Horses
  • Three to Four
  • Le Amataga
  • The Beginning
  • Spare the Rod
  • A Samoan Star-chant for Matariki
  • Circle of Stones
• TALKBACK
  • Guys like Gauguin
  • Nails for Sex
  • Mutiny on Pitcairn
  • Two Nudes on a Tahitian Beach, 1894
  • Venus in Transit
  • Realpolitik
  • Contact 101
  • Has the whole tribe come out from England?
  • What’s Sarong With This?
  • The Curator
  • Hawai’i: Prelude to a Journey
  • Touring Hawaii and Its People
  • Alice’s Billboard
• FAST TALKING PIS
  • Fast Talkin’ PI
  • Acronym
  • Outcast
• Acknowledgements
• Notes
• Biographical Note

Fast Talking PI: A Reading by Selina Tusitala Marsh

Asian/Pacific/American Institute at NYU
8 Washington Mews
New York, New York 10003
Monday, 2015-04-27, 16:00-18:00 EDT (Local Time)

Auckland-based poet and scholar Selina Tusitala Marsh reads from her award-winning collection, Fast Talking PI. NYU Performance Studies Graduate student and Indigeneous artist, facilitator, and organizer si dåko’ta alcantara-camacho introduces Dr. Marsh and guides the post-reading conversation.

Fast Talking PI and Dark Sparring: Poems, both by Selina Tusitala Marsh, will be available for purchase at a special 20% off discount following the program, courtesy of the NYU Bookstore.

For more information and to RSVP, click here.

Census categories for mixed race and mixed ethnicity: impacts on data collection and analysis in the US, UK and NZ

Public Health
Published online: 2015-02-25
DOI: 10.1016/j.puhe.2014.12.017

S. A. Valles, Assistant Professor
Lyman Briggs College and Department of Philosophy
Michigan State University

R. S. Bhopal, Bruce and John Usher Professor of Public Health;Honorary Consultant in Public Health Medicine
University of Edinburgh, Edinburgh, United Kingdom

P. J. Aspinall, Emeritus Reader in Public Health
Centre for Health Services Studies (CHSS)
University of Kent, United Kingdom

Highlights

• The census mixed race/ethnicity classification systems in the US, UK and NZ are reviewed.
• These systems have limited success for monitoring mixed populations’ health.
• Obstacles to successful use are data input problems and data output problems.
• Data input problems include recording practices and fluidity of self-identification.
• Data output problems include data ‘prioritization’ and non-publication of data.

Read or purchase the article here.