Mixed Race Studies

Spring 2008 Feature: Acting on a Dream

Farmington First: Alumni Magazine
University of Maine, Farmington
Spring 2008

Marc Glass

The stages of H’Nette DeTroy’s dramatic life include theater, dance and even commercial casting

Looking at H’Nette DeTroy’s resume, you might think she suffers from career wanderlust. Since graduating from UMF in 2006, she’s been a nurse, a cheerleader and a bus-commuting business executive—not to mention a disgruntled gas-station patron, a terminally ill hospital patient and a drunk-driving fatality. A southern Maine-based actor, DeTroy takes pride in her many professional personas—whether that means extolling the virtues of an alternative-fuel Mercedes Benz in a television commercial, playing a nurse in a hospital training video, dramatizing the perils of operating under the influence in an MTV-aired public service announcement or taking to the stage in a community theater production of Disney’s High School Musical.

“It’s a lot of fun to lose yourself in a role, creatively making it whatever you want it to be,” said DeTroy on a rare day of downtime away from auditions, teaching children’s dance lessons and rehearsing with the Portland-based hip-hop dance company Rhythm Factor. “When I’m acting, dancing or singing, I lose all concept of time and the trivial stuff in life. This is something I love. It’s what life is about for me.”…

…With what she calls her “multiracial” background (courtesy of a German father and Vietnamese mother), DeTroy has been slating of sorts for most of her life.

“People have always asked me ‘What are you?’ or ‘Are you Latina?’ My mom is as third-world as you can get. Growing up in as unforgiving and wealthy a place as Fairfield County makes you aware of your identity. I’m used to defining myself in the first three seconds,” she said. “I remember growing up and thinking ‘there’s no one on TV who looks like me.’ Seeing Jennifer Lopez in the film Selena, a minority actress actually making it, was very motivational.”…

Read the entire article here.

Louis Riel and the Creation of Modern Canada: Mythic Discourse and the Postcolonial State

University of Manitoba Press
November 2008
314 pages
6 × 9
Paper, ISBN: 978-0-88755-734-7

Jennifer Reid, Professor of Religion
University of Maine, Farmington

Politician, founder of Manitoba, and leader of the Métis, Louis Riel led two resistance movements against the Canadian government: the Red River Uprising of 1869–70, and the North-West Rebellion of 1885, in defense of Métis and other minority rights.

Against the backdrop of these legendary uprisings, Jennifer Reid examines Riel’s religious background, the mythic significance that has consciously been ascribed to him, and how these elements combined to influence Canada’s search for a national identity. Reid’s study provides a framework for rethinking the geopolitical significance of the modern Canadian state, the historic role of Confederation in establishing the country’s collective self-image, and the narrative space through which Riel’s voice speaks to these issues.

Table of Contents

• Foreword
• Chapter 1: Setting the Stage: The North-West to 1885
• Chapter 2: Canadian Myths and Canadian Identity
• Chapter 3: Nation-states and National Discourses
• Chapter 4: Violence and State Creation
• Chapter 5: Revolution, Identity, and Canada
• Chapter 6: Riel and the Canadian State
• Chapter 7: Heterogeneity and the Postcolonial State
• Conclusion
• Notes

Books: Black and white thinking

The Christian Century
2012-01-26

Edward P. Antonio, Associate Professor of Theology and Social Theory
Iliff School of Theology, Denver, Colorado

Brian Bantum. Redeeming Mulatto: A Theology of Race and Christian Hybridity. Waco, Texas: Baylor University Press, 2010. 260 pp. Hardcover ISBN: 9781602582934.

Redeeming Mulatto presents a complex argument about theology and race. It is impossible to do it justice in a short review. Brian Bantum persuasively challenges traditional ways of thinking about race in the United States by theologically retrieving interracial identity as an important category that has been unduly neglected. In this way he addresses the American tendency to understand race relations in terms of the binary opposition between black and white.

Bantum describes the historical experience of being mulatto/a by suggesting that race in the U.S. functions like religion or as a form of discipleship into which we are all recruited…

Read or purchase the article here.

The new black theology: Retrieving ancient sources to challenge racism

The Christian Century
2012-01-26

Jonathan Tran, Assistant Professor of Religion
Baylor University, Waco, Texas

Read Edward Antonio’s review of Brian Bantum’s Redeeming Mulatto (subscription required)

A couple years ago, when the Century asked some leading theologians to name five “essential theology books of the past 25 years,” J. Kameron Carter’s Race: A Theological Account (Oxford University Press, 2008) was one of the few books mentioned more than once and the only one that was published in the past five years. Last year, the Ameri­can Academy of Religion gave its Award for Excellence in the Study of Religion to Willie J. Jennings’s The Christian Imagi­nation: Theology and the Origins of Race (Yale University Press, 2010). These two influential works, together with Re­deeming Mulatto: A Theology of Race and Christian Hybridity (Baylor University Press, 2010), by Brian Bantum (who studied at Duke with both Carter and Jennings), represent a major theological shift that will—if  taken as seriously as it deserves—change the face not only of black theology but theology as a whole….

…In Redeeming Mulatto, Bantum makes his own use of patristic formulations about Christ in order to address the promises and challenges of interracial existence. He views mixed-race persons through the lens of “the hypostatic union,” the early church’s term for the union of divine and human in Christ. Amid the pains and confusions of what was once branded “mongrelization” stands the fullness of Christ’s joining of humanity and divinity. For Bantum, the mulatto “participates in” Christ’s fullness; biracial individuals “perform” the drama of redemption as scripted in the life, death and resurrection of Christ. In Christ’s person, one confronts not only the mystery of divinity but the “impossible possibility” of humanity joined to divinity. Jesus “was mulatto not solely because he was a ‘mixture,’ but because his very body confounds the boundaries of purity/impurity and humanity/divinity that seemed necessary for us to imagine who we thought we should be.”

Baptized into this body, the church in all of its differences offers the world a genuinely reconciled body of diverse persons, in contrast to political orders that exclude (the opposite of baptism) in the name of race, gender, nation, class, ethnicity and so on. According to Bantum, the church speaks the language attuned to this politics of difference: prayer. This is good news for each one of us who is “passing” through America’s complex racial heritage, and it is an indictment of those seeking racial purity and the banishment of racial difference.

When Bantum uses creedal affirmations of Christ’s humanity and divinity to uplift historically shamed biracial persons, he, like Carter and Jennings, speaks in terms that cannot be easily dismissed by white theologians. If Bantum is right about Christology, any Christian (white or otherwise) who affirms the Chalcedonian formula about Christ’s two natures must rethink mulatto life. And if he refuses such rethinking, he cannot blame Bantum’s alleged lack of orthodoxy…

Read the entire article here.

Episode 13: An ‘All-American’ Student Leader’s Search for Identity

Say Something: College Life. One Student at a Time.
The Chronicle of Higher Education
2011-03-25

Robin Wilson

“One assumes it’s very hard to be religious and still be gay.”
 
Ari Shroyer
Roosevelt University, Chicago, Illinois

In this episode, we hear from Ari Shroyer, a sophomore at Roosevelt University, who tells us what it’s like to be a gay, conservative, biracial student-body president—and explains how the university’s openly gay president has served as an inspiration.

Listen to the interview here.

Mulatto Machiavelli, Jean Pierre Boyer, and The Haiti of His Day

John Edward Baur

The Journal of Negro History
Volume 32, Number 3 (July, 1947)
pages 307-353

Toussaint Louverture opened the gate of Haitian liberty, but Jean Pierre Boyer kept it open. Toussaint, ” First of the Blacks,” may be called the Washington of Haiti, but Boyer was neither ”First of the Mulattoes” nor a Haitian Lincoln. He was a colored Machiavelli. Only a Machiavelli would have been ready, willing, and able to lead his country against the greatest obstacles any new nation hadfaced in modern times.

Hated by the Great Powers because she had been born of a slave revolt against France, Haiti was an outcast, almost an outlaw state. The new nation had been the battlefield of French Revolutionary commissioners, sent to stir up the slaves and the mulattoes against their royalist dominators. Santo Domingo had been devastated by a British invasion in the 1790’s and, later, by the brother-in-law of Napoleon, General Leclerc, who attempted to restore French control in the island in 1802. Added to these troubles was the racial war of mulattoes and Negroes for supremacy and, finally, a division of the new nation itself into two hostile states. The land was ruined agriculturally, commercially, politically, and spiritually. So it was from 1804 to 1818 when Boyer gained power. Even a Machiavelli, endowed with the best of human learning and wisdom, would have been befuddled on facing the bitter harvest of this, the New World’s bloodiest and most nearly complete revolution…

Purchase the article here. Read pages 307-349 article here.

Census releases data on American Indian population

Miami Herald
2012-01-25

Felicia Fonseca
Associated Press

FLAGSTAFF, Ariz. — Almost half of American Indians and Alaska Natives identify with multiple races, representing a group that grew by 39 percent over a decade, according to U.S. Census data released Wednesday.

Of the 5.2 million people counted as Natives in 2010, nearly 2.3 million reported being Native in combination with one or more of six other race categories, showcasing a growing diversity among Natives. Those who added black, white or both as a personal identifier made up 84 percent of the multi-racial group.

Tribal officials and organizations look to Census data for funding, to plan communities, to foster solidarity among tribes and for accountability from federal agencies that have a trust responsibility with tribal members.

The bump in the multi-racial group from 1.6 million in 2000 to nearly 2.3 million in 2010 was higher than that of those who reported being solely of Native descent…

…The Blackfeet Nation in Montana had the highest proportion of people who reported being part of more than one racial group or tribe at 74 percent. Among Alaska Native groups, the Tlingit-Haida had the highest proportion of mixed-race Natives at 42 percent.

The number of Natives identifying with at least one other race increased in all but three states from 2000 to 2010, according to the Census…

Read the entire article here.

Telling His Story, Keeping His Promises: MOsley WOtta as performer and father

True North
Central Oregon Parenting
January/February 2012

Michelle Bazemore
photography by Kimberly Teichrow

Note from Steven F. Riley: I will be the co-host on the February 22, 2012 podcast of Mixed Chicks Chat with featured guest Jason Graham.

It’s difficult to spend time with Jason Graham without feeling like you’re in the presence of someone on the brink. Here is a person who has understood the art of performance since he was very small: a kid who could make his divorced parent laugh through her tears after a particularly nasty telephone conversation with her ex; an artist not content to kill it in his hometown; a man who empowers kids to find their voices by directing them to “tell your individual version. The theme has been done, but not your version.”

His version is a study in juxtaposition. He is a rapper, but doesn’t embody the mainstream definition of a hip hop star. He is modern, but inspired by ancient themes. He is physically graceful, yet enjoys playing a grotesque role to make his audience uncomfortable, and to relay a philosophy about superficiality. In his music he will break up a rapid-fire delivery of rap with a sudden drawn-out melodic phrase, often with a theatrical inflection a la Busta Rhymes.

To label Jason Graham a rapper is selling him rather short. Seemingly driven to express himself creatively with whatever medium he is given, Graham is rightly labeled a performance artist. A distinctive voice coupled with the ability to manipulate words into a rhythmic, thought-provoking stream of consciousness make him a natural spoken-word poet and emcee. But he also paints on anything that paint adheres to, from canvas to shovels to jackets, and uses his theater background to create masks, costumes, and props to evoke different characters on stage. Graham’s upbringing in a creative, multi-cultural family has influenced his artistry, adding depth to his performances.

Compared to many commercially successful rappers, Graham is unusually willing to express vulnerability and self-doubt. “I’m comfortable being uncomfortable,” he says without irony, “and that’s what makes me glorious.” As a mixed-race kid transplanted to Bend from Chicago when he was nine years old, he knows about being self-conscious, but says emphatically that he wasn’t “supposed to escape that one way or the other.” He has gradually become more comfortable with calling himself an artist. “It’s dangerous because you invest so much of your love into something you’ve been told time and time again may not work out,” he admits. “But just because you’re an investment banker doesn’t mean it’s going to work out either. Security’s very relative.” …

…The name MOsley WOtta refers to the water content of the human body. At most times during life, the human body is made up of more than 50% water, or “mostly water.” It’s an overt gesture to draw a line of internal commonality among people who are increasingly driven to express themselves as individuals externally through fashion, body art and other surface displays. “We’re always trying to find a balance between fitting in and being ourselves,” says Graham…

Read the entire article here.

Yellow Rose of Texas

The Handbook of Texas Online
Texas State Historical Association
2012-01-21

Jeffrey D. Dunn

James Lutzweiler

“The Yellow Rose of Texas,” one of the iconic songs of modern Texas and a popular traditional American tune, has experienced several transformations of its lyrics and periodic revivals in popularity since its appearance in the 1850s. The earliest published lyrics to surface to date are found in Christy’s Plantation Melodies. No. 2, a songbook published under the authority of Edwin P. Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel group known as the Christy’s Minstrels. Their shows were a popular form of American entertainment featuring white performers with burnt cork makeup portraying caricatures of blacks in comic acts, dances, and songs. The plaintive courtship-themed 1853 lyrics of “The Yellow Rose of Texas” fit the minstrel genre by depicting an African-American singer, who refers to himself as a “darkey,” longing to return to “a yellow girl,” a term used to describe a mulatto, or mixed-race female born of African-American and white progenitors. The songbook does not identify the author or include a musical score to accompany the lyrics:

There’s a yellow girl in Texas
That I’m going down to see;
No other darkies know her,
No darkey, only me;
She cried so when I left her
That it like to broke my heart,
And if I only find her,
We never more will part.

Chorus: She’s the sweetest girl of colour
That this darkey ever knew;
Her eyes are bright as diamonds,
And sparkle like the dew.
You may talk about your Dearest Mae,
And sing of Rosa Lee,
But the yellow Rose of Texas
Beats the belles of Tennessee.

Where the Rio Grande is flowing,
And the starry skies are bright,
Oh, she walks along the river
In the quiet summer night;
And she thinks if I remember
When we parted long ago,
I promised to come back again,
And not to leave her so.

Chorus: She’s the sweetest girl of colour, &c

Oh, I’m going now to find her,
For my heart is full of woe,
And we’ll sing the songs together
That we sang so long ago.
We’ll play the banjo gaily,
And we’ll sing our sorrows o’er,
And the yellow Rose of Texas
Shall be mine forever more.

Chorus: She’s the sweetest girl of colour, &c.

“Dearest Mae” and “Rosa Lee,” the only named females in the song, are the titles of two songs also appearing in Christy’s Minstrels songbooks. These songs were published earlier (1847–48) and are similar in style. Both are sung by a black man in a courtship setting with lyrics similar to those found in “The Yellow Rose of Texas.” Dearest Mae, who was from “old Carolina state,” was described as follows: “Her eyes dey sparkle like de stars, Her lips are red as beet,” and “She cried when boff [both] we parted.” Rosa Lee lived in Tennessee and had “Eyes as dark as winter night, Lips as red as berry bright.”

…In 2011 Yale Divinity School Library archivist Joan Duffy uncovered material indicating that the song’s composer might have been John Kelly, a famous minstrel banjoist, comedian, and composer who took the stage name “J. K. Campbell” in 1851 at the request of a fellow minstrel performer. According to Edward Le Roy Rice (1911), in 1859 and 1860 Campbell was working with George Christy’s Minstrels at Niblo’s Saloon in New York City under name of J. K. Edwards before changing his stage name back to J. K. Campbell. A minstrel “comic song” composed circa 1861 by “J. K. Campbell,” entitled “Ham Fat,” is similar in style to “The Yellow Rose of Texas.” One of the lines reads: “You may talk about your comfort, But Massa is the man…”…

Read the entire article here.

50 African Americans Who Forever Changed Academia

Online College
2012-01-24

Black History Month is celebrated every February as a time to recognize and honor African-Americans who made great contributions to some aspect of life in this country. Major figures like Martin Luther King Jr. and Rosa Parks are often honored, but many lesser-known men and women made impacts on society by working through the channels of academia, breaking barriers for future African-Americans, or creating opportunities for children that they never had before. Here are 50 of those men and women to remember this February…

Read the entire article here.