Mixed Race Studies

What Obama must say to African-American grads

CNN Opinion
Cable News Network
2013-05-18

Paul Butler, Professor of Law
Georgetown University

—”My brothers.”

That is how President Obama should begin one of the most significant speeches of his presidency: the commencement address at Morehouse College this Sunday. Addressing the historically black all male institution gives Obama an opportunity to rectify his strategic neglect of African-Americans. In this high-profile talk to his own demographic, the president has some explaining to do.

Obama’s identity as a black man is usually communicated subliminally, with the swag in his walk, the basketball court on the East Lawn, the sexy glances at the first lady, his overall cool. Now, however, comes the time to be explicit: to speak out loud his affiliation, his fraternal pride and concern. That’s the good work that calling us “brothers” would do…

Read the entire opinion piece here.

CNN’s Soledad O’Brien on Her Entrepreneurial TV Future

Bloomberg Businessweek
2013-03-07

Soledad O’Brien as told to Diane Brady

I never really hesitated about going to Starting Point [which premiered on Jan. 2, 2012]. I thought there was an opportunity to get beyond the platitudes of “Yes, Medicare! No, Medicare!” and actually look at the Congressional Budget Office report. When I left American Morning in 2007, I’d focused on doing documentaries. But I thought Starting Point was a great opportunity to be involved in the zeitgeist.

The show was able to grow, but it takes time. I don’t know that an aggressive interview style was not good for our morning show, which is what some people said. It takes time to build an audience. When Jeff Zucker [CNN’s new president, above] started last month, he had a different vision. He was coming in to make changes across the board that, frankly, CNN really needs. Part of that vision was that I wouldn’t be on the morning show. Once I knew what he wanted, I focused on how I could do what I enjoy most.

We struck an unusual deal. I’ll get to leave CNN with my catalog and documentaries. We were able to create a brand at CNN—Black in America—that I now own. I can take that brand and extend it in any way I want. You have Netflix and all these channels that are looking for interesting and different ways to tell stories. To have ownership of Black in America and Latino in America is hugely important…

Read the entire article here.

Bengali Harlem: Author documents a lost history of immigration in America

In America: You define America. What defines you?
Cable News Network (CNN)
2013-02-15

Editor’s note: CNN’s Moni Basu, a Bengali immigrant, was born in Kolkata, India.

Moni Basu

(CNN) – In the next few weeks, Fatima Shaik, an African-American, Christian woman, will travel “home” from New York to Kolkata, India.

It will be a journey steeped in a history that has remained unknown until the publication last month of a revelatory book by Vivek Bald. And it will be a journey of contemplation as Shaik, 60, meets for the first time ancestors with whom she has little in common.

“I want to go back because I want to find some sort of closure for my family, said Shaik, an author and scholar of the Afro-Creole experience.

That Americans like Shaik, who identify as black, are linked by blood to a people on the Indian subcontinent seems, at first, improbable.

South Asian immigration boomed in this country after the passage of landmark immigration legislation in 1965. But long before that, there were smaller waves of new Americans who hailed from India under the British Empire.

The first group, to which Shaik’s grandfather, Shaik Mohamed Musa, belonged, consisted of peddlers who came to these shores in the 1890s, according to Bald. They sold embroidered silks and cottons and other “exotic” wares from the East on the boardwalks of Asbury Park and Atlantic City, New Jersey. They eventually made their way south to cities like New Orleans and Atlanta and even farther to Central America.

The second wave came in the 1920s and ‘30s. They were seamen, some merchant marines.

Most were Muslim men from what was then the Indian province of Bengal and in many ways, they were the opposite of the stereotype of today’s well-heeled, highly educated South Asians.

South Asian immigration was illegal then – the 1917 Immigration Act barred all idiots, imbeciles, criminals and people from the “Asiatic Barred Zone.”

The Bengalis got off ships with little to their name.

They were mostly illiterate and worked as cooks, dishwashers, merchants, subway laborers. In New York, they gradually formed a small community of sorts in Spanish Harlem. They occupied apartments and tenement housing on streets in the 100s. They worked hard.

And they did all they could do to become American in a nation of segregation and prejudice.

A huge part of that meant marrying Latino and African-American women—there were no Bengali women around—and letting go of the world they left behind.

Unlike other immigrants of the time, they didn’t settle in their own enclaves. Rather, they began life anew in established neighborhoods of color: Harlem, West Baltimore and in New Orleans, Tremé.

By doing so, they also became a part of black and Latino heritage in America…

Read the entire article and view the photograph of “Bengalis and their Puerto Rican and African-American wives at a 1952 banquet at New York’s Pakistan League of America” here.

CNN Joins Forces with Soledad O’Brien’s New Production Company

Cable News Network (CNN)
2012-02-21

Starfish Media Group Will Produce Specials and Documentaries for CNN
 
CNN is entering into a production and distribution agreement with critically-acclaimed journalist Soledad O’Brien, whose new production company will produce long-form programming specials for the network it was announced today by Jeff Zucker, president CNN Worldwide. O’Brien’s company, which will launch in June, will produce three long-form programming specials for CNN in 2014. Those specials will include one of the network’s most successful franchises, Black in America. O’Brien’s new production company, Starfish Media Group, in conjunction with CNN, will act as the exclusive worldwide distributor of previous documentaries featuring O’Brien. She will also host the 2013 CNN Black in America documentary, which will air later this year.

“We greatly value Soledad’s experience, and her first-rate storytelling will continue to be an asset to CNN,” said Zucker. “Documentaries and long-form story telling are important to our brand and we’re anticipating more of what we’ve come to expect from her – riveting content.”…

Read the entire press release here.

Black in America: It’s not just about the color of your skin

In America: You define America. What defines you?
Cable News Network
2012-12-15

Moni Basu

(CNN) – What is black? Race. Culture. Consciousness. History. Heritage.
 
A shade darker than brown? The opposite of white?
 
Who is black? In America, being black has meant having African ancestry.
 
But not everyone fits neatly into a prototypical model of “blackness.”
 
Scholar Yaba Blay explores the nuances of racial identity and the influences of skin color in a project called (1)ne Drop, named after a rule in the United States that once mandated that any person with “one drop of Negro blood” was black. Based on assumptions of white purity, it reflects a history of slavery and Jim Crow segregation.
 
In its colloquial definition, the rule meant that a person with a black relative from five generations ago was also considered black.

Your take on black in America
 
One drop was codified in the 1920 Census and became pervasive as courts ruled on it as a principle of law. It was not deemed unconstitutional until 1967.
 
Blay, a dark-skinned daughter of Ghanian immigrants, had always been able to clearly communicate her racial identity. But she was intrigued by those whose identity was not always apparent. Her project focuses on a diverse group of people—many of whom are mixed race—who claim blackness as their identity.
 
That identity is expanding in America every day. Blay’s intent was to spark dialogue and see the idea of being black through a whole new lens…

…Black and white
 
California author Kathleen Cross, 50, remembers taking a public bus ride with her father when she was 8. Her father was noticeably uncomfortable that black kids in the back were acting rowdy. He muttered under his breath: “Making us look bad.”
 
She understood her father was ashamed of those black kids, that he fancied himself not one of them.
 
“My father was escaping blackness,” she says. “He didn’t like for me to have dark-skinned friends. He never said it. But I know.”
 
She asked him once if she had ancestors from Africa. He got quiet. Then, he said: “Maybe, Northern Africa.”
 
“He wasn’t proud of being black,” she says.
 
Cross’ black father and her white mother never married. Fair-skinned, blue-eyed Cross was raised in a diverse community.
 
Later, she found herself in situations where she felt shunned by black people. Even light-skinned black people thought she was white.
 
“Those who relate to the term ‘black’ as a descriptor of color are unlikely to accept me as black,” she says. “If they relate to the term ‘black’ as a descriptor of culture, history and ancestry, they have no difficulty seeing me as black.”
 
At one time in her life, she wished she were darker—she might have even swallowed a pill to give her instant pigment if there were such a thing. She even wrote about being “trapped in the body of a white woman.” She didn’t want to “represent the oppressor.”
 
She no longer thinks that way.
 
She doesn’t like to check the multiracial box. “It erases everything,” she says.
 
She doesn’t like biracial, either. Or mixed. It’s not her identity.
 
“There’s only one race,” she says, “and that’s the human race.”
 
“I am a descendant of a stolen African and Irish and English immigrants. That makes me black—and white—in America…

Read the entire article here.

Opinion: Black Americans must embrace true colors

In America: You define America. What defines you?
Cable News Network (CNN)
2012-12-15

Tiya Miles, Professor of American Culture, Afroamerican and African Studies, and Native American Studies
University of Michigan

Editor’s note: Historian and author Tiya Miles is a professor at the University of Michigan’s Afroamerican and African Studies department and a 2011 MacArthur genius award recipient.

(CNN) – In the documentary film “Black Indians,” a man who appears to be African-American recounts his delight at eliciting shocked looks from strangers when he launches into a conversation with his wife in the Cherokee language.

The man who tells this story is Cherokee as well as black and a member of the Cherokee Nation of Oklahoma. His is just one among thousands of examples that show diversity has always been a core aspect of African-American identity.

That diversity has been rich – from the moment when Africans from different tribes, cultures and language groups were captured as slaves and transported to North America to the present day, when African-Americans live in various regions and intermarry with members of other ethnic groups.

The evidence of this diversity is so obvious that it may seem at times invisible.

Read the entire opinion piece here…

When no one else looks like you

Cable News Network (CNN)
In America: You define America. What defines you?
2012-12-15

(CNN) – “Who is Black in America?” explores how color affects identity. In this video, Danielle Ayers, a biracial woman, discusses her search for identity and the challenges of being color blind after growing up in a primarily white Mennonite community where race was not discussed.

CNN’s Who’s Black in America: Some Thoughts

Is That Your Child? Thought in Full Color
2012-12-12

Michelle Clark-McCrary

So here’s an audio journal with my reflections on last Sunday night’s CNN Who’s Black in America special. Ultimately, my view of this special and the entire series as a whole is that conversations about race cannot happen without first directly addressing, defining, and recognizing whiteness. If whiteness/white supremacy are not central to your examination of racial identity and racial identity formation, then the conversation will inevitably lay the issues and outcomes of racial inequality at the feet of nonwhite people. I think this is what happened on Sunday night and I think that’s what happened with the series as a whole. The space of commercial cable news in many ways is no friend to nuance or complexity and that the commercial motivations of these outlets somehow impact their willingness to “say white.”…

Listen to the audio journal here.

Shame on CNN: A commentary by Susan Graham

Project RACE
2012-12-10

Susan Graham, Executive Director

CNN aired a show hosted by Soledad O’Brien Sunday called “Who is Black in America?” I have been disgusted with the public misunderstanding of multiracial people on so called news shows in the past, but this one wins the prize for the absolute worst.

First, let’s not forget that Soledad O’Brien is an entertainer and not an authority on the news. Her game is simple: ratings. She does not believe that people get to choose their own identities. But neither she nor anyone else should ever question someone’s racial self-identification.

O’Brien’s mother is black and her father is white; her mother told her not to let anyone tell her she’s not black. So she self identifies as only black, denying half of her identity. She has that right and that opportunity. I feel that everyone should clearly have the right and opportunity to choose to be multiracial, too. But she has clearly brought her identity into her job this time…

…This CNN special tells the story of several multiracial people who identify only as black, and are coerced into identifying as black to be on the national news. Some “experts” are thrown in who simply are getting free publicity for their books or are holding on to their academic jobs by writing and talking about the advantages of self-identifying as black if you happen to be unfortunate enough to have been born to parents of different races…

…This show is, in my opinion, the most misguided show in the CNN “race” series to date. It’s a propaganda piece for every multiracial person to identify only as black; they should not even have a choice. Ms. O’Brien even tries to completely nullify multiracial advocacy by stating that you may only choose one race on the US Census. That statement has been absolutely untrue since the 2000 US Census…

…There are plenty of people who will publicly—on the Internet anyway—applaud Ms. O’Brien for whatever reason and it will give them a chance to spout more hate against the multiracial movement, Project RACE, and me. I’m used to it after 23 years of fighting for the rights of multiracial people who wish to embrace their entire heritage. What is more recent is the new hatred against white people who are being blamed for what happened so many years ago and who fostered the civil rights movement…

Read the entire article here.

Black (Or Not) Like Me: Thoughts on CNN’s Black in America 5

The Huffington Post
2012-12-10

Smokey Fontaine, Chief Content Officer
Interactive One

I know who my colleagues think I am. I’m pretty sure they’ve accepted me as the lightest Black dude in the office. My job demands that I constantly engage co-workers around racial issues, so I have opportunities to represent my Black experience all the time which I’m sure gains me some points.

But it’s different in the street. My what-is-he? scorecard for strangers who pass me by in New York City is as follows:

• 60 percent think I’m Latino
• 25 percent think I’m Black or interracial
• 15 percent think I’m White

Pretty good percentages for me because I’m only comfortable when my see-me-as-a-person-of-color index is above half. That was my problem in Baltimore. Living there for a few years to teach sixth grade at Booker T. Washington Middle School made me vulnerable to mis-identification in a southern environment without a significant Latino population. My white quotient jumped to above 50…

…CNN’s latest installment of their top-rated Black In America series handles these complex issues of identity, asking young African-Americans of various shades and backgrounds to discuss their experience. First, I’m surprised that it took them so long to address this topic (especially given series hostess Soledad O’Brien’s interracial heritage), but I was most struck by how the young people’s experiences were so similar to mine and those of my (not all-Black) friends 20 years ago. It was like I was watching a video of a college I-Pride meeting from 1995.

That’s not necessarily a bad thing. Every generation’s naivete drives their passion to figure out the world and clearly the show’s goal is to raise more questions than it answers. But as cultural critic Stuart Hall liked to say, “cultural identity is one of becoming as well as being. Like everything which is historical… [identities] undergo constant transformation” and I didn’t feel that in the show.

There is a cultural upheaval going on in our country that is expanding ideas about Blackness. Latino, Asian and even white identity are also being affected (don’t get it twisted: the identity of caucausian culture is as dependent on people of color as the other way around). But this shift was not loudly represented by all the great young folks in Black In America talking about how they see and socialize themselves…

…What I’ve learned is that when there is a gap between how someone feels about themselves and how they’re perceived by others, you get conflict. Even within my own interracial family, there are darker-skinned folks who take on their Italian maiden name as an homage to the white mother that raised them (and a dis to the Black father who didn’t), and lighter-skinned folks who refuse to ever straighten their hair to avoid any more obvious connections to a European heritage…

Read the entire article here.