Mixed Race Studies

Visualizing a Critical Mixed-Race Theory

Stance: An International Undergraduate Philosophy Journal
Volume 2 (Spring 2009)
pages 18-25
Ball State University, Muncie, Indiana
ISSN: 1943-1880

Desiree Valentine, Departments of Philosophy and Communication Studies
Marquette University

In this paper, questions regarding the cultural understanding of mixed race are explored, which have the ability to complicate the accepted portrayal of race in society as a black/white binary system. Thus, the acknowledgement of something other than this binary system offers new ways of theorizing about race, particularly concerning the sociopolitical implications of mixed-race designation. This paper argues that the visually mixed-race person has a certain direct ability to challenge the binary and its racist logic. Furthermore, this paper goes on to offer a unique interpretation of where power for working against a racially oppressive system lies within critical mixed-race theory.

I was in kindergarten when I had a clear understanding of the racialized world in which we live, when I had to check a box on my school registration papers recognizing myself as either black or white. This simple action can be quite complicated when one is a daughter of a black father and white mother. I was finally offered the choice of “mixed” by the time I reached Jr. High. But what is this concept of “mixed” and what does it offer a nation still infused with racism years after the time period known as the “Civil Rights Era” has ended?

Questions of mixed race bring with them complications to the established black/white binary system and thus offer new ways of theorizing race as well as the sociopolitical implications of mixed race designation. As Lewis Gordon states, “In spite of contemporary resistance to ‘binary’ analyses, a critical discussion of mixed-race categories calls for an understanding of how binary logic functions in discourses on race and racism. Without binaries, no racism will exist.” Can a breakdown of the current binary logic, which places social and political advantages on white individuals, occur with the inception of a critical mixed race theory? And could this lead to a society free of racism?

This essay will focus on the views of theorists Lewis Gordon and Naomi Zack and their conceptions of the racial binary system and mixed race. I will begin by looking at both theorists’ views on the racial binary system, posing the question, “How do we understand the spectrum of race?” From there, I will explore the approaches each theorist offers for deconstructing the binary, followed by a comparison and critique of both theorizations, with the end goal of offering my own interpretation of where power for working against a racially oppressive system lies within a critical mixed race theory. It is my view that what often gets overlooked in these theorizations is the effect of visual incoherency to the black/white binary that can be provided by the mixed race individual. The concept of the “visibly mixed race person” will be used in this essay to explore the transformative areas for a society still enmeshed in the ugly history of racism…

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‘Going out of stock’: Mulattoes and Levantines in Italian literature and cinema of the Fascist period

University of Connecticut
2008
255 pages
Publication Number: AAT 3329116
ISBN: 9780549826118

Rosetta Giuliani Caponetto

A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy at the University of Connecticut

My dissertation examines, within Fascist propagandist literature and cinema of the 1930s, the hybrid figures of mulattoes—the offspring of interracial unions between Italian men and native women of Italy’s African colonies—and Levantines—white Italian immigrant merchants and craftsmen living in Alexandria, Egypt, who culturally intermingled with other ethnic groups. The popular novels and feature films I examine reveal the mulattoes and Levantines as interchangeable characters invalidating Benito Mussolini’s efforts at establishing a national identity based on a common cultural background, racial attributes, and religious beliefs. As my title suggests, I take mulattoes and Levantines out of the cinematic and literary “stock” of propaganda, where they were depicted as outside the stirpe (stock) of the Italian people, to reveal the inconsistencies within Fascist ideals of racial and cultural purity. In historical and anthropological terms, I intend to bring to light how literary and cinematic devices used to stigmatize mulattoes and Levantines often undermine themselves, calling attention to what was supposed to be absent or different from what was in “stock,” in the works themselves, in the actual peoples depicted and even in the motives of Fascist colonial enterprises. My analysis is informed by the framework of studies on exoticism, hybridity and mimicry, passing and the tragic mulatto, masculinity and femininity, and cultural studies, all of which lead back to the question: Why did Italians resist the ethnic and cultural metissage during colonialism and still to this day insist on “whiteness” when they describe themselves and their culture?

Table of Contents

• Approval Page
• Acknowledgments
• Table of contents
• Introduction
• Chapter One: ‘Speaking of Itself:’ Exoticism in ‘African Works’ of the Early Italian Colonialism
  • 1.1. Introduction
  • 1.2. Italian Colonialism from the Purchase of the Bay of Assab to the Ethiopian Campaign
  • 1.3. Exoticism and Colonialism
  • 1.4. Exploration and First Italian Colonization: Piaggia, Franzoj, Bianchi and Martini
  • 1.5. Italian Anthropology in the Second Half of the 19th Century and the Hamitic Theory
  • 1.6. Africa in the Literary Works of De Amicis, Salgari, D’Annunzio and Marinetti
• Chapter Two: ‘Art of Darkness:’ The Aestheticization of Black People in Fascist Colonial Novel
  • 2.1. Introduction
  • 2.2. Mixed Race Children in Italy’s African Colonies
  • 2.3. The Colonial Novel
  • 2.4. Disciplining the Native Population and the Italian Audience
  • 2.5. Rosolino Gabrielli’s II piccolo Brassa
  • 2.6. Arnaldo Cipolla’s Melograno d’Oro, regina d’Etiopia
• Chapter Three: Undermining Fascist Policies of Order and Risanamento. The Dissident Literature of Enrico Pea and Fausta Cialente
  • 3.1. Introduction
  • 3.2. Alexandria of Egypt: Historical Framework
  • 3.3. The Italian Emigrants of Alexandria
  • 3.4. Growing up in the Shadow of Alexandria
  • 3.5. Enrico Pea’s Egyptian Novels
  • 3.6. Fausta Cialente’s Levantine Characters
• Chapter Four: Fade to White:’ How Italian Cinema Affiliated with Fascism Framed the Native Population of Italy’s African Colonies
  • 4.1. Introduction
  • 4.2. Demographic Colonization of Ethiopia
  • 4.3. Italian Cinema before Fascism
  • 4.4. ‘African Films’ during the Fascist Period
  • 4.5. Augusto Genina’s Lo squadrone bianco
  • 4.6. Guido Brignone’s Sotto La Croce del Sud
• Bibliography

Purchase the dissertation here.