Mixed Race Studies

This Is All I Choose to Tell: History and Hybridity in Vietnamese American Literature

Temple University Press
November 2010
216 pages
5.5 x 8.5
1 halftone
paper ISBN: 978-1-43990-217-2
cloth ISBN: 978-1-43990-216-5
eBook ISBN: 978-1-43990-218-9

Isabelle Thuy Pelaud, Associate Professor of Asian American Studies (founder of the Diasporic Vietnamese Artists Network (DVAN).)
San Francisco State University

An introduction to the themes of a still-evolving American ethnic literature

In the first book-length study of Vietnamese American literature, Isabelle Thuy Pelaud probes the complexities of Vietnamese American identity and politics. She provides an analytical introduction to the literature, showing how generational differences play out in genre and text. In addition, she asks, can the term Vietnamese American be disassociated from representations of the war without erasing its legacy?

Pelaud delineates the historical, social, and cultural terrains of the writing as well as the critical receptions and responses to them. She moves beyond the common focus on the Vietnam war to develop an interpretive framework that integrates post-colonialism with the multi-generational refugee, immigrant, and transnational experiences at the center of Vietnamese American narratives.

Her readings of key works, such as Andrew Pham’s Catfish and Mandala and Lan Cao’s Monkey Bridge show how trauma, race, class and gender play a role in shaping the identities of Vietnamese American characters and narrators.

Contents

• Preface
• Acknowledgments
• Introduction
• Part I: Inclusion
  • 1. History
  • 2. Overview
  • 3. Hybridity
• Part II: Interpretation
  • 4. Survival
  • 5. Hope and Despair
  • 6. Reception
• Conclusion
• Notes
• Bibliography
• Index

Barack Obama’s Dreams from My Father and African American Literature

European Journal of American Studies
1, 2011, Varia
Document 6
DOI: 10.4000/ejas.9232

Daniel Stein
Georg-August-Universität Göttingen

This article provides a series of close readings of Barack Obama’s autobiography Dreams from My Father. It places the narrative within the history of African American literature and rhetoric and argues that Obama uses the text to create a life story that resonates with central concepts of African American selfhood and black male identity, including double consciousness, invisibility, and black nationalism. The article reads Dreams from My Father as an attempt to arrive at a state of “functional Blackness,” which moves away from questions of racial authenticity and identity politics but recognizes the narrative powers of African American literature to shape a convincing and appealing black self.

Read the entire article here.

The Great Seducer: writings on Gilberto Freyre, from 1945 until today (O Grande Sedutor: escritos sobre Gilberto Freyre de 1945 até hoje)

Cassará Publishing House (Blog)
2011
724 pages
16 X 23 cm
ISBN: 978-85-64892-01-9

Edson Nery da Fonseca, Professor Emeritus
University of Brasilia

The book is the result of more than sixty years of study and research and offers a unique and intimate not only on the thought of Freyre, but also about his personal life. Over 135 papers that comprise the collection of articles and essays, Nery da Fonseca presents the genesis of the thought of Gilberto Freyre, identifying intellectuals and artists in a variety of chains, with which Freyre dialogued lifelong and tells stories and curious details . In addition, summarizes the main features, but also sheds new perspectives and points out aspects little or nothing known about the author’s thought of Casa-Grande & Senzala. The work is aimed at all interested in the work of Freyre, but also to all those who appreciate the art of writing.

University of Missouri Press to Shut Down in July

Riverfront Times
St. Louis, Missouri
2012-05-25

Aimee Levitt

The Post-Dispatch was not the only publishing institution in Missouri to have a bad week. Yesterday morning, Tim Wolfe, the president of the University of Missouri system, announced plans to shut down the University of Missouri Press.

 The news came as a complete surprise to the ten-member staff, editor in chief Clair Wilcox told the Columbia Daily Tribune.

It was true the press, which was partially funded by a $400,000 annual subsidy from the university system, had continued to operate with a deficit even after seven employees had been laid off three years ago, but who expects a university press to be a major money-making operation?

The purpose of the U of M Press, founded in 1958, was to showcase scholarly work about Missouri and its people which would be ignored by more commercial publishers. The current catalog, likely to be the press’s last, features a memoir by a Bootheel farmer, a study of old-time Missouri fiddlers, histories of the Missouri State Penitentiary and a Civil War draft resistance movement and biographies of Satchel Paige and the folklorist Mary Alicia Owen (the last with the tantalizing title Voodoo Priests, Noble Savages and Ozark Gypsies)…

Read the enetire article here.

The Significance of Mixed-Race: Public Perceptions of Barack Obama’s Race and the Effect of Obama’s Race on Public Support for his Presidency

Social Science Research Network
Working Paper Series
2011-08-15
55 pages
DOI: 10.2139/ssrn.1910209

Samuel Sinyangwe
Stanford University

This research paper seeks to understand white, black, and mixed-race Americans’ perceptions of President Barack Obama’s racial identity and the influence that those perceptions have on patterns of public support for the President. Some have proposed that the American racial hierarchy is becoming more stratified and complex, with mixed-race Americans rising to a higher, “honorary white” racial stratum with greater socioeconomic and political privileges than they have had in the past. These claims are partially supported by this research. Contrary to those who still conceptualize race in terms of black and white, this research establishes that a majority of whites and mixed-race Americans, and a third of blacks, likely conceptualize the racially ambiguous President Barack Obama as distinctly “mixed-race.” I argue that Americans distinguish Obama as “mixed-race” for a purpose. Whites, blacks, and mixed-race Americans identify Obama as “mixed-race” to express his perceived difference from black people, interests, and values. These distinctions have political significance: mixed-race Americans that are at least part black are more likely to both perceive and support a “mixed-race” Obama while blacks respond more favorably to a perceived “black” Obama.

Read the entire article here.