Mixed Race Studies

Whiteness is the unspoken, invisible default setting of American life. We frame our conversations about race in terms of how white people see and what they think they see. We imagine that nonwhite Americans want to be more like white Americans. We imagine that to be American is to be white. When racial minorities complain about the slurs of a Paula Deen or a prank like the faked names of the Asiana pilots, they are often told by whites to stop being so sensitive or to take the context of tradition or history or humor into account. That ability, to dismiss and minimize people of color for being oversensitive, is itself one of the privileges that whiteness confers. The broader privilege that whites have by occupying the omniscient vantage point in media and civic life has to be named and then undone.

Eric Liu, “Trayvon Martin and Making Whiteness Visible,” Time Magazine (July 17, 2013). http://ideas.time.com/2013/07/17/trayvon-martin-and-making-whiteness-visible

‘Belle’ breaks through the aristocratic color barrier

USA Today
2013-07-21

Bryan Alexander

British actress Gugu Mbatha-Raw used to envy her classmates from the prestigious Royal Academy of Dramatic Arts in London as they moved on to perform in lavish English period dramas. But as an actress of color, she found it difficult to land such historic roles.

“I was somewhat frustrated, I have always loved period dramas and my friends were in these gorgeous-looking Jane Austen adaptations,” says Mbatha-Raw, 30. “I would be like, ‘I have all of this training, when will I get a chance to explore that side?’ ”

Mbatha-Raw, who has held roles in several TV series and was a supporting player in the 2011 Tom Hanks vehicle Larry Crowne, finally has found her opportunity in Belle (opening May 2, 2014). It’s the exceedingly rare story of a mixed-race woman who transcended the lily-white aristocracy of 18th-century England.

Belle is inspired by the life of Dido Elizabeth Belle, who was born as the result of an affair between British naval officer Capt. Sir John Lindsay and an African slave woman who died when Belle was young. Lindsay (Matthew Goode) beseeched his uncle, the Earl of Mansfield and England’s Lord Chief Justice (Tom Wilkinson), to raise his mixed-race daughter in the manner befitting his aristocratic bloodline — unheard of in England at the time…

Read the entire article here.

Trayvon Martin, Race and Anthropology

Anthropology News
American Anthropological Association
2013-07-19

Leith Mullings, Distinguished Professor of Anthropology
City University of New York
(and President of the American Anthropological Association)

On February 26, 2012, 28-year-old George Zimmerman shot and killed an unarmed 17-year-old African American teenager who, after buying Skittles and iced tea at the local 7-Eleven, was on his way home. Zimmerman claimed he was acting in self-defense, and the Sanford, Florida police force, after a brief investigation, refused to press charges. Following several months of demonstrations, Florida Governor Rick Scott (no fan of anthropology, as you may recall) assigned the case to State Attorney Angela Corey, who charged Zimmerman with 2nd degree murder. A year and a half after the killing, on July 13, 2013, a virtually all-white (and all-female) jury found George Zimmerman not guilty of murdering Trayvon Martin (see journalist Charles Blow for an excellent discussion of the systemic racism that brought us to this moment). Though prosecutors, many journalists and large segments of the public saw the case as a quintessential example of race profiling—there is ample evidence, many believed, that Zimmerman profiled the teenager because he was a young Black man—during and after the trial both teams of lawyers and the jurors tripped over themselves proclaiming that neither the murder nor the subsequent not guilty verdict had anything to do with race. How do we explain these startlingly different responses as to the role of race?…

Read the entire opinion piece here.