Mixed Race Studies

A promise kept

The Korea Times
2019-02-02

Kang Hyun-kyung

The late Park Geun-sik (1954-2009) is captured in this photo taken in December 1992 in front of Korean-Amerasians Association in Seoul. He was one of the first batch of biracial Koreans born to a Korean mother and a U.S. soldier. / Noonbit Publishing

Photographer chronicles biracial Koreans living as strangers in homeland

Park Geun-sik, a biracial farmer and human rights activist who died of stomach cancer in 2009, had a dream that remained unfulfilled until his death.

Park, who was called Peter during his childhood for his half-Korean, half-Caucasian appearance, wanted his home country to remember people like him who were born to Korean mothers and American soldiers during and after the 1950-53 Korean War.

They were called “GI babies” when they were young and later “Korean-Amerasians” after they became adults. They were depicted by opinion leaders here as the “tragic outcome” of the war.

GI babies were the first batch of biracial Koreans who lived in this country, decades before the nation saw a surge of biracial children born to Korean fathers and foreign brides from Central and Southeast Asian countries who have been migrating to Korea since the 1990s.

Unlike now, when biracial children are entitled to various types of policy support and protection from the government, back then the GI babies were treated like unwanted children. Without policy support, they were bullied and discriminated against by their classmates in school and racial bias continued even after graduation.

Park’s humble dream ― the nation recognizing GI babies as part of Korea’s traumatic modern history and admitting the country’s mistreatment of them ― came true after his death.

Documentary photographer Lee Jae-gab, 53, chronicled the tragic lives of half-Koreans born during or after the Korean War and published four photo books based on the images he captured over the past 26 years…

Read the entire article here.

By drawing on their Hapa identity while situating themselves within historically Black and Brown musical and cultural aesthetics these artists are contributing to what ethnomusicologist, T. Carlis Roberts calls the “new Black” movement in music, a trend that embraces broader definitions of what it means to be Black and Brown. According to Roberts, “Not only has this process resulted in more visible diversity in media and other social realms, it has productively worked to unseat the Black–white dichotomy as the paradigm of racial conversation.”³ Musicians like [Jhené] Aiko are unseating several racial dichotomies.

Sonia C. Gomez, “Jhené Aiko and the Problem of Multiracial Self-Representation,” Discover Nikkei, January 29, 2019. http://www.discovernikkei.org/en/journal/2019/1/29/jhene-aiko/.

Instead of enforcing segregation policies to sanction white superiority, Argentine authorities sought to eliminate blackness through European immigration and miscegenation. The constant arrival of European males through immigration made this goal attainable. For example, [Domingo] Sarmiento often touted mulatos as proof of progress because they “had the brute force of the African and the intellect of the European.”⁵ By the turn of the twentieth century, it seemed that the whitening project had achieved success. In 1905 Juan José Soiza Reilly wrote in the magazine Caras y Caretas, “The [black] race is losing in the mixture its primitive color. It becomes gray. It dissolves. It lightens. An African tree is producing white flowers.”⁶

Erika Denise Edwards, “A Tale of Two Cities: Buenos Aires, Córdoba and the Disappearance of the Black Population in Argentina,” The Metropole: The Official Blog of the Urban History Association, May 31, 2018. https://themetropole.blog/2018/05/31/a-tale-of-two-cities-buenos-aires-cordoba-and-the-disappearance-of-the-black-population-in-argentina/.

Jhené Aiko and the Problem of Multiracial Self-Representation

Hapa Music is Black and Brown
Discover Nikkei
2019-01-29

Sonia C. Gomez, Postdoctoral Fellow
Mahindra Humanities Center
Harvard University

Jhené Aiko. Photo courtesy of The come Up Show.

At the 2018 VH1 Mother’s Day music tribute concert titled, Dear Mama: A Love Letter to Moms, Grammy nominated singer and songwriter Jhené Aiko recited this poem she wrote for her mother, Christina Yamamoto, a woman of African American and Japanese ancestry:

“I found another grey hair today but I was not bothered at all. I feel like I earned it. I’m better, I’m wiser, I’m leveling up overall. I am becoming my mother, my beautiful mother, who taught me with age, comes might. I’m becoming my mother, my beautiful mother, she is love in the flesh, what a sight.”

Afterwards, Aiko and her young daughter, Namiko Love, serenaded the audience with an original song Aiko wrote titled, Sing to Me. The performance was a touching display of affection between three generations of women, and as such, offers an opportunity to reflect on the role Aiko’s mother’s racial heritage has played in Aiko’s musical career. After all, she is her mother’s daughter.

Jhené Aiko Chilombo was born in 1988 in Los Angeles to Christina Yamamoto, a woman who is African American and Japanese, and Karamo Chilombo, a man of mixed-Black and Native American ancestry. Aiko is one of five siblings who grew up in a multiracial and tight-knit family from Ladera Heights, a Black middle-class enclave in south Los Angeles. Aiko’s sister, Mila J, is a singer, songwriter, and dancer herself…

Read the entire article here.

Is Naomi Osaka Japanese enough for Japan?

Nikkei View: Perspectives on Asian-American culture through the lens of identity, history, and experience
2019-02-01

Gil Asakawa

Naomi Osaka at the 2018 Nottingham Open qualifiers, photo by Peter Menzel, Creative Commons/flickr

I love following the exciting young career of Naomi Osaka, the world’s first Japanese tennis star who has been ranked number-one by the Women’s Tennis Association, after her recent win in the Australian Open.

I love her passion and skill and determination to win. And most of all, I love that she is mixed-race, with a Japanese mom and Haitian dad. And, that she’s culturally as American as she is Japanese or Haitian.

She was born in Japan, and her family came to the U.S. when she was just three years old. They first lived with her father’s family in Long Island, New York, and by the time she was 10, the family (which includes an older sister who also competes in tennis) moved to Florida, where they still live.

Osaka claims both American and Japanese citizenship. She’s 21 now, and the media have begun pointing out Japan’s citizenship law: At 22, Japan doesn’t allow dual citizenship. Naomi will soon have to choose her nationality…

Read the entire article here.

Participants Needed for Oral History Research/Dissertation Project: Multiracial Americans in the 1960s and 70s

Marlena Boswell, Ph.D. Candidate
Department of History
Indiana University, Bloomington

2019-02-01

I am a Ph.D. candidate researching the racial politics of multiracial individuals in the United States in the 1960s and 1970s. While the scholarly literature clearly establishes how society has historically viewed and racially identified multiracial Americans, I am seeking to understand how multiracial individuals racially identified themselves and how they related to the various race-based movements of the 60s and 70s. Therefore, I am seeking volunteers to share their stories in this oral history project.

I am seeking multiracial individuals who:

• Were born between 1945 and 1965
• Preferably (but not necessarily) have ties to the U.S. military

Because a portion of my research will focus on the U.S. military presence overseas in the post-World War II years and its role in the growth of the multiracial population, I am seeking (but not limiting participation to) individuals who come from multiracial families that grew out of the U.S. military presence in:

• England
• Germany
• Japan
• Korea

Please note: There is no monetary compensation for participation in this project.

If you are interested, please email me, Marlena Boswell, at mrb4@indiana.edu or brown.marlena@yahoo.com.

Pride, no prejudice: we’re young, Jewish and black

The Jewish Chronicle
London, United Kingdom
2019-01-31

Karen Glaser

Yasmin Bowen (left) and Vivien Sinclair (Photo: Benjamin Mole)

Drake, Sophie Okenado and Craig David: three big name examples of Jews who are black. So why do so many people assume all Jews are white? Karen Glaser met some teens who challenge that stereotype.

On Shabbat, frummers often stop Lia Grant on the streets of the Jewish neighbourhood where she lives and ask her to ring doorbells and switch on ovens for them. They preface their requests with a quick explanation of Shabbat and the type of work they are prohibited from doing on Judaism’s day of rest.

However, what they do not know is that far from being a potential Shabbos goy, Lia is a fellow Jew. So by asking her to work, her frum interlocutors are inadvertently committing a serious transgression: they are entreating someone who is obligated to keep Shabbat, to violate it.

“When I tell them I’m Jewish, very awkward shock washes over their faces,” says the JCoss sixth former whose mother is Jewish, Israeli and Nigerian, and whose father is Nigerian and Scottish.

It was a similar story when Lia first joined the Jewish secondary. “Are you Jewish?” her classmates would ask her. And six years later, her intersectional identity often elicits a similar response from non-Jews: “Wow! There’s such a thing as a black Jew?”…

Read the entire article here.

A Tale of Two Cities: Buenos Aires, Córdoba and the Disappearance of the Black Population in Argentina

The Metropole: The Official Blog of the Urban History Association
2018-05-31

Erika Denise Edwards, Associate Professor of History
University of North Carolina, Charlotte

Façade of Iglesia de Santo Domingo, Córdoba, Argentina, no date, Archive of Hispanic Culture, Prints and Photographs Division, Library of Congress

The recent explosion of black studies in Argentina has been a welcoming effort of various scholars and activists that have refused to accept the old and tired categorization that Argentina is a country of European descendants.¹ For instance, most recently activists challenged Argentine president Mauricio Macri’s association between Mercosur and the European Union at the World Economic Forum in Davos, Switzerland in January 2018. There the president stated, “I think the association between Mercosur and the European Union is natural because in South America we are all descendants of Europeans.”² I can’t say I wasn’t proud to see and hear the strong backlash that challenged this outdated and very tiresome notion that Argentina has always been a white nation. But is that all that is left for us? What I mean more specifically is we can and will continue to dispel that Argentina is a white country of only “European descendants,” but as the field of black studies in Argentina develops it is also time that we take a hard look at the scholarship and ask ourselves what comes next.

My response is that it is time to expand westward. Why? Because scholars of Argentina’s black history have tended to focus on Buenos Aires.³ So much so that the black experience in Buenos Aires has become the national narrative. In other words, Argentina’s black history and more specifically the process of black disappearance references the black experience of Buenos Aires during the mid-nineteenth and early twentieth century. By the mid-nineteenth century intellectuals such as Juan Batista Alberdi and Domingo Sarmiento (president of Argentina 1868-1874) justified policies that encouraged European immigration using pseudoscientific theories that purported to prove the biological superiority of “whites” over “nonwhites.” In effect, Sarmiento, and similar intellectuals joined the larger Latin American process of blanqueamiento, or whitening. Blanqueamiento serves as an operative word to describe the late-nineteenth-century state-led modernization process. Like Argentina, many other Latin American countries looked to European immigrants as the way to bring civilization. Historians have argued that this ideological erasure is one of the main reasons for the disappearance of people who identified as black in Argentina.⁴…

Read the entire article here.