Mixed Race Studies

I’m black, therefore my kids are, right?

Today’s Parent
2019-01-31

Alicia Cox Thomson

Photo: Christine Kufske, www.clickphotography.ca

Alicia Cox Thomson was raised to embrace both her Bajan and Polish cultures, and feels it’s crucial that her own kids embrace their blackness.

My daughter and I were in the produce section when it happened.

“What a beautiful baby!” Pause. Eyes flick up. “Is she yours?” My jaw clenched. I felt awkward, angry and, weirdly, embarrassed. I was so floored that all I could say was, “Yes. Thank you,” with a smile that didn’t reach my eyes.

My daughter and I do not look alike at first glance, so I guess it’s a fair, albeit rude and intrusive, question. I’m mixed race^* (black dad, white mom), with curly dark hair and brown eyes and skin. My husband, Mike, is a blue-eyed white man. Simone, 22 months, is fair-skinned with blue-grey eyes and straight hair, while our son, Theo, 4, is darker-skinned with big brown eyes and curly hair. Neither of my kids look black, and I do. I know this. But I never considered the optics until that day in the grocery store—which, considering how I grew up, was perhaps naïve…

Read the entire article here.

Secrets of famous 1930s ‘blonde bombshell of rhythm’ revealed with help from UW library

UW News
University of Washington
2012-03-27

Molly McElroy

We all have things in our past that we gloss over. Some secrets might just be embarrassing or unflattering. But others may be more serious, and people who conceal these truths may fear that revealing them would undermine their livelihoods.

Such was likely the case with an Emmy-winning female bandleader who rose to fame in the 1930s and led bands until the 1960s. Known as “the blonde bombshell of rhythm,” this sex symbol hailing from Chicago had security to protect her from the men who mobbed her performances.

See why they were so enchanted:

Ina Ray Hutton, who died in 1984 at age 67, also had a secret that could have damaged her stardom. A reporter from KUOW radio, with help from the UW libraries, recently revealed the secret. It turns out that the blonde bombshell had more than hair-dye to hide…

Read the entire article here.

Passing and the Costs and Benefits of Appropriating Blackness

The Review of Black Political Economy
Volume 45, Issue 2, 2018
pages 1-19
DOI: 10.1177/0034644618789182

Kristen E. Broady, Vice Provost for Graduate Studies
Kentucky State University

Curtis L. Todd, Associate Professor of Social Work
Atlanta Metropolitan State College, Atlanta, Georgia

William A. Darity, Jr., Samuel DuBois Cook Professor of Public Policy
Duke University, Durham, North Carolina

The socioeconomic position of Blacks in America cannot be fully contextualized without considering the marginalization of their racialized social identities as minorities who have historically combated subjugation and oppression with respect to income, employment, homeownership, education, and political representation. It is not difficult to understand why the historical reference to “passing” primarily has been associated with Blacks who were able to—and many who did—claim to be White to secure the social, educational, political, and economic benefits that were reserved for Whites. Therefore, the majority of passing narratives have focused on Black to White passing. This article departs from the tradition in the literature by considering appropriation of various aspects of Black culture and White to Black passing. We evaluate the socioeconomic costs and benefits of being Black and inequalities in citizenship status between Blacks and Whites. Furthermore, we examine the socioeconomic and political capital of Blackness versus Whiteness in an attempt to explore the rationality of passing for Black.

Read the entire article here.

Chi-Chi tells Tubridy about her Mum’s heartbreaking story

The Ryan Tubridy Show
RTÉ Radio 1
2018-03-12

Chi-Chi Nwanoku

Acclaimed double bass player and professor at the Royal Academy of Music in London, Chi-Chi Nwanoku OBE spoke to Ryan Tubridy about the extraordinary and poignant story of how her Irish mother met her Nigerian father in the 1950’s.

“Theirs was an unconventional coupling… My mother was white, my father was black. Society was not in favour of this kind of union.

“As soon as my mother let her parents know that she’d met the man of her dreams, they said never darken our doorstep again.”

Chi-Chi’s mum did as she was told but received a surprise visit when her own mother showed up on their doorstep in London three months after Chi-Chi’s birth. She secretly stayed for a week and that was the last the family ever saw of her…

Listen to the interview (00:21:11) here.