Mixed Race Studies

America’s Changing Color Lines: Immigration, Race/Ethnicity, and Multiracial Identification

Annual Review of Sociology
Volume 30 (August 2004)
pages 221–242
DOI: 10.1146/annurev.soc.30.012703.110519

Jennifer Lee, Associate Professor of Sociology
University of California, Irvine

Frank D. Bean, Chancellor’s Professor of Sociology and Economics; Director of the Center for Research on Immigration, Population, and Public Policy
University of California, Irvine

Over the past four decades, immigration has increased the racial and ethnic diversity in the United States. Once a mainly biracial society with a large white majority and relatively small black minority—and an impenetrable color line dividing these groups—the United States is now a society composed of multiple racial and ethnic groups. Along with increased immigration are rises in the rates of racial/ethnic intermarriage, which in turn have led to a sizeable and growing multiracial population. Currently, 1 in 40 persons identifies himself or herself as multiracial, and this figure could soar to 1 in 5 by the year 2050. Increased racial and ethnic diversity brought about by the new immigration, rising intermarriage, and patterns of multiracial identification may be moving the nation far beyond the traditional and relatively persistent black/white color line. In this chapter, we review the extant theories and recent findings concerning immigration, intermarriage, and multiracial identification, and consider the implications for America’s changing color lines. In particular, we assess whether racial boundaries are fading for all groups or whether America’s newcomers are simply crossing over the color line rather than helping to eradicate it.

Read the entire article here.

In the South African, Namibian, Zambian, Botswana and Zimbabwean context, the term Coloured (also known as Bruinmense, Kleurlinge or Bruin Afrikaners in Afrikaans) refers or referred to an ethnic group of mixed-race people who possess some sub-Saharan African ancestry, but not enough to be considered Black under the law of South Africa. They are mixed race and often possess substantial ancestry from Europe, Indonesia, Madagascar, Malaya, Mozambique, Mauritius, Saint Helena and Southern Africa. Besides the extensive combining of these diverse heritages in the Western Cape—in which a distinctive ‘Cape Coloured’ and affiliated Cape Malay culture developed—in other parts of Southern Africa, their development has usually been the result of the meeting of two distinct groups. Genetic studies suggest the group has the highest levels of mixed ancestry in the world.

Wikipedia

Hang Tough, Martina

Frear Ensemble Theatre
Swarthmore College, Swarthmore, Pennsylvania
2004-02-27 through 2004-02-29
Saturday at 20:00, Sunday at 14:00

Composed and Performed By: Audrey Pernell
In Collaboration with: Vernice Miller and Jessica Nakamura
Directed by: Vernice Miller
Music: Ralph Denzer

The Department of Theater presents an honors thesis project by Audrey Pernell, directed by Vernice Miller as Artist-in-Residence. Hang Tough, Martina is a work in progress composed and performed by Audrey Pernell ’04 in collaboration with Vernice Miller and Jessica Nakamura ’03. It is an exploration of light-skinned black/biracial black-white identity using a fusion of European and African performance elements, made most evident through the characterization of a contemporary griot-opera-diva.

Queering Mestizaje: Transculturation and Performance

University of Michigan Press
2006
256 pages
6 x 9. 29 illustrations
Cloth ISBN: 978-0-472-09955-9
Paper ISBN: 978-0-472-06955-2

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

• Winner of the Outstanding Book Award for 2008 from the Association for Theatre in Higher Education (ATHE)
• Co-winner of the 2007 Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies

Rethinking mestizaje and how it functions as an epistemology of colonialism in diverse sites from Aztlán to Manila, and across a range of cultural materials

Queering Mestizaje employs theories of postcolonial cultural studies (including performance studies, queer and feminist theory) to examine the notion of mestizaje—the mixing of races, and specifically indigenous peoples, with European colonizers—and how this phenomenon manifests itself in three geographically diverse spaces: the United States, Latin America, and the Philippines. Alicia Arrizón argues that, as an imaginary site for racialized, gendered, and sexualized identities, mestizaje raises questions about historical transformation and cultural memory across Spanish postcolonial sites.

Arrizón offers new, queer readings of the hybrid, the intercultural body, and the hyphenated self, building on the work of Gloria Anzaldúa, Antonio Benitez-Rojo, Walter Mignolo, and Vera Kutzinski, while challenging accepted discourses about the relationship between colonizer and colonized. Queering Mestizaje is unique in the connections it makes between the Spanish colonial legacy in the Philippines and in the Americas. An engagingly eclectic array of cultural materials—including examples from performance art, colonial literature, visual art, fashion, and consumer products—are discussed, and included in the book’s twenty-nine illustrations.

Race-ing Performativity through Transculturation, Taste and the Mulata Body

Theatre Research International
Volume 27, Number 2 (2002)
pages 136-152
DOI: 10.1017/S0307883302000226

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

A Cuban cocktail called mulata inspires an examination of the mulata body. Beyond an analysis of the cocktail as a commercial commodity, the mulata body can be placed within an intercultural space shaped by the processes of colonization, slavery and race relations. By examining the grammars in the mulata cocktail, the discussion moves the subject through other texts and discourses in order to mediate the mulata’s embodied genealogy as a form of transculturation. As a hybrid body that inhabits a ‘racialized’ performativity, the mulata’s subaltern agency is imagined beyond the exoticism charged to its presence in the Latin American and Caribbean contexts. A closer look at the mulata body helps to trace not only the process of objecthood affected by masculinist power and desire, but also by the way the process of subjecthood is performatively achieved.

Read or purchase the article here.

Reducing Race: News Themes in the 2008 Primaries

The International Journal of Press/Politics
Volume 15, Number 4 (October 2010)
pages 375-400
DOI: 10.1177/1940161210372962

Catherine R. Squires, Cowles Professor of Journalism, Diversity and Equality
University of Minnesota

Sarah J. Jackson
University of Minnesota

This article presents a content analysis exploring how racial issues were addressed in newspaper and news magazine coverage of the 2008 Democratic primaries. Despite the presence of Latino and biracial candidates, discussion of race was limited by binary racial frames, resulting in the construction of racial groups as competing voting blocs (including frequent references to white voters) and few references to Barack Obama’s biracial heritage. The dominant framing constricted the range of racial issues to matters of interpersonal insensitivity and misguided statements and ignored matters of public policy and racial equity.

Read or purchase the article here.

…There is a lot to unpack and a lot of mistruths around this historical concept of mixed race.  I’m 40 years of age and some young people ask me if there are any people that are older than me who are mixed race. Because in their minds people who are mixed race are usually, you know, under 40 years of age. So historically they haven’t got any context to see that people have been mixing for hundreds and hundreds of years.  And that kind of scares me…

Bradley Lincoln of (mix-d:), Interview on Mixed Chicks Chat. January 27, 2010.

Filling in the Chasm Between Black and White

The Siskiyou
Southern Oregon University
2006-02-27

Shannon Luders-Manuel

Last week I had the pleasure of attending the lecture by James McBride, having read his memoir a few years ago when I was at my most-heightened search for identity. Without retaining much of the details of his life story, what has remained with me is the knowledge that someone else had experiences similar to my own. To know that he too struggled with feelings of shame over his white mother and questions over whether he, as a black child, had been adopted, brought down the wall of alienation I felt was between me and the rest of the world…

Read the entire article here.

Diverse Identities in Interracial Relationships: A Multiethnic Interpretation of “Mississippi Masala” and “The Wedding Banquet”

Xchanges
Volume 4, Number 1 (September 2004)

Lan Dong, Assistant Professor of English
University of Illinois, Springfield

In their introduction to the collection Multiculturalism, Postcoloniality, and Transnational Media, Ella Shohat and Robert Stam point out “much of the work on race within the United States has tended to emphasize a discussion of particular ethnicities. There has not been much engagement with the interrelations among such communities, nor with how the multicultural debates cross various national borders” (Shohat and Stam 3). In the past decade, nevertheless, discussions of ethnicity and identity among U.S. critics frequently note the prominent multiethnic and interethnic relations among racial groups [1].

In this paper, I build upon theories of multiethnicity and interethnicity in my examination of heterogeneity, hybridity, and multiplicity within the body we label “Asian diaspora.” In particular, my argument is focused on the realization and construction of the diverse identities of Asian diaspora living in contemporary America in the context of interracial relationships. I choose to analyze Mississippi Masala (1991) directed by Mira Nair and The Wedding Banquet 喜宴(1993) directed by Ang Lee since interracial romance in both films functions as the primary plot. The struggle for love and individuality is intertwined with the protagonists’ complicated identities by way of negotiation between personal, familial, communal, and social concerns. I use this film analysis to suggest the intersection of gender, class, ethnicity, and nationalism in Asian diaspora’s pursuit of their reconstructed, rather than prescribed, identities…

Read the entire article here.

The Election of Barack Obama and the Politics of Interracial and Same-Sex Marriage

History News Network
2009-02-23

Peggy Pascoe, Beekman Professor of Northwest and Pacific History
University of Oregon

Peggy Pascoe is the author of “What Comes Naturally: Miscegenation Law and the Making of Race in America”, (winner of 5 literary prizes).

The election (and now the inauguration) of Barack Obama has inspired a widespread sense of awe at the scope and scale of change in race relations in America—and more than a hint of self-congratulation.

The news media just can’t seem to resist trumpeting the example of interracial marriage. When Barack Obama’s white mother married his black father in 1961, reporters remind us, their marriage would have been illegal in more than a dozen states. See how far we’ve come, they enthuse, falling into the trap of assuming that the legality of interracial marriage is proof that racism and white supremacy have disappeared into thin air and a colorblind utopia is on the way.

As someone who has spent nearly two decades studying the history of interracial marriage in America, I want to suggest that at a moment when talk of change seems to be everywhere, we could use a bit less celebration—and a lot more reflection…

…It does not, however, follow that interracial marriage is synonymous with colorblindness or that the end of racism is at hand. Generations of lawyers had to fight to make interracial marriage a legal right. Many of them thought colorblindness was a wonderful idea, but few were naive enough to believe it actually existed. Today the assertion that America is a colorblind nation is so commonplace that even the most conservative of Supreme Court justices are eager to wrap themselves in its mantle. Yet forty years after the Supreme Court’s decision in Loving v. Virginia, marriages between blacks and whites are still the rarest form of interracial marriage, and interracial couples still face a host of challenges, from stares on the street to confusion on the faces of their children’s teachers and playmates. And in yet another example of racism’s shape-shifting power, America’s prisons, police, schools, and housing markets offer daily evidence of how easy it is for claims of colorblindness to co-exist with, and even enable, new forms of white entitlement…

Read the entire article here.